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DUKAS_109033660_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
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DUKAS_109033657_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033661_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033654_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
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DUKAS_109033652_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033650_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033655_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033754_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033658_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033755_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033659_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033753_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033653_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033752_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033656_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033756_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109033651_EYE
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner.
The London Philharmonic Orchestra and violinist James Ehnes and conducted by Edward Gardner. The London Philharmonic Orchestra and violinist James Ehnes trace a dynamic path through works by Nielsen, Barto?k and Walton.
‘The struggle, the wrestling, the generation and the wasting away go on today as yesterday, tomorrow as today, and everything returns. Music is life, and like it, inextinguishable.’
While the Great War ravaged Europe, Carl Nielsen responded with a Fourth Symphony whose thundering drums represent a struggle for the future of life itself.
Be?la Barto?k, meanwhile, went back to the soil: you can practically taste the earth (and the paprika) in his fiery Dance Suite.
It’s a long way from the Art Deco glitter of Walton’s Violin Concerto – but as Gardner and Ehnes know, it’s all driven by the same irresistible life-force.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_19616396_EYE
dukas 19616396 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
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www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE -
DUKAS_19616394_EYE
dukas 19616394 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE -
DUKAS_19616393_EYE
dukas 19616393 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE -
DUKAS_19616392_EYE
dukas 19616392 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE -
DUKAS_19616391_EYE
dukas 19616391 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE -
DUKAS_19616390_EYE
dukas 19616390 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE -
DUKAS_19616389_EYE
dukas 19616389 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE -
DUKAS_19616388_EYE
dukas 19616388 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE -
DUKAS_19616387_EYE
dukas 19616387 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE -
DUKAS_19616386_EYE
dukas 19616386 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
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DUKAS_105541031_TOP
Mono Print
JUDY GARLAND 1960's .
2019 new movie stars Renee Zellweger as Judy (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_19616395_EYE
dukas 19616395 eye
Riccardo Muti is an Italian conductor best known for being the Music Director of Milan's La Scala opera house from 1986 to 2005, and of the Philadelphia Orchestra from 1980 to 1992.
© David Levene / Guardian / eyevine
For more information contact eyevine:
T: 020 8709 8709
E: GNMrights@eyevine.com
www.eyevine.com
EDITORIAL USE ONLY. All usage fees to be agreed with eyevine or an agent appointed by eyevine prior to publication. End users shall not licence, sell, transmit, or otherwise distribute any GNM photographs represented by eyevine, to any third party. (FOTO: DUKAS/EYEVINE)
DUKAS/EYEVINE