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DUKAS_188576382_NUR
India Economy
Packets of flattened rice, commonly called Poha, are at a supermarket in Mumbai, India, on September 7, 2025. (Photo by Indranil Aditya/NurPhoto) -
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FEATURE - Reisernte in Japan
AUGUST 30, 2020 - A farmer harvests rice by hand in Ena, Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10135385_001
FEATURE - Reisernte in Japan
AUGUST 30, 2020 - A farmer harvests rice by hand in Ena, Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10135385_005
FEATURE - Reisernte in Japan
AUGUST 30, 2020 - A farmer harvests rice by hand in Ena, Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10135385_007
FEATURE - Reisernte in Japan
AUGUST 30, 2020 - A farmer harvests rice by hand in Ena, Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10135385_008
FEATURE - Reisernte in Japan
AUGUST 30, 2020 - A farmer harvests rice by hand in Ena, Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10135385_006
FEATURE - Reisernte in Japan
AUGUST 30, 2020 - A farmer harvests rice by hand in Ena, Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10135385_009
FEATURE - Reisernte in Japan
AUGUST 30, 2020 - Rice plants near harvest in Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10135385_003
FEATURE - Reisernte in Japan
AUGUST 30, 2020 - Rice plants near harvest in Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10135385_010
FEATURE - Reisernte in Japan
AUGUST 30, 2020 - Rice paddies near harvest in Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10135385_002
FEATURE - Reisernte in Japan
AUGUST 30, 2020 - Rice paddies near harvest in Gifu Prefecture, Japan.
Rice is a dietary staple of Japan, and domestic rice production is an important component of the country's food self-sufficiency rate, which has fallen in recent years. Natural disasters and the coronavirus pandemic have renewed calls for increased food security. (Photo by Ben Weller/AFLO) (JAPAN) [UHU]
(c) Dukas -
DUK10075341_078
FEATURE - Pix of the Week - Bilder der Woche
October 8, 2017 - Gaza, gaza strip, Palestine - A Palestinian farmer picks olives at an olive orchard in Deir Al Balah, central Gaza Strip, October 8, 2017. October is the time for many Palestinian farmers to begin harvesting olives. The fruit is a staple for many local farmers who also make oil out of them (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUK10069456_015
FEATURE - Nepal: Land und Leute
(7/22/2016) A woman takes care of his buffalo, in Chitwan National Park, Nepal, Asia. (Photo by Sergi Reboredo/Sipa USA) *** Local Caption *** 20844581
(c) Dukas -
DUK10069456_008
FEATURE - Nepal: Land und Leute
(7/19/2016) A woman takes care of his herd of cows, at the small village of Bungamati, Nepal (Photo by Sergi Reboredo/Sipa USA) *** Local Caption *** 20844550
(c) Dukas -
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FEATURE - Nepal: Land und Leute
(7/18/2016) Rice paddies in Bungamati, around Kathmandu Valley, Nepal. (Photo by Sergi Reboredo/Sipa USA) *** Local Caption *** 20844540
(c) Dukas -
DUK10069456_004
FEATURE - Nepal: Land und Leute
(7/18/2016) Nepali woman at working in the rice paddies in Bungamati, around Kathmandu Valley, Nepal. (Photo by Sergi Reboredo/Sipa USA) *** Local Caption *** 20844539
(c) Dukas -
DUKAS_14041423_REX
Ephemicropolis, a city made of staples by Peter Root, Britain - May 2010
Mandatory Credit: Photo by Peter Root / Rex Features ( 1176959h )
Staple artist Peter Root creates Ephemicropolis, a city made of staples
We Built This City on - STAPLES!
BUILT THIS CITY ON - STAPLES!
Gleaming silver skyscrapers dominate the skyline of this city - but this impressive metropolis is made of tiny stacks of STAPLES.
Artist Peter Root created his urban sprawl by carefully placing 100,000 of the tiny office stationery in building-like stacks.
Called Ephemicropolis, it took him 40 hours to make the 6m x 3m work on the floor of Northern Trust atrium in Guernsey.
The part-time lecturer broke the stacks into sizes varying from full stacks of about 12cm high down to single staples.
And, unsurprisingly, having a steady hand was important.
"As the stacks are free-standing and are tessellated very close together, the obvious challenge was not to knock them over," say Peter. "To build the more dense sections of the work took several hours and, on a couple of occasions, gravity demonstrated it's severe lack of sympathy by undoing this work in milliseconds."
But why staples? Peter explains: "I think there is a beauty in making something that requires so much precision, care, time and effort, yet is destined to last for only a short period of time.
"I feel people are able to recognise and connect with the labour involved in the creation process of work like Ephemicropolis, and that there is an element of excitement knowing that forty hours of the hard work could be destroyed in a few seconds."
VIDEO - THE MAKING OF: http://www.youtube.com/watch?v=j4aEeS4wPHI
MUST CREDIT PICTURES BY
Peter Root/Rex Features
Story: Dean Murray
For more information visit http://www.rexfeatures.com/stacklink/ENKNOROCW (FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_14041422_REX
Ephemicropolis, a city made of staples by Peter Root, Britain - May 2010
Mandatory Credit: Photo by Peter Root / Rex Features ( 1176959j )
Staple artist Peter Root
We Built This City on - STAPLES!
