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CHLFLO_004029
Michel Sardou
Michel Sardou
1977.
COLLECTION CHRISTOPHEL © PHOTOTHEQUE LECOEUVRE
COLLECTION CHRISTOPHEL -
CHLFLO_002969
Michel Sardou avec Carlos
Michel Sardou avec Carlos1972
Tournee Mademoiselle Age Tendre (MAT).
COLLECTION CHRISTOPHEL © PHOTOTHEQUE LECOEUVRE
COLLECTION CHRISTOPHEL -
CHLFLO_002968
Michel Sardou avec Carlos
Michel Sardou avec Carlos1972
Tournee Mademoiselle Age Tendre (MAT).
COLLECTION CHRISTOPHEL © PHOTOTHEQUE LECOEUVRE
COLLECTION CHRISTOPHEL -
DUKAS_110866885_EYE
Erin McGregor at home
MY FAVE ROOM. Erin McGregor at home. She is a former hairdresser and older sister of Irish mixed martial arts fighter Conor McGregor. She competed on the world stage as a bodybuilder, but retired in 2013.
© David Conachy / The Irish Independent / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© The Irish Independent / eyevine. All Rights Reserved. -
DUKAS_101635050_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635049_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635046_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101538553_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London. Photograph by David Levene. 18/3/19.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635051_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635044_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635053_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635047_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635043_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635052_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635048_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635040_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635041_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635042_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101635045_EYE
Nehemiah kish, Royal Ballet principal dancer
Nehemiah kish, Royal Ballet principal dancer, is transformed into 'The Creature' for the company's production of Frankenstein, which runs until this Saturday 23 March. After taking 2 days to produce the silicon mask, Make-up technicians Kate Warwick-Oliver and Joshua Horne take 2 hours to apply the prosthetic make-up to Nehemiah before this evening's performance. This is the first revival of Royal Ballet's production of Frankenstein, which premiered in 2016. Choreographed by Liam Scarlett the ballet is set to a new score by Lowell Liebermann with set and costume design by John MacFarlane, who has been nominated for an Olivier Award for his designs for the new Royal Ballet production of Swan Lake. The Royal Opera House, London.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUK10113586_004
FEATURE - Nostalgisch: Pudel werden für Bühnenshow 1952 in London frisiert
Showgirls and Poodles
A stage manager calling the poodles , who perform in a show at The Prince of Wales Theatre , London , to the stage
September 1952 (FOTO:DUKAS/TOPFOTO)
(c) Dukas -
DUK10018355_017
PEOPLE - Frank Sinatra Junior im Alter von 72 Jahren gestorben
Frank Sinatra and Frank Sinatra Jr backstage at the Royal Albert Hall, London, 28 May 1992. Artist: Denis Williams *** Local Caption *** Frank Sinatra and Frank Sinatra Jr backstage at the Royal Albert Hall, London, 28 May 1992.
(c) Dukas -
DUK10018355_016
PEOPLE - Frank Sinatra Junior im Alter von 72 Jahren gestorben
Frank Sinatra and Frank Sinatra Jr backstage at the Royal Albert Hall, London, 28 May 1992. Artist: Denis Williams *** Local Caption *** Frank Sinatra and Frank Sinatra Jr backstage at the Royal Albert Hall, London, 28 May 1992.
(c) Dukas -
DUK10020173_001
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_033
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_022
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_042
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_012
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_040
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_041
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_002
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_037
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_011
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_010
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_031
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_004
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_028
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUK10020173_017
FEATURE - Süsse Sünde: Salon du Chocolat in Brüssel
Les maîtres chocolatiers se donnent rendez-vous chaque année pour rivaliser de créativité.
Un défilé de mode haut en couleur est présenté aux visiteurs ...
Plaisir des yeux, plaisirs gourmands ... à découvrir et consommer sans modération.
Reporters / Hanssens (FOTO:DUKAS/REPORTERS)
(c) Dukas -
DUKAS_45604990_BAW
Kate Upton for Express.
American supermodel Kate Upton stars in new promotional pictures for Express in their Holiday 2014 Party Edition Lookbook.
DUKAS/BALAWA PICS -
DUKAS_45092890_BAW
Miranda Kerr for Swarovski.
Australian supermodel Miranda Kerr in promotional and behind the scene pictures of Swarovski Holiday 2014 'Perfect Gift' advertising campaign.
