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DUKAS_168902071_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Posters for the Ukrainian Pavillion, just off Via Giuseppe Garibaldi, near to the Arsenale, which houses part of the Venice Biennale 2024 and is where the Ukrainian pavilion is situated. Venice, Italy.
19/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_168902081_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Yinka Shonibare Refugee Astronaut (2015-ongoing) 'introduces a life-sized nomadic astronaut adorned with “African” fabric, equipped to navigate ecological and humanitarian crises. Carrying a mesh sack filled with worldly possessions, the figure symbolises the challenges of displacement. Originating from Shonibare’s contemplation of space as a potential refuge, the artwork serves as a cautionary tale on environmental negligence and capitalism, challenging the unsustainable pursuit of perpetual growth. It also subverts colonial connotations, presenting a refugee astronaut in stark contrast to the colonial instinct of conquering the world. In a cautionary tone, Shonibare emphasises that the artwork serves as a warning, urging contemplation of the potential consequences of inaction regarding rising water levels and the resulting displacement of people. For Shonibare, the overarching question of humanity is incredibly diverse, emphasising the recognition that there is no singular way to be human.' Artwork inside the main Arsenale exhibition space. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902082_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Takapau (2022) by Mataaho Collective and MAHKU—Movimento dos Artistas Huni Kuin, inside the main Arsenale exhibition space. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902076_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Anna Maria Maiolino, 'INDO & VINDO' (2024). 'One of the two winners of this Biennale’s Golden Lion for Lifetime Achievement, Anna Maria Maiolino presents (just outside the main Arsenale hall) a new, site-specific installation, INDO & VINDO (2024), consisting of a sculpture of unfired earthen clay that appears like tendrils or intestines and is draped over a bench-like structure and placed along the shelving and affixed to chicken-wire armature of this storeroom on the Arsenale grounds. Because this clay is not fired, it will eventually dry out and likely disintegrate. The ephemeral quality of the material, which can survive thousands of years when heated, points to the fleetingness of life, of our time here, there, everywhere.' - ARTNEWS. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902090_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Anna Maria Maiolino, 'INDO & VINDO' (2024). 'One of the two winners of this Biennale’s Golden Lion for Lifetime Achievement, Anna Maria Maiolino presents (just outside the main Arsenale hall) a new, site-specific installation, INDO & VINDO (2024), consisting of a sculpture of unfired earthen clay that appears like tendrils or intestines and is draped over a bench-like structure and placed along the shelving and affixed to chicken-wire armature of this storeroom on the Arsenale grounds. Because this clay is not fired, it will eventually dry out and likely disintegrate. The ephemeral quality of the material, which can survive thousands of years when heated, points to the fleetingness of life, of our time here, there, everywhere.' - ARTNEWS. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902084_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
keepers of the crown, 2024 , by Lauren Halsey. Artwork inside the main Arsenale exhibition space. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902062_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Prêt-à-Patria, 2021 by Bárbara Sánchez-Kane. The main Arsenale exhibition space. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902073_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Christoph Büchel's show Monte di Pietà (pawnshop) at the Fondazione Prada in Venice. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902070_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Christoph Büchel's show Monte di Pietà (pawnshop) at the Fondazione Prada in Venice. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902089_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Yinka Shonibare CBE RA, Monument to the Restitution of the Mind and Soul, Nigeria Imaginary at the Nigeria Pavilion at the 60th International Art Exhibition. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902085_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Posters for the Ukrainian Pavillion, just off Via Giuseppe Garibaldi, near to the Arsenale, which houses part of the Venice Biennale 2024 and is where the Ukrainian pavilion is situated. Venice, Italy.
19/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902069_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Rehearsal for Swan Lake, 2024 (with Oksana Serheieva), video 150 min, + LIVE PERFORMANCE by Oksana Serheieva, from 20 April to 5 May 2024. Every Day at 1.30pm, 4pm and 6.30pm. Austria pavilion.
