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  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_014
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_012
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_016
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_015
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_003
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_017
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_024
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_006
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_005
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_022
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_007
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_001
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_002
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_028
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_013
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_029
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_030
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_011
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_018
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_032
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_008
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_031
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_004
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_021
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_023
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_009
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_025
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_026
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_010
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_027
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_019
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    DUK10163281_020
    VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
    SONDERKONDITIONEN: Satzpreis!
    To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
    Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
    Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
    Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
    The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
    Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap

    (c) Dukas

     

  • India Pakistan Border Tension After Pahalgam Attack
    DUKAS_184069406_NUR
    India Pakistan Border Tension After Pahalgam Attack
    Showkat Ahmad stands outside a community bunker, used in wartime, on the Line of Control in Uri, Jammu and Kashmir, India, on April 28, 2025. Fear resurfaces in border villages along the Line of Control following two consecutive nights of unprovoked small arms firing by Pakistan. Multiple Indian Army posts across the Kashmir sector are targeted, and Indian troops respond firmly as tensions escalate between the neighbors following the Pahalgam terror attacks. (Photo by Nasir Kachroo/NurPhoto)

     

  • Warsaw Daily Life
    DUKAS_183080727_NUR
    Warsaw Daily Life
    A small shrine is seen in a courtyard in Warsaw, Poland on 31 March, 2025. The Praga disctrict is dotted with numerous shrines built during the Second World War to allow Catholics to pray. (Photo by Jaap Arriens/NurPhoto)

     

  • Warsaw Daily Life
    DUKAS_183080725_NUR
    Warsaw Daily Life
    A small shrine is seen in a courtyard in Warsaw, Poland on 31 March, 2025. The Praga disctrict is dotted with numerous shrines built during the Second World War to allow Catholics to pray. (Photo by Jaap Arriens/NurPhoto)

     

  • Warsaw Daily Life
    DUKAS_183080723_NUR
    Warsaw Daily Life
    A small shrine is seen in a courtyard in Warsaw, Poland on 31 March, 2025. The Praga disctrict is dotted with numerous shrines built during the Second World War to allow Catholics to pray. (Photo by Jaap Arriens/NurPhoto)

     

  • Warsaw Daily Life
    DUKAS_183080782_NUR
    Warsaw Daily Life
    A small shrine is seen in a courtyard in Warsaw, Poland on 31 March, 2025. The Praga disctrict is dotted with numerous shrines built during the Second World War to allow Catholics to pray. (Photo by Jaap Arriens/NurPhoto)

     

  • Exchange Of Prisoners Of War Between Ukraine And Russia.
    DUKAS_182666547_NUR
    Exchange Of Prisoners Of War Between Ukraine And Russia.
    An exchange of prisoners of war takes place between Ukraine and Russia. 175 prisoners of war return to Ukraine, and an equal number of Russians are transferred to the opposing side. In Ukraine, on March 19, 2025, a man shows freed prisoners of war a photo of the son he seeks in Russian captivity. (Photo by Maxym Marusenko/NurPhoto)

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_015
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “Christmas tree and Howitzers form the holiday theme of Battery C, 599th Field Artillery Battalion, Camp Joseph T. Robinson, Arkansas. “We guarantee Christmas spirit American style.” From left to right: Pvt. Lewis Cox, Pvt. Charles Dunnings, Cpl. Alfonso Swain, Pvt. Homer Lee Johnson, Pvt. Frank Black, Pvt. Alexander Jones, Sgt. Willie Wright, Pvt. Dumas E. Bennett, Pvt. Amos Smith, Pvt. Henry Bowman, Pvt. David Swayze, Pvt. John Coles, Pvt. Wesley Douglas, Sgt. Albert Sawyer.” Date: December 1943

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_013
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “Christmas Day dinner in North Africa. They had turkey, cigarettes, oranges, and candy.” Photo by: Youkes Les Baines of the 49th Fighter Squadron. Date: December 25th, 1942

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_009
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “Celebrating Christmas Eve on board the USS Core (CVE-13) while at sea. Capt. James R. Dudley (USN) tries one of his birthday presents. Comdr. William K. Rhodes (USN, background) issues presents.” Date: December 24th, 1943

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_008
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “Following their Christmas Day dinner, officers and crew of USS Enterprise (CV-6) staged an impromptu entertainment on the hangar deck, with everyone invited. Here the Air Officer, Comdr. Thomas J. Hamilton (USN) addresses the spectators and delivers the Yuletide greeting from Capt. Mathias B. Gardner.” Date: December 25th, 1943

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_007
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “Divine service on the USS Enterprise (CV-6) on Christmas Day. Catholic Midnight Mass: the chaplain is Rev. Felix Reitlingshofer, Lt., a Franciscan friar.” Date: December 25th, 1943

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_006
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “French orphans at a Christmas party given by a United States Army Hospital in Paris crowd around patient Sgt. Charles Sipe (646 Homeplace Avenue, Indianapolis, Indiana). A good time was had by all.” Photo by: 48th General Hospital, Paris, France. Date: December 25th, 1944

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_004
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “Christmas tree aboard the USS Takanis Bay (CVE089).” Date: December 25th, 1944

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_003
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “There wasn’t any fragrant pine or mistletoe or drifting snow, but the two blue-jackets pictured here were able to capture the Christmas spirit under the towering palms of this advanced Naval base at Majuro Atoll, Marshall Islands. Standing behind the illuminated Christmas tree is EM3/c Werner Braun (USNR), while kneeling is Rdm2/c Robert Farrell (USNR).” Date: December 25th, 1944

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_002
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “Celebrating Christmas Eve on board the USS Core (CVE-13) while at sea. Officers and men join in singing Christmas carols in the wardroom. Left to right: PTR3c RW West; Lt. (jg) LA Luft Jr.; S2C RL Hudson; Lt. (jg) LB Schultz; Lt. (jg) ES Eichin; Ens. HNR Brookings; Chaplain TT Shea; S2c S. Schwartz; SK3c EG Knoll; AOM3c RC Cambell; Navy Technician R. Murphy.” Date: December 24th, 1943

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_001
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: “Christmas night party, decorated tree, and presents aboard the USS Anzio (CVE-57).” Date: December 25th, 1944

    When: 21 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_033
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “S/Sgt. John F. O’Brien of Pittsburgh, Pennsylvania, while in a foxhole, decorates a Christmas tree with C ration can and tinsel dropped from U.S. planes, in the Monschau area, Germany. Tinfoil is dropped by American planes to interrupt the enemy radar system.” Photographer: Spangle. Date: December 23rd, 1944

    When: 09 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

  • FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    DUK10138913_032
    FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
    STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.

    Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.

    PICTURE SHOWS: Original caption: “Lt. Irene Williams (Milwaukee, Wisconsin); Kathereen O’Doherty (San Antonio, Texas); Edith Rose (Prince Edward Island, Canada); and Opal Coffey (Humeston, Iowa) compare gifts received at the Christmas Eve gathering of nurses and officers at a hospital in Australia.” Photo by: 172nd Station Hospital, Indooroopilly, Australia. Date: December 25th, 1942

    When: 09 Dec 2020
    Credit: Nat. Archives/Cover-Images.com

    **MUST CREDIT: Nat. Archives/Cover-Images.com

    EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)

    (c) Dukas

     

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