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Lost and found: a mother and daughter on surviving teenage mental breakdown in the social media age. Christie Watson and Rowan Egberongbe.
Lost and found: a mother and daughter on surviving teenage mental breakdown in the social media age.
In an extract from their unflinching memoir, Christie Watson and daughter Rowan Egberongbe recall the post-Covid psychological collapse that fractured their bond, and how social media was both the hero and villain of the hour.
Christie Watson and Rowan Egberongbe photographed in London, UK. 6th January 2025.
Pedro Alvarez / Guardian / eyevine
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DUKAS_180118967_EYE
Lost and found: a mother and daughter on surviving teenage mental breakdown in the social media age. Christie Watson and Rowan Egberongbe.
Lost and found: a mother and daughter on surviving teenage mental breakdown in the social media age.
In an extract from their unflinching memoir, Christie Watson and daughter Rowan Egberongbe recall the post-Covid psychological collapse that fractured their bond, and how social media was both the hero and villain of the hour.
Christie Watson and Rowan Egberongbe photographed in London, UK. 6th January 2025.
Pedro Alvarez / Guardian / eyevine
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Richard Price: 'I don't like to write, I just don't - it's too much anxiety'
Richard Price the US novelist and co-writer of The Wire on why his new book isn't about cops and robbers, his 80s drug addiction and the authors who have inspired him.
Richard Price photographed in Harlem, New York, USA on 12th December 2024.
Maria Spann / Guardian / eyevine
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Tony Blair: ‘I would have stayed if I could, is the truth’
Ahead of the publication of his book about leadership - definitely not aimed at Keir Starmer - Tony Blair the former prime minister talks about relinquishing power, why he's not fazed about a second Trump term and being an AI evangelist.
Tony Blair photographed 29th July 2024
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Mike Skinner of The Streets
Mike Skinner of The Streets photographed in London, UK.
September 2023.
© Pedro Alvarez / Guardian / eyevine
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OFM Awards 2022: Best Cookbook – Nistisima by Georgina Hayden
Food writer and cook Georgina Hayden.
A recipe book based on fasting? It shouldn’t work but it does - and OFM readers voted it their favourite addition to their bookshelf
When Georgina Hayden heard Nistisima had been voted Best New Cookbook at this year's OFM Awards. To say she was surprised would be an understatement, despite the enthusiastic reception for the book when it was published in March. "When I pitched the idea, I thought it shouldn't work on so many levels," she says. "Orthodox Christianity. Religion. A cookbook on fasting [nistisima means "fasting food" in Greek]. Would people get it? It is quite niche, but I am chuffed that they let me write it."
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Sean Paul: 'A new generation are making dancehall their own'
'Suddenly, I was a one-hit wonder and I knew I had to follow it up': Sean Paul.
The rapper's 00s megahits took the sound of Kingston clubs global. He talks about the genre's influence, its new female stars, and the debate over the monarchy in his native Jamaica.
Sean Paul is a party-starter. Few artists have a back catalogue better primed for the dancefloor than the multimillion-selling Jamaican artist. This year marks 20 years since his breakout second album
Sean Paul photographed in May 2022.
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Sean Paul: 'A new generation are making dancehall their own'
'Suddenly, I was a one-hit wonder and I knew I had to follow it up': Sean Paul.
The rapper's 00s megahits took the sound of Kingston clubs global. He talks about the genre's influence, its new female stars, and the debate over the monarchy in his native Jamaica.
Sean Paul is a party-starter. Few artists have a back catalogue better primed for the dancefloor than the multimillion-selling Jamaican artist. This year marks 20 years since his breakout second album
Sean Paul photographed in May 2022.
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William Brewer: The Red Arrow isn't a drug book, butÖ
Debt seems to be the engine of our economy: William Brewer photographed at home in Oakland, California, USA on May 6, 2022.
The American author on how his own experience of psychedelic therapy sparked his debut novel, and his poems about the opioid epidemic.
William Brewer, 33, is the author of I Know Your Kind (2017), a collection of poems about poverty and drug addiction in West Virginia, where he was born and grew up. Selected for the prestigious National Poetry Series in the US, and cited as an inspiration by Ocean Vuong, he has been described by New York magazine as "America's poet laureate of the opioid crisis".
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DUKAS_139076341_EYE
William Brewer: The Red Arrow isn't a drug book, but?
Debt seems to be the engine of our economy: William Brewer photographed at home in Oakland, California, USA on May 6, 2022.
The American author on how his own experience of psychedelic therapy sparked his debut novel, and his poems about the opioid epidemic.