'The Austrian Pavilion at the Biennale Arte 2024 in Venice is designed by Anna Jermolaewa and curated by Gabriele Spindler. In her work, the artist, who was born in Leningrad (USSR) and has lived in Vienna since 1989, has demonstrated again and again that she is a keen observer of human life, its societal conditions and political preconditions. For the Austrian contribution, Jermolaewa covers a broad spectrum ranging from her personal migration experiences to forms of non-violent resistance against authoritarian regimes. The presentation shown at the Pavilion will comprise videos, installations, luminous objects and sound as well as performative elements combining newly developed works and extensions of existing works of the artist.
'Anna Jermolaewa’s contribution for the Austrian Pavilion blends in excellently with the general theme of the Art Biennale 2024 defined by curator Adriano Pedrosa: Stranieri Ovunque – Foreigners Everywhere centers on the topics of foreign lands, migration as well as issues of national identity and cultural diversity and focuses on artists who personally experienced flight and migration.
Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902074_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Rehearsal for Swan Lake, 2024 (with Oksana Serheieva), video 150 min, + LIVE PERFORMANCE by Oksana Serheieva, from 20 April to 5 May 2024. Every Day at 1.30pm, 4pm and 6.30pm. Austria pavilion.
'The Austrian Pavilion at the Biennale Arte 2024 in Venice is designed by Anna Jermolaewa and curated by Gabriele Spindler. In her work, the artist, who was born in Leningrad (USSR) and has lived in Vienna since 1989, has demonstrated again and again that she is a keen observer of human life, its societal conditions and political preconditions. For the Austrian contribution, Jermolaewa covers a broad spectrum ranging from her personal migration experiences to forms of non-violent resistance against authoritarian regimes. The presentation shown at the Pavilion will comprise videos, installations, luminous objects and sound as well as performative elements combining newly developed works and extensions of existing works of the artist.
'Anna Jermolaewa’s contribution for the Austrian Pavilion blends in excellently with the general theme of the Art Biennale 2024 defined by curator Adriano Pedrosa: Stranieri Ovunque – Foreigners Everywhere centers on the topics of foreign lands, migration as well as issues of national identity and cultural diversity and focuses on artists who personally experienced flight and migration.
Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902065_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Artist Thierry Geoffrey, French artist. PETTICOAT GOVERNMENT
BELGIAN PAVILION - GIARDINI | WALLONIA-BRUSSELS FEDERATION
60th International Art Exhibition – La Biennale di Venezia
20.04 – 24.11.2024
Curator: The collective : Sophie Boiron, Valentin Bollaert, Simona Denicolai, Pauline Fockedey, Pierre Huyghebaert, Antoinette Jattiot, Ivo Provoost .Belgian pavilion. Venice Biennale. Venice, Italy.
21/4/24 Belgian pavilion. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902079_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Super Superior Civilizations by Guerreiro do Divino Amor, curated by Andrea Bellini. The Swiss pavilion. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902091_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Germany Pavilion. Venice Biennale. Venice, Italy.
21/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902066_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
‘Come, Let Me Heal Your Wounds’, by Dana Awartani. Arsenale. Venice Biennale. Venice, Italy.
19/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902057_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
‘Come, Let Me Heal Your Wounds’, by Dana Awartani. Arsenale. Venice Biennale. Venice, Italy.
19/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902088_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
‘Come, Let Me Heal Your Wounds’, by Dana Awartani. Arsenale. Venice Biennale. Venice, Italy.
19/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902075_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Zach?ta and Polish Pavilion. Venice Biennale. Venice, Italy.
18/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902058_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Zach?ta and Polish Pavilion. Venice Biennale. Venice, Italy.
18/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902063_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
THRESHOLDS German Pavilion & La Certosa. One of the main installations and performers inside the German pavilion embody the story of the artist Ersan Mondtag's grandfather, Hasan Aygün, who came to West Berlin from Central Anatolia in the 1960s, made a living through working in the Eternit asbestos factories, and died as a result of this work. The German Pavilion at the 60th International
Art Exhibition – La Biennale di Venezia. Venice Biennale. Venice, Italy.
