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  • Police Break Up Road Blockade In Novi Sad
    DUKAS_186611626_NUR
    Police Break Up Road Blockade In Novi Sad
    Gendarmerie officers remove protesters from blocked intersections in Novi Sad, Serbia, on July 3, 2025. Street blockades continue for several days, prompting police intervention to restore traffic flow. (Photo by Maxim Konankov/NurPhoto)

     

  • Police Break Up Road Blockade In Novi Sad
    DUKAS_186611624_NUR
    Police Break Up Road Blockade In Novi Sad
    Gendarmerie officers remove protesters from blocked intersections in Novi Sad, Serbia, on July 3, 2025. Street blockades continue for several days, prompting police intervention to restore traffic flow. (Photo by Maxim Konankov/NurPhoto)

     

  • Police Break Up Road Blockade In Novi Sad
    DUKAS_186611607_NUR
    Police Break Up Road Blockade In Novi Sad
    Gendarmerie officers remove protesters from blocked intersections in Novi Sad, Serbia, on July 3, 2025. Street blockades continue for several days, prompting police intervention to restore traffic flow. (Photo by Maxim Konankov/NurPhoto)

     

  • Police Break Up Road Blockade In Novi Sad
    DUKAS_186611602_NUR
    Police Break Up Road Blockade In Novi Sad
    An ambulance drives through an intersection blocked by protesters in Novi Sad, Serbia, on July 2, 2025. Residents continue daily street blockades, prompting police intervention to restore traffic flow. (Photo by Maxim Konankov/NurPhoto)

     

  • Police Break Up Road Blockade In Novi Sad
    DUKAS_186611598_NUR
    Police Break Up Road Blockade In Novi Sad
    Gendarmerie officers remove protesters from blocked intersections in Novi Sad, Serbia, on July 3, 2025. Street blockades continue for several days, prompting police intervention to restore traffic flow. (Photo by Maxim Konankov/NurPhoto)

     

  • Gendarmerie Restores Traffic Flow In Novi Sad
    DUKAS_186553242_NUR
    Gendarmerie Restores Traffic Flow In Novi Sad
    Police officers arrive on Pupin Boulevard to restore traffic after protesters block it in Novi Sad, Serbia, on June 30, 2025. (Photo by Maxim Konankov/NurPhoto)

     

  • Gendarmerie Restores Traffic Flow In Novi Sad
    DUKAS_186553235_NUR
    Gendarmerie Restores Traffic Flow In Novi Sad
    Police officers arrive on Pupin Boulevard to restore traffic after protesters block it in Novi Sad, Serbia, on June 30, 2025. (Photo by Maxim Konankov/NurPhoto)

     

  • Gendarmerie Restores Traffic Flow In Novi Sad
    DUKAS_186553212_NUR
    Gendarmerie Restores Traffic Flow In Novi Sad
    Police officers arrive on Pupin Boulevard to restore traffic after protesters block it in Novi Sad, Serbia, on June 30, 2025. (Photo by Maxim Konankov/NurPhoto)

     

  • Gendarmerie Restores Traffic Flow In Novi Sad
    DUKAS_186553090_NUR
    Gendarmerie Restores Traffic Flow In Novi Sad
    Police officers arrive on Pupin Boulevard to restore traffic after protesters block it in Novi Sad, Serbia, on June 30, 2025. (Photo by Maxim Konankov/NurPhoto)

     

  • AI used to restore damaged paintings
    DUKAS_186289551_FER
    AI used to restore damaged paintings
    Ferrari Press Agency
    Restoration 1
    Ref 16927
    23/06/2025
    See Ferrari text
    Picture MUST credit: MIT

    A technique to physically restore damaged paintings with artificial intelligence in hours rather than months has been developed.
    The method involves printing a transparent "mask" containing thousands of precisely colour-matched regions that conservators can apply directly to an original artwork.
    These masks can be removed whenever needed making the process reversible so it does not permanently change a painting.
    To restore a painting, traditional cleaning is used to remove any previous restoration attempts.
    After scanning the cleaned painting, AI algorithms analyse the image and create a virtual restoration that "predicts" what the damaged areas should look like based on the surrounding paint and the artist's style.
    Custom software maps every region needing repair and determines the exact colours required for each spot.
    The software then translates that information into a two-layer polymer mask printed on thin films.
    One layer provides colour, while a white backing layer ensures the full colour spectrum reproduces accurately on the painting's surface.
    The two layers must align precisely to produce an accurate restoration.
    High-fidelity inkjet printers produce the mask layers which are aligned by hand.
    They adhere to the painting using conservation-grade varnish spray.
    Future removal of the mask can be done without damaging the original work.