William Brewer, 33, is the author of I Know Your Kind (2017), a collection of poems about poverty and drug addiction in West Virginia, where he was born and grew up. Selected for the prestigious National Poetry Series in the US, and cited as an inspiration by Ocean Vuong, he has been described by New York magazine as "America's poet laureate of the opioid crisis".
© Carolyn Fong / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_138819694_EYE
William Brewer: The Red Arrow isn't a drug book, butÖ
Debt seems to be the engine of our economy: William Brewer photographed at home in Oakland, California, USA on May 6, 2022.
The American author on how his own experience of psychedelic therapy sparked his debut novel, and his poems about the opioid epidemic.
William Brewer, 33, is the author of I Know Your Kind (2017), a collection of poems about poverty and drug addiction in West Virginia, where he was born and grew up. Selected for the prestigious National Poetry Series in the US, and cited as an inspiration by Ocean Vuong, he has been described by New York magazine as "America's poet laureate of the opioid crisis".
© Carolyn Fong / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
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The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
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The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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DUKAS_132430786_EYE
The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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DUKAS_132430755_EYE
The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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DUKAS_132430787_EYE
The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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DUKAS_132430756_EYE
The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
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DUKAS_132430800_EYE
The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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DUKAS_132430785_EYE
The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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DUKAS_132430759_EYE
The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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DUKAS_132430754_EYE
The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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DUKAS_132430753_EYE
The week in classical: Patricia Kopatchinskaja and Sol Gabetta; La traviata. ‘Fast, ironic, teasing’: Patricia Kopatchinskaja and Sol Gabetta at the QEH.
Patricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, South Bank, London, classical music, for New Review, 26/10/2021
Sophia Evans for The ObserverPatricia Kopatchinskaja (violin) and Sol Gabetta (cello), perform at Queen Elizabeth Hall, Royal Opera House, London.
The singular violin-cello duo turn music into exhilarating conversation.
© Sophia Evans / Observer / eyevine
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Lauren Groff: ‘I often get very lonely because my job is very lonely’. The author of Fates and Furies on being endorsed by Barack Obama, the climate crisis and discovering medieval humour for a new novel about 12th-century poet Marie de France.
Lauren Groff, an American novelist and short story writer, is pictured at her Gainesville, Fl. home on Tuesday, August 24, 2021. She has written three novels and two short story collections, including Fates and Furies (2015) and Florida (2018).
© Rick Wilson / Guardian / eyevine
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DUKAS_129031436_EYE
Lauren Groff
Lauren Groff, an American novelist and short story writer, is pictured at her Gainesville, Fl. home on Tuesday, August 24, 2021. She has written three novels and two short story collections, including Fates and Furies (2015) and Florida (2018).
© Rick Wilson / Guardian / eyevine
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DUKAS_129075604_EYE
Lauren Groff: ‘I often get very lonely because my job is very lonely’. The author of Fates and Furies on being endorsed by Barack Obama, the climate crisis and discovering medieval humour for a new novel about 12th-century poet Marie de France.
Lauren Groff, an American novelist and short story writer, is pictured at her Gainesville, Fl. home on Tuesday, August 24, 2021. She has written three novels and two short story collections, including Fates and Furies (2015) and Florida (2018).
© Rick Wilson / Guardian / eyevine
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DUKAS_126141279_EYE
Squid the band performing live at The Cornish Bank in Falmouth, Cornwall
Squid the band performing live at The Cornish Bank in Falmouth, Cornwall on 23/05/2021
© Brian Robinson / Guardian / eyevine
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DUKAS_126141278_EYE
Squid the band performing live at The Cornish Bank in Falmouth, Cornwall
Squid the band performing live at The Cornish Bank in Falmouth, Cornwall on 23/05/2021
© Brian Robinson / Guardian / eyevine
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DUKAS_126141280_EYE
Squid the band performing live at The Cornish Bank in Falmouth, Cornwall
Squid the band performing live at The Cornish Bank in Falmouth, Cornwall on 23/05/2021
© Brian Robinson / Guardian / eyevine
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DUKAS_123280468_EYE
Kevin MacDonald
Kevin Macdonald photographed on Hampstead Heath in London.
© Pedro Alvarez / Guardian / eyevine
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DUKAS_123280465_EYE
Kevin MacDonald
Kevin Macdonald photographed on Hampstead Heath in London.
© Pedro Alvarez / Guardian / eyevine
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DUKAS_124309497_EYE
Kevin MacDonald
Documentary film director Kevin MacDonald photographed on Parliament Hill, Hampstead Heath, London. Macdonald is a Scottish director. His films include One Day in September, a documentary about the 1972 murder of 11 Israeli athletes, which won him the Academy Award for Best Documentary Feature.
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DUKAS_123280467_EYE
Kevin MacDonald
Kevin Macdonald photographed on Hampstead Heath in London.