18/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902080_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
THRESHOLDS German Pavilion & La Certosa. One of the main installations and performers inside the German pavilion embody the story of the artist Ersan Mondtag's grandfather, Hasan Aygün, who came to West Berlin from Central Anatolia in the 1960s, made a living through working in the Eternit asbestos factories, and died as a result of this work. The German Pavilion at the 60th International
Art Exhibition – La Biennale di Venezia. Venice Biennale. Venice, Italy.
18/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902092_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Polonia Uncensored by Ignacy Czwartos, curated by Piotr Bernatowicz. Hosted by Dr Marek Buczkowski who lives just behind the official Polish pavilion, on Viale IV Novembre, 8, Venice, Italy.
17/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902067_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Ignacy Czwartos, artist. Polonia Uncensored by Ignacy Czwartos, curated by Piotr Bernatowicz. Hosted by Dr Marek Buczkowski who lives just behind the official Polish pavilion, on Viale IV Novembre, 8, Venice, Italy.
17/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902059_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Holy See Pavilion
60th INTERNATIONAL ART EXHIBITION
VENICE BIENNALE 2024
With my eyes
In collaboration with the Department of Prison Administration of the Ministry of Justice, from 20 April to 24 November 2024, the project entitled “With My Eyes” will be presented at the Giudecca Women's Prison. Venice, Italy.
17/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902457_EYE
Insider art: Vatican sets up Biennale pavilion at Venice women's jail
Pope Francis to attend installation that includes short film featuring Zoe Saldana and Giudecca inmates.
Originally a convent dating to the 13th century, and once a reformatory for prostitutes, the Giudecca women's prison, set on an island in the Venetian lagoon, will this summer perform a quite different role: as the official pavilion for the Vatican at this year's Venice Biennale.
Pope Francis is due to attend on 28 April - the first pontifical visit to the Biennale since it was founded in 1895. In the women's prison he will see a work by Maurizio Cattelan, who notoriously created a hyper-real sculpture in 1999 depicting Pope John Paul II struck down by a meteorite.
Holy See Pavilion
60th INTERNATIONAL ART EXHIBITION
VENICE BIENNALE 2024
With my eyes
Zoë Yadira Saldaña-Perego and her husband Marco Perego-Saldaña.
In collaboration with the Department of Prison Administration of the Ministry of Justice, from 20 April to 24 November 2024, the project entitled “With My Eyes” will be presented at the Giudecca Women's Prison. Venice, Italy.
17/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902444_EYE
Insider art: Vatican sets up Biennale pavilion at Venice women's jail
Pope Francis to attend installation that includes short film featuring Zoe Saldana and Giudecca inmates.
Originally a convent dating to the 13th century, and once a reformatory for prostitutes, the Giudecca women's prison, set on an island in the Venetian lagoon, will this summer perform a quite different role: as the official pavilion for the Vatican at this year's Venice Biennale.
Pope Francis is due to attend on 28 April - the first pontifical visit to the Biennale since it was founded in 1895. In the women's prison he will see a work by Maurizio Cattelan, who notoriously created a hyper-real sculpture in 1999 depicting Pope John Paul II struck down by a meteorite.
Holy See Pavilion
60th INTERNATIONAL ART EXHIBITION
VENICE BIENNALE 2024
With my eyes
In collaboration with the Department of Prison Administration of the Ministry of Justice, from 20 April to 24 November 2024, the project entitled “With My Eyes” will be presented at the Giudecca Women's Prison. Venice, Italy.
17/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902458_EYE
Insider art: Vatican sets up Biennale pavilion at Venice women's jail
Pope Francis to attend installation that includes short film featuring Zoe Saldana and Giudecca inmates.
Originally a convent dating to the 13th century, and once a reformatory for prostitutes, the Giudecca women's prison, set on an island in the Venetian lagoon, will this summer perform a quite different role: as the official pavilion for the Vatican at this year's Venice Biennale.
Pope Francis is due to attend on 28 April - the first pontifical visit to the Biennale since it was founded in 1895. In the women's prison he will see a work by Maurizio Cattelan, who notoriously created a hyper-real sculpture in 1999 depicting Pope John Paul II struck down by a meteorite.
