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DUKAS_192965187_POL
Serpentine summer party
28/06/2017. London, United Kingdom. Brooklyn Beckham attends Serpentine summer party. Serpentine summer party, held inside a temporary architectural commission in the grounds of the gallery, at the Serpentine Gallery, London. (Nils Jorgensen / i-Images / Polaris) (FOTO:DUKAS/POLARIS)
©2017 Nils Jorgensen / i-Images -
DUKAS_192965170_POL
Serpentine summer party
28/06/2017. London, United Kingdom. Brooklyn Beckham attends Serpentine summer party. Serpentine summer party, held inside a temporary architectural commission in the grounds of the gallery, at the Serpentine Gallery, London. (Nils Jorgensen / i-Images / Polaris) (FOTO:DUKAS/POLARIS)
©2017 Nils Jorgensen / i-Images -
DUKAS_192965153_POL
Serpentine summer party
28/06/2017. London, United Kingdom. Brooklyn Beckham attends Serpentine summer party. Serpentine summer party, held inside a temporary architectural commission in the grounds of the gallery, at the Serpentine Gallery, London. (Nils Jorgensen / i-Images / Polaris) (FOTO:DUKAS/POLARIS)
©2017 Nils Jorgensen / i-Images -
DUKAS_192965136_POL
Serpentine summer party
28/06/2017. London, United Kingdom. Brooklyn Beckham attends Serpentine summer party. Serpentine summer party, held inside a temporary architectural commission in the grounds of the gallery, at the Serpentine Gallery, London. (Nils Jorgensen / i-Images / Polaris) (FOTO:DUKAS/POLARIS)
©2017 Nils Jorgensen / i-Images -
DUKAS_192965119_POL
Serpentine summer party
28/06/2017. London, United Kingdom. Brooklyn Beckham attends Serpentine summer party. Serpentine summer party, held inside a temporary architectural commission in the grounds of the gallery, at the Serpentine Gallery, London. (Nils Jorgensen / i-Images / Polaris) (FOTO:DUKAS/POLARIS)
©2017 Nils Jorgensen / i-Images -
DUKAS_192713536_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713531_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713529_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713527_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713525_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713523_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713521_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713519_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713517_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713515_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713512_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713509_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713506_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713503_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713500_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713497_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713494_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713491_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713488_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713485_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713482_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713479_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713476_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192713473_EYE
Artist in Residence Ming Wong at the National Gallery, London
Artist in Residence Ming Wong at the National Gallery, London, Great Britain. Press photocall. 14th January 2026. Runs to 5th April 2026
National Gallery 2025 Artist in Residence Ming Wong presents a new work inspired by Saint Sebastian and Derek Jarman.
Artist in Residence, Ming Wong, presents a new film work and installation responding to the depictions of Saint Sebastian in the Gallery’s collection, as well as to the work of seminal British artist and filmmaker Derek Jarman (1942-94).
Wong’s new short film, Dance of the sun on the water | Saltatio solis in aqua sees the artist re-enact scenes from Jarman’s ‘Sebastiane’ (1976) within the setting of the National Gallery. Performed in Latin alongside a group of actors of Asian descent and various genders – a deliberate act of ‘mis-casting’– the film reimagines Jarman’s work in dialogue with historic artworks from Carlo Crivelli (about 1430/5-about 1494) to Gerrit van Honthorst (1592-1656).
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682253_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682252_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Bathtub for a heroine 1950-84
Bronze, lead piece, immersion heater
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682210_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682209_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682208_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Mammoth’s tooth framed 1961
Natural tooth, copper, brass
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682207_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682194_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682193_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682192_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682191_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682179_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682178_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682177_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Bed, 1950, bronze
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682176_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682135_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682134_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682125_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682124_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Bed, 1950, bronze
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192682105_EYE
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain 13th January 2026 Press Preview & Photo Call Runs to 21st March 2026
Joseph Beuys Bathtub for a Heroine exhibition at Thaddaeus Ropac gallery, London, Great Britain
13th January 2026
Press Preview & Photo Call
Runs to 21st March 2026
Mammoth’s tooth framed 1961
Natural tooth, copper, brass
Wherever alienation has settled between people – one could almost call it a sculpture of coldness – there the warmth-sculpture must enter. It is there that interpersonal warmth has to be generated. That is love. — Joseph Beuys
Thaddaeus Ropac London presents Bathtub for a Heroine,the first exhibition to bring to focus the decades-long evolution of Joseph Beuys’s monumental Bathtub (1961–87), a pivotal late work now on view in the United Kingdom for the first time. The exhibition brings together the sculpture’s key precursors, including Bathtub for a Heroine (1961–84), Mammoth Tooth, Framed (1961) and Lead Woman (1949). Presented alongside other closely related sculptures and a selection of drawings, these works illuminate the central motifs and ideas that shaped Beuys’s revolutionary concept of social sculpture – the vision that art is a vehicle of individual and collective transformation, a creative potential not contained by a single object but inseparable from life itself.Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2026 © Elliott Franks -
DUKAS_192621198_ZUM
New Trump Portrait In Smithsonian
January 11, 2026, Washington, District of Columbia, USA: A newly unveiled photographic portrait of U.S. President Trump is on display at the Smithsonian National Portrait Gallery. (Credit Image: © Andrew Leyden/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_192532329_EYE
National Portrait Gallery
A portrait of President Donald Trump is seen between portraits of Franklin Delano Roosevelt, left, and Harry S. Truman, right, in the America’s Presidents exhibit at the National Portrait Gallery on November 19, 2025 in Washington, District of Columbia.
Credit: Pete Kiehart / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
Pete Kiehart -