    OPS:An unrestored painting awaiting the new treatment


    Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)

     

  • AI used to restore damaged paintings
    DUKAS_186289695_FER
    AI used to restore damaged paintings
    Ferrari Press Agency
    Restoration 1
    Ref 16927
    23/06/2025
    See Ferrari text
    Picture MUST credit: MIT

    A technique to physically restore damaged paintings with artificial intelligence in hours rather than months has been developed.
    The method involves printing a transparent "mask" containing thousands of precisely colour-matched regions that conservators can apply directly to an original artwork.
    These masks can be removed whenever needed making the process reversible so it does not permanently change a painting.
    To restore a painting, traditional cleaning is used to remove any previous restoration attempts.
    After scanning the cleaned painting, AI algorithms analyse the image and create a virtual restoration that "predicts" what the damaged areas should look like based on the surrounding paint and the artist's style.
    Custom software maps every region needing repair and determines the exact colours required for each spot.
    The software then translates that information into a two-layer polymer mask printed on thin films.
    One layer provides colour, while a white backing layer ensures the full colour spectrum reproduces accurately on the painting's surface.
    The two layers must align precisely to produce an accurate restoration.
    High-fidelity inkjet printers produce the mask layers which are aligned by hand.
    They adhere to the painting using conservation-grade varnish spray.
    Future removal of the mask can be done without damaging the original work.

    OPS:Technqure inventor, MIT graduate student Alex Kachkine


    Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)

     

  • AI used to restore damaged paintings
    DUKAS_186289675_FER
    AI used to restore damaged paintings
    Ferrari Press Agency
    Restoration 1
    Ref 16927
    23/06/2025
    See Ferrari text
    Picture MUST credit: MIT

    A technique to physically restore damaged paintings with artificial intelligence in hours rather than months has been developed.
    The method involves printing a transparent "mask" containing thousands of precisely colour-matched regions that conservators can apply directly to an original artwork.
    These masks can be removed whenever needed making the process reversible so it does not permanently change a painting.
    To restore a painting, traditional cleaning is used to remove any previous restoration attempts.
    After scanning the cleaned painting, AI algorithms analyse the image and create a virtual restoration that "predicts" what the damaged areas should look like based on the surrounding paint and the artist's style.
    Custom software maps every region needing repair and determines the exact colours required for each spot.
    The software then translates that information into a two-layer polymer mask printed on thin films.
    One layer provides colour, while a white backing layer ensures the full colour spectrum reproduces accurately on the painting's surface.
    The two layers must align precisely to produce an accurate restoration.
    High-fidelity inkjet printers produce the mask layers which are aligned by hand.
    They adhere to the painting using conservation-grade varnish spray.
    Future removal of the mask can be done without damaging the original work.

    OPS:At left is the damaged piece, with the middle panel showing a map of the different kinds of damage present; green lines show full splits in the underlying panel support, thin red lines depict major paint craquelure, blue areas correspond to large paint losses, while pink regions show smaller defects like scratches. At right is the restored painting with the applied laminate mask.


    Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)

     

  • AI used to restore damaged paintings
    DUKAS_186289654_FER
    AI used to restore damaged paintings
    Ferrari Press Agency
    Restoration 1
    Ref 16927
    23/06/2025
    See Ferrari text
    Picture MUST credit: MIT

    A technique to physically restore damaged paintings with artificial intelligence in hours rather than months has been developed.
    The method involves printing a transparent "mask" containing thousands of precisely colour-matched regions that conservators can apply directly to an original artwork.
    These masks can be removed whenever needed making the process reversible so it does not permanently change a painting.
    To restore a painting, traditional cleaning is used to remove any previous restoration attempts.
    After scanning the cleaned painting, AI algorithms analyse the image and create a virtual restoration that "predicts" what the damaged areas should look like based on the surrounding paint and the artist's style.
    Custom software maps every region needing repair and determines the exact colours required for each spot.
    The software then translates that information into a two-layer polymer mask printed on thin films.
    One layer provides colour, while a white backing layer ensures the full colour spectrum reproduces accurately on the painting's surface.
    The two layers must align precisely to produce an accurate restoration.
    High-fidelity inkjet printers produce the mask layers which are aligned by hand.
    They adhere to the painting using conservation-grade varnish spray.
    Future removal of the mask can be done without damaging the original work.

    OPS:Exploded view rendering of the laminates and materials used in physically applying the infill mask to the damaged painting.


    Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)

     

  • AI used to restore damaged paintings
    DUKAS_186289633_FER
    AI used to restore damaged paintings
    Ferrari Press Agency
    Restoration 1
    Ref 16927
    23/06/2025
    See Ferrari text
    Picture MUST credit: MIT

    A technique to physically restore damaged paintings with artificial intelligence in hours rather than months has been developed.
    The method involves printing a transparent "mask" containing thousands of precisely colour-matched regions that conservators can apply directly to an original artwork.
    These masks can be removed whenever needed making the process reversible so it does not permanently change a painting.
    To restore a painting, traditional cleaning is used to remove any previous restoration attempts.
    After scanning the cleaned painting, AI algorithms analyse the image and create a virtual restoration that "predicts" what the damaged areas should look like based on the surrounding paint and the artist's style.
    Custom software maps every region needing repair and determines the exact colours required for each spot.
    The software then translates that information into a two-layer polymer mask printed on thin films.
    One layer provides colour, while a white backing layer ensures the full colour spectrum reproduces accurately on the painting's surface.
    The two layers must align precisely to produce an accurate restoration.
    High-fidelity inkjet printers produce the mask layers which are aligned by hand.
    They adhere to the painting using conservation-grade varnish spray.
    Future removal of the mask can be done without damaging the original work.

