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DUKAS_181377225_EYE
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
Photography exhibition makes case for increasing importance of circles as people seek sense of belonging.
An exhibition at Britain's most famous prehistoric site by three young artists makes the case that in these difficult times they are ever more relevant and important, drawing an increasing number of people of all ages and beliefs searching for connection, belonging and peace.
Yuxi Hou, one of three artists whose work Is being displayed in the first exhibition of photography at Stonehenge, entitled Echoes: Stone Circles, Community and Heritage.
12/02/2025
Sam Frost / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Copyright ©2025 Sam Frost -
DUKAS_181377222_EYE
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
Photography exhibition makes case for increasing importance of circles as people seek sense of belonging.
An exhibition at Britain's most famous prehistoric site by three young artists makes the case that in these difficult times they are ever more relevant and important, drawing an increasing number of people of all ages and beliefs searching for connection, belonging and peace.
Serena Burgis, one of three artists whose work Is being displayed in the first exhibition of photography at Stonehenge, entitled Echoes: Stone Circles, Community and Heritage.
12/02/2025
Sam Frost / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Copyright ©2025 Sam Frost -
DUKAS_181377226_EYE
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
Photography exhibition makes case for increasing importance of circles as people seek sense of belonging.
An exhibition at Britain's most famous prehistoric site by three young artists makes the case that in these difficult times they are ever more relevant and important, drawing an increasing number of people of all ages and beliefs searching for connection, belonging and peace.
Three artists whose work Is being displayed in the first exhibition of photography at Stonehenge, entitled Echoes: Stone Circles, Community and Heritage. From left: Sally Barton, Serena Burgis, Yuxi Hou.
12/02/2025
Sam Frost / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Copyright ©2025 Sam Frost -
DUKAS_181377221_EYE
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
Photography exhibition makes case for increasing importance of circles as people seek sense of belonging.
An exhibition at Britain's most famous prehistoric site by three young artists makes the case that in these difficult times they are ever more relevant and important, drawing an increasing number of people of all ages and beliefs searching for connection, belonging and peace.
Three artists whose work Is being displayed in the first exhibition of photography at Stonehenge, entitled Echoes: Stone Circles, Community and Heritage. From left: Sally Barton, Serena Burgis, Yuxi Hou.
12/02/2025
Sam Frost / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Copyright ©2025 Sam Frost -
DUKAS_181377220_EYE
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
Photography exhibition makes case for increasing importance of circles as people seek sense of belonging.
An exhibition at Britain's most famous prehistoric site by three young artists makes the case that in these difficult times they are ever more relevant and important, drawing an increasing number of people of all ages and beliefs searching for connection, belonging and peace.
Three artists whose work Is being displayed in the first exhibition of photography at Stonehenge, entitled Echoes: Stone Circles, Community and Heritage. From left: Yuxi Hou, Serena Burgis, Sally Barton.
12/02/2025
Sam Frost / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Copyright ©2025 Sam Frost -
DUKAS_181377227_EYE
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
Photography exhibition makes case for increasing importance of circles as people seek sense of belonging.
An exhibition at Britain's most famous prehistoric site by three young artists makes the case that in these difficult times they are ever more relevant and important, drawing an increasing number of people of all ages and beliefs searching for connection, belonging and peace.
Image by artist Sally Barton titled 'Offerings' that is part of the 'Echoes: Stone Circles, Community and Heritage' photography exhibition at Stonehenge.
Sam Frost / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Sally Barton -
DUKAS_171597181_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Fabio Silva the Dep Head of Archeology and Anthropology at the University of Bournemouth, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_171597199_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Fabio Silva the Dep Head of Archeology and Anthropology at the University of Bournemouth, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_171597201_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Fabio Silva the Dep Head of Archeology and Anthropology at the University of Bournemouth, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_171597202_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Fabio Silva the Dep Head of Archeology and Anthropology at the University of Bournemouth, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_171597203_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Robert Massey from the Royal Astronomical Society, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester with a member of the English Heritage livestream team.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_171597180_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Robert Massey from the Royal Astronomical Society, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester with a member of the English Heritage livestream team.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_171597179_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Robert Massey from the Royal Astronomical Society, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester with a member of the English Heritage livestream team.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_171597200_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Robert Massey from the Royal Astronomical Society, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester with a member of the English Heritage livestream team.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_171597204_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Robert Massey from the Royal Astronomical Society, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_171597205_EYE
How a lunar 'standstill' is shining new light on Stonehenge
Experts say some of structure’s stones may have been set to mark an event that only happens every 18.6 years.
