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  • Dubai
    DUKAS_159430123_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    Water skiing on the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430124_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    Water skiing on the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430110_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430113_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430116_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430111_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430125_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430114_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430115_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430118_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430117_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430074_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430119_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430126_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430075_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430120_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Dubai
    DUKAS_159430127_EYE
    Dubai
    14/04/2022. Dubai, United Arab Emirates.

    The Dubai landscape taken from the Palm Jumeirah in Dubai.

    Picture by Andrew Parsons / Parsons Media / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Parsons Media / eyevine.

     

  • Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating.  Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over
    DUKAS_118242404_EYE
    Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating. Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over
    Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating. Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over the phone.’
    I grew up in the small town of Dunnavant, Alabama, the kind of place where everybody knows everybody. I was just a nice normal kid. Then in 2006, I went off to the University of North Alabama and got into partying every night, drinking a lot and taking pills – prescription opiates and barbiturates. They were prescribed for my arthritis and migraines, but I started abusing them and things spiralled out of control. I used to pharmacy hop to get multiple prescriptions; I became an addict.

    One night in March 2008, I drank a ton of vodka and washed down a lot of pills. I woke up the next morning and remembered absolutely nothing. I started hiccupping. All morning, they wouldn’t stop. I used to get hiccups a lot, so thought it was just another bout. But they didn’t go away, and my neck and chest started to hurt pretty badly. After a week, I went to the campus infirmary. They just shrugged them off and said nothing was wrong.

    Advertisement

    How much I would hiccup varied. They would get worse if my stress levels were up, or if I hadn’t had much sleep. On average, I would say I was hiccupping about five times a minute, so almost every 10 seconds.
    When I first spoke to my family, they thought I was faking it and just making funny noises over the phone. It was only when I saw them in person that they started to believe me. They could hear me hiccupping all night, even when I was fast asleep, so they knew it was real.
    The doctors initially thought it was all in my head. That was a struggle. It made no sense that I would lie about such a thing, because it was painful and annoying. Even today, some doctors I see don’t believe there is such a thing as chronic hiccups.

    © Guardian / eyevine

    Contact ey

    © Guardian / eyevine. All Rights Reserved.

     

  • Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating.  Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over
    DUKAS_118242405_EYE
    Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating. Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over
    Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating. Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over the phone.’
    I grew up in the small town of Dunnavant, Alabama, the kind of place where everybody knows everybody. I was just a nice normal kid. Then in 2006, I went off to the University of North Alabama and got into partying every night, drinking a lot and taking pills – prescription opiates and barbiturates. They were prescribed for my arthritis and migraines, but I started abusing them and things spiralled out of control. I used to pharmacy hop to get multiple prescriptions; I became an addict.

    One night in March 2008, I drank a ton of vodka and washed down a lot of pills. I woke up the next morning and remembered absolutely nothing. I started hiccupping. All morning, they wouldn’t stop. I used to get hiccups a lot, so thought it was just another bout. But they didn’t go away, and my neck and chest started to hurt pretty badly. After a week, I went to the campus infirmary. They just shrugged them off and said nothing was wrong.

    Advertisement

    How much I would hiccup varied. They would get worse if my stress levels were up, or if I hadn’t had much sleep. On average, I would say I was hiccupping about five times a minute, so almost every 10 seconds.
    When I first spoke to my family, they thought I was faking it and just making funny noises over the phone. It was only when I saw them in person that they started to believe me. They could hear me hiccupping all night, even when I was fast asleep, so they knew it was real.
    The doctors initially thought it was all in my head. That was a struggle. It made no sense that I would lie about such a thing, because it was painful and annoying. Even today, some doctors I see don’t believe there is such a thing as chronic hiccups.

    © Guardian / eyevine

    Contact ey

    © Guardian / eyevine. All Rights Reserved.

     

  • Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating.  Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over
    DUKAS_118242402_EYE
    Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating. Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over
    Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating. Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over the phone.’
    I grew up in the small town of Dunnavant, Alabama, the kind of place where everybody knows everybody. I was just a nice normal kid. Then in 2006, I went off to the University of North Alabama and got into partying every night, drinking a lot and taking pills – prescription opiates and barbiturates. They were prescribed for my arthritis and migraines, but I started abusing them and things spiralled out of control. I used to pharmacy hop to get multiple prescriptions; I became an addict.

    One night in March 2008, I drank a ton of vodka and washed down a lot of pills. I woke up the next morning and remembered absolutely nothing. I started hiccupping. All morning, they wouldn’t stop. I used to get hiccups a lot, so thought it was just another bout. But they didn’t go away, and my neck and chest started to hurt pretty badly. After a week, I went to the campus infirmary. They just shrugged them off and said nothing was wrong.

    Advertisement

    How much I would hiccup varied. They would get worse if my stress levels were up, or if I hadn’t had much sleep. On average, I would say I was hiccupping about five times a minute, so almost every 10 seconds.
    When I first spoke to my family, they thought I was faking it and just making funny noises over the phone. It was only when I saw them in person that they started to believe me. They could hear me hiccupping all night, even when I was fast asleep, so they knew it was real.
    The doctors initially thought it was all in my head. That was a struggle. It made no sense that I would lie about such a thing, because it was painful and annoying. Even today, some doctors I see don’t believe there is such a thing as chronic hiccups.

    © Guardian / eyevine

    Contact ey

    © Guardian / eyevine. All Rights Reserved.

