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DUK10163483_002
FEATURE - Archäologen haben in der Mongolei eine über 4000 Kilometer lange neue Chinesische Mauer freigelegt
SONDERKONDITIONEN: Satzpreis!
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
Archaeologists have been excavating a “new Great Wall of China” that stretches for over 4,000 kilometres.
The excavations on a medieval frontier garrison in Mongolia are flipping everything we thought we knew about ancient walls on its head.
The international dig has revealed that some colossal barriers stretching across the Eurasian steppe weren’t built to fend off invaders - as per legend - but instead to manage people, mark territory, and show off dynastic might.
The so-called Medieval Wall System (MWS) takes in Mongolia, China and Russia – and hows now being hailed as a forgotten sibling to the Great Wall of China. However, it may have had a different purpose.
“We sought to determine the use of the enclosure and the Mongolian Arc,” said Professor Gideon Shelach-Lavi from the Hebrew University of Jerusalem, who’s leading the excavations.
“What was its function? Was it primarily a military system designed to defend against invading armies, or was it intended to control the empire's outermost regions by managing border crossings, addressing civilian unrest, and preventing small-scale raids?
“Considerable investment in the garrison’s walls, as well as in the structures within them, suggests a year-round occupation”, concludes Professor Shelach-Lavi. “Future analysis of samples taken from this site will help us better understand the resources used by the people stationed at the garrison, their diet, and their way of life.”
The team, part of a Mongolian-Israeli-American research project called The Wall, surveyed the 405km-long Mongolian stretch – known as the Mongolian Arc – and excavated a fortified enclosure.
What they found was very different to what they expected.
The “wall” running along the Arc turned out not to be a towering fortress, but rather a shallow ditch and a mound of earth – unlikely to stop an army but perfect for controlling mo *** Local Caption *** 47
(c) Dukas -
DUK10163483_011
FEATURE - Archäologen haben in der Mongolei eine über 4000 Kilometer lange neue Chinesische Mauer freigelegt
SONDERKONDITIONEN: Satzpreis!
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
Archaeologists have been excavating a “new Great Wall of China” that stretches for over 4,000 kilometres.
The excavations on a medieval frontier garrison in Mongolia are flipping everything we thought we knew about ancient walls on its head.
The international dig has revealed that some colossal barriers stretching across the Eurasian steppe weren’t built to fend off invaders - as per legend - but instead to manage people, mark territory, and show off dynastic might.
The so-called Medieval Wall System (MWS) takes in Mongolia, China and Russia – and hows now being hailed as a forgotten sibling to the Great Wall of China. However, it may have had a different purpose.
“We sought to determine the use of the enclosure and the Mongolian Arc,” said Professor Gideon Shelach-Lavi from the Hebrew University of Jerusalem, who’s leading the excavations.
“What was its function? Was it primarily a military system designed to defend against invading armies, or was it intended to control the empire's outermost regions by managing border crossings, addressing civilian unrest, and preventing small-scale raids?
“Considerable investment in the garrison’s walls, as well as in the structures within them, suggests a year-round occupation”, concludes Professor Shelach-Lavi. “Future analysis of samples taken from this site will help us better understand the resources used by the people stationed at the garrison, their diet, and their way of life.”
The team, part of a Mongolian-Israeli-American research project called The Wall, surveyed the 405km-long Mongolian stretch – known as the Mongolian Arc – and excavated a fortified enclosure.
What they found was very different to what they expected.
The “wall” running along the Arc turned out not to be a towering fortress, but rather a shallow ditch and a mound of earth – unlikely to stop an army but perfect for controlling mo *** Local Caption *** 47
(c) Dukas -
DUK10163483_007
FEATURE - Archäologen haben in der Mongolei eine über 4000 Kilometer lange neue Chinesische Mauer freigelegt
SONDERKONDITIONEN: Satzpreis!
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
Archaeologists have been excavating a “new Great Wall of China” that stretches for over 4,000 kilometres.
The excavations on a medieval frontier garrison in Mongolia are flipping everything we thought we knew about ancient walls on its head.
The international dig has revealed that some colossal barriers stretching across the Eurasian steppe weren’t built to fend off invaders - as per legend - but instead to manage people, mark territory, and show off dynastic might.
The so-called Medieval Wall System (MWS) takes in Mongolia, China and Russia – and hows now being hailed as a forgotten sibling to the Great Wall of China. However, it may have had a different purpose.
“We sought to determine the use of the enclosure and the Mongolian Arc,” said Professor Gideon Shelach-Lavi from the Hebrew University of Jerusalem, who’s leading the excavations.
“What was its function? Was it primarily a military system designed to defend against invading armies, or was it intended to control the empire's outermost regions by managing border crossings, addressing civilian unrest, and preventing small-scale raids?
