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DUKAS_181677926_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
Heidi Stober (Queen Mary) in Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
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DUKAS_181368809_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
Heidi Stober (Queen Mary) in Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_181677936_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
Rupert Charlesworth (Henry Stuart, Lord Darnley) and Heidi Stober (Queen Mary) in Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_181677940_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
A scene from Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_181368796_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
Alex Otterburn (James Stewart, Earl of Moray) and Darren Jeffery (Cardinal Beaton) in Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
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DUKAS_167502597_EYE
Jenufa review - Alden's harrowing staging remains a formidable piece of theatre
Jennifer Davis in the title role and Susan Bullock as Kostelnicka are both outstanding in Janacek’s unremittingly intense tale relocated to a drab industrial town in post-communist Europe.
Jennifer Davis (Jenufa) and Susan Bullock (Kostelnicka) in Jenufa by Janacek at the The London Coliseum. An English National Opera Production directed by David Alden. Conducted by Keri-Lynn Wilson.
(Opening 13-03-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_167502598_EYE
Jenufa review - Alden's harrowing staging remains a formidable piece of theatre
Jennifer Davis in the title role and Susan Bullock as Kostelnicka are both outstanding in Janacek’s unremittingly intense tale relocated to a drab industrial town in post-communist Europe.
John Findon (Steva) and Jennifer Davis (Jenufa) in Jenufa by Janacek at the The London Coliseum. An English National Opera Production directed by David Alden. Conducted by Keri-Lynn Wilson.
(Opening 13-03-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165593429_EYE
The Handmaid's Tale review - Poul Ruders’s opera shows Atwood’s novel has lost none of its relevance
While it shies away from some of the brutality of the book, the ENO's uncluttered staging gives space to the sharply drawn characters and revels in sumptuous atonality
Kate Lindsey (Offred) and Rhian Lois (Janine) in The Handmaid's Tale by Poul Ruders at the London Coliseum. Conductor, Joana Carneiro. Directed by Annilese Miskimmon.
(Opening 01-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165593423_EYE
The Handmaid's Tale review - Poul Ruders’s opera shows Atwood’s novel has lost none of its relevance
While it shies away from some of the brutality of the book, the ENO's uncluttered staging gives space to the sharply drawn characters and revels in sumptuous atonality
Kate Lindsey (Offred) and Rhian Lois (Janine) in The Handmaid's Tale by Poul Ruders at the London Coliseum. Conductor, Joana Carneiro. Directed by Annilese Miskimmon.
(Opening 01-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165915657_EYE
The Handmaid's Tale review - Poul Ruders's opera shows Atwood’s novel has lost none of its relevance
While it shies away from some of the brutality of the book, the ENO's uncluttered staging gives space to the sharply drawn characters and revels in sumptuous atonality.
Kate Lindsey (Offred), centre, in The Handmaid's Tale by Poul Ruders at the London Coliseum. Conductor, Joana Carneiro. Directed by Annilese Miskimmon.
(Opening 01-02-2024)
Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_135432514_EYE
The Cunning Little Vixen by Janacek at the London Coliseum.
Lester Lynch (Forester) in The Cunning Little Vixen by Janacek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
(Opening 18-02-2022)
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DUKAS_135432544_EYE
The Cunning Little Vixen by Janacek at the London Coliseum.
Pumeza Matshikiza (Fox) and Sally Matthews (Vixen) in The Cunning Little Vixen by Jana?c?ek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
(Opening 18-02-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_135432543_EYE
The Cunning Little Vixen by Janacek at the London Coliseum.
Sally Matthews (Vixen) and Pumeza Matshikiza (Fox) in The Cunning Little Vixen by Jana?c?ek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
(Opening 18-02-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_135432523_EYE
The Cunning Little Vixen by Janacek at the London Coliseum.
Sally Matthews (Vixen), Lauren Morris and Clive Bayley (Badger) in The Cunning Little Vixen by Jana?c?ek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
(Opening 18-02-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_135432564_EYE
The Cunning Little Vixen by Janacek at the London Coliseum.
Claire Barnett-Jones (Dog) and Sally Matthews (Vixen) in The Cunning Little Vixen by Jana?c?ek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
(Opening 18-02-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_110575821_EYE
Rigoletto by Verdi
Matteo Lippi (Duke Of Mantua), Vuvu Mpofu (Gilda), top left and Nikoloz Lagvilava (Rigoletto), bottom right in Rigoletto by Verdi @ Glyndebourne. Directed by Christiane Lutz. Conductor, Thomas Blunt.
(Opening 11-10-19)
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DUKAS_109164917_EYE
Rigoletto by Verdi
Matteo Lippi (Duke Of Mantua) and Vuvu Mpofu (Gilda) in Rigoletto by Verdi @ Glyndebourne. Directed by Christiane Lutz. Conductor, Thomas Blunt.
© Tristram Kenton / Guardian / eyevine
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