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DUKAS_189151281_NUR
Christie's Presents Three Major Works By Lucian Freud In London
LONDON, UNITED KINGDOM - SEPTEMBER 23, 2025: A staff member looks at a painting by Lucian Freud titled "Woman with a Tulip" (1944) - estimate: £3,000,000-5,000,000 during a photocall at Christie's auction house ahead of 20th/21st Century: London Evening Sale in London, United Kingdom on September 23, 2025. (Photo by WIktor Szymanowicz/NurPhoto) -
DUKAS_188687520_NUR
Daily Life In London
The view of St. Paul's Cathedral is in the English Baroque style, the work of architect Christopher Wren, whose dome is inspired by that of St. Peter's Basilica in Rome. (Photo by Joaquin Gomez Sastre/NurPhoto) -
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Sotheby's Presents The London Collection Of Pauline Karpidas
LONDON, UNITED KINGDOM - SEPTEMBER 08, 2025: Art handlers hold “The Scream (After Munch)” by Andy Warhol, estimate: £2,000,000 - 3,000,000 during a photocall at Sotheby's auction house for the 'Pauline Karpidas: The London Collection' exhibition and sales in London, United Kingdom on September 08, 2025. The extraordinary personal collection of legendary patron and aesthete Pauline Karpidas, showcasing the masterpieces of Surrealist art and furniture design that adorned her one-of-a-kind home in London will be offered at Sotheby’s on 17 and 18 September, together estimated in excess of £60 million (the highest estimate ever placed on a single collection at Sotheby’s in Europe), preceded by a public exhibition, opening on 8 September. (Photo by WIktor Szymanowicz/NurPhoto) -
DUKAS_188611552_NUR
Sotheby's Presents The London Collection Of Pauline Karpidas
LONDON, UNITED KINGDOM - SEPTEMBER 08, 2025: A visitor takes a photo of “Le Piano” by Oscar Dominguez, estimate: £1,000,000 - 1,500,000 during a photocall at Sotheby's auction house for the 'Pauline Karpidas: The London Collection' exhibition and sales in London, United Kingdom on September 08, 2025. The extraordinary personal collection of legendary patron and aesthete Pauline Karpidas, showcasing the masterpieces of Surrealist art and furniture design that adorned her one-of-a-kind home in London will be offered at Sotheby’s on 17 and 18 September, together estimated in excess of £60 million (the highest estimate ever placed on a single collection at Sotheby’s in Europe), preceded by a public exhibition, opening on 8 September. (Photo by WIktor Szymanowicz/NurPhoto) -
DUKAS_188611536_NUR
Sotheby's Presents The London Collection Of Pauline Karpidas
LONDON, UNITED KINGDOM - SEPTEMBER 08, 2025: A staff member looks at “Man Ray” by Andy Warhol, estimate: £400,000 - 600,000 during a photocall at Sotheby's auction house for the 'Pauline Karpidas: The London Collection' exhibition and sales in London, United Kingdom on September 08, 2025. The extraordinary personal collection of legendary patron and aesthete Pauline Karpidas, showcasing the masterpieces of Surrealist art and furniture design that adorned her one-of-a-kind home in London will be offered at Sotheby’s on 17 and 18 September, together estimated in excess of £60 million (the highest estimate ever placed on a single collection at Sotheby’s in Europe), preceded by a public exhibition, opening on 8 September. (Photo by WIktor Szymanowicz/NurPhoto) -
DUKAS_187405208_EYE
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
This public collection supports living artists while bringing their work into the homes and workplaces of Australians.
Artbank, Waterloo, NSW, Australia
Blake Sharp-Wiggins / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Blake Sharp-Wiggins -
DUKAS_187405204_EYE
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
This public collection supports living artists while bringing their work into the homes and workplaces of Australians.
Artbank, Waterloo, NSW, Australia
Blake Sharp-Wiggins / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Blake Sharp-Wiggins -
DUKAS_187405207_EYE
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
This public collection supports living artists while bringing their work into the homes and workplaces of Australians.
Artbank Sydney collection store featuring artworks by (from let) Brent Harris, Swamp (No. 4), 1999; Yaritji Young, Tjala Tjukurpa - Honey Ant Story, 2017; Timothy Cook, Kulama, 2012; Clara Adolphs, Swimmers, 2018; Thom Roberts, Magic Robot Machine, 2020; and Lily Hargraves Nungarrayi, Duck Ponds, 2015.. Artbank, Waterloo, NSW, Australia
Blake Sharp-Wiggins / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Blake Sharp-Wiggins -
DUKAS_187405202_EYE
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
This public collection supports living artists while bringing their work into the homes and workplaces of Australians.