This weekend, archaeologists, astronomers and archaeoastronomers (who study how prehistoric people responded to the sky) arrived at the time of the full moon to explore the theory that the Stonehenge creators may have set up some stones to mark the lunar standstill, when moonrise and moonset are farthest apart along the horizon.
Archaeologists and astronomers use a total station to track a lunar event at Stonehenge in studying the Wiltshire site’s lesser understood connection to the moon (21 June 2024).
- (L-R) Robert Massey from the Royal Astronomical Society, Amanda Chadburn Visiting Fellow at Bournemouth University and Clive Ruggles, Emeritus Professor of Archaeology & Archaeoastronomy at the University of Leicester.
Adrian Sherratt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Adrian Sherratt -
DUKAS_181377223_EYE
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
'A space for solace': Stonehenge show explores attraction of stone circles. Echoes: Stone Circles exhibition.
Photography exhibition makes case for increasing importance of circles as people seek sense of belonging.
An exhibition at Britain's most famous prehistoric site by three young artists makes the case that in these difficult times they are ever more relevant and important, drawing an increasing number of people of all ages and beliefs searching for connection, belonging and peace.
Image by artist Serena Burgis titled 'mama on the hilltop' that is part of the 'Echoes: Stone Circles, Community and Heritage' photography exhibition at Stonehenge.
Sam Frost / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Serena Burgis -
DUKAS_129420300_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Also pictured is Heather Sebire, Senior Property Curator . Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420299_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420318_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Also pictured is Heather Sebire, Senior Property Curator . Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420334_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Also pictured is Heather Sebire, Senior Property Curator. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420319_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Heather Sebire, Senior Property Curator at Stonehenge where Historic buildings & monuments Conservationists build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420351_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Heather Sebire, Senior Property Curator at Stonehenge where Historic buildings & monuments Conservationists build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420352_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420296_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Heather Sebire, Senior Property Curator at Stonehenge where Historic buildings & monuments Conservationists build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420298_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Heather Sebire, Senior Property Curator at Stonehenge where Historic buildings & monuments Conservationists build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420349_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (left) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420297_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129420179_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
© Guardian / eyevine
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DUKAS_129420192_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
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DUKAS_129420172_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
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DUKAS_129420166_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
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DUKAS_129420190_EYE
Stonehenge project launched to repair deep lintel cracks. Climate crisis and unsympathetic 1950s repairs have taken a toll on prehistoric structure.
Conservation work on the lintels at Stonehenge.
Historic buildings & monuments Conservationists Columba Strachey (right) and James Preston build a scaffolding tower in preperation for conservation work on the lintels at Stonehenge. Stonehenge is a prehistoric monument on Salisbury Plain in Wiltshire, England, two miles west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet high, seven feet wide, and weighing around 25 tons, topped by connecting horizontal lintel stones.
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DUKAS_121420087_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Neighbours Susan Gaulter and Linda Sullivan have a bunnies and bunting display.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420086_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Alison Humphries has made a tiny fairy garden in front of her home.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420117_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Alison Humphries has made a tiny fairy garden in front of her home.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420063_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Alison Humphries has made a tiny fairy garden in front of her home.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420142_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Jo dos Santos with her children Bronwyn, 9, and Angelo, 10.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420064_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Jo dos Santos with her children Bronwyn, 9, and Angelo, 10.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420085_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Jo dos Santos with her children Bronwyn, 9, and Angelo, 10.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420116_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
David Shelley has hand-painted all the butterflies in his windows.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420082_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
David Shelley has hand-painted all the butterflies in his windows.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420115_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
David Shelley has hand-painted all the butterflies in his windows.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420140_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
David Shelley has hand-painted all the butterflies in his windows.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420118_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Hay Blake with her sunflower-themed decorations.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420083_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Hay Blake with her sunflower-themed decorations.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420062_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Hay Blake with her sunflower-themed decorations.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420084_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420141_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
14/01/2021...photo by Sam Frost...©2021
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DUKAS_121420138_EYE
Wiltshire town dresses up for lockdown
HOME - People in Malmesbury, Wiltshire, are decorating their homes on a theme of ‘Hope Springs Eternal’ to raise spirits during lockdown.
Ruth Mullarkey outside her home.
14/01/2021...photo by Sam Frost...©2021
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