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DUKAS_158445447_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Staff at Hardwick Hall make final adjustments to the tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445476_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Staff at Hardwick Hall make final adjustments to the tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445480_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A label for a tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445446_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445442_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445439_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Liz Waring (property curator) at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445482_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Liz Waring (Property curator) at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445443_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Elena Williams (Collections and house manager) at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445424_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Staff at Hardwick Hall applaud the unveiling of tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445444_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Yoko Hanegreefs (textile cuartor) holding an image of a previous repare of the Tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445477_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Staff look at review previous images of the Tapestries Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445440_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A close up of a Tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445441_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A close up of a Tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445474_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A portrait of Elizabeth of Hardwick , Countess of Shrewsbury at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445479_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A portrait of Elizabeth of Hardwick , Countess of Shrewsbury at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445445_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
A close up of a Tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_158445478_EYE
Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.
The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.
The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.
Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.
Construction workers remove the final pieces of scaffolding which has surrounded the tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.
© Richard Saker / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_106475174_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475173_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475172_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475171_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475170_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475169_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475168_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475165_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475163_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475162_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475158_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475154_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475151_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
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DUKAS_106475145_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475144_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475139_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475137_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475120_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475119_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475117_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475116_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUKAS_106475114_TOP
Mono 35mm Trans
Puff of Venus . 1952 the Tres Secrete inflatable bra, designed by La Resista Corset Co (of Bridgeport, Connecticut, USA) to help women alter their body shape to fit the Dior New Look style - being demonstrated to potential buyers. The bras were inflated by the wearer by means of a small straw, which was then quickly withdrawn and the valve pressed shut between thumb and forefinger. (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO -
DUK10088423_002
FEATURE - Best of: Bilder des Tages
Mandatory Credit: Photo by REX/Shutterstock (9480911o)
The newly unveiled statue of David Bowie 'Earthly Messenger' being cleaned after being sprayed with paint last night
David Bowie statue vandalised, Aylesbury, UK - 27 Mar 2018
(c) Dukas -
DUK10068035_002
FEATURE - Fledermaus wird aufgepäppelt
NOT FOR USE ON GREETING CARDS, POSTCARDS, CALENDARS OR ANY MERCHANDISING WORLDWIDE WITHOUT CLEARANCE BY RICHARD AUSTIN
Mandatory Credit: Photo by Richard Austin/REX/Shutterstock (8973484a)
The Brown Long Eared bat being cleaned
Rescued bat at Secret World Wildlife Rescue Centre, Somerset, UK - 21 Jul 2017
*Full story: https://www.rexfeatures.com/nanolink/tiqi
Staff at the Secret World Wildlife Rescue Centre in Somerset are seen caring for a Brown Long Eared bat that got itself into a rather sticky situation. The tiny creature became covered in glue after getting stuck on some fly paper left in a stable to control the flies. He was covered with so much of the sticky stuff that he was unable to spread his wings and move. Meanwhile, his struggled caused the flypaper to fall to the floor so he then became covered in hay seeds and cobwebs. When he was found the little bat was extremely hungry and thirsty so it is believed that he must have been trapped for several days. Animal Carer Katie was on hand to save the tiny bat and when soapy water didn't help she then turned to butter, which was brushed all over his body. This dissolved the glue and some of the debris came off and the grease also allowed the bat to move his wings.
(c) Dukas -
DUK10068035_001
FEATURE - Fledermaus wird aufgepäppelt
NOT FOR USE ON GREETING CARDS, POSTCARDS, CALENDARS OR ANY MERCHANDISING WORLDWIDE WITHOUT CLEARANCE BY RICHARD AUSTIN
Mandatory Credit: Photo by Richard Austin/REX/Shutterstock (8973484b)
The Brown Long Eared bat being cleaned
Rescued bat at Secret World Wildlife Rescue Centre, Somerset, UK - 21 Jul 2017
*Full story: https://www.rexfeatures.com/nanolink/tiqi
Staff at the Secret World Wildlife Rescue Centre in Somerset are seen caring for a Brown Long Eared bat that got itself into a rather sticky situation. The tiny creature became covered in glue after getting stuck on some fly paper left in a stable to control the flies. He was covered with so much of the sticky stuff that he was unable to spread his wings and move. Meanwhile, his struggled caused the flypaper to fall to the floor so he then became covered in hay seeds and cobwebs. When he was found the little bat was extremely hungry and thirsty so it is believed that he must have been trapped for several days. Animal Carer Katie was on hand to save the tiny bat and when soapy water didn't help she then turned to butter, which was brushed all over his body. This dissolved the glue and some of the debris came off and the grease also allowed the bat to move his wings.