Artbank director, Zoë Rodriguez at Artbank, Waterloo, NSW, Australia
Blake Sharp-Wiggins / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Blake Sharp-Wiggins -
DUKAS_187405206_EYE
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
This public collection supports living artists while bringing their work into the homes and workplaces of Australians.
Artbank, Waterloo, NSW, Australia
Blake Sharp-Wiggins / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Blake Sharp-Wiggins -
DUKAS_187405203_EYE
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
This public collection supports living artists while bringing their work into the homes and workplaces of Australians.
Artbank curator, Oliver Watts at Artbank, Waterloo, NSW, Australia
Blake Sharp-Wiggins / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Blake Sharp-Wiggins -
DUKAS_187405205_EYE
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
A Sidney Nolan above the sofa? Inside Artbank, the collection that lets you rent a masterpiece
This public collection supports living artists while bringing their work into the homes and workplaces of Australians.
Installation view, Barlmarrk: wind, breath, pulse, power, curated by Derek Carter, Alison Cooper and Maningrida Arts, Artbank Sydney, 2025. Artworks by George Garrawun, Johnny Bulun Bulun, Jack Kala Kala, Carol Liyawanga Campion, England Banggala, Irenie Ngalinba, Jimmy Ngalukin, Jack Maranbarra, Thompson Narrangurlgi Yulidjirri, Jimmy Njiminjuma, Peter Marralwanga, Elyssa Cameron, Owen Yalandja, and Samson Bonson. Artbank, Waterloo, NSW, Australia
Blake Sharp-Wiggins / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Blake Sharp-Wiggins -
DUKAS_144261787_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Marie Spartali Stillman
The last sight of Fiammetta
£70,000 - £100,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261805_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Dante Gabriel Rossetti
Burd Alane
£40,000 - £60,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261798_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Pierre Jan van der Ouderaa
Foor in de Oude Buers te Antwerpen
£40,000 - £60,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261809_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Pierre Jan van der Ouderaa
Foor in de Oude Buers te Antwerpen
£40,000 - £60,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261795_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Berthe Burgkan
The organ recital
£5,000 - £7,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261807_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Berthe Burgkan
The organ recital
£5,000 - £7,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261808_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Etienne Dinet
Trois jeunes berberes couchées ecoutant une quatrieme assise jouant de la flute
£100,000 - £150,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261792_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Etienne Dinet
Trois jeunes berberes couchées ecoutant une quatrieme assise jouant de la flute
£100,000 - £150,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261791_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Arthur John Elsley
Love at First Sight
£100,000 - £150,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261806_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Arthur John Elsley
Love at First Sight
£100,000 - £150,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261789_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Arthur John Elsley
Love at First Sight
£100,000 - £150,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_144261788_EYE
Bonhams' 19th Century and British Impressionist Art sale Press photocall.
Press photocall for Bonhams' 19th Century and British Impressionist Art sale at Bonhams preview, London, UK.
20th September 2022.
19th Century and British Impressionist Art sale
Arthur John Elsley
Love at First Sight
£100,000 - £150,000 (FOTO: DUKAS/EYEVINE)
2022 © Elliott Franks -
DUKAS_136069158_EYE
Unveiling of a lost masterpiece ‘Recumbent Magdalene’ at Christie's, London.
A LANDMARK REDISCOVERY:
ANTONIO CANOVA'S
LOST MASTERPIECE
'Recumbent Magdalene'
At Christie's, London, Great Britain Press photocall 17th March 2022
Unveiling of a lost masterpiece
Donald Johnston, Christie's International Head of Sculpture
With
Alice Whitehead, Francis Outred Ltd., led recent research (wearing coat)
A landmark re-discovery, Antonio Canova's (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan's lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world 'sleeping beauty' over the last
100 years ñ her authorship gradually forgotten and whereabouts unknown ñ this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie's Summer edition of Classic Week in London.© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.comA Landmark Rediscovery: Antonio Canova’s
Lost Masterpiece ‘Recumbent Magdalene’
Donald Johnston, Christie’s International Head of Sculpture with Alice Whitehead, Francis Outred Ltd, led recent research.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
© Elliott Franks / eyevine
Contact e
© Elliott Franks / eyevine. -
DUKAS_136069282_EYE
Unveiling of a lost masterpiece ‘Recumbent Magdalene’ at Christie's, London.
