Ihre Suche nach:
174 Ergebnis(se) in 0.03 s
-
DUK10149191_013
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427f)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist (devised in Oxford by Aidan Meller, pictured with her) - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_006
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427u)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_003
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427v)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_001
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427o)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10106107_025
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263k)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_024
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263b)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_023
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263a)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_022
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263f)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_021
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263e)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_020
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263d)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_019
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263c)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_018
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263h)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_017
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263g)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_016
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263n)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_015
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263p)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_014
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263m)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_013
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263i)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_012
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263o)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_011
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263l)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_010
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263j)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_009
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263v)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_008
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263u)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_007
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263y)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_004
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263r)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_003
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263q)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_002
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263s)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_001
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263t)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10061371_013
PEOPLE - Royal Horse Show in Windsor: Savannah und Isla Phillips an der Kletterwand
Mandatory Credit: Photo by DAVID HARTLEY/REX/Shutterstock (8820420bf)
Queen Elizabeth II II's great grand child Isla Phillips explores the climbing wall at the Royal Windsor Horse Show.
Royal Windsor Horse Show, UK - 13 May 2017
(c) Dukas -
DUK10061371_014
PEOPLE - Royal Horse Show in Windsor: Savannah und Isla Phillips an der Kletterwand
Mandatory Credit: Photo by DAVID HARTLEY/REX/Shutterstock (8820420be)
Queen Elizabeth II II's great grand child Isla Phillips explores the climbing wall at the Royal Windsor Horse Show.
Royal Windsor Horse Show, UK - 13 May 2017
(c) Dukas -
DUK10061371_025
PEOPLE - Royal Horse Show in Windsor: Savannah und Isla Phillips an der Kletterwand
Mandatory Credit: Photo by DAVID HARTLEY/REX/Shutterstock (8820420bd)
Queen Elizabeth II II's great grand child Isla Phillips explores the climbing wall at the Royal Windsor Horse Show.
Royal Windsor Horse Show, UK - 13 May 2017
(c) Dukas -
DUK10061371_005
PEOPLE - Royal Horse Show in Windsor: Savannah und Isla Phillips an der Kletterwand
Mandatory Credit: Photo by DAVID HARTLEY/REX/Shutterstock (8820420k)
Queen Elizabeth II II's great grand children Savannah Phillips and Isla Phillips explores the climbing wall at the Royal Windsor Horse Show.
Royal Windsor Horse Show, UK - 13 May 2017
(c) Dukas -
DUK10061371_002
PEOPLE - Royal Horse Show in Windsor: Savannah und Isla Phillips an der Kletterwand
Mandatory Credit: Photo by DAVID HARTLEY/REX/Shutterstock (8820420l)
Queen Elizabeth II II's great grand children Savannah Phillips and Isla Phillips explores the climbing wall at the Royal Windsor Horse Show.
Royal Windsor Horse Show, UK - 13 May 2017
(c) Dukas -
DUK10061371_016
PEOPLE - Royal Horse Show in Windsor: Savannah und Isla Phillips an der Kletterwand
Mandatory Credit: Photo by DAVID HARTLEY/REX/Shutterstock (8820420j)
Queen Elizabeth II II's great grand children Savannah Phillips and Isla Phillips explores the climbing wall at the Royal Windsor Horse Show.
Royal Windsor Horse Show, UK - 13 May 2017
(c) Dukas -
DUK10061371_004
PEOPLE - Royal Horse Show in Windsor: Savannah und Isla Phillips an der Kletterwand
Mandatory Credit: Photo by DAVID HARTLEY/REX/Shutterstock (8820420i)
Queen Elizabeth II II's great grand children Savannah Phillips and Isla Phillips explores the climbing wall at the Royal Windsor Horse Show.
Royal Windsor Horse Show, UK - 13 May 2017
(c) Dukas -
DUK10022846_010
REPORTAGE - Ratten suchen Landminen in Kambodscha
MANDATORY CREDIT: Claudio Montesano Casillas/Rex Shutterstock. Only for use in this story. Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Claudio Montesano Casillas/REX/Shutterstock (5647256v)
MDR handlers and the herorats in action exploring and clearing the limited area. On average a herorat explores in 30 minutes a box of 20 squared metres and on a daily average clears 10 boxes
Landmine-sniffing rats, Cambodia - 15 Apr 2016
FULL COPY: http://www.rexfeatures.com/nanolink/s8ig
Cambodia is combating its landmine problem - with rats.
After more than two decades of civil war, the kingdom is one of the most landmine-affected countries in the world.
Now they hope to sniff away their past thanks to rodents that are able to detect the buried threats.
Photojournalist Claudio Montesano Casillas visited the affected area this month (April) to capture the so-called Hero Rats in action.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10022846_003
REPORTAGE - Ratten suchen Landminen in Kambodscha
MANDATORY CREDIT: Claudio Montesano Casillas/Rex Shutterstock. Only for use in this story. Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Claudio Montesano Casillas/REX/Shutterstock (5647256ac)
MDR handlers and the herorats in action exploring and clearing the limited area. On average a herorat explores in 30 minutes a box of 20 squared metres and on a daily average clears 10 boxes
Landmine-sniffing rats, Cambodia - 15 Apr 2016
FULL COPY: http://www.rexfeatures.com/nanolink/s8ig
Cambodia is combating its landmine problem - with rats.