Holy See Pavilion
60th INTERNATIONAL ART EXHIBITION
VENICE BIENNALE 2024
With my eyes
In collaboration with the Department of Prison Administration of the Ministry of Justice, from 20 April to 24 November 2024, the project entitled “With My Eyes” will be presented at the Giudecca Women's Prison. Venice, Italy.
17/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902459_EYE
Insider art: Vatican sets up Biennale pavilion at Venice women's jail
Pope Francis to attend installation that includes short film featuring Zoe Saldana and Giudecca inmates.
Originally a convent dating to the 13th century, and once a reformatory for prostitutes, the Giudecca women's prison, set on an island in the Venetian lagoon, will this summer perform a quite different role: as the official pavilion for the Vatican at this year's Venice Biennale.
Pope Francis is due to attend on 28 April - the first pontifical visit to the Biennale since it was founded in 1895. In the women's prison he will see a work by Maurizio Cattelan, who notoriously created a hyper-real sculpture in 1999 depicting Pope John Paul II struck down by a meteorite.
Holy See Pavilion
60th INTERNATIONAL ART EXHIBITION
VENICE BIENNALE 2024
With my eyes
In collaboration with the Department of Prison Administration of the Ministry of Justice, from 20 April to 24 November 2024, the project entitled “With My Eyes” will be presented at the Giudecca Women's Prison. Venice, Italy.
17/4/24
David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902068_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Kith and Kin by Archie Moore. Australia Pavilion. Venice Biennale. Venice, Italy.
16/4/24
David Levene / Guardian / eyevine
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DUKAS_168902072_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Kith and Kin by Archie Moore. Australia Pavilion. Venice Biennale. Venice, Italy.
16/4/24
David Levene / Guardian / eyevine
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© David Levene 2024 -
DUKAS_168902083_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Jeffrey Gibson. USA Pavilion. Venice Biennale. Venice, Italy.
16/4/24
David Levene / Guardian / eyevine
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© David Levene 2024 -
DUKAS_168902087_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
The artist and curators of the Israel Pavilion have decided to close the pavilion until 'a ceasefire and hostage release agreement is reached'. Venice Biennale. Italy.
16/4/24
David Levene / Guardian / eyevine
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© David Levene 2024 -
DUKAS_168902077_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Okará Assojaba, 2024 by Gilceria Tupinamba (1982), Tupinambá Community of Serra Do Padeiro. Installation composed of tarrafa nets, feather mantles and letters. Gilceria (right) is photographed with her niece Jessica.
BRAZIL
Ka’a Pûera: we are walking birds
'Ka’a Pûera has a double meaning: it is both a space in the field and a bird camouflaging itself with the forest floor. This duplicity is essential to the concept of the Hãhãwpuá Pavilion (ancestral territory), which brings Brazil’s history of resistance to life through the works of Glicéria Tupinambá, Olinda Tupinambá, Ziel Karapotó, and the Tupinambá Community of the Serra do Padeiro and Olivença villages in Bahia. Glicéria Tupinambá summons the mantles of her people and forms Okará Assojaba, the council of listening elders. Produced after meetings with Grupo Atã, formed of Tupinambá youths and elders, Dobra do tempo infinito [Fold of Infinite Time] presents a video installation with trawling nets that form connections between their weaves and traditional costumes. Ziel Karapotó’s installation combines fired cartridges and maracas, confronting colonial processes, while Olinda Tupinambá amplifies the voice of Kaapora, a spiritual entity that watches over our relationship with the planet.
The exhibition is held in the year that one of the mantles returns to Brazil from Europe, where it has been since 1699, updating issues of colonization — and finding the Tupinambá and over 300 Indigenous peoples in Brazil who continue their struggles as Ka’a Pûera, birds that walk over resurgent forests.
Brazil Pavilion. Venice Biennale. Venice, Italy.
