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DUKAS_129738760_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738573_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738859_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738852_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738682_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738687_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738700_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738792_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Jack Denness, Self Portrait, 2105. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738744_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738759_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738870_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738854_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738697_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738636_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738553_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738605_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738622_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
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DUKAS_129738655_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738858_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738750_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738638_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. The Only Good System is a Sound System by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obs
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738660_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds
© David Levene / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738698_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds
© David Levene / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738560_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738683_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738562_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738650_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738728_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds System. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Black Obsidian Sound System (B.O.S.S) was established in 2018 to bring together a community of queer, trans and non-binary black people and people of colour involved in art, sound and radical activism. Following the legacies of sound system culture they wanted to learn, build and sustain a resource for collective struggles. The London-based system is available to use or rent by community groups and others with the purpose of amplifying and connecting them.
The exhibition features two distinct but connected spaces. The inner space is a reconfiguration of The Only Good System is a Sound System, an immersive environment combining film, light, a sound score and sculpture, exhibited at FACT for Liverpool Biennial (2021). Weaving together archival images, the installation reflects the ways in which marginalised groups have developed methods of coming together against a background of repression and discrimination in the UK. It positions sound culture as a source of collective strength and encounter, where kinship is found and reciprocated. B.O.S.S considers the speaker as a totem for creating a sacred space, where one can be moved, and experience collective pleasure and healing.
The second space makes the collective’s working practices and artistic labour visible. It will be an evolving discursive/studio space to archive, document and connect with invisibilised communities in the local area, and amplify their collective voice. B.O.S.S will host a livestream radio broadcast in collaboration with community radio group Hillz FM, and hold a workshop to build the Baby B.O.S.S system in conjunction with local activist and community groups in Coventry.2021 Turner Prize. A discursive/studio space by Black Obsidian Sounds
© David Levene / Guardian / eyevine
Contact eyevine for
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738791_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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DUKAS_129738853_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738809_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry. The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this imag (FO
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738851_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738637_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
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Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738663_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this imag (FO
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738538_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738699_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036215_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Lawrence Abu Hamdan, Turner Prize 2019, courtesy Turner Contemporary and the artist. Photograph by David Levene 25/9/19
Walled Unwalled, 2018
HD video, stereo sound,
duration 20 min
Wall design in collaboration
with MU?LLER APRAHAMIAN
Courtesy of the artist
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036217_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Lawrence Abu Hamdan, After SFX, 2018. Turner Prize 2019, Margate. Photograph by David Levene 25/9/19
© David Levene / Guardian / eyevine
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036214_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Lawrence Abu Hamdan, After SFX, 2018. Turner Prize 2019, Margate. Photograph by David Levene 25/9/19
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036216_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Lawrence Abu Hamdan, Turner Prize 2019, courtesy Turner Contemporary and the artist. Photograph by David Levene 25/9/19
Saydnaya
(the missing 19db), 2017
Lightbox, Duratrans print,
duration 2 min 30 sec
Courtesy of the artist, originally commissioned by Sharjah Art Foundation for Sharjah Biennale 13
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036209_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Lawrence Abu Hamdan, Turner Prize 2019, courtesy Turner Contemporary and the artist. Photograph by David Levene 25/9/19
Saydnaya
(the missing 19db), 2017
Lightbox, Duratrans print,
duration 2 min 30 sec
Courtesy of the artist, originally commissioned by Sharjah Art Foundation for Sharjah Biennale 13
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036192_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Tai Shani, Turner Prize 2019. Margate. Photograph by David Levene 25/9/19 DC: Semiramis, 2019
Installation, 4K video,
soundtrack by Let’s Eat Grandma
Commissioned by Glasgow International and The Tetley in collaboration with Nottingham Contemporary. Courtesy of the artist
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036221_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Tai Shani, Turner Prize 2019. Margate. Photograph by David Levene 25/9/19 DC: Semiramis, 2019
Installation, 4K video,
soundtrack by Letís Eat Grandma
Commissioned by Glasgow International and The Tetley in collaboration with Nottingham Contemporary. Courtesy of the artist
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036210_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Tai Shani, Turner Prize 2019. Turner Contemporary. London. Photograph by David Levene 25/9/19 DC: Semiramis, 2019
Installation, 4K video,
soundtrack by Let’s Eat Grandma
Commissioned by Glasgow International and The Tetley in collaboration with Nottingham Contemporary. Courtesy of the artist
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036195_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Oscar Murillo, Turner Prize 2019, Margate. Photograph by David Levene 25/9/19
© David Levene / Guardian / eyevine
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036223_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Oscar Murillo. Turner Prize 2019. Turner Contemporary. London. Photograph by David Levene 25/9/19 collective conscience
2015–ongoing
23 effigies (papier-ma?che?,textile/clothing, steel pipe sections),20 plastic chairs, 23 office chairs. Courtesy of the artist
© David Levene / Guardian / eyevine
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036194_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Oscar Murillo, Turner Prize 2019, Margate. Photograph by David Levene 25/9/19 collective conscience
2015–ongoing
23 effigies (papier-ma?che?,textile/clothing, steel pipe sections),20 plastic chairs, 23 office chairs. Courtesy of the artist
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036191_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Tai Shani, Turner Prize 2019. Turner Contemporary. London. Photograph by David Levene 25/9/19 DC: Semiramis, 2019
Installation, 4K video,
soundtrack by Let’s Eat Grandma
Commissioned by Glasgow International and The Tetley in collaboration with Nottingham Contemporary. Courtesy of the artist
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036222_EYE
Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent. Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians...
Helen Cammock, Turner Prize 2019, Margate. Photograph by David Levene 25/9/19 Shouting in Whispers, 2017
Series of 5 hand pulled screen prints
Courtesy of the artist
© David Levene / Guardian / eyevine
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Turner prize 2019 review: Outrages of our age, in sound, vision and papiermache at the Turner Contemporary, Margate, Kent.
Fleeing figures wait, a city cries out for people, Derry women fight for peace, and an earwitness hears tortured Syrians... (FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
