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DUKAS_29024067_BEI
'Pictures Like Punches, Stitches Like Screams' Exhibition - 27 May 2002
Mandatory Credit: Photo by Larry Hammerness / BEImages (193031e)
Danny Masterson, Alex Prager & Dallas Clayton
'Pictures Like Punches, Stitches Like Screams' Exhibition - 27 May 2002
May 27, 2002, Los Angeles, CA. Pictures Like Punches. Stitches Like Screams. Photographs by Alex Prager & Canvas by Dallas Clayton at the Goodfrorm Salon.
(FOTO: DUKAS/BEIMAGES)
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'Pictures Like Punches, Stitches Like Screams' Exhibition - 27 May 2002
Mandatory Credit: Photo by Larry Hammerness / BEImages (193031a)
Dallas Clayton and Shannyn Sossamon
'Pictures Like Punches, Stitches Like Screams' Exhibition - 27 May 2002
May 27, 2002, Los Angeles, CA. Pictures Like Punches. Stitches Like Screams. Photographs by Alex Prager & Canvas by Dallas Clayton at the Goodfrorm Salon.
(FOTO: DUKAS/BEIMAGES)
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DUKAS_175548203_POL
Protests around SLPD Jason Stockley acquittal
September 23, 2017 - St. Louis, Missouri USA: State Rep. Bruce Franks chants in front of the Buzz Westfall Justice Center as about 150 people waited for the release of 22 people arrested earlier in the day at the Galleria on Saturday, Sept. 23, 2017 in Clayton. (Robert Cohen/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS) -
DUKAS_126866722_EYE
Phaedra
Matthew Ball and Christine Rice in Phaedra from 4/4, a new production by The Royal Opera @ Royal Opera House. Directed by Deborah Warner. Conductor, Richard Hetherington.
(Opening 17-10-2020)
©Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123078117_EYE
Performing arts archive
Christine Rice and Andres Presno in Phaedra from 4/4, a new production by The Royal Opera @ Royal Opera House. Directed by Deborah Warner. Conductor, Richard Hetherington.
(Opening 17-10-2020)
10-20
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_119329313_EYE
Knoxville
Masabane Cecilia Rangwanasha in Knoxville from 4/4, a new production by The Royal Opera @ Royal Opera House. Directed by Antony McDonald. Conductor, Patrick Milne.
(Opening 17-10-2020)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_119329317_EYE
Apollo and Daphne
Alexandra Lowe and Jonathan McGovern in Apollo and Daphne from 4/4, a new production by The Royal Opera @ Royal Opera House. Directed by Adele Thomas. Conductor, Christian Curnyn.
(Opening 17-10-2020)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109267344_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587m)
Ai-Da Robot and Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267339_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587j)
Ai-Da Robot and Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267338_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587h)
Ai-Da Robot and Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267337_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587c)
Ai-Da Robot, watched by a video image of Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267336_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587b)
Ai-Da Robot, watched by a video image of Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267328_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587l)
Ai-Da Robot and Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267311_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587i)
Ai-Da Robot and Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267306_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587e)
Ai-Da Robot and Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267305_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587g)
Ai-Da Robot and Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267302_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587f)
Ai-Da Robot and Sadie Clayton
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUKAS_109267294_REX
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Mandatory Credit: Photo by Guy Bell/REX (10455587d)
Ai-Da Robot, Sadie Clayton and Charlene Prempeh (founder of A Vibe Called Tech)
Ai-da Robot photocall, Tate Modern, London, UK - 24 Oct 2019
Ai-Da Robot, the world's first ultra-realistic AI humanoid robot artist, in collaboration with London based copper artist Sadie Clayton, opens a four-day workshop as a part of Tate Exchange's Black Creativity & Technology programme focusing on the theme of 'power'. Produced in collaboration with an innovative new platform A Vibe Called Tech which actively seeks to encourage academic, cultural and technological discourses within black communities.
(c) Dukas -
DUK10090034_058
PEOPLE - On Stage: Stars live auf der Bühne
Mandatory Credit: Photo by Chelsea Lauren/Variety/REX/Shutterstock (9672841y)
Bono, Adam Clayton, The Edge, Larry Mullen Jr
U2 in concert at the Forum, Los Angeles, USA - 15 May 2018
(c) Dukas -
DUK10081331_022
FEATURE - Dart Meisterschaft in London
Editorial use only. No merchandising. For Football images FA and Premier League restrictions apply inc. no internet/mobile usage without FAPL license - for details contact Football Dataco
Mandatory Credit: Photo by Shane Healey/ProSports/REX/Shutterstock (9295429q)
Jonny Clayton during the William Hill PDC World Darts Championship at Alexandra Palace, London
PDC World Darts Championship - 17 Dec 2017
(c) Dukas -
DUK10081331_018
FEATURE - Dart Meisterschaft in London
Editorial use only. No merchandising. For Football images FA and Premier League restrictions apply inc. no internet/mobile usage without FAPL license - for details contact Football Dataco
Mandatory Credit: Photo by Shane Healey/ProSports/REX/Shutterstock (9295429w)
Jamie Lewis(left) beats Jonny Clayton in the first round during the William Hill PDC World Darts Championship at Alexandra Palace, London
PDC World Darts Championship - 17 Dec 2017
(c) Dukas -
DUK10011493_010
NEWS - Extreme Hochwasser in Grossbritannien
Mandatory Credit: Photo by Paul Thompson/LNP/REX Shutterstock (5491413c)
Clayton, near Bradford, West Yorkshire. A car stranded in flood water after torrential rain.