16/4/24
David Levene / Guardian / eyevine
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DUKAS_168902086_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
The British Pavilion at the Venice Biennale. John Akomfrah is representing Great Britain at the Venice Biennale 2024. Italy.
16/4/24
David Levene / Guardian / eyevine
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DUKAS_168902078_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
The British Pavilion at the Venice Biennale. John Akomfrah is represnting Great Britain at the Venice Biennale 2024. Italy.
16/4/24
David Levene / Guardian / eyevine
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© David Levene 2024 -
DUKAS_168902060_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
John Akomfrah, photographed inside the British Pavilion at the Venice Biennale. John Akomfrah is represnting Great Britain at the Venice Biennale 2024. Italy.
16/4/24
David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© David Levene 2024 -
DUKAS_168902064_EYE
A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale - in pictures
From the thrice-daily Swan Lake to a tragedy in an asbestos factory, Guardian photographer David Levene went behind the scenes at the 'Art Olympics'
Dima Srouji and Jasbir Puar
Untitled (Onion Masks), 2023
From the series Revolutionary Enclosures (Until the Apricots)
Photo and blown glass, 93.1 x 125 cm, artistÕs proof
Australian soldiers peeling onions in gas masks in British Mandate Palestine, Gaza 1940.
Place: British Mandate of Palestine: Palestine, Gaza
Date of creation: 3 July 1940. South West Bank, Landworks, Collective Action and Sound 'by Palestinian artists and their allies', curated by Jonathan Turner. Off-site, Venice Biennale, Venice, Italy.
14/4/24
David Levene / Guardian / eyevine
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DUKAS_134934651_EYE
Foreign Secretary Liz Truss meets Nancy Pelosi
22/02/2022. London, United Kingdom. Foreign Secretary Liz Truss holds a bilateral meeting the US Speaker of the House Nancy Pelosi for a meeting at the Foreign Commonwealth and Development Office. Picture by Sam Ettleman/FCDO / eyevine
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Foreign Secretary Liz Truss meets Nancy Pelosi
22/02/2022. London, United Kingdom. Foreign Secretary Liz Truss holds a bilateral meeting the US Speaker of the House Nancy Pelosi for a meeting at the Foreign Commonwealth and Development Office. Picture by Sam Ettleman/FCDO / eyevine
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DUK10146621_007
FEATURE - Der ikonische Renault 4 feiert sein 60-jähriges Jubiläum als fliegendes Auto
Ferrari Press Agency
Renault 1
Ref 13520
26/11/2021
See Ferrari text
Pictures must credit: Renault X TheArsenale
A classic utilitarian car has celebrated its 60th anniversary – with a hand built flying version.The iconic Renault 4L has become the first flying French car .It is the result of a collaboration between the maker and design agency TheArsenale based on the Cote D’Azure in the South of France.Renault said it wanted to create a futuristic reinterpretation of the model. This new version, called AIR4, is not a concept or a joke but a real-life electric powered vertical take-off and landing vehicle.The AIR4 body stays similar to the original 1961 car but it’s made entirely from carbon fibre with no doors.Pilot and passengers lift the carbon fibre shell at the rear to get inside.The eVTOL is powered by two lithium polymer batteries and four two-blade propellers at each corner. In tests it has a cruising speed of between 85 and 90km/h and has a top altitude of 700m. A spokesperson said:” We have been working with Renault for a very long time, and this year Renault once again asked us to tell a somewhat crazy story for the 60th anniversary of the 4L, the brand's iconic vehicle.”