(c) Dukas -
DUK10068035_004
FEATURE - Fledermaus wird aufgepäppelt
NOT FOR USE ON GREETING CARDS, POSTCARDS, CALENDARS OR ANY MERCHANDISING WORLDWIDE WITHOUT CLEARANCE BY RICHARD AUSTIN
Mandatory Credit: Photo by Richard Austin/REX/Shutterstock (8973484c)
The Brown Long Eared bat being cleaned
Rescued bat at Secret World Wildlife Rescue Centre, Somerset, UK - 21 Jul 2017
*Full story: https://www.rexfeatures.com/nanolink/tiqi
Staff at the Secret World Wildlife Rescue Centre in Somerset are seen caring for a Brown Long Eared bat that got itself into a rather sticky situation. The tiny creature became covered in glue after getting stuck on some fly paper left in a stable to control the flies. He was covered with so much of the sticky stuff that he was unable to spread his wings and move. Meanwhile, his struggled caused the flypaper to fall to the floor so he then became covered in hay seeds and cobwebs. When he was found the little bat was extremely hungry and thirsty so it is believed that he must have been trapped for several days. Animal Carer Katie was on hand to save the tiny bat and when soapy water didn't help she then turned to butter, which was brushed all over his body. This dissolved the glue and some of the debris came off and the grease also allowed the bat to move his wings.
(c) Dukas -
DUK10068035_003
FEATURE - Fledermaus wird aufgepäppelt
NOT FOR USE ON GREETING CARDS, POSTCARDS, CALENDARS OR ANY MERCHANDISING WORLDWIDE WITHOUT CLEARANCE BY RICHARD AUSTIN
Mandatory Credit: Photo by Richard Austin/REX/Shutterstock (8973484d)
The Brown Long Eared bat being cleaned
Rescued bat at Secret World Wildlife Rescue Centre, Somerset, UK - 21 Jul 2017
*Full story: https://www.rexfeatures.com/nanolink/tiqi
Staff at the Secret World Wildlife Rescue Centre in Somerset are seen caring for a Brown Long Eared bat that got itself into a rather sticky situation. The tiny creature became covered in glue after getting stuck on some fly paper left in a stable to control the flies. He was covered with so much of the sticky stuff that he was unable to spread his wings and move. Meanwhile, his struggled caused the flypaper to fall to the floor so he then became covered in hay seeds and cobwebs. When he was found the little bat was extremely hungry and thirsty so it is believed that he must have been trapped for several days. Animal Carer Katie was on hand to save the tiny bat and when soapy water didn't help she then turned to butter, which was brushed all over his body. This dissolved the glue and some of the debris came off and the grease also allowed the bat to move his wings.
(c) Dukas -
DUK10054496_001
FEATURE - Italien: Vittorio Emanuele wird geputzt
Mandatory Credit: Photo by IPA/REX/Shutterstock (8548732c)
Vittorio Emanuele monument is cleaned
Vittorio Emanuele monument is cleaned, Milan, Italy - 20 Mar 2017
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10054496_003
FEATURE - Italien: Vittorio Emanuele wird geputzt
Mandatory Credit: Photo by IPA/REX/Shutterstock (8548732b)
Vittorio Emanuele monument is cleaned
Vittorio Emanuele monument is cleaned, Milan, Italy - 20 Mar 2017
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10054496_006
FEATURE - Italien: Vittorio Emanuele wird geputzt
Mandatory Credit: Photo by IPA/REX/Shutterstock (8548732i)
Vittorio Emanuele monument is cleaned
Vittorio Emanuele monument is cleaned, Milan, Italy - 20 Mar 2017
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10054496_004
FEATURE - Italien: Vittorio Emanuele wird geputzt
Mandatory Credit: Photo by IPA/REX/Shutterstock (8548732h)
Vittorio Emanuele monument is cleaned
Vittorio Emanuele monument is cleaned, Milan, Italy - 20 Mar 2017
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10054496_008
FEATURE - Italien: Vittorio Emanuele wird geputzt
Mandatory Credit: Photo by IPA/REX/Shutterstock (8548732g)
Vittorio Emanuele monument is cleaned
Vittorio Emanuele monument is cleaned, Milan, Italy - 20 Mar 2017
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10054496_009
FEATURE - Italien: Vittorio Emanuele wird geputzt
Mandatory Credit: Photo by IPA/REX/Shutterstock (8548732f)
Vittorio Emanuele monument is cleaned
Vittorio Emanuele monument is cleaned, Milan, Italy - 20 Mar 2017
(FOTO:DUKAS/REX)
(c) Dukas -
