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DUKAS_183332518_EYE
Simon Russell Beale: Bard to the bone
Bard to the bone
Simon Russell Beale has starred in Thor and The Death of Stalin, but his first love will always be performing Shakespeare on stage. As he prepares for his bloodiest role
yet in Titus Andronicus, he discusses violence, romance and bringing the classics up to date.
Simon Russell Beale, photographed at the Royal Shakespeare Company's Rehearsal Studios in London ahead of his performance as the lead actor in the Shakespeare play "Titus Andronicus". Simon Russell Beale is an English actor.
Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
©Antonio Olmos info@antonioolmos.com +44 771 729 6351 www.antonioolmos.com -
DUKAS_183332511_EYE
Simon Russell Beale: Bard to the bone
Bard to the bone
Simon Russell Beale has starred in Thor and The Death of Stalin, but his first love will always be performing Shakespeare on stage. As he prepares for his bloodiest role
yet in Titus Andronicus, he discusses violence, romance and bringing the classics up to date.
Simon Russell Beale, photographed at the Royal Shakespeare Company's Rehearsal Studios in London ahead of his performance as the lead actor in the Shakespeare play "Titus Andronicus". Simon Russell Beale is an English actor.
Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
©Antonio Olmos info@antonioolmos.com +44 771 729 6351 www.antonioolmos.com -
DUKAS_183332515_EYE
Simon Russell Beale: Bard to the bone
Bard to the bone
Simon Russell Beale has starred in Thor and The Death of Stalin, but his first love will always be performing Shakespeare on stage. As he prepares for his bloodiest role
yet in Titus Andronicus, he discusses violence, romance and bringing the classics up to date.
Simon Russell Beale, photographed at the Royal Shakespeare Company's Rehearsal Studios in London ahead of his performance as the lead actor in the Shakespeare play "Titus Andronicus". Simon Russell Beale is an English actor.
Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
©Antonio Olmos info@antonioolmos.com +44 771 729 6351 www.antonioolmos.com -
DUKAS_183332509_EYE
Simon Russell Beale: Bard to the bone
Bard to the bone
Simon Russell Beale has starred in Thor and The Death of Stalin, but his first love will always be performing Shakespeare on stage. As he prepares for his bloodiest role
yet in Titus Andronicus, he discusses violence, romance and bringing the classics up to date.
Simon Russell Beale, photographed at the Royal Shakespeare Company's Rehearsal Studios in London ahead of his performance as the lead actor in the Shakespeare play "Titus Andronicus". Simon Russell Beale is an English actor.
Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
©Antonio Olmos info@antonioolmos.com +44 771 729 6351 www.antonioolmos.com -
DUKAS_136069275_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
Titus Kaphar photographed.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069116_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
Titus Kaphar photographed.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069295_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
Titus Kaphar photographed.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work's supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as "past" to underscore its contemporary relevance.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069161_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
Titus Kaphar photographed.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work's supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as "past" to underscore its contemporary relevance.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069107_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069294_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069114_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069238_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New E?nunciation, 2021, oil on canvas with vinyl, 71 1/2 × 77 1/4 × 2 1/4 inches (181.6 × 196.2 × 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069312_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069283_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New E?nunciation, 2021, oil on canvas with vinyl, 71 1/2 × 77 1/4 × 2 1/4 inches (181.6 × 196.2 × 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069252_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069237_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New E?nunciation, 2021, oil on canvas with vinyl, 71 1/2 × 77 1/4 × 2 1/4 inches (181.6 × 196.2 × 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069160_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069276_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069281_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069159_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New E?nunciation, 2021, oil on canvas with vinyl, 71 1/2 × 77 1/4 × 2 1/4 inches (181.6 × 196.2 × 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069253_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
Titus Kaphar photographed.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069279_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
Titus Kaphar photographed.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069313_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
Titus Kaphar photographed.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work's supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as "past" to underscore its contemporary relevance.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069254_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
Titus Kaphar photographed.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work's supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as "past" to underscore its contemporary relevance.
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069165_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069117_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069301_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069300_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069242_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069239_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069314_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069274_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069164_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069296_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New Enunciation, 2021, oil on canvas with vinyl, 71 1/2 x 77 1/4 x 2 1/4 inches (181.6 x 196.2 x 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069278_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New E?nunciation, 2021, oil on canvas with vinyl, 71 1/2 × 77 1/4 × 2 1/4 inches (181.6 × 196.2 × 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069240_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New E?nunciation, 2021, oil on canvas with vinyl, 71 1/2 × 77 1/4 × 2 1/4 inches (181.6 × 196.2 × 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069163_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New E?nunciation, 2021, oil on canvas with vinyl, 71 1/2 × 77 1/4 × 2 1/4 inches (181.6 × 196.2 × 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069293_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New E?nunciation, 2021, oil on canvas with vinyl, 71 1/2 × 77 1/4 × 2 1/4 inches (181.6 × 196.2 × 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_136069162_EYE
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar at Gagosian
New Alters: Reworking Devotion, an exhibition of new paintings and sculptures by Titus Kaphar his first exhibition in London. At Gagosian, Grosvenor Hill, London, UK.