OPS: The AIR4 tribute to the Renault 4L on its 60th anniversary
Picture suplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10146621_006
FEATURE - Der ikonische Renault 4 feiert sein 60-jähriges Jubiläum als fliegendes Auto
Ferrari Press Agency
Renault 1
Ref 13520
26/11/2021
See Ferrari text
Pictures must credit: Renault X TheArsenale
A classic utilitarian car has celebrated its 60th anniversary – with a hand built flying version.The iconic Renault 4L has become the first flying French car .It is the result of a collaboration between the maker and design agency TheArsenale based on the Cote D’Azure in the South of France.Renault said it wanted to create a futuristic reinterpretation of the model. This new version, called AIR4, is not a concept or a joke but a real-life electric powered vertical take-off and landing vehicle.The AIR4 body stays similar to the original 1961 car but it’s made entirely from carbon fibre with no doors.Pilot and passengers lift the carbon fibre shell at the rear to get inside.The eVTOL is powered by two lithium polymer batteries and four two-blade propellers at each corner. In tests it has a cruising speed of between 85 and 90km/h and has a top altitude of 700m. A spokesperson said:” We have been working with Renault for a very long time, and this year Renault once again asked us to tell a somewhat crazy story for the 60th anniversary of the 4L, the brand's iconic vehicle.”
OPS: The AIR4 tribute to the Renault 4L on its 60th anniversary
Picture suplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10146621_005
FEATURE - Der ikonische Renault 4 feiert sein 60-jähriges Jubiläum als fliegendes Auto
Ferrari Press Agency
Renault 1
Ref 13520
26/11/2021
See Ferrari text
Pictures must credit: Renault X TheArsenale
A classic utilitarian car has celebrated its 60th anniversary – with a hand built flying version.The iconic Renault 4L has become the first flying French car .It is the result of a collaboration between the maker and design agency TheArsenale based on the Cote D’Azure in the South of France.Renault said it wanted to create a futuristic reinterpretation of the model. This new version, called AIR4, is not a concept or a joke but a real-life electric powered vertical take-off and landing vehicle.The AIR4 body stays similar to the original 1961 car but it’s made entirely from carbon fibre with no doors.Pilot and passengers lift the carbon fibre shell at the rear to get inside.The eVTOL is powered by two lithium polymer batteries and four two-blade propellers at each corner. In tests it has a cruising speed of between 85 and 90km/h and has a top altitude of 700m. A spokesperson said:” We have been working with Renault for a very long time, and this year Renault once again asked us to tell a somewhat crazy story for the 60th anniversary of the 4L, the brand's iconic vehicle.”
OPS: The AIR4 tribute to the Renault 4L on its 60th anniversary
Picture suplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10146621_004
FEATURE - Der ikonische Renault 4 feiert sein 60-jähriges Jubiläum als fliegendes Auto
Ferrari Press Agency
Renault 1
Ref 13520
26/11/2021
See Ferrari text
Pictures must credit: Renault X TheArsenale
A classic utilitarian car has celebrated its 60th anniversary – with a hand built flying version.The iconic Renault 4L has become the first flying French car .It is the result of a collaboration between the maker and design agency TheArsenale based on the Cote D’Azure in the South of France.Renault said it wanted to create a futuristic reinterpretation of the model. This new version, called AIR4, is not a concept or a joke but a real-life electric powered vertical take-off and landing vehicle.The AIR4 body stays similar to the original 1961 car but it’s made entirely from carbon fibre with no doors.Pilot and passengers lift the carbon fibre shell at the rear to get inside.The eVTOL is powered by two lithium polymer batteries and four two-blade propellers at each corner. In tests it has a cruising speed of between 85 and 90km/h and has a top altitude of 700m. A spokesperson said:” We have been working with Renault for a very long time, and this year Renault once again asked us to tell a somewhat crazy story for the 60th anniversary of the 4L, the brand's iconic vehicle.”
OPS: The AIR4 tribute to the Renault 4L design and build process by TheArsenale
Picture suplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10146621_003
FEATURE - Der ikonische Renault 4 feiert sein 60-jähriges Jubiläum als fliegendes Auto
Ferrari Press Agency
Renault 1
Ref 13520
26/11/2021
See Ferrari text
Pictures must credit: Renault X TheArsenale
A classic utilitarian car has celebrated its 60th anniversary – with a hand built flying version.The iconic Renault 4L has become the first flying French car .It is the result of a collaboration between the maker and design agency TheArsenale based on the Cote D’Azure in the South of France.Renault said it wanted to create a futuristic reinterpretation of the model. This new version, called AIR4, is not a concept or a joke but a real-life electric powered vertical take-off and landing vehicle.The AIR4 body stays similar to the original 1961 car but it’s made entirely from carbon fibre with no doors.Pilot and passengers lift the carbon fibre shell at the rear to get inside.The eVTOL is powered by two lithium polymer batteries and four two-blade propellers at each corner. In tests it has a cruising speed of between 85 and 90km/h and has a top altitude of 700m. A spokesperson said:” We have been working with Renault for a very long time, and this year Renault once again asked us to tell a somewhat crazy story for the 60th anniversary of the 4L, the brand's iconic vehicle.”