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DUKAS_123280466_EYE
Kevin MacDonald
Kevin Macdonald photographed on Hampstead Heath in London.
© Pedro Alvarez / Guardian / eyevine
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DUKAS_120839672_EYE
The best books of 2020, chosen by booksellers
Jim Taylor, the manager of Lighthouse bookshop in Edinburgh. "Being a radical bookshop, one of the things we took solace from this year was a wealth of great progressive publishing, particularly in the wake of global anti-racist protests."
© Katherine Anne Rose / Observer / eyevine
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The best books of 2020, chosen by booksellers
Jim Taylor, the manager of Lighthouse bookshop in Edinburgh. "Being a radical bookshop, one of the things we took solace from this year was a wealth of great progressive publishing, particularly in the wake of global anti-racist protests."
© Katherine Anne Rose / Observer / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_120839674_EYE
The best books of 2020, chosen by booksellers
Jim Taylor, the manager of Lighthouse bookshop in Edinburgh. "Being a radical bookshop, one of the things we took solace from this year was a wealth of great progressive publishing, particularly in the wake of global anti-racist protests."
© Katherine Anne Rose / Observer / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_120839676_EYE
The best books of 2020, chosen by booksellers
Jim Taylor, the manager of Lighthouse bookshop in Edinburgh. "Being a radical bookshop, one of the things we took solace from this year was a wealth of great progressive publishing, particularly in the wake of global anti-racist protests."
© Katherine Anne Rose / Observer / eyevine
Contact eyevine for more information about using this image:
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_120839675_EYE
The best books of 2020, chosen by booksellers
Jim Taylor, the manager of Lighthouse bookshop in Edinburgh. "Being a radical bookshop, one of the things we took solace from this year was a wealth of great progressive publishing, particularly in the wake of global anti-racist protests."
© Katherine Anne Rose / Observer / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_120839673_EYE
The best books of 2020, chosen by booksellers
Jim Taylor, the manager of Lighthouse bookshop in Edinburgh. "Being a radical bookshop, one of the things we took solace from this year was a wealth of great progressive publishing, particularly in the wake of global anti-racist protests."
© Katherine Anne Rose / Observer / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_120839682_EYE
The best books of 2020, chosen by booksellers
Jim Taylor, the manager of Lighthouse bookshop in Edinburgh. "Being a radical bookshop, one of the things we took solace from this year was a wealth of great progressive publishing, particularly in the wake of global anti-racist protests."
© Katherine Anne Rose / Observer / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_120839671_EYE
The best books of 2020, chosen by booksellers
Jim Taylor, the manager of Lighthouse bookshop in Edinburgh. "Being a radical bookshop, one of the things we took solace from this year was a wealth of great progressive publishing, particularly in the wake of global anti-racist protests."
© Katherine Anne Rose / Observer / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
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Doris Lessing in 1962
Doris Lessing in 1962. Photograph: Stuart Heydinger/The Observer.
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Anthropologist James Suzman says now is the perfect time to rein in our unsustainable work habits.
Blue sky thinking: is it time to stop work taking over our lives? Anthropologist James Suzman says now is the perfect time to rein in our unsustainable work habits. But is it possible?
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Anthropologist James Suzman says now is the perfect time to rein in our unsustainable work habits.
Blue sky thinking: is it time to stop work taking over our lives? Anthropologist James Suzman says now is the perfect time to rein in our unsustainable work habits. But is it possible?
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An improvised tune posted on Twitter has made Paul Harvey famous and demonstrated the healing power of music.
Paul Harvey. An improvised tune posted on Twitter has made Paul Harvey famous and demonstrated the healing power of music. Not many 80-year-olds have a hit single. Paul Harvey has managed to write one while living with dementia. With the help of the BBC Philharmonic, Four Notes – Paul’s Tune sped to the top of the iTunes and Amazon charts last week – another high point in an extraordinary few weeks for the former music teacher. Former concert pianist Paul Harvey, 80 who suffers from dementia. Buxted, East Sussex 30/10/20.
© Andy Hall / Observer / eyevine
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An improvised tune posted on Twitter has made Paul Harvey famous and demonstrated the healing power of music.
Paul Harvey. An improvised tune posted on Twitter has made Paul Harvey famous and demonstrated the healing power of music. Not many 80-year-olds have a hit single. Paul Harvey has managed to write one while living with dementia. With the help of the BBC Philharmonic, Four Notes – Paul’s Tune sped to the top of the iTunes and Amazon charts last week – another high point in an extraordinary few weeks for the former music teacher. Former concert pianist Paul Harvey, 80 who suffers from dementia. Buxted, East Sussex 30/10/20.
© Andy Hall / Observer / eyevine
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