“Considerable investment in the garrison’s walls, as well as in the structures within them, suggests a year-round occupation”, concludes Professor Shelach-Lavi. “Future analysis of samples taken from this site will help us better understand the resources used by the people stationed at the garrison, their diet, and their way of life.”
The team, part of a Mongolian-Israeli-American research project called The Wall, surveyed the 405km-long Mongolian stretch – known as the Mongolian Arc – and excavated a fortified enclosure.
What they found was very different to what they expected.
The “wall” running along the Arc turned out not to be a towering fortress, but rather a shallow ditch and a mound of earth – unlikely to stop an army but perfect for controlling mo *** Local Caption *** 47
(c) Dukas -
DUK10163483_006
FEATURE - Archäologen haben in der Mongolei eine über 4000 Kilometer lange neue Chinesische Mauer freigelegt
SONDERKONDITIONEN: Satzpreis!
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
Archaeologists have been excavating a “new Great Wall of China” that stretches for over 4,000 kilometres.
The excavations on a medieval frontier garrison in Mongolia are flipping everything we thought we knew about ancient walls on its head.
The international dig has revealed that some colossal barriers stretching across the Eurasian steppe weren’t built to fend off invaders - as per legend - but instead to manage people, mark territory, and show off dynastic might.
The so-called Medieval Wall System (MWS) takes in Mongolia, China and Russia – and hows now being hailed as a forgotten sibling to the Great Wall of China. However, it may have had a different purpose.
“We sought to determine the use of the enclosure and the Mongolian Arc,” said Professor Gideon Shelach-Lavi from the Hebrew University of Jerusalem, who’s leading the excavations.
“What was its function? Was it primarily a military system designed to defend against invading armies, or was it intended to control the empire's outermost regions by managing border crossings, addressing civilian unrest, and preventing small-scale raids?
“Considerable investment in the garrison’s walls, as well as in the structures within them, suggests a year-round occupation”, concludes Professor Shelach-Lavi. “Future analysis of samples taken from this site will help us better understand the resources used by the people stationed at the garrison, their diet, and their way of life.”
The team, part of a Mongolian-Israeli-American research project called The Wall, surveyed the 405km-long Mongolian stretch – known as the Mongolian Arc – and excavated a fortified enclosure.
What they found was very different to what they expected.
The “wall” running along the Arc turned out not to be a towering fortress, but rather a shallow ditch and a mound of earth – unlikely to stop an army but perfect for controlling mo *** Local Caption *** 47
(c) Dukas -
DUK10163483_004
FEATURE - Archäologen haben in der Mongolei eine über 4000 Kilometer lange neue Chinesische Mauer freigelegt
SONDERKONDITIONEN: Satzpreis!
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
Archaeologists have been excavating a “new Great Wall of China” that stretches for over 4,000 kilometres.
The excavations on a medieval frontier garrison in Mongolia are flipping everything we thought we knew about ancient walls on its head.
The international dig has revealed that some colossal barriers stretching across the Eurasian steppe weren’t built to fend off invaders - as per legend - but instead to manage people, mark territory, and show off dynastic might.
The so-called Medieval Wall System (MWS) takes in Mongolia, China and Russia – and hows now being hailed as a forgotten sibling to the Great Wall of China. However, it may have had a different purpose.
“We sought to determine the use of the enclosure and the Mongolian Arc,” said Professor Gideon Shelach-Lavi from the Hebrew University of Jerusalem, who’s leading the excavations.
“What was its function? Was it primarily a military system designed to defend against invading armies, or was it intended to control the empire's outermost regions by managing border crossings, addressing civilian unrest, and preventing small-scale raids?
“Considerable investment in the garrison’s walls, as well as in the structures within them, suggests a year-round occupation”, concludes Professor Shelach-Lavi. “Future analysis of samples taken from this site will help us better understand the resources used by the people stationed at the garrison, their diet, and their way of life.”
The team, part of a Mongolian-Israeli-American research project called The Wall, surveyed the 405km-long Mongolian stretch – known as the Mongolian Arc – and excavated a fortified enclosure.
What they found was very different to what they expected.
The “wall” running along the Arc turned out not to be a towering fortress, but rather a shallow ditch and a mound of earth – unlikely to stop an army but perfect for controlling mo *** Local Caption *** 47
(c) Dukas -
DUK10163483_009
FEATURE - Archäologen haben in der Mongolei eine über 4000 Kilometer lange neue Chinesische Mauer freigelegt
SONDERKONDITIONEN: Satzpreis!
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
Archaeologists have been excavating a “new Great Wall of China” that stretches for over 4,000 kilometres.
The excavations on a medieval frontier garrison in Mongolia are flipping everything we thought we knew about ancient walls on its head.
