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DUKAS_193137834_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: This autumn, Jakob bought a farm at Soma, some minutes drive from where he lives today.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137815_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: This autumn, Jakob bought a farm at Soma, some minutes drive from where he lives today.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137810_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: This autumn, Jakob bought a farm at Soma, some minutes drive from where he lives today.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137831_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: This autumn, Jakob bought a farm at Soma, some minutes drive from where he lives today.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137826_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: This autumn, Jakob bought a farm at Soma, some minutes drive from where he lives today.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137804_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: This autumn, Jakob bought a farm at Soma, some minutes drive from where he lives today.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137798_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: This autumn, Jakob bought a farm at Soma, some minutes drive from where he lives today.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137823_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: In his garage, Jakob has his own «Man cave» filled with his great passion: cars.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137802_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: In his garage, Jakob has his own «Man cave» filled with his great passion: cars.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137817_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: In his garage, Jakob has his own «Man cave» filled with his great passion: cars.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137819_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: Jakob drinking a glass of water, wife Elisabeth Asserson in the background
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137828_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137794_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137829_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137812_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: Jakob in his sofa at home, with the golden retrievers Jupiter and Maximus
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137821_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: Jakob in his sofa at home, with the golden retriever Jupiter
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137806_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137808_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: every moring he does a 40-45 mins run on a treadmill. The room is often 30 degrees celcius warm. A cool-down in the garden afterwards
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137796_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: every moring he does a 40-45 mins run on a treadmill. The room is often 30 degrees celcius warm.
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137825_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: every moring he does a 40-45 mins run on a treadmill. The room is often 30 degrees celcius warm. A cool-down in the garden afterwards
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137835_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: every moring he does a 40-45 mins run on a treadmill. The room is often 30 degrees celcius warm
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137800_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: every moring he does a 40-45 mins run on a treadmill. The room is often 30 degrees celcius warm
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137792_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: every moring he does a 40-45 mins run on a treadmill. The room is often 30 degrees celcius warm
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137827_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: every moring he does a 40-45 mins run on a treadmill. The room is often 30 degrees celcius warm
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137833_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: every moring he does a 40-45 mins run on a treadmill. The room is often 30 degrees celcius warm
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE) -
DUKAS_193137832_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: every moring he does a 40-45 mins run on a treadmill. The room is often 30 degrees celcius warm
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_193137830_EYE
At home with Jakob Ingebrigtsen: ‘I’ve fed my obsession my whole life’
SANDNES 06.01.2026: Double Olympic gold medallist Jakob Ingebrigtsen at home, at his gym in a small house in his garden, and at his newly bought farm.
Image: collection of shoes at his gym
Photo: Marie von Krogh
Credit: Marie von Krogh / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_189978181_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978164_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978155_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978175_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978156_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978159_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978146_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978135_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978153_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978138_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978160_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978142_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978180_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978174_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978136_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978132_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978139_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978151_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978166_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978145_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978148_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978170_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
DUKAS_189978137_EYE
Maret Anne Sara
Ma?ret A?nne Sara, photographed amongst her new site-specific work in Tate Modern’s Turbine Hall. 'Through her multidisciplinary practice, Sara highlights the impact of Nordic colonialism on Sa?mi ways of life, exploring the importance of preserving Sa?mi ancestral knowledge and values to protect the environment for future generations. Often using materials and methodologies derived from reindeer herding, Sara creates powerful sculptures and installations which uphold the reciprocal relationship between animals, lands, waters, and humans.' - tate.org.uk. London. Photograph by David Levene 12/10/25
Credit: David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2025 -