Flooding in Bradford, Yorkshire, Britain - 12 Dec 2015
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10011493_009
NEWS - Extreme Hochwasser in Grossbritannien
Mandatory Credit: Photo by Paul Thompson/LNP/REX Shutterstock (5491413d)
Clayton, near Bradford, West Yorkshire. A car stranded in flood water after torrential rain.
Flooding in Bradford, Yorkshire, Britain - 12 Dec 2015
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10011493_008
NEWS - Extreme Hochwasser in Grossbritannien
Mandatory Credit: Photo by Paul Thompson/LNP/REX Shutterstock (5491413b)
Clayton, near Bradford, West Yorkshire. A car stranded in flood water after torrential rain.
Flooding in Bradford, Yorkshire, Britain - 12 Dec 2015
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10011493_007
NEWS - Extreme Hochwasser in Grossbritannien
Mandatory Credit: Photo by Paul Thompson/LNP/REX Shutterstock (5491413a)
Clayton, near Bradford, West Yorkshire. Cars struggling through flooded roads after torrential rain.
Flooding in Bradford, Yorkshire, Britain - 12 Dec 2015
(FOTO:DUKAS/REX)
(c) Dukas -
DUKAS_52648135_POL
Missouri march for equality
August 10, 2015 - St. Louis, Missouri, United States: Kielah Harbert, 19, a sophomore at Washington University and an Enterprise scholar, faces off with other protesters at a line of police at Enterprise Holdings on Monday, Aug. 10, 2015, in Clayton. Protesters were angry with Enterprise Holdings Executive Chairman, Andrew Taylor, that one of Enterprise's subsidiaries, Keefe Group, runs private prisons that houses mostly poor minorities. (J.B. Forbes/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS)
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Missouri march for equality
August 10, 2015 - St. Louis, Missouri, United States: Employees of Enterprise Holdings watch a protest on Monday, Aug. 10, 2015, in Clayton, as protesters were stopped in front of a line of police officers. (J.B. Forbes/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS)
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Missouri march for equality
August 10, 2015 - St. Louis, Missouri, United States: Protesters listen to speeches at the entrance to Enterprise Holdings on Monday, Aug. 10, 2015, in Clayton. Police blocked the entrance and did not allow protesters onto the grounds. (J.B. Forbes/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS)
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DUKAS_52648121_POL
Missouri march for equality
August 10, 2015 - St. Louis, Missouri, United States: Protesters try to present packages of food to police officers who were blocking the entrance to Enterprise Holdings on Monday, Aug. 10, 2015, in Clayton. Protesters claim that the food is overpriced and sold to private prisons run by an
Enterprise subsidiary, Keefe Group. The protesters claimed that the prisons make their money by incarcerating large numbers of poor and minorities. (J.B. Forbes/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS)
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Missouri march for equality
August 10, 2015 - St. Louis, Missouri, United States: Protesters march down Brentwood Boulevard on Monday, Aug. 10, 2015, in Clayton, to Enterprise Holdings, where they demanded that Enterprise Executive Chairman, Andrew Taylor, answer for one of Enterprises's subsidiary, Keefe Group, that operates private prisons. The protesters were objecting to the large percentage of prisoners who were black and poor. (J.B. Forbes/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS)
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Missouri march for equality
August 10, 2015 - St. Louis, Missouri, United States: Protesters, led by Kennard Williams, 27, from St. Louis, (with bullhorn) march down Brentwood Boulevard on Monday, Aug. 10, 2015, in Clayton, to Enterprise Holdings, where they demanded that Enterprise Executive Chairman, Andrew Taylor, answer for one of Enterprises's subsidiary, Keefe Group, that operates private prisons. The protesters were objecting to the large percentage of prisoners who were black and poor. (J.B. Forbes/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS)
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Missouri march for equality
August 10, 2015 - St. Louis, Missouri, United States: Kennard Williams, 27, from St. Louis, uses a bullhorn on Monday, Aug. 10, 2015, in Clayton, to call out Enterprise Holdings' Chairman, Andrew Taylor, to stop being complicit and be responsible for his actions. Williams was referring to Enterprise Holdings' subsidiary, Keefe Group, that runs private prisons. (J.B. Forbes/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS)
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DUKAS_52648112_POL
Missouri march for equality
August 10, 2015 - St. Louis, Missouri, United States: Protesters march down Brentwood Boulevard on Monday, Aug. 10, 2015, in Clayton, to Enterprise Holdings, where they demanded that Enterprise Executive Chairman, Andrew Taylor, answer for one of Enterprises's subsidiary, Keefe Group, that operates private prisons. The protesters were objecting to the large percentage of prisoners who were black and poor. (J.B. Forbes/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS)