The international dig has revealed that some colossal barriers stretching across the Eurasian steppe weren’t built to fend off invaders - as per legend - but instead to manage people, mark territory, and show off dynastic might.
The so-called Medieval Wall System (MWS) takes in Mongolia, China and Russia – and hows now being hailed as a forgotten sibling to the Great Wall of China. However, it may have had a different purpose.
“We sought to determine the use of the enclosure and the Mongolian Arc,” said Professor Gideon Shelach-Lavi from the Hebrew University of Jerusalem, who’s leading the excavations.
“What was its function? Was it primarily a military system designed to defend against invading armies, or was it intended to control the empire's outermost regions by managing border crossings, addressing civilian unrest, and preventing small-scale raids?
“Considerable investment in the garrison’s walls, as well as in the structures within them, suggests a year-round occupation”, concludes Professor Shelach-Lavi. “Future analysis of samples taken from this site will help us better understand the resources used by the people stationed at the garrison, their diet, and their way of life.”
The team, part of a Mongolian-Israeli-American research project called The Wall, surveyed the 405km-long Mongolian stretch – known as the Mongolian Arc – and excavated a fortified enclosure.
What they found was very different to what they expected.
The “wall” running along the Arc turned out not to be a towering fortress, but rather a shallow ditch and a mound of earth – unlikely to stop an army but perfect for controlling mo *** Local Caption *** 47
(c) Dukas -
DUKAS_185637478_NUR
Daily Life In Athens Greece
Two people take a selfie at the entrance of the Acropolis Museum. (Photo by Nikos Pekiaridis/NurPhoto) -
DUKAS_185516567_NUR
Daily Life In Athens
Tourists visit the Ancient Agora in Athens, Greece, on June 1, 2025. (Photo by Giannis Alexopoulos/NurPhoto) -
DUKAS_185516564_NUR
Daily Life In Athens
Tourists visit the ancient agora in Athens, Greece, on June 1, 2025. (Photo by Giannis Alexopoulos/NurPhoto) -
DUKAS_185438144_NUR
Mexico’s President Claudia Sheinbaum Holds Briefing
Diego Prieto, head of the National Institute of Anthropology and History (INAH), speaks during a briefing conference at the National Palace in Mexico City, Mexico, on May 30, 2025. (Photo by Carlos Santiago/Eyepix Group) (Photo by Eyepix/NurPhoto) -
DUKAS_185437934_NUR
Mexico’s President Claudia Sheinbaum Holds Briefing
Diego Prieto, head of the National Institute of Anthropology and History (INAH), speaks during a briefing conference at the National Palace in Mexico City, Mexico, on May 30, 2025. (Photo by Carlos Santiago/Eyepix Group) (Photo by Eyepix/NurPhoto) -
DUKAS_185244171_NUR
Daily Life In Athens
A cat is seen near the Ancient Agora in Athens, Greece, on May 25, 2025 (Photo by Giannis Alexopoulos/NurPhoto). -
DUKAS_185244168_NUR
Daily Life In Athens
A general view of the Ancient Agora in Athens, Greece, on May 25, 2025 (Photo by Giannis Alexopoulos/NurPhoto). -
DUKAS_185243757_NUR
Iran-The City Of Dwarves
An Iranian tourism activist visits a mud-brick structure known as the City of Dwarves, located on the western edge of the Lut Desert near the city of Kerman, 1,335 kilometers (830 miles) southeast of Tehran, Iran, on May 22, 2025. The City of Dwarves of Shahdad, which archaeological reports indicate dates back more than five thousand years, is one of the most mysterious ancient sites in Iran. It is located on the western edge of the Lut Desert, near the city of Shahdad in Kerman Province. This ancient city is known as the ''City of Dwarves'' due to its unique architecture and the small size of its houses, alleys, and living facilities. (Photo by Morteza Nikoubazl/NurPhoto) -
DUKAS_185243754_NUR
Iran-The City Of Dwarves
An Iranian tourism activist visits a mud-brick structure known as the City of Dwarves, located on the western edge of the Lut Desert near the city of Kerman, 1,335 kilometers (830 miles) southeast of Tehran, Iran, on May 22, 2025. The City of Dwarves of Shahdad, which archaeological reports indicate dates back more than five thousand years, is one of the most mysterious ancient sites in Iran. It is located on the western edge of the Lut Desert, near the city of Shahdad in Kerman Province. This ancient city is known as the ''City of Dwarves'' due to its unique architecture and the small size of its houses, alleys, and living facilities. (Photo by Morteza Nikoubazl/NurPhoto) -
DUKAS_184546355_NUR
Views Of The Grand Egyptian Museum
The scene is at the Grand Egyptian Museum in Giza, Egypt, on May 9, 2025. (Photo by Ahmed Mosaad/NurPhoto) -
DUKAS_184546352_NUR
Views Of The Grand Egyptian Museum
A pharaonic helmet and war tools are on display at the Grand Egyptian Museum in Giza, Egypt, on May 9, 2025. (Photo by Ahmed Mosaad/NurPhoto) -
DUKAS_184546349_NUR
Views Of The Grand Egyptian Museum
The scene is at the Grand Egyptian Museum in Giza, Egypt, on May 9, 2025. (Photo by Ahmed Mosaad/NurPhoto) -
DUKAS_184546345_NUR
Views Of The Grand Egyptian Museum
The scene is at the Grand Egyptian Museum in Giza, Egypt, on May 9, 2025. (Photo by Ahmed Mosaad/NurPhoto) -
