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DUKAS_184098129_EYE
Ministers Attend Cabinet Meeting
29/04/2025. London, United Kingdom.
Ministers Attend Cabinet Meeting.
Foreign Secretary David Lammy attends cabinet meeting, Downing Street
Picture by Martyn Wheatley / i-Images / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©2025 Martyn Wheatley / i-Images -
DUKAS_184098202_EYE
Ministers Attend Cabinet Meeting
29/04/2025. London, United Kingdom.
Ministers Attend Cabinet Meeting.
Foreign Secretary David Lammy attends cabinet meeting, Downing Street
Picture by Martyn Wheatley / i-Images / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©2025 Martyn Wheatley / i-Images -
DUKAS_183887753_ZUM
'Mob Cops' Los Angeles Premiere
April 23, 2025, Los Angeles, California, USA: DAVID ARQUETTE at the 'Mob Cops' Premiere at Harmony Gold in Los Angeles. (Credit Image: © Kay Blake/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_183371809_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371866_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371808_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371864_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371845_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371862_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371807_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371844_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Washing, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371843_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Stack, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371860_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Stack, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371805_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Green Vest, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371806_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Green Vest, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371815_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Green Vest, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371814_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
N.P.Intrigue, 2025
And
The Red Suit, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371813_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
N.P.Intrigue, 2025
And
The Red Suit, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371812_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Red Suit, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371811_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Red Suit, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371810_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
N.P.Intrigue, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371804_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Big Strike, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371842_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Big Strike, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371841_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Blue Dish with Lemons, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371840_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Blue Dish with Lemons, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371803_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Suspenders, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183365733_EYE
King Charles III and Queen Camilla State visit to Italy - Day 2
08/04/2025. Rome, Italy.
King Charles III and Queen Camilla State visit to Italy - Day 2. Foreign Secretary David Lammy and his wife Nicola Green accompanied HM The King Charles III and Queen Camilla visit the Colosseum in Rome, on the second day of their State visit to Italy.
Picture by Andrew Parsons / Parsons Media / eyevine
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©2025 Andrew Parsons / Parsons Media -
DUKAS_183180279_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
David Lammy, British Foreign Secretary and Marco Rubio, United States Secretary of State (R) during the meeting of the North Atlantic Council with NATO partners at the alliance’s headquarters in Brussels, Belgium, on 3.04.2025, held as part of the two-day NATO foreign ministers gathering addressing support for Ukraine, transatlantic relations, and cooperation with Indo-Pacific nations.
© Wiktor Dabkowski / eyevine
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WIKTOR DABKOWSKI -
DUKAS_183180212_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
David Lammy, British Foreign Secretary and Marco Rubio, United States Secretary of State (R) during the meeting of the North Atlantic Council with NATO partners at the alliance’s headquarters in Brussels, Belgium, on 3.04.2025, held as part of the two-day NATO foreign ministers gathering addressing support for Ukraine, transatlantic relations, and cooperation with Indo-Pacific nations.
© Wiktor Dabkowski / eyevine
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DUKAS_183180268_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
David Lammy, British Foreign Secretary during the meeting of the North Atlantic Council with NATO partners at the alliance’s headquarters in Brussels, Belgium, on 3.04.2025, held as part of the two-day NATO foreign ministers gathering addressing support for Ukraine, transatlantic relations, and cooperation with Indo-Pacific nations.
© Wiktor Dabkowski / eyevine
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DUKAS_183180267_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
David Lammy, British Foreign Secretary (R) and Rados?aw Sikorski, Minister of Foreign Affairs during the meeting of the North Atlantic Council with NATO partners at the alliance’s headquarters in Brussels, Belgium, on 3.04.2025, held as part of the two-day NATO foreign ministers gathering addressing support for Ukraine, transatlantic relations, and cooperation with Indo-Pacific nations.
© Wiktor Dabkowski / eyevine
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DUKAS_183180189_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
(L-R) David Lammy, British Foreign Secretary and Rados?aw Sikorski, Minister of Foreign Affairs during the meeting of the North Atlantic Council with NATO partners at the alliance’s headquarters in Brussels, Belgium, on 3.04.2025, held as part of the two-day NATO foreign ministers gathering addressing support for Ukraine, transatlantic relations, and cooperation with Indo-Pacific nations.