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DUKAS_52648093_POL
Missouri march for equality
August 10, 2015 - St. Louis, Missouri, United States: Police continue to block the entrance to Enterprise Holdings on Monday, Aug. 10, 2015, in Clayton, after protesters left the area, but not before they left packets of food that they say is overpriced and sold at private prisons that a subsidiary of Enterprise Holdings runs. (J.B. Forbes/St. Louis Post-Dispatch/Polaris) (FOTO:DUKAS/POLARIS)
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DUKAS_50246737_REX
Biker gang shooting, Waco, Texas, America - 17 May 2015
Rex Features Ltd. do not claim any Copyright or License of the attached image
Mandatory Credit: Photo by REX Shutterstock (4779179g)
Mugshot of Clayton Reed, 29, one of 170 bikers arrested after Sunday's deadly shooting at a Twin Peaks restaurant in Waco, Texas
Biker gang shooting, Waco, Texas, America - 17 May 2015
(FOTO:DUKAS/REX)
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DUKAS_46505697_REX
Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
Mandatory Credit: Photo by Richard Young/REX (4379215ar)
Serena Rees, Adam Clayton and Kate Moss
Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
(FOTO:DUKAS/REX)
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Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
Mandatory Credit: Photo by Richard Young/REX (4379215aq)
Serena Rees, Adam Clayton and Kate Moss
Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
(FOTO:DUKAS/REX)
DUKAS/REX -
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Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
Mandatory Credit: Photo by Richard Young/REX (4379215af)
Adam Clayton and Kate Moss
Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
(FOTO:DUKAS/REX)
DUKAS/REX -
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Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
Mandatory Credit: Photo by Richard Young/REX (4379215ae)
Adam Clayton and Kate Moss
Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_46505470_REX
Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
Mandatory Credit: Photo by Richard Young/REX (4379215ad)
Adam Clayton and Kate Moss
Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_46505356_REX
Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
Mandatory Credit: Photo by Richard Young/REX (4379215ag)
Adam Clayton and Kate Moss
Private View of 'Wot no Bike' by Paul Simonon, London, Britain - 20 Jan 2015
(FOTO:DUKAS/REX)
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DUKAS_36617072_REX
71st Annual Golden Globe Awards, Press Room, Los Angeles, America - 12 Jan 2014
Mandatory Credit: Photo by Stewart Cook/REX (3497510ag)
U2 - Larry Mullen Jr., Adam Clayton, Bono and The Edge
71st Annual Golden Globe Awards, Press Room, Los Angeles, America - 12 Jan 2014
(FOTO:DUKAS/REX) -
DUKAS_36617070_REX
71st Annual Golden Globe Awards, Press Room, Los Angeles, America - 12 Jan 2014
Mandatory Credit: Photo by Stewart Cook/REX (3497510af)
U2 - Larry Mullen Jr., Adam Clayton, Bono and The Edge
71st Annual Golden Globe Awards, Press Room, Los Angeles, America - 12 Jan 2014
(FOTO:DUKAS/REX) -
DUKAS_36620815_REX
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
Mandatory Credit: Photo by Stewart Cook/REX (3497505tx)
Larry Mullen Jr., Bono, Adam Clayton and The Edge - U2
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
(FOTO:DUKAS/REX) -
DUKAS_36620808_REX
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
Mandatory Credit: Photo by Stewart Cook/REX (3497505tw)
Larry Mullen Jr., Bono, Adam Clayton and The Edge - U2
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
(FOTO:DUKAS/REX) -
DUKAS_36620807_REX
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
Mandatory Credit: Photo by Stewart Cook/REX (3497505tv)
Larry Mullen Jr., Bono, Adam Clayton and The Edge - U2
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
(FOTO:DUKAS/REX) -
DUKAS_36620806_REX
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
Mandatory Credit: Photo by Stewart Cook/REX (3497505tu)
Larry Mullen Jr., Bono, Adam Clayton and The Edge - U2
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
(FOTO:DUKAS/REX) -
DUKAS_36620793_REX
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
Mandatory Credit: Photo by Stewart Cook/REX (3497505tv)
Larry Mullen Jr., Bono, Adam Clayton and The Edge - U2
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
(FOTO:DUKAS/REX) -
DUKAS_36620791_REX
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
Mandatory Credit: Photo by Stewart Cook/REX (3497505tu)
Larry Mullen Jr., Bono, Adam Clayton and The Edge - U2
71st Annual Golden Globe Awards, Arrivals, Los Angeles, America - 12 Jan 2014
(FOTO:DUKAS/REX) -
DUKAS_36617053_REX
71st Annual Golden Globe Awards, Press Room, Los Angeles, America - 12 Jan 2014
Mandatory Credit: Photo by Stewart Cook/REX (3497510ah)
U2 - Larry Mullen Jr., Adam Clayton, Bono and The Edge
71st Annual Golden Globe Awards, Press Room, Los Angeles, America - 12 Jan 2014
(FOTO:DUKAS/REX) -