DUKAS_184546282_NUR
Views Of The Grand Egyptian Museum
Pharaonic statues are at the Grand Egyptian Museum in Giza, Egypt, on May 9, 2025. (Photo by Ahmed Mosaad/NurPhoto) -
DUKAS_184546280_NUR
Views Of The Grand Egyptian Museum
The head of a statue of Ramesses II is on display at the Grand Egyptian Museum in Giza, Egypt, on May 9, 2025. (Photo by Ahmed Mosaad/NurPhoto) -
DUKAS_183832944_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832943_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, office buildings and roads in central Athens with the view of the Parthenon and the ancient Acropolis. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832942_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832941_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832939_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, office buildings and roads in central Athens with the view of the Parthenon and the ancient Acropolis. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832935_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832928_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832926_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832924_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832922_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832919_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_183832917_NUR
Aerial View Of Athens From A Drone
Top down view of the buildings and roads with cars, traffic and building rooftops, terraces and balconies. Panoramic aerial view from a drone of the urban environment of the Greek capital, Athens. Apartments, buildings and roads in central Athens residential neighborhood area near Lycabettos hill. Athens, Greece on March 2, 2025 (Photo by Nicolas Economou/NurPhoto) -
DUKAS_182909796_NUR
Ukrainian Volunteers Collect The Bodies Of Fallen Ukrainian And Russian Soldiers
Oleksiy Yukov, founder of the Ukrainian organization Platsdarm, searches for the bones of a fallen Russian soldier in Donetsk Oblast, Ukraine, on March 11, 2025. (Photo by Alfons Cabrera/NurPhoto) -
DUKAS_182909756_NUR
Ukrainian Volunteers Collect The Bodies Of Fallen Ukrainian And Russian Soldiers
Oleksiy Yukov, founder of the Ukrainian organization Platsdarm, searches for the bones of a fallen Russian soldier in Donetsk Oblast, Ukraine, on March 11, 2025. (Photo by Alfons Cabrera/NurPhoto) -
DUK10162684_015
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_003
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_017
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_004
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_013
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_014
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_010
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_005
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_012
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_006
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_016
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_011
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_008
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_009
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
DUK10162684_007
FEATURE - Aus Forschung und Wissenschaft: 2.000 Jahre alte Fresken in einem grossen Bankettsaal in Pompeji entdeckt
**VIDEO AVAILABLE: CONTACT INFO@COVERMG.COM TO RECEIVE**
A newly discovered fresco in Pompeii is shedding fresh light on the mysterious Dionysiac cults of the ancient world - and how they depicted “wild” women who broke free of the male order.
More than a century after the famous Villa of the Mysteries was unearthed, archaeologists have revealed a strikingly detailed frieze depicting the procession of Dionysus, the god of wine.
The nearly life-sized fresco, known as a "megalography" due to its large-scale figures, was found in a grand banqueting room in Insula 10 of Region IX in central Pompeii. It spans three sides of the room, while the fourth side opens onto a garden.
The vivid artwork portrays bacchantes, or maenads, as both dancers and fierce hunters. Some carry slaughtered kid goats or wield swords while holding the innards of animals. Young satyrs, with their distinctive pointed ears, are shown playing the double flute. At the centre of the frieze stands a mortal woman accompanied by an aged Silenus holding a torch, suggesting her initiation into the Dionysiac mysteries—a cult promising rebirth and the possibility of an afterlife.
Explaining its significance, Gabriel Zuchtriegel said: “These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts, rather like when we find a copy of Michelangelo’s Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.
“Behind these magnificent paintings, which play with illusion and reality, we can observe the signs of a religious crisis that was affecting the ancient world, but we can also grasp the grandeur of a ritual that dates back to an archaic world.”
He also said the bacchante or maenad, “expressed the wild, untameable side of women,” who “break free from male order to dance freely” and take on traditional male pursuits like hunting.
Intriguingly, all the figures appear to *** Local Ca
(c) Dukas -
