Ihre Suche nach:
58 Ergebnis(se) in 0.09 s
-
DUKAS_187762689_NUR
Daily Life In Old Quebec City
Construction workers cut and chisel large pieces of stone while restoring a historic church in Old Quebec City, Quebec, Canada, on June 25, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_158445447_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Staff at Hardwick Hall make final adjustments to the tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445476_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Staff at Hardwick Hall make final adjustments to the tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445480_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A label for a tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445446_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445442_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445439_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Liz Waring (property curator) at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445482_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Liz Waring (Property curator) at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445443_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Elena Williams (Collections and house manager) at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445424_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Staff at Hardwick Hall applaud the unveiling of tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445444_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Yoko Hanegreefs (textile cuartor) holding an image of a previous repare of the Tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445477_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Staff look at review previous images of the Tapestries Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445440_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A close up of a Tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445441_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A close up of a Tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445474_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A portrait of Elizabeth of Hardwick , Countess of Shrewsbury at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445479_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A portrait of Elizabeth of Hardwick , Countess of Shrewsbury at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445445_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A close up of a Tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445478_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Construction workers remove the final pieces of scaffolding which has surrounded the tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUK10145814_019
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417c)
American Artist Spencer Tunick walks past participants taking part in his nude artistic installation in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_018
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417h)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_017
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417r)
American artist Spencer Tunick speaks to the press about his nude artistic installation in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_016
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417k)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_015
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417l)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_014
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417g)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_013
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417i)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_012
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417d)
Participants take part in a nude artistic installation by American artist Spencer Tunick (R) in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_011
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417e)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_010
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417q)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_009
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417n)
Participants take part in a nude artistic installation by American artist Spencer Tunick (R) in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_008
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417o)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_007
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417b)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_006
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417f)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_005
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417s)
American artist Spencer Tunick speaks to the press about his nude artistic installation in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_004
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417p)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_003
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417a)
Participants walk nude to the site of an artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_002
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417j)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10145814_001
FEATURE - Künstler Spencer Tunick fotografiert 200 nackte Menschen in der israelischen Wüste
Mandatory Credit: Photo by Debbie Hill/UPI/Shutterstock (12542417m)
Participants take part in a nude artistic installation by American artist Spencer Tunick in the desert landscape in Arad, Israel. 200 men and women, 17-70 years, unrobed to draw world attention to preserving and restoring the Dead Sea, while painted in white to symbolize the biblical story of Lot's wife who turned into a pillar of salt.
Artist Spencer Tunick Photographs 200 Nude People In The Israeli Desert, Arad, Israel - 17 Oct 2021
(c) Dukas -
DUK10126126_012
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431n)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_011
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431h)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_010
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431k)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_009
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431q)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_008
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431j)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_007
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431a)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_006
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431b)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_005
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431c)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_004
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431g)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_003
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431p)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_002
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431i)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10126126_001
FEATURE - Kirche von Zhrebchevo in Bulgarien wird nach Austrocknung des Stausees restauriert
Mandatory Credit: Photo by REX (10501431f)
Workers have been restoring 'St Ivan Rilski' church, which had been under water for 60 years. After the sudden draining of the Zhrebchevo Dam, its restoration began. Currently, several cities in Bulgaria have difficulties with fresh water supply after the sudden drainage of several other dams.
Church surfaces from dam drainage after 60 years, Zapalnya, Burlgaria - 10 Dec 2019
(c) Dukas -
DUK10068462_024
NEWS - London: Renovationsarbeiten am Big Ben
July 28, 2017 - London, England, United Kingdom - A massive crane has come at the construction site outside The Elizabeth Tower, known as Big Ben, is seen while is being restored, London on July 28, 2017 (FOTO: DUKAS/ZUMA)
(c) Dukas -