DUKAS/BALAWA PICS -
DUKAS_37325676_POL
Portuguese-style bullfights
August 3, 2013, Valverde, Portugal: A jacket is hanging in the dressing room of the Evora Group of Forcados. The forcados, Portuguese-style bullfighters, are eight men who challenge the bull directly, without protection or weapon. They form a line facing the bull and the caras (front man) eggs the bull on by "playing" with it and taking steps forward provoking him into a charge to perform a pega de cara (face catch), and once the bull runs forward the first forcado times his jump onto the bull's head and holds onto it, usually around its neck. Then, six forcados jump upon the bull piling upon themselves and grabbing the bull while one forcado grabs the bull by its tail. The objective is to subdue the bull. The forcado who grabbed the bull by the tail (rabejador) is the last one to release the bull after it is subdued. Bull's horns are covered with a protection of leather to prevent it from injuring forcados. The bull is not killed in the arena and, at the end of the corrida, it is led back to its pen, then is usually killed, away from the audience, by a professional butcher. Some bulls, after an exceptional performance, are released to pasture for breeding. Forcados were usually people from lower classes who, to this day, practice their art through amateur associations. They are sometimes called the "suicide squad." (Eduardo Leal/Polaris) (FOTO:DUKAS/POLARIS)
DUKAS/POLARIS -
DUKAS_37325672_POL
Portuguese-style bullfights
August 3, 2013, Valverde, Portugal: The 'jaqueta' or forcado's jacket in the dressing room before the bullfight. The jacket distinguishes each group from a another because of the different fabrics and patterns. It is also extremely important for the forcados since it passes from generation to generation. The forcados, Portuguese-style bullfighters, are eight men who challenge the bull directly, without protection or weapon. They form a line facing the bull and the caras (front man) eggs the bull on by "playing" with it and taking steps forward provoking him into a charge to perform a pega de cara (face catch), and once the bull runs forward the first forcado times his jump onto the bull's head and holds onto it, usually around its neck. Then, six forcados jump upon the bull piling upon themselves and grabbing the bull while one forcado grabs the bull by its tail. The objective is to subdue the bull. The forcado who grabbed the bull by the tail (rabejador) is the last one to release the bull after it is subdued. Bull's horns are covered with a protection of leather to prevent it from injuring forcados. The bull is not killed in the arena and, at the end of the corrida, it is led back to its pen, then is usually killed, away from the audience, by a professional butcher. Some bulls, after an exceptional performance, are released to pasture for breeding. Forcados were usually people from lower classes who, to this day, practice their art through amateur associations. They are sometimes called the "suicide squad." (Eduardo Leal/Polaris) (FOTO:DUKAS/POLARIS)
DUKAS/POLARIS -
DUKAS_37325671_POL
Portuguese-style bullfights
August 3, 2013, Valverde, Portugal: Antonio Alfacinha, the leader of the Evora Forcados, gives a speech before the bullfight. In each race the leader chooses 18 members of the group for the bullfight. The forcados, Portuguese-style bullfighters, are eight men who challenge the bull directly, without protection or weapon. They form a line facing the bull and the caras (front man) eggs the bull on by "playing" with it and taking steps forward provoking him into a charge to perform a pega de cara (face catch), and once the bull runs forward the first forcado times his jump onto the bull's head and holds onto it, usually around its neck. Then, six forcados jump upon the bull piling upon themselves and grabbing the bull while one forcado grabs the bull by its tail. The objective is to subdue the bull. The forcado who grabbed the bull by the tail (rabejador) is the last one to release the bull after it is subdued. Bull's horns are covered with a protection of leather to prevent it from injuring forcados. The bull is not killed in the arena and, at the end of the corrida, it is led back to its pen, then is usually killed, away from the audience, by a professional butcher. Some bulls, after an exceptional performance, are released to pasture for breeding. Forcados were usually people from lower classes who, to this day, practice their art through amateur associations. They are sometimes called the "suicide squad." (Eduardo Leal/Polaris) (FOTO:DUKAS/POLARIS)
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Fabien Lecoeuvre avec Herve Vilard
Fabien Lecoeuvre avec Herve Vilard
16 janvier 2014
Palais des congres
Paris
COLLECTION CHRISTOPHEL © PHOTOTHEQUE LECOEUVRE
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Kimberley Walsh's Shrek Final Night
21st, May, 2012: Kimberley Walsh's final night as Princess Fiona in Shrek at theThreatre Royal, Drury Lane, London.
Here, Sarah Harding, Kimberley Walsh, Nicola Roberts.
Credit: Davidson/GoffPhotos.com Ref: KGC-42
**No UK Sales** (FOTO: DUKAS/GOFF)
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Kimberley Walsh's Shrek Final Night
21st, May, 2012: Kimberley Walsh's final night as Princess Fiona in Shrek at theThreatre Royal, Drury Lane, London.
Here, Sarah Harding, Kimberley Walsh, Nicola Roberts.
Credit: Davidson/GoffPhotos.com Ref: KGC-42
**No UK Sales** (FOTO: DUKAS/GOFF)
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Kimberley Walsh's Shrek Final Night
21st, May, 2012: Kimberley Walsh's final night as Princess Fiona in Shrek at theThreatre Royal, Drury Lane, London.
Here, Kimberley Walsh, Cheryl Cole.
Credit: Davidson/GoffPhotos.com Ref: KGC-42
**No UK Sales** (FOTO: DUKAS/GOFF)
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Kimberley Walsh's Shrek Final Night
21st, May, 2012: Kimberley Walsh's final night as Princess Fiona in Shrek at theThreatre Royal, Drury Lane, London.
Here, Kimberley Walsh, Cheryl Cole.
Credit: Davidson/GoffPhotos.com Ref: KGC-42
**No UK Sales** (FOTO: DUKAS/GOFF)
DUKAS/GOFF -
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Kimberley Walsh's Shrek Final Night
21st, May, 2012: Kimberley Walsh's final night as Princess Fiona in Shrek at theThreatre Royal, Drury Lane, London.
Here, Kimberley Walsh, Cheryl Cole.
Credit: Davidson/GoffPhotos.com Ref: KGC-42
**No UK Sales** (FOTO: DUKAS/GOFF)
DUKAS/GOFF -
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Kimberley Walsh's Shrek Final Night
21st, May, 2012: Kimberley Walsh's final night as Princess Fiona in Shrek at theThreatre Royal, Drury Lane, London.
Kimberley is seen here with Carley Stenson, the new Princess Fiona, starting Wednesday 23rd May.
Credit: Davidson/GoffPhotos.com Ref: KGC-42
**No UK Sales** (FOTO: DUKAS/GOFF)
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Kimberley Walsh's Shrek Final Night
21st, May, 2012: Kimberley Walsh's final night as Princess Fiona in Shrek at theThreatre Royal, Drury Lane, London.
Kimberley is seen here with Carley Stenson, the new Princess Fiona, starting Wednesday 23rd May.
Credit: Davidson/GoffPhotos.com Ref: KGC-42
**No UK Sales** (FOTO: DUKAS/GOFF)
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