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DUKAS_186737172_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737159_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737145_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Eva Jospin
Forêt
2014
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737131_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737117_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Shara
Hughes
Anticipating the Aisle
2024
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737089_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Etel Adnan
Oasis
1960s, 2023
&
Robert Zehnder
Tiramisu
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737103_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Alyina Zaidi
Facts and hearsay
an encyclopaedia of various natural and less natural phenomena 2024
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737075_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Alyina Zaidi
Facts and hearsay
an encyclopaedia of various natural and less natural phenomena 2024
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737061_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Anselm Kiefer
Brigach und Breg bringen die
Donau zu Weg
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737047_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737034_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Minoru Nomata
Resonance 2 and 3
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737021_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Anselm Kiefer
Brigach und Breg bringen die
Donau zu Weg
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737008_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Anselm Kiefer
Brigach und Breg bringen die
Donau zu Weg
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736995_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
David Hockney
Hedge on the 18th of May 2023
2023
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736982_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736969_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Bagus Pandega & Kei Imazu
Artificial Green by Nature Green
4.1 2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736955_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Bagus Pandega & Kei Imazu
Artificial Green by Nature Green
4.1 2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736941_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Bagus Pandega & Kei Imazu
Artificial Green by Nature Green
4.1 2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736926_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Bagus Pandega & Kei Imazu
Artificial Green by Nature Green
4.1 2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736911_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Bagus Pandega & Kei Imazu
Artificial Green by Nature Green
4.1 2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736896_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Bagus Pandega & Kei Imazu
Artificial Green by Nature Green
4.1 2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736881_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Bagus Pandega & Kei Imazu
Artificial Green by Nature Green
4.1 2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736866_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736851_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186414248_NUR
Daily Life In Montreal
MONTREAL, CANADA – June 6:
View of the Habitat 67 apartment complex with a large construction crane in front, seen from the Old Port of Montreal, in Montreal, Quebec, Canada, on June 6, 2025. (Photo by Artur Widak/NurPhoto) -
DUKAS_186414247_NUR
Daily Life In Montreal
MONTREAL, CANADA – June 6:
View of the Habitat 67 apartment complex with a large construction crane in front, seen from the Old Port of Montreal, in Montreal, Quebec, Canada, on June 6, 2025. (Photo by Artur Widak/NurPhoto) -
DUKAS_181802261_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802223_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802176_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802147_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802247_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802219_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802244_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802240_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802257_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802236_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802172_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802144_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802169_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_181802214_EYE
Alia Ahmad's solo exhibition at the White Cube Masons Yard, London, UK.
Alia Ahmad's solo exhibition.at the White Cube Masons Yard, London, UK.
Press photo call
27th February 2025
Runs 28 February – 5 April 2025
A solo exhibition of works by Alia Ahmad (b.1996, Riyadh)
Ahmad’s colourful, expressionistic paintings draw inspiration from memories and observations of her native Riyadh, informed by local textiles, poetry, calligraphy, digital graphics and the rich diversity of the surrounding industrialised desert landscape and plant life. Executed with thickly applied oil paint, the works in the exhibition continue the artist’s engagement with her local environment – from the vibrant flowers that thrive in Riyadh’s arid climate, to the city’s evolving infrastructure. Ahmad’s paintings are presented alongside a suite of intricate charcoal works on paper. White Cube announced global representation of Alia Ahmad in September 2024. ‘Fields / ?????? ’ marks the artist’s second exhibition with the gallery, following her solo show in Paris in
March 2024
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_178044767_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
South Water
1965
Oil on canvas
Lynne Drexler
Brentwood Exotica
1964
Tempera and cut paper collage on board
Lynne Drexler
An Activated Land
1965
Oil on canvas
Lynne Drexler
Deciduous Empire
1964
Oil on canvas
Lynne Drexler
Grass Oval
1966
Oil on canvas
Lynne Drexler
Final Flowers
1963
Oil on canvas
Lynne Drexler
Hovering Sentinals [sic]
1963
Oil on canvas
Lynne Drexler
Changeable Sentinels
1964
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_178044751_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
South Water
1965
Oil on canvas
Lynne Drexler
Brentwood Exotica
1964
Tempera and cut paper collage on board
Lynne Drexler
An Activated Land
1965
Oil on canvas
Lynne Drexler
Deciduous Empire
1964
Oil on canvas
Lynne Drexler
Grass Oval
1966
Oil on canvas
Lynne Drexler
Final Flowers
1963
Oil on canvas
Lynne Drexler
Hovering Sentinals [sic]
1963
Oil on canvas
Lynne Drexler
Changeable Sentinels
1964
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_178044765_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
South Water
1965
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_178044766_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
South Water
1965
Oil on canvas
Lynne Drexler
Brentwood Exotica
1964
Tempera and cut paper collage on board
Lynne Drexler
An Activated Land
1965
Oil on canvas
Lynne Drexler
Deciduous Empire
1964
Oil on canvas
Lynne Drexler
Grass Oval
1966
Oil on canvas
Lynne Drexler
Final Flowers
1963
Oil on canvas
Lynne Drexler
Hovering Sentinals [sic]
1963
Oil on canvas
Lynne Drexler
Changeable Sentinels
1964
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_178044762_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
South Water
1965
Oil on canvas
Lynne Drexler
Brentwood Exotica
1964
Tempera and cut paper collage on board
Lynne Drexler
An Activated Land
1965
Oil on canvas
Lynne Drexler
Deciduous Empire
1964
Oil on canvas
Lynne Drexler
Grass Oval
1966
Oil on canvas
Lynne Drexler
Final Flowers
1963
Oil on canvas
Lynne Drexler
Hovering Sentinals [sic]
1963
Oil on canvas
Lynne Drexler
Changeable Sentinels
1964
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_178044764_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
An Activated Land
1965
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_178044763_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
An Activated Land
1965
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_178044747_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
An Activated Land
1965
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_178044761_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
South Water
1965
Oil on canvas
Lynne Drexler
Brentwood Exotica
1964
Tempera and cut paper collage on board
Lynne Drexler
An Activated Land
1965
Oil on canvas
Lynne Drexler
Deciduous Empire
1964
Oil on canvas
Lynne Drexler
Grass Oval
1966
Oil on canvas
Lynne Drexler
Final Flowers
1963
Oil on canvas
Lynne Drexler
Hovering Sentinals [sic]
1963
Oil on canvas
Lynne Drexler
Changeable Sentinels
1964
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_178044748_EYE
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Lynne Drexler exhibition at the White Cube Masons Yard, London, UK.
Press photo call
25th November 2024
Runs to 10th January 2025
First exhibition in Europe of works by the late American artist Lynne Drexler
Lynne Drexler
South Water
1965
Oil on canvas
Lynne Drexler
Brentwood Exotica
1964
Tempera and cut paper collage on board
Lynne Drexler
An Activated Land
1965
Oil on canvas
Lynne Drexler
Deciduous Empire
1964
Oil on canvas
Lynne Drexler
Grass Oval
1966
Oil on canvas
Lynne Drexler
Final Flowers
1963
Oil on canvas
Lynne Drexler
Hovering Sentinals [sic]
1963
Oil on canvas
Lynne Drexler
Changeable Sentinels
1964
Oil on canvas
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
