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Iñaki Williams: 'It's belonging. For the people and for us, Athletic is a religion'
Iñaki Williams: 'It's belonging. For the people and for us, Athletic is a religion'
The Ghana international on how recent successes and his club's feeling and culture fuel hope for their semi-final with Manchester United.
Iñaki Williams, Athletic Club player at Lezama, Bilbao.
Iñaki Williams, Athletic Club player at Lezama, Bilbao
Pablo Garcia / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Pablo García -
DUKAS_184433105_EYE
Iñaki Williams: 'It's belonging. For the people and for us, Athletic is a religion'
Iñaki Williams: 'It's belonging. For the people and for us, Athletic is a religion'
The Ghana international on how recent successes and his club's feeling and culture fuel hope for their semi-final with Manchester United.
Iñaki Williams, Athletic Club player at Lezama, Bilbao.
Iñaki Williams, Athletic Club player at Lezama, Bilbao
Pablo Garcia / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Pablo García -
DUKAS_184433099_EYE
Iñaki Williams: 'It's belonging. For the people and for us, Athletic is a religion'
Iñaki Williams: 'It's belonging. For the people and for us, Athletic is a religion'
The Ghana international on how recent successes and his club's feeling and culture fuel hope for their semi-final with Manchester United.
Iñaki Williams, Athletic Club player at Lezama, Bilbao.
Iñaki Williams grabs his heart when talking how whilst having medical tests the cardiologist started to talk about the gabarra. "He [the cardiologist] says: 'That was wonderful; wow, the gabarra ...' And just him mentioning it, on the screen you saw my heart beating faster." Athletic Bilbao player at Lezama, Bilbao
Pablo Garcia / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Pablo García -
DUKAS_178081725_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
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DUKAS_178081724_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
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DUKAS_178081723_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
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DUKAS_178081700_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
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DUKAS_178081699_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
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DUKAS_178081698_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
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DUKAS_178081697_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
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DUKAS_178081696_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
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© DALLE APRF -
DUKAS_178081695_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
© BETOTE/ DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
© DALLE APRF -
DUKAS_178081694_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
© BETOTE/ DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
© DALLE APRF -
DUKAS_178081693_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
© BETOTE/ DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
© DALLE APRF -
DUKAS_178081692_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
© BETOTE/ DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
© DALLE APRF -
DUKAS_178081691_DAL
King Ayisoba
King Ayisoba à la Marbrerie 04/04/2017
© BETOTE/ DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
© DALLE APRF -
DUKAS_171865845_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865843_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865841_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865840_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865837_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865835_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865834_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865833_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865832_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865831_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865830_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865829_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865828_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865827_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865826_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865824_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey, imma prieto
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865823_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865821_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865820_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865819_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Imma Prieto, ferrean rodes
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Imma Prieto, ferrean rodes
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865818_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_171865817_LAP
Barcelona - Change of facade at the Tapies Foundation
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tàpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundación Tàpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghanés Serge Attukwei Clottey, llamada "Más allá de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)The Tpies Foundation of Barcelona presents a work installed on the museum's facade by the Ghanaian artist Serge Attukwei Clottey, called "Beyond the Skin," made with recycled drums from the Ghanaian city of Accra.
La Fundacin Tpies de Barcelona presenta una obra instalada en la fachada del museo realizada por el artista ghans Serge Attukwei Clottey, llamada "Ms all de la piel," realizada con bidones reciclados de la ciudad ghanesa de Acra.
in the pic: Serge Attukwei Clottey
News Culture -Barcelona, Spain
monday, July 1 2024 (Photo by Eric Renom/LaPresse)
Eric Renom/LaPresse -
DUKAS_173278202_EYE
Ebike entrepreneur Valeria Labi: 'If I see a problem and I think it can be solved, I follow that thread'.
The British-born businesswoman behind Ghana's first electric bike is out to woo Africa's delivery riders away from costly and polluting petrol while cutting carbon emissions.
Valerie Labi, CEO Wahu Mobility, introducing first electric bicycle company into Africa, the Landmark Hotel, London, UK.
25/06/2024.
Sophia Evans / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
Sophia Evans -
DUKAS_173278201_EYE
Ebike entrepreneur Valeria Labi: 'If I see a problem and I think it can be solved, I follow that thread'.
The British-born businesswoman behind Ghana's first electric bike is out to woo Africa's delivery riders away from costly and polluting petrol while cutting carbon emissions.
Valerie Labi, CEO Wahu Mobility, introducing first electric bicycle company into Africa, the Landmark Hotel, London, UK.
25/06/2024.
Sophia Evans / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
Sophia Evans -
DUKAS_173278203_EYE
Ebike entrepreneur Valeria Labi: 'If I see a problem and I think it can be solved, I follow that thread'.
The British-born businesswoman behind Ghana's first electric bike is out to woo Africa's delivery riders away from costly and polluting petrol while cutting carbon emissions.
Valerie Labi, CEO Wahu Mobility, introducing first electric bicycle company into Africa, the Landmark Hotel, London, UK.
25/06/2024.
Sophia Evans / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
Sophia Evans -
DUKAS_162032571_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032572_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032569_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032573_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032534_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032535_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032568_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032567_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032533_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