© Wiktor Dabkowski / eyevine
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DUKAS_183180188_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
(L-R) David Lammy, British Foreign Secretary, Rados?aw Sikorski, Minister of Foreign Affairs and Annalena Baerbock, German Foreign Minister during the meeting of the North Atlantic Council with NATO partners at the alliance’s headquarters in Brussels, Belgium, on 3.04.2025, held as part of the two-day NATO foreign ministers gathering addressing support for Ukraine, transatlantic relations, and cooperation with Indo-Pacific nations.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
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WIKTOR DABKOWSKI -
DUKAS_183180265_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
David Lammy, British Foreign Secretary and Deputy Prime Minister and Foreign Minister of New Zealand Winston Peters during the meeting of the North Atlantic Council with NATO partners at the alliance’s headquarters in Brussels, Belgium, on 3.04.2025, held as part of the two-day NATO foreign ministers gathering addressing support for Ukraine, transatlantic relations, and cooperation with Indo-Pacific nations.
© Wiktor Dabkowski / eyevine
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DUKAS_183180230_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
Xavier Bettel, Luxembourg Foreign Minister (L) and David Lammy, British Foreign Secretary during the meeting of the North Atlantic Council with NATO partners at the alliance’s headquarters in Brussels, Belgium, on 3.04.2025, held as part of the two-day NATO foreign ministers gathering addressing support for Ukraine, transatlantic relations, and cooperation with Indo-Pacific nations.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
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WIKTOR DABKOWSKI -
DUKAS_183180185_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
(L-R) Mark Rutte, NATO Secretary General, Marco Rubio, United States Secretary of State and David Lammy, British Foreign Secretary poses for the official group photo with counterparts during the NATO foreign ministers meeting at the allianceís headquarters in Brussels, Belgium, on 3.04.2025. The two-day gathering focuses on transatlantic cohesion, support for Ukraine, and enhanced cooperation with Indo-Pacific partners.
© Wiktor Dabkowski / eyevine
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DUKAS_183180155_EYE
NATO North Atlantic Council Meets with Partners in Brussels, Belgium.
(L-R) Mark Rutte, NATO Secretary General, Marco Rubio, United States Secretary of State and David Lammy, British Foreign Secretary poses for the official group photo with counterparts during the NATO foreign ministers meeting at the allianceís headquarters in Brussels, Belgium, on 3.04.2025. The two-day gathering focuses on transatlantic cohesion, support for Ukraine, and enhanced cooperation with Indo-Pacific partners.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
WIKTOR DABKOWSKI -
DUKAS_183179814_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Protestors are arrested by the Police and taken away
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179812_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Protestors are arrested by the Police and taken away
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179813_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Protestors are arrested by the Police and taken away
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179850_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Protestors are arrested by the Police and taken away
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179811_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Protestors are arrested by the Police and taken away
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179849_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Protestors are arrested by the Police and taken away
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179829_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Protestors are arrested by the Police and taken away
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179810_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179798_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179828_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179796_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179794_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183179809_EYE
Greenpeace activists climb Foreign Office building over signing of ocean treaty The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
Greenpeace activists climb Foreign Office building over signing of ocean treaty. The group called for faster action from Foreign Secretary David Lammy in signing the Global Ocean Treaty. Foreign Office, London, UK.
3rd April 2025
Greenpeace activists have unfurled a banner over the archway and scaled a building outside the Foreign Office in protest over delays to signing an international treaty protecting oceans.
Four protesters unfurled a banner that says “Lammy don’t dally!” as they suspended themselves on columns on the King Charles Street Archway in Westminster early on Thursday morning.
The treaty, which aims to protect large areas of marine life by putting stricter regulations on deep sea mining and fishing, was first agreed in March 2023 and has been ratified by 21 countries so far, ahead of the United Nations Ocean Conference in June.
Erica Finnie, oceans campaigner at Greenpeace UK, said: “The ocean is home to so many spectacular marine creatures, but sadly David Lammy has taken inspiration from the sea snail to pass the Global Ocean Treaty into UK law.
“The Foreign Secretary and his staff love to talk about the importance of nature and ocean protection, yet this historic global agreement appears to be floundering.
“So we stopped by his office to deliver a message: stop dallying and get your flippers on.
“Unless the Government lifts the anchor fast, it risks the embarrassment of not being able to shape key decisions at the first ‘conference of the parties’ of the treaty.”
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
