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New York City Ballet 2024 Fall Fashion Gala
October 9, 2024, New York, New York, USA: American actress JAIMIE ALEXANDER, 40, attends New York City Ballet 2024 Fall Fashion Gala at Koch Theater. (Credit Image: © Lev Radin/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
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DUK10163281_014
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_012
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_016
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_015
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_003
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_017
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_024
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_006
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_005
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_022
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_007
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_001
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_002
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_028
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_013
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_029
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_030
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_011
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_018
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_032
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_008
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_031
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_004
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_021
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_023
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_009
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_025
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_026
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_010
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_027
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_019
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_020
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUKAS_180582089_EYE
Protest march in Brussels over the conflict in the Democratic Republic of the Congo
Demonstrators march through the streets of Brussels, Belgium on 01/02/2025 calling for international attention to the ongoing conflict in the eastern Democratic Republic of the Congo. Organized by the Congolese diaspora under the movement Telema Tobundela Mboka (ìRise Up to Defend the Nationî), the protest aims to urge Belgian and European authorities to take action. Protesters highlight the humanitarian crisis and instability in the region, where multiple armed groups, including M23 rebels, are active by Wiktor Dabkowski
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_180231383_DAL
Comedic Actor, Singer Fernandel 1903 - 1971
May 8, 1960 - Location Unknown - FERNANDEL (1903-1971), born Fernand Joseph Desire Contandin, was an actor and singer. He gained popularity through French vaudeville and operettas. PICTURED: Fernandel sitting on the hood of his car. (Credit Image: © KEYSTONE Pictures USA/ZUMAPRESS- DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
© DALLE APRF -
DUKAS_180231382_DAL
Comedic Actor, Singer Fernandel 1903 - 1971
May 8, 1960 - Location Unknown - FERNANDEL , born Fernand Joseph Desire Contandin, was a French actor and singer. He was a comedy star who gained popularity through vaudeville, operettas and music-hall revues. PICTURED: Fernandel yells at a policeman in a film scene. (Credit Image: © KEYSTONE Pictures USA/ZUMAPRESS- DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_177002346_DAL
Dolly Parton PH:LaMedia Archives/Sunshine_DALLE
Dolly Parton PH:LaMedia Archives/Sunshine_DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
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The Gullah Geechee people in a complex struggle over land
Residents of St Helena are divided over a proposed golf course, illustrating a wider tug of war over the islandÕs future.
The dispute illustrates the broader tug of war between preservation and growth on the sea islands throughout the south-east US.
A private property sign by Eddings Point Beach on St Helena Island.
Joshua Parks / Guardian / eyevine
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DUKAS_178378435_EYE
The Gullah Geechee people in a complex struggle over land
Residents of St Helena are divided over a proposed golf course, illustrating a wider tug of war over the islandÕs future.
The dispute illustrates the broader tug of war between preservation and growth on the sea islands throughout the south-east US.
Theresa White sees the CPO as a "double-edged sword" that helps protect the land at the expense of Gullah Geechee residents.
Theresa White at the entry point of Pine Island Road
Joshua Parks / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE) -
DUKAS_178378438_EYE
The Gullah Geechee people in a complex struggle over land
Residents of St Helena are divided over a proposed golf course, illustrating a wider tug of war over the islandÕs future.
The dispute illustrates the broader tug of war between preservation and growth on the sea islands throughout the south-east US.
The Brick Baptist Church at the Penn Center on St Helena Island.
Joshua Parks / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_178378439_EYE
The Gullah Geechee people in a complex struggle over land
Residents of St Helena are divided over a proposed golf course, illustrating a wider tug of war over the islandÕs future.
The dispute illustrates the broader tug of war between preservation and growth on the sea islands throughout the south-east US.
For many Gullah Geechee people, golf courses have been considered the "beginning of the end", said the Penn Center's director, Robert Adams.
Robert Adams at the Penn Center on St. Helena Island, South Carolina. Adams is currently serving as the executive director of the Penn Center.
Joshua Parks / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE) -
DUKAS_178378434_EYE
The Gullah Geechee people in a complex struggle over land
Residents of St Helena are divided over a proposed golf course, illustrating a wider tug of war over the islandÕs future.
The dispute illustrates the broader tug of war between preservation and growth on the sea islands throughout the south-east US.
Emory Shaw Campbell, a former Penn Center director.
Emory Shaw Campbell at home in Hilton Head Island, South Carolina
Joshua Parks / Guardian / eyevine
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DUKAS_173584524_EYE
Sir Ernest Hall at Dean Clough, Halifax
Sir Ernest Hall at Dean Clough, Halifax
Used in the Guardian 3 June 1994
GNM Archive Ref: OBS/6/9/2/6/H Box 2
Credit: Denis Thorpe / Guardian / eyevine
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The Guardian -
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Singer, Actress Liza Minnelli 1946 -
May 23, 1972 - London, England, U.K. - Singer LIZA MINNELLI singing for H.M. The Queen and Prince Phillip. The special concert was in aid of the 1972 British Olympic Appeal Fund at the London Palladium. (Credit Image: © KEYSTONE Pictures USA/ZUMAPRESS- DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_173271116_DAL
Singer, Actress Liza Minnelli 1946 -
May 23, 1972 - London, England, U.K. - Singer LIZA MINNELLI singing for H.M. The Queen and Prince Phillip. The special concert was in aid of the 1972 British Olympic Appeal Fund at the London Palladium. (Credit Image: © KEYSTONE Pictures USA/ZUMAPRESS.- DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_172138303_EYE
Tony Blair
Tony Blair photographed at his offices of the Tony Blair Institute for Global Change, 8th July 2024
Credit: Antonio Olmos / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Antonio Olmos -
DUKAS_172138319_EYE
Tony Blair
Tony Blair photographed at his offices of the Tony Blair Institute for Global Change, 8th July 2024
Credit: Antonio Olmos / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Antonio Olmos -
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Tony Blair
Tony Blair photographed at his offices of the Tony Blair Institute for Global Change, 8th July 2024
Credit: Antonio Olmos / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Antonio Olmos -
DUKAS_172138340_EYE
Tony Blair
Tony Blair photographed at his offices of the Tony Blair Institute for Global Change, 8th July 2024
Credit: Antonio Olmos / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Antonio Olmos -
DUKAS_172138330_EYE
Tony Blair
Tony Blair photographed at his offices of the Tony Blair Institute for Global Change, 8th July 2024
Credit: Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
©Antonio Olmos -