OPS: The AIR4 tribute to the Renault 4L design and build process by TheArsenale
Picture suplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10146621_002
FEATURE - Der ikonische Renault 4 feiert sein 60-jähriges Jubiläum als fliegendes Auto
Ferrari Press Agency
Renault 1
Ref 13520
26/11/2021
See Ferrari text
Pictures must credit: Renault X TheArsenale
A classic utilitarian car has celebrated its 60th anniversary – with a hand built flying version.The iconic Renault 4L has become the first flying French car .It is the result of a collaboration between the maker and design agency TheArsenale based on the Cote D’Azure in the South of France.Renault said it wanted to create a futuristic reinterpretation of the model. This new version, called AIR4, is not a concept or a joke but a real-life electric powered vertical take-off and landing vehicle.The AIR4 body stays similar to the original 1961 car but it’s made entirely from carbon fibre with no doors.Pilot and passengers lift the carbon fibre shell at the rear to get inside.The eVTOL is powered by two lithium polymer batteries and four two-blade propellers at each corner. In tests it has a cruising speed of between 85 and 90km/h and has a top altitude of 700m. A spokesperson said:” We have been working with Renault for a very long time, and this year Renault once again asked us to tell a somewhat crazy story for the 60th anniversary of the 4L, the brand's iconic vehicle.”
OPS: The AIR4 tribute to the Renault 4L on its 60th anniversary
Picture suplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10146621_001
FEATURE - Der ikonische Renault 4 feiert sein 60-jähriges Jubiläum als fliegendes Auto
Ferrari Press Agency
Renault 1
Ref 13520
26/11/2021
See Ferrari text
Pictures must credit: Renault X TheArsenale
A classic utilitarian car has celebrated its 60th anniversary – with a hand built flying version.The iconic Renault 4L has become the first flying French car .It is the result of a collaboration between the maker and design agency TheArsenale based on the Cote D’Azure in the South of France.Renault said it wanted to create a futuristic reinterpretation of the model. This new version, called AIR4, is not a concept or a joke but a real-life electric powered vertical take-off and landing vehicle.The AIR4 body stays similar to the original 1961 car but it’s made entirely from carbon fibre with no doors.Pilot and passengers lift the carbon fibre shell at the rear to get inside.The eVTOL is powered by two lithium polymer batteries and four two-blade propellers at each corner. In tests it has a cruising speed of between 85 and 90km/h and has a top altitude of 700m. A spokesperson said:” We have been working with Renault for a very long time, and this year Renault once again asked us to tell a somewhat crazy story for the 60th anniversary of the 4L, the brand's iconic vehicle.”
OPS: The AIR4 tribute to the Renault 4L on its 60th anniversary
Picture suplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUKAS_129400802_EYE
The Prime Minister Boris Johnson visits the US
22/09/2021. Washington, United States. The Prime Minister Boris Johnson visits the US. The Prime Minister Boris Johnson meets with Nancy Pelosi in the Capital Hill building in Washington as part of his trip to the US. Picture by Andrew Parsons / No 10 Downing Street / eyevine
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DUKAS_129400872_EYE
The Prime Minister Boris Johnson visits the US
22/09/2021. Washington, United States. The Prime Minister Boris Johnson visits the US. The Prime Minister Boris Johnson meets with Nancy Pelosi in the Capital Hill building in Washington as part of his trip to the US. Picture by Andrew Parsons / No 10 Downing Street / eyevine
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