A LANDMARK REDISCOVERY:
ANTONIO CANOVA’S
LOST MASTERPIECE
‘Recumbent Magdalene’
At Christie’s, London, Great Britain Press photocall 17th March 2022
Unveiling of a lost masterpiece
Donald Johnston, Christie’s International Head of Sculpture
With
Alice Whitehead, Francis Outred Ltd., led recent research (wearing coat)
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last
100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.comA Landmark Rediscovery: Antonio Canova’s
Lost Masterpiece ‘Recumbent Magdalene’
Donald Johnston, Christie’s International Head of Sculpture with Alice Whitehead, Francis Outred Ltd, led recent research.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
© Elliott Franks / eyevine
© Elliott Franks / eyevine. -
DUKAS_136069251_EYE
Unveiling of a lost masterpiece ‘Recumbent Magdalene’ at Christie's, London.
A LANDMARK REDISCOVERY:
ANTONIO CANOVA’S
LOST MASTERPIECE
‘Recumbent Magdalene’
At Christie’s, London, Great Britain Press photocall 17th March 2022
Unveiling of a lost masterpiece
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
Photograph by Elliott Franks© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.comA Landmark Rediscovery: Antonio Canova’s
Lost Masterpiece ‘Recumbent Magdalene’
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
© Elliott Franks / eyevine
Contact eyevine for more information about usi
© Elliott Franks / eyevine. -
DUKAS_136069250_EYE
Unveiling of a lost masterpiece ‘Recumbent Magdalene’ at Christie's, London.
A LANDMARK REDISCOVERY:
ANTONIO CANOVA’S
LOST MASTERPIECE
‘Recumbent Magdalene’
At Christie’s, London, Great Britain Press photocall 17th March 2022
Unveiling of a lost masterpiece
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
Photograph by Elliott Franks© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.comA Landmark Rediscovery: Antonio Canova’s
Lost Masterpiece ‘Recumbent Magdalene’
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
© Elliott Franks / eyevine
Contact eyevine for more information about usi
© Elliott Franks / eyevine. -
DUKAS_136069115_EYE
Unveiling of a lost masterpiece ‘Recumbent Magdalene’ at Christie's, London.
A LANDMARK REDISCOVERY:
ANTONIO CANOVA'S
LOST MASTERPIECE
'Recumbent Magdalene'
At Christie's, London, Great Britain Press photocall 17th March 2022
Unveiling of a lost masterpiece
Christie's art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova's (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan's lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world 'sleeping beauty' over the last 100 years ñ her authorship gradually forgotten and whereabouts unknown ñ this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie's Summer edition of Classic Week in London.
Photograph by Elliott Franks© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.comA Landmark Rediscovery: Antonio Canova’s
Lost Masterpiece ‘Recumbent Magdalene’
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
© Elliott Franks / eyevine
Contact eyevine for more information about using this imag
© Elliott Franks / eyevine. -
DUKAS_136069247_EYE
Unveiling of a lost masterpiece ‘Recumbent Magdalene’ at Christie's, London.
A LANDMARK REDISCOVERY:
ANTONIO CANOVA'S
LOST MASTERPIECE
'Recumbent Magdalene'
At Christie's, London, Great Britain Press photocall 17th March 2022
Unveiling of a lost masterpiece
A landmark re-discovery, Antonio Canova's (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan's lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world 'sleeping beauty' over the last
100 years ñ her authorship gradually forgotten and whereabouts unknown ñ this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie's Summer edition of Classic Week in London.© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.comA Landmark Rediscovery: Antonio Canova’s
Lost Masterpiece ‘Recumbent Magdalene’
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069248_EYE
Unveiling of a lost masterpiece ‘Recumbent Magdalene’ at Christie's, London.
A LANDMARK REDISCOVERY:
ANTONIO CANOVA'S
LOST MASTERPIECE
'Recumbent Magdalene'
At Christie's, London, Great Britain Press photocall 17th March 2022
Unveiling of a lost masterpiece
A landmark re-discovery, Antonio Canova's (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan's lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world 'sleeping beauty' over the last
100 years ñ her authorship gradually forgotten and whereabouts unknown ñ this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie's Summer edition of Classic Week in London.© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.comA Landmark Rediscovery: Antonio Canova’s
Lost Masterpiece ‘Recumbent Magdalene’
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069311_EYE
Unveiling of a lost masterpiece ‘Recumbent Magdalene’ at Christie's, London.