     

  • Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating.  Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over
    DUKAS_118242403_EYE
    Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating. Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over
    Experience: I've had hiccups for 12 years. Dating people was hard at first. Some people told me it was adorable, which was infuriating. Danielle McCracken: ‘When I first spoke to my family, they thought I was faking it and just making funny noises over the phone.’
    I grew up in the small town of Dunnavant, Alabama, the kind of place where everybody knows everybody. I was just a nice normal kid. Then in 2006, I went off to the University of North Alabama and got into partying every night, drinking a lot and taking pills – prescription opiates and barbiturates. They were prescribed for my arthritis and migraines, but I started abusing them and things spiralled out of control. I used to pharmacy hop to get multiple prescriptions; I became an addict.

    One night in March 2008, I drank a ton of vodka and washed down a lot of pills. I woke up the next morning and remembered absolutely nothing. I started hiccupping. All morning, they wouldn’t stop. I used to get hiccups a lot, so thought it was just another bout. But they didn’t go away, and my neck and chest started to hurt pretty badly. After a week, I went to the campus infirmary. They just shrugged them off and said nothing was wrong.

    Advertisement

    How much I would hiccup varied. They would get worse if my stress levels were up, or if I hadn’t had much sleep. On average, I would say I was hiccupping about five times a minute, so almost every 10 seconds.
    When I first spoke to my family, they thought I was faking it and just making funny noises over the phone. It was only when I saw them in person that they started to believe me. They could hear me hiccupping all night, even when I was fast asleep, so they knew it was real.
    The doctors initially thought it was all in my head. That was a struggle. It made no sense that I would lie about such a thing, because it was painful and annoying. Even today, some doctors I see don’t believe there is such a thing as chronic hiccups.

    © Guardian / eyevine

    Contact ey

    © Guardian / eyevine. All Rights Reserved.

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_021
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_020
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_019
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_018
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_017
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_016
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_015
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_014
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_013
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_012
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_011
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_010
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_009
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_008
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_007
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_006
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_005
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_004
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • FEATURE - Äthiopien: Modische Recycling Accessoires
    DUK10054210_003
    FEATURE - Äthiopien: Modische Recycling Accessoires
    Ethiopian Tribe Recycles Modern Worldís Discards Into Fashion Accessories

    The Daasanach are a semi-nomadic tribe numbering approximately 50,000 individuals who live in the Omo Valley in southern Ethiopia. In the past, the tribe roamed from place to place herding livestock around open areas according to the seasons and the changing availability of water. But over the last fifty years, having lost the majority of their lands, they have also grown dependent to agriculture. Like many tribes in the region, the Daasanach have moved to areas closer to the Omo River, where they attempt to grow enough crops to survive.

    French photographer Eric Lafforgue has spent several years documenting the life and culture of these people, and how they have changed under the influence of modern manufactured goods. An interesting fashion trend amongst the Dassanach is their elaborate headgear, which they make from the strangest of materials bottle caps, wristwatches, hairclips, and other discarded pieces of plastic and metal.
    The Daasanach spend months collecting bottle caps and scratching around for cash to pay for broken watches, which the women makes into jewelry and wigs. These are worn by both men and women, young and old.

    Younger girls and children get the most basic version of the wig, while the oldest women are treated to the heaviest numbers with the most embellishment.
    Men are only allowed to wear the bottle top wigs until they marry - after that, they create small clay headpieces decorated with a colourful harlequin pattern and enlivened with a feather, although the latter is only allowed after a hunt or a successful clash with an enemy.

    The young men love to wear necklaces and earrings while the girls have bigger muscles because they do the most difficult work like carrying water, To prevent their headgears from getting spoiled while they sleep (apparently, they never take them off).
    ©Eric lafforgue/Exclusivepix Media (FOTO: DUKAS/EXCLUSIVEPIX)

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_060
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_059
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_058
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_057
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_056
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_050
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_049
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_048
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_047
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

  • REPORTAGE - Benin: Voodoo Zwillinge Tradition
    DUK10068031_065
    REPORTAGE - Benin: Voodoo Zwillinge Tradition
    Benin’s Living Dead: The Voodoo Twins Tradition

    40% of the world’s twins are born in Africa. Benin’s Fon people have one of the highest occurrences at 1 in 20 births. The high rate of infant mortality and voodoo religion, Benin’s national religion, have begot some very particular practices concerning the deaths of one or both of these twins. In many other societies, twins are regarded as bad omens and often killed or abandoned at birth. However, in the Fon culture, twins have always been revered because Nana Buluku, voodoo’s androgynous creator of the universe, gave birth to twins. These twins in turn created the voodoo deities that run the world.

    Once a twin dies, a wooden statue called the “hohovi” is carved, within which the spirit of the dead child is placed. These figurines are deified and treated almost exactly like the living children. For the Fon, twins are immortal. They continue to live even after their death, bringing blessings or misfortune depending on if there are either pampered or abused.

    Three months after the birth of twins, if they are still living, the parents go collect gifts from other members of their community. If one or both of the twins die, then the mother carries the statues around between her breasts and walks around with a tray on her head, receiving alms for the twins. All donate some money or food. The mother may even take some wares on display at the market. If a woman is rich or powerful, then she sends someone to conduct this collection in her place.

    In Bopa, a village situated on the banks of Lake Aheme in southern Benin, Dah Tofa and his wife reside. Dah Tofa, an educated man in his 60s, is a voodoo priest. His wife, who is around 40 years old, speaks only Fon. I ask for her name and she tells me the name she was born with, but this causes a bit of an incident. Her husband explains that she was supposed to say “Hounyoga”, the name of the voodoo goddess she worships whose name she took. Her husband tells me

    (c) Dukas

     

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