BUILT THIS CITY ON - STAPLES!
Gleaming silver skyscrapers dominate the skyline of this city - but this impressive metropolis is made of tiny stacks of STAPLES.
Artist Peter Root created his urban sprawl by carefully placing 100,000 of the tiny office stationery in building-like stacks.
Called Ephemicropolis, it took him 40 hours to make the 6m x 3m work on the floor of Northern Trust atrium in Guernsey.
The part-time lecturer broke the stacks into sizes varying from full stacks of about 12cm high down to single staples.
And, unsurprisingly, having a steady hand was important.
"As the stacks are free-standing and are tessellated very close together, the obvious challenge was not to knock them over," say Peter. "To build the more dense sections of the work took several hours and, on a couple of occasions, gravity demonstrated it's severe lack of sympathy by undoing this work in milliseconds."
But why staples? Peter explains: "I think there is a beauty in making something that requires so much precision, care, time and effort, yet is destined to last for only a short period of time.
"I feel people are able to recognise and connect with the labour involved in the creation process of work like Ephemicropolis, and that there is an element of excitement knowing that forty hours of the hard work could be destroyed in a few seconds."
VIDEO - THE MAKING OF: http://www.youtube.com/watch?v=j4aEeS4wPHI
MUST CREDIT PICTURES BY
Peter Root/Rex Features
Story: Dean Murray
For more information visit http://www.rexfeatures.com/stacklink/ENKNOROCW (FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_14041421_REX
Ephemicropolis, a city made of staples by Peter Root, Britain - May 2010
Mandatory Credit: Photo by Peter Root / Rex Features ( 1176959i )
Staple artist Peter Root creates Ephemicropolis, a city made of staples
We Built This City on - STAPLES!
BUILT THIS CITY ON - STAPLES!
Gleaming silver skyscrapers dominate the skyline of this city - but this impressive metropolis is made of tiny stacks of STAPLES.
Artist Peter Root created his urban sprawl by carefully placing 100,000 of the tiny office stationery in building-like stacks.
Called Ephemicropolis, it took him 40 hours to make the 6m x 3m work on the floor of Northern Trust atrium in Guernsey.
The part-time lecturer broke the stacks into sizes varying from full stacks of about 12cm high down to single staples.
And, unsurprisingly, having a steady hand was important.
"As the stacks are free-standing and are tessellated very close together, the obvious challenge was not to knock them over," say Peter. "To build the more dense sections of the work took several hours and, on a couple of occasions, gravity demonstrated it's severe lack of sympathy by undoing this work in milliseconds."
But why staples? Peter explains: "I think there is a beauty in making something that requires so much precision, care, time and effort, yet is destined to last for only a short period of time.
"I feel people are able to recognise and connect with the labour involved in the creation process of work like Ephemicropolis, and that there is an element of excitement knowing that forty hours of the hard work could be destroyed in a few seconds."
VIDEO - THE MAKING OF: http://www.youtube.com/watch?v=j4aEeS4wPHI
MUST CREDIT PICTURES BY
Peter Root/Rex Features
Story: Dean Murray
For more information visit http://www.rexfeatures.com/stacklink/ENKNOROCW (FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_14041418_REX
Ephemicropolis, a city made of staples by Peter Root, Britain - May 2010
Mandatory Credit: Photo by Peter Root / Rex Features ( 1176959f )
Staple artist Peter Root creates Ephemicropolis, a city made of staples
We Built This City on - STAPLES!
BUILT THIS CITY ON - STAPLES!
Gleaming silver skyscrapers dominate the skyline of this city - but this impressive metropolis is made of tiny stacks of STAPLES.
Artist Peter Root created his urban sprawl by carefully placing 100,000 of the tiny office stationery in building-like stacks.
Called Ephemicropolis, it took him 40 hours to make the 6m x 3m work on the floor of Northern Trust atrium in Guernsey.
The part-time lecturer broke the stacks into sizes varying from full stacks of about 12cm high down to single staples.
And, unsurprisingly, having a steady hand was important.
"As the stacks are free-standing and are tessellated very close together, the obvious challenge was not to knock them over," say Peter. "To build the more dense sections of the work took several hours and, on a couple of occasions, gravity demonstrated it's severe lack of sympathy by undoing this work in milliseconds."
But why staples? Peter explains: "I think there is a beauty in making something that requires so much precision, care, time and effort, yet is destined to last for only a short period of time.
"I feel people are able to recognise and connect with the labour involved in the creation process of work like Ephemicropolis, and that there is an element of excitement knowing that forty hours of the hard work could be destroyed in a few seconds."
VIDEO - THE MAKING OF: http://www.youtube.com/watch?v=j4aEeS4wPHI
MUST CREDIT PICTURES BY
Peter Root/Rex Features
Story: Dean Murray
For more information visit http://www.rexfeatures.com/stacklink/ENKNOROCW (FOTO:DUKAS/REX)
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DUKAS_57148740_REX
VARIOUS
Mandatory Credit: Photo by Mint Images/REX/Shutterstock (3597588a)
Floating markets are a common tradition throughout Southeast Asia. Bangkok, Thailand.
VARIOUS
(FOTO:DUKAS/REX)
DUKAS/REX