A LANDMARK REDISCOVERY:
ANTONIO CANOVA'S
LOST MASTERPIECE
'Recumbent Magdalene'
At Christie's, London, Great Britain Press photocall 17th March 2022
Unveiling of a lost masterpiece
A landmark re-discovery, Antonio Canova's (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan's lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world 'sleeping beauty' over the last
100 years ñ her authorship gradually forgotten and whereabouts unknown ñ this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie's Summer edition of Classic Week in London.© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.comA Landmark Rediscovery: Antonio Canova’s
Lost Masterpiece ‘Recumbent Magdalene’
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069157_EYE
Unveiling of a lost masterpiece ‘Recumbent Magdalene’ at Christie's, London.
A LANDMARK REDISCOVERY:
ANTONIO CANOVA’S
LOST MASTERPIECE
‘Recumbent Magdalene’
At Christie’s, London, Great Britain Press photocall 17th March 2022
Unveiling of a lost masterpiece
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
Photograph by Elliott Franks© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.comA Landmark Rediscovery: Antonio Canova’s
Lost Masterpiece ‘Recumbent Magdalene’
Christie’s art handlers make the final touches before the sculpture is seen by the public.
A landmark re-discovery, Antonio Canova’s (1757-1822) Maddalena Giacente (Recumbent Magdalene) 1819-1822, is the Italian titan’s lost masterpiece, which he completed shortly before his death
(estimate: £5,000,000-8,000,000).
Having accidentally become an art world ‘sleeping beauty’ over the last 100 years – her authorship gradually forgotten and whereabouts unknown – this outstanding sculpture of Mary Magdalene in a state of ecstasy was commissioned by the Prime Minister of the day, Lord Liverpool
(1812-1827).
Recumbent Magdalene will be a star lot during Christie’s Summer edition of Classic Week in London.
© Elliott Franks / eyevine
Contact eyevine for more information about usi
© Elliott Franks / eyevine. -
DUK10125711_011
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10486596a)
William Blake's final masterpiece is projected onto the iconic dome of St Paul's Cathedral, in celebration of the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration of "Ancient of Days", 1827, can be seen until 1 December as part of a collaboration between St Paul's Cathedral and Tate Britain, which is currently staging the UK's largest survey of work for a generation.
(c) Dukas -
DUK10125711_010
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10486596b)
William Blake's final masterpiece is projected onto the iconic dome of St Paul's Cathedral, in celebration of the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration of "Ancient of Days", 1827, can be seen until 1 December as part of a collaboration between St Paul's Cathedral and Tate Britain, which is currently staging the UK's largest survey of work for a generation.
(c) Dukas -
DUK10125711_009
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10486596d)
William Blake's final masterpiece is projected onto the iconic dome of St Paul's Cathedral, in celebration of the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration of "Ancient of Days", 1827, can be seen until 1 December as part of a collaboration between St Paul's Cathedral and Tate Britain, which is currently staging the UK's largest survey of work for a generation.
(c) Dukas -
DUK10125711_008
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10486596c)
William Blake's final masterpiece is projected onto the iconic dome of St Paul's Cathedral, in celebration of the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration of "Ancient of Days", 1827, can be seen until 1 December as part of a collaboration between St Paul's Cathedral and Tate Britain, which is currently staging the UK's largest survey of work for a generation.
(c) Dukas -
DUK10125711_007
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10486596f)
William Blake's final masterpiece is projected onto the iconic dome of St Paul's Cathedral, in celebration of the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration of "Ancient of Days", 1827, can be seen until 1 December as part of a collaboration between St Paul's Cathedral and Tate Britain, which is currently staging the UK's largest survey of work for a generation.
(c) Dukas -
DUK10125711_006
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10486596e)
William Blake's final masterpiece is projected onto the iconic dome of St Paul's Cathedral, in celebration of the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration of "Ancient of Days", 1827, can be seen until 1 December as part of a collaboration between St Paul's Cathedral and Tate Britain, which is currently staging the UK's largest survey of work for a generation.
(c) Dukas -
DUK10125711_005
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10486596h)
William Blake's final masterpiece is projected onto the iconic dome of St Paul's Cathedral, in celebration of the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration of "Ancient of Days", 1827, can be seen until 1 December as part of a collaboration between St Paul's Cathedral and Tate Britain, which is currently staging the UK's largest survey of work for a generation.
(c) Dukas -
DUK10125711_004
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10486596g)
William Blake's final masterpiece is projected onto the iconic dome of St Paul's Cathedral, in celebration of the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration of "Ancient of Days", 1827, can be seen until 1 December as part of a collaboration between St Paul's Cathedral and Tate Britain, which is currently staging the UK's largest survey of work for a generation.