After more than two decades of civil war, the kingdom is one of the most landmine-affected countries in the world.
Now they hope to sniff away their past thanks to rodents that are able to detect the buried threats.
Photojournalist Claudio Montesano Casillas visited the affected area this month (April) to capture the so-called Hero Rats in action.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10022846_004
REPORTAGE - Ratten suchen Landminen in Kambodscha
MANDATORY CREDIT: Claudio Montesano Casillas/Rex Shutterstock. Only for use in this story. Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Claudio Montesano Casillas/REX/Shutterstock (5647256u)
MDR handlers and the Hero Rats in action exploring and clearing the limited area. On average a herorat explores in 30 minutes a box of 20 squared metres and on a daily average clears 10 boxes
Landmine-sniffing rats, Cambodia - 15 Apr 2016
FULL COPY: http://www.rexfeatures.com/nanolink/s8ig
Cambodia is combating its landmine problem - with rats.
After more than two decades of civil war, the kingdom is one of the most landmine-affected countries in the world.
Now they hope to sniff away their past thanks to rodents that are able to detect the buried threats.
Photojournalist Claudio Montesano Casillas visited the affected area this month (April) to capture the so-called Hero Rats in action.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_014
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057f)
Inside the 'ABC cave' - which stands for Amazing Blue Cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_013
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057b)
Inside the 'ABC cave' - which stands for Amazing Blue Cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_010
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057h)
Inside the 'ABC cave' - which stands for Amazing Blue Cave. This view shows a snow storm outside the entrance to the cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_009
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057g)
Inside the 'ABC cave' - which stands for Amazing Blue Cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_008
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057i)
Looking up from inside the 'ABC cave' - which stands for Amazing Blue Cave. Guide Einar Runar Sigurdsson can be seen ice climbing on the glacier outside
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_007
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057j)
Inside the 'ABC cave' - which stands for Amazing Blue Cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_006
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057k)
Inside the 'ABC cave' - which stands for Amazing Blue Cave. Guide Einar Runar Sigurdsson is seen taking a photo at the entrance to the cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_005
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057c)
Guide Einar Runar Sigurdsson is seen ice climbing inside the 'Waterfall Cave'
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_004
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057e)
Guide Einar Runar Sigurdsson is seen ice climbing inside the 'Waterfall Cave'
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_003
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057l)
Looking up from inside the 'ABC cave' - which stands for Amazing Blue Cave. Guide Einar Runar Sigurdsson can be seen ice climbing on the glacier outside
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_002
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057n)
On top of the Vatnajökull glacier
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10054949_025
REPORTAGE - Fotosammlung dokumentiert Nordirland-Konflikt
Mandatory Credit: Photo by Valerio Berdini/REX/Shutterstock (8459183r)
A group of loyalist boys hang around the unionist area of Derry, by protestant always called Londonderry. Pavements are painted with the colours of the Union Jack which is also hung off a lamp post. The painted Red Hand of Ulster is a symbol used denote the Irish province of Ulster.
Photo collection explores history of the troubles in Northern Ireland - Apr 2015
*Full story: https://www.rexfeatures.com/nanolink/t5rq
As Northern Ireland goes to the polls today (2 March 2017) photographer Valerio Berdini has released a photo collection exploring the troubled history of the country. Voters in Northern Ireland are voting today as part of the Assembly Election following the resignation of former Deputy First Minister Martin McGuinness. Valerio comments: "As part of an ongoing series of projects exploring Brexit and the repercussion on the United Kingdom equilibrium, series explores Northern Ireland in its most controversial history". "The Troubles" is the common name for the conflict that distressed Northern Ireland. It began in the late 60s and ended with the Belfast "Good Friday" Agreement of '98.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10054949_024
REPORTAGE - Fotosammlung dokumentiert Nordirland-Konflikt
Mandatory Credit: Photo by Valerio Berdini/REX/Shutterstock (8459183p)
Concerns have been raised over the increasingly divided nature of Derry. There were about 17,000 Protestants on the west bank in 1971 but the population rapidly declined. There are now only about 2,000 on the west bank and it is feared that the city could become permanently divided.
Photo collection explores history of the troubles in Northern Ireland - Apr 2015
*Full story: https://www.rexfeatures.com/nanolink/t5rq
As Northern Ireland goes to the polls today (2 March 2017) photographer Valerio Berdini has released a photo collection exploring the troubled history of the country. Voters in Northern Ireland are voting today as part of the Assembly Election following the resignation of former Deputy First Minister Martin McGuinness. Valerio comments: "As part of an ongoing series of projects exploring Brexit and the repercussion on the United Kingdom equilibrium, series explores Northern Ireland in its most controversial history". "The Troubles" is the common name for the conflict that distressed Northern Ireland. It began in the late 60s and ended with the Belfast "Good Friday" Agreement of '98.
(FOTO:DUKAS/REX)
(c) Dukas -