17th March 2022.
COLONELGARGLE (2008), a steel sculpture
by John Chamberlain, is also included, establishing a visual dialogue with Kaphar’s work.
In paintings, sculptures, and installations, Kaphar examines the history of representation by altering
the work’s supports. In doing so, he reveals oft unspoken social and political truths, dislodging history from its status as “past” to underscore its contemporary relevance.
Titus Kaphar, New E?nunciation, 2021, oil on canvas with vinyl, 71 1/2 × 77 1/4 × 2 1/4 inches (181.6 × 196.2 × 5.7 cm)
© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_10821046_REX
Rome Lazio ITALY
Mandatory Credit: Photo by Eye Ubiquitous / Rex Features ( 984121a )
Detail of the central arch of the triumphal Arch of Titus European Italia Italian Roma Southern Europe History Rome Lazio ITALY
Rome Lazio ITALY
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_10820947_REX
Rome Lazio ITALY
Mandatory Credit: Photo by Eye Ubiquitous / Rex Features ( 984039a )
The Forum with the Arch of Titus seen through the Arch of Septimius Severus European Italia Italian Roma Southern Europe History Rome Lazio ITALY
Rome Lazio ITALY
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_10820943_REX
Rome Lazio ITALY
Mandatory Credit: Photo by Eye Ubiquitous / Rex Features ( 984034a )
Detail of the central arch of the triumphal Arch of Titus European Italia Italian Roma Southern Europe History Rome Lazio ITALY
Rome Lazio ITALY
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_10820925_REX
Rome Lazio ITALY
Mandatory Credit: Photo by Eye Ubiquitous / Rex Features ( 984020a )
The floor of the Forum with the Temple of Vesta the Arch of Titus and the three Corinthian columns of the Temple of Castor and Pollux in front of the Palatine hill with the Basilica of Julia named after Julius Caesar in the foreground European Italia Italian Roma Southern Europe 3 History Religion Rome Lazio ITALY
Rome Lazio ITALY
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_14977688_REX
Sting Pop Star 1984 Pop Singer Sting In London Today Where It Was Announced He Is To Star In His First Ever Radio Drama When He Plays Steerpike In Radio 4's Prodcution Of Two Of The Late Marvyn Peak's Novels Titus Groan And Gormenghast Going Out On
Mandatory Credit: Photo by Monty Fresco / Daily Mail / Rex Features ( 1030379a )
Sting Pop Star 1984 Pop Singer Sting In London Today Where It Was Announced He Is To Star In His First Ever Radio Drama When He Plays Steerpike In Radio 4's Prodcution Of Two Of The Late Marvyn Peak's Novels Titus Groan And Gormenghast Going Out On 10.12.84 And 17.12.84. Other Cast Memebers Include Eleanor Bron And Sheila Hancock....pop Stars
Sting Pop Star 1984 Pop Singer Sting In London Today Where It Was Announced He Is To Star In His First Ever Radio Drama When He Plays Steerpike In Radio 4's Prodcution Of Two Of The Late Marvyn Peak's Novels Titus Groan And Gormenghast Going Out On
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_183332517_EYE
Simon Russell Beale: Bard to the bone
Bard to the bone
Simon Russell Beale has starred in Thor and The Death of Stalin, but his first love will always be performing Shakespeare on stage. As he prepares for his bloodiest role
yet in Titus Andronicus, he discusses violence, romance and bringing the classics up to date.
Simon Russell Beale, photographed at the Royal Shakespeare Company's Rehearsal Studios in London ahead of his performance as the lead actor in the Shakespeare play "Titus Andronicus". Simon Russell Beale is an English actor.
Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
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©Antonio Olmos info@antonioolmos.com +44 771 729 6351 www.antonioolmos.com -
DUKAS_183332513_EYE
Simon Russell Beale: Bard to the bone
Bard to the bone
Simon Russell Beale has starred in Thor and The Death of Stalin, but his first love will always be performing Shakespeare on stage. As he prepares for his bloodiest role
yet in Titus Andronicus, he discusses violence, romance and bringing the classics up to date.
Simon Russell Beale, photographed at the Royal Shakespeare Company's Rehearsal Studios in London ahead of his performance as the lead actor in the Shakespeare play "Titus Andronicus". Simon Russell Beale is an English actor.
Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
©Antonio Olmos info@antonioolmos.com +44 771 729 6351 www.antonioolmos.com -
DUKAS_183332507_EYE
Simon Russell Beale: Bard to the bone
Bard to the bone
Simon Russell Beale has starred in Thor and The Death of Stalin, but his first love will always be performing Shakespeare on stage. As he prepares for his bloodiest role
yet in Titus Andronicus, he discusses violence, romance and bringing the classics up to date.
Simon Russell Beale, photographed at the Royal Shakespeare Company's Rehearsal Studios in London ahead of his performance as the lead actor in the Shakespeare play "Titus Andronicus". Simon Russell Beale is an English actor.
Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
©Antonio Olmos info@antonioolmos.com +44 771 729 6351 www.antonioolmos.com