(c) Dukas -
DUK10125711_003
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Guy Bell/REX (10486594b)
The iconic dome of St Paul's Cathedral is illuminated with William Blake's final masterpiece to celebrate the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration Ancient of Days 1827 was described by Blake as 'the best I have ever finished' and will be visible across London each evening throughout the weekend. It was organised by the Tate Britain which is currently running an exhibition of his works.
(c) Dukas -
DUK10125711_002
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Guy Bell/REX (10486594c)
The iconic dome of St Paul's Cathedral is illuminated with William Blake's final masterpiece to celebrate the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration Ancient of Days 1827 was described by Blake as 'the best I have ever finished' and will be visible across London each evening throughout the weekend. It was organised by the Tate Britain which is currently running an exhibition of his works.
(c) Dukas -
DUK10125711_001
FEATURE - William Blakes 'Ancient of Days 1827' wird auf St Paul's Cathedral, London projeziert
Mandatory Credit: Photo by Guy Bell/REX (10486594d)
The iconic dome of St Paul's Cathedral is illuminated with William Blake's final masterpiece to celebrate the artist's birthday.
William Blake's 'Ancient of Days 1827' projected onto St Paul's Cathedral, London, UK - 27 Nov 2019
The illustration Ancient of Days 1827 was described by Blake as 'the best I have ever finished' and will be visible across London each evening throughout the weekend. It was organised by the Tate Britain which is currently running an exhibition of his works.
(c) Dukas -
DUK10082384_011
PORTRAIT - Kelly Macdonald
Mandatory Credit: Photo by David Buchan/Variety/REX/Shutterstock (9324335i)
Kelly Macdonald
PBS Masterpiece 'The Child In Time' TV show panel, TCA Winter Press Tour, Los Angeles, USA - 17 Jan 2018
(c) Dukas -
DUK10082384_010
PORTRAIT - Kelly Macdonald
Mandatory Credit: Photo by David Buchan/Variety/REX/Shutterstock (9324335j)
Kelly Macdonald
PBS Masterpiece 'The Child In Time' TV show panel, TCA Winter Press Tour, Los Angeles, USA - 17 Jan 2018
(c) Dukas -
DUK10082384_009
PORTRAIT - Kelly Macdonald
Mandatory Credit: Photo by David Buchan/Variety/REX/Shutterstock (9324335m)
Kelly Macdonald
PBS Masterpiece 'The Child In Time' TV show panel, TCA Winter Press Tour, Los Angeles, USA - 17 Jan 2018
(c) Dukas -
DUK10082384_008
PORTRAIT - Kelly Macdonald
Mandatory Credit: Photo by David Buchan/Variety/REX/Shutterstock (9324335l)
Kelly Macdonald
PBS Masterpiece 'The Child In Time' TV show panel, TCA Winter Press Tour, Los Angeles, USA - 17 Jan 2018
(c) Dukas -
DUK10082384_007
PORTRAIT - Kelly Macdonald
Mandatory Credit: Photo by David Buchan/Variety/REX/Shutterstock (9324335g)
Kelly Macdonald
PBS Masterpiece 'The Child In Time' TV show panel, TCA Winter Press Tour, Los Angeles, USA - 17 Jan 2018
(c) Dukas -
DUK10032529_030
FEATURE - Oleg Mastruko fotografiert Religiöse Orte
USA: Feature Rates Apply
MANDATORY CREDIT: Oleg Mastruko/Rex Shutterstock. Only for use in this story. Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Oleg Mastruko/REX/Shutterstock (5775530l)
Masterpiece by the moody melancholic, the roof of the small church San Carlo Alle Quattro Fontane. It is a miniscule church in Rome, considered the most representative work of the architect Francesco Borromini. A legend says the whole church would fit into one of the pillars on the dome of St. Peter's church in Vatican
Oleg Mastruko's shots of religious places across the world - Jul 2016
**Full Story Available. Please contact your account manager for written feature.**
An array of religions come together in this photographic collection of abandoned temples.
Croatian photographer Oleg Mastruko's search for incredible spiritual buildings has taken him to Kosovo, Malaysia, Azerbaijan and many other places around the globe.
An Armenian monastery and a huge Roman temple complex in Lebanon are just two highlights from this impressive gathering of religious architecture.
(FOTO:DUKAS/REX)
(c) Dukas -
