Ihre Suche nach:
791 Ergebnis(se) in 0.12 s
-
DUKAS_189826842_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Klausenpass II (Klausen Pass II)
2025
Inkjet print and Diasec
Edition of 6 and 2 APs
245.4 × 326.9 × 6.2 cm | 96 5/8 × 128 11/16 × 2 7/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826841_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Paris, Montparnasse II
2025
Inkjet print and Diasec
Edition of 6 and 2 APs
218 × 507 × 6.7 cm | 85 13/16 × 199 5/8 × 2 5/8 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826840_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Aletschgletscher II (Aletsch Glacier II)
2024
Inkjet print and Diasec
Edition of 6 and 2 APs
247.2 × 307.2 × 6.2 cm | 97 5/16 × 120 15/16 × 2 7/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826839_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Paris, Montparnasse II
2025
Inkjet print and Diasec
Edition of 6 and 2 APs
218 × 507 × 6.7 cm | 85 13/16 × 199 5/8 × 2 5/8 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826838_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Klausenpass II (Klausen Pass II)
2025
Inkjet print and Diasec
Edition of 6 and 2 APs
245.4 × 326.9 × 6.2 cm | 96 5/8 × 128 11/16 × 2 7/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826837_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Aletschgletscher II (Aletsch Glacier II)
2024
Inkjet print and Diasec
Edition of 6 and 2 APs
247.2 × 307.2 × 6.2 cm | 97 5/16 × 120 15/16 × 2 7/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826836_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Thyssenkrupp, Duisburg
2025
Inkjet print and Diasec
Edition of 6 and 2 APs
242 × 357 × 6.2 cm | 95 1/4 × 140 9/16 × 2 7/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826835_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Thyssenkrupp, Duisburg
2025
Inkjet print and Diasec
Edition of 6 and 2 APs
242 × 357 × 6.2 cm | 95 1/4 × 140 9/16 × 2 7/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826834_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY
A und E II (A and E II)
2025
Inkjet print, behind glass and passepartout
Edition of 12 and 2 APs
108.2 × 89.7 × 4 cm | 42 5/8 × 35 5/16 × 1 9/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826833_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Thyssenkrupp, Duisburg
2025
Inkjet print and Diasec
Edition of 6 and 2 APs
242 × 357 × 6.2 cm | 95 1/4 × 140 9/16 × 2 7/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826832_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Thomas Ruff
1984
Inkjet print, behind glass and passepartout
Edition of 10 and 2 APs
122.7 × 157.2 × 4 cm | 48 5/16 × 61 7/8 × 1 9/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826831_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Harry Styles
2025
Inkjet print and Diasec
Edition of 6 and 2 APs
247.6 × 424.6 × 6.4 cm | 97 1/2 × 167 3/16 × 2 1/2 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826830_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Harry Styles
2025
Inkjet print and Diasec
Edition of 6 and 2 APs
247.6 × 424.6 × 6.4 cm | 97 1/2 × 167 3/16 × 2 1/2 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826829_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Thomas Ruff
1984
Inkjet print, behind glass and passepartout
Edition of 10 and 2 APs
122.7 × 157.2 × 4 cm | 48 5/16 × 61 7/8 × 1 9/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826828_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Lu?zerath
2023
Inkjet print and Diasec
Edition of 6 and 2 APs
193.2 × 423.2 × 6.2 cm | 76 1/16 × 166 5/8 × 2 7/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_189826827_EYE
Andreas Gursky exhibition at the White Cube gallery
Andreas Gursky exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call 10th October 2025
ANDREAS GURSKY Thomas Ruff
1984
Inkjet print, behind glass and passepartout
Edition of 10 and 2 APs
122.7 × 157.2 × 4 cm | 48 5/16 × 61 7/8 × 1 9/16 in. (framed)
The Andreas Gursky exhibition delves into his interest in music and ongoing investigation into contemporary culture.
After an extended collaboration with a prominent English musician, during which he was granted exclusive on-stage access at live concerts, Gursky created a new image that serves both as a powerful contemporary document of youth culture and a compelling visual statement on global stardom.
The exhibition also features new works from the artist’s ongoing ‘chrono capsules’ project, including a new image of the Aletsch Glacier in the Swiss Alps, originally captured in 1993. One other recent work, photographed within a German steel manufacturing plant, should be interpreted within the broader context of systemic transformations and associated crises.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334132_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334126_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334121_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334112_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334091_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334137_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334116_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334108_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334103_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334097_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334086_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334081_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334076_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334070_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334065_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334060_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334055_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_188334050_EYE
Suzanne Song exhibition at the White Cube gallery
Suzanne Song exhibition at the White Cube gallery, Masons Yard, London, Great Britain. Press photo call, 1st September 2025. Runs to 3rd October 2025.
The first exhibition in Europe of Korean American artist Suzanne Song.
Since completing her MFA at Yale School of Art in 2000, Song has exhibited extensively across the United States and South Korea. Her work is housed in public collections including the Museum of Art at the Rhode Island School of Design, Providence, and the PARKSEOBO FOUNDATION, Seoul, a non-profit founded by the late White Cube artist and master of Korean art.
In her geometric paintings and works on paper, Song applies a subtle colour palette and precise, minimal lines to explore the conceptual idea of ‘space’, blurring the boundaries between illusion and reality. Her background in printmaking led her to develop a method of constructing images gradually through repetition, employing a trompe l’oeil technique. Selected motifs reappear in mirrored, reversed and inverted configurations, offering minute shifts in scale and colour.
The presentation spans new paintings and works on paper that reflect Song’s distinctive visual language. Featuring a muted colour palette and precise, minimal lines, her practice explores the conceptual idea of ‘space’ with geometric works that blur the boundaries between illusion and reality.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737172_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737159_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737145_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Eva Jospin
Forêt
2014
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737131_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737117_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Shara
Hughes
Anticipating the Aisle
2024
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737089_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Etel Adnan
Oasis
1960s, 2023
&
Robert Zehnder
Tiramisu
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737103_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Alyina Zaidi
Facts and hearsay
an encyclopaedia of various natural and less natural phenomena 2024
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737075_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Alyina Zaidi
Facts and hearsay
an encyclopaedia of various natural and less natural phenomena 2024
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737061_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Anselm Kiefer
Brigach und Breg bringen die
Donau zu Weg
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737047_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737034_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Minoru Nomata
Resonance 2 and 3
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737021_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Anselm Kiefer
Brigach und Breg bringen die
Donau zu Weg
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186737008_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Alien Shores
Anselm Kiefer
Brigach und Breg bringen die
Donau zu Weg
2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736982_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Sara Flores
Peruvian artist
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736969_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Bagus Pandega & Kei Imazu
Artificial Green by Nature Green
4.1 2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_186736955_EYE
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain Press photo call 7th July 2025
Alien Shores group exhibition at the White Cube Bermondsey, London, Great Britain
Press photo call
7th July 2025
Bagus Pandega & Kei Imazu
Artificial Green by Nature Green
4.1 2025
Group exhibition ‘Alien Shores’, which includes over 30 painting, video, sculpture and installation works.
A highlight of the group exhibition is a large-scale self-painting installation which reflects on colonialism and deforestation in Indonesia (reference image below). It comprises a painting machine powered by an electrical signal from a living palm oil tree, which first inscribes then erases a landscape.
Photograph by Elliott Franks
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