    OPS:The restorted painting after framing.


    Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)

     

  • AI used to restore damaged paintings
    DUKAS_186289612_FER
    AI used to restore damaged paintings
    Ferrari Press Agency
    Restoration 1
    Ref 16927
    23/06/2025
    See Ferrari text
    Picture MUST credit: MIT

    A technique to physically restore damaged paintings with artificial intelligence in hours rather than months has been developed.
    The method involves printing a transparent "mask" containing thousands of precisely colour-matched regions that conservators can apply directly to an original artwork.
    These masks can be removed whenever needed making the process reversible so it does not permanently change a painting.
    To restore a painting, traditional cleaning is used to remove any previous restoration attempts.
    After scanning the cleaned painting, AI algorithms analyse the image and create a virtual restoration that "predicts" what the damaged areas should look like based on the surrounding paint and the artist's style.
    Custom software maps every region needing repair and determines the exact colours required for each spot.
    The software then translates that information into a two-layer polymer mask printed on thin films.
    One layer provides colour, while a white backing layer ensures the full colour spectrum reproduces accurately on the painting's surface.
    The two layers must align precisely to produce an accurate restoration.
    High-fidelity inkjet printers produce the mask layers which are aligned by hand.
    They adhere to the painting using conservation-grade varnish spray.
    Future removal of the mask can be done without damaging the original work.

    OPS:The painting after restoration with the new AI method


    Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)

     

  • AI used to restore damaged paintings
    DUKAS_186289591_FER
    AI used to restore damaged paintings
    Ferrari Press Agency
    Restoration 1
    Ref 16927
    23/06/2025
    See Ferrari text
    Picture MUST credit: MIT

    A technique to physically restore damaged paintings with artificial intelligence in hours rather than months has been developed.
    The method involves printing a transparent "mask" containing thousands of precisely colour-matched regions that conservators can apply directly to an original artwork.
    These masks can be removed whenever needed making the process reversible so it does not permanently change a painting.
    To restore a painting, traditional cleaning is used to remove any previous restoration attempts.
    After scanning the cleaned painting, AI algorithms analyse the image and create a virtual restoration that "predicts" what the damaged areas should look like based on the surrounding paint and the artist's style.
    Custom software maps every region needing repair and determines the exact colours required for each spot.
    The software then translates that information into a two-layer polymer mask printed on thin films.
    One layer provides colour, while a white backing layer ensures the full colour spectrum reproduces accurately on the painting's surface.
    The two layers must align precisely to produce an accurate restoration.
    High-fidelity inkjet printers produce the mask layers which are aligned by hand.
    They adhere to the painting using conservation-grade varnish spray.
    Future removal of the mask can be done without damaging the original work.

    OPS:Showing the polymer layers used to retore the painting.


    Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)

     

  • AI used to restore damaged paintings
    DUKAS_186289571_FER
    AI used to restore damaged paintings
    Ferrari Press Agency
    Restoration 1
    Ref 16927
    23/06/2025
    See Ferrari text
    Picture MUST credit: MIT

    A technique to physically restore damaged paintings with artificial intelligence in hours rather than months has been developed.
    The method involves printing a transparent "mask" containing thousands of precisely colour-matched regions that conservators can apply directly to an original artwork.
    These masks can be removed whenever needed making the process reversible so it does not permanently change a painting.
    To restore a painting, traditional cleaning is used to remove any previous restoration attempts.
    After scanning the cleaned painting, AI algorithms analyse the image and create a virtual restoration that "predicts" what the damaged areas should look like based on the surrounding paint and the artist's style.
    Custom software maps every region needing repair and determines the exact colours required for each spot.
    The software then translates that information into a two-layer polymer mask printed on thin films.
    One layer provides colour, while a white backing layer ensures the full colour spectrum reproduces accurately on the painting's surface.
    The two layers must align precisely to produce an accurate restoration.
    High-fidelity inkjet printers produce the mask layers which are aligned by hand.
    They adhere to the painting using conservation-grade varnish spray.
    Future removal of the mask can be done without damaging the original work.

    OPS:A diagnostic map of damage to a painting that is to be repaired with the new method. Green indicates complete breaks in the wood panel, red marks significant paint cracking while blue highlights major areas of paint loss. Pink identifies minor damage such as scratches.


    Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)

     

  • Daily Life In Gaza
    DUKAS_186102189_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102420_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102416_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102396_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102383_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102375_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102371_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102362_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102358_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102280_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102270_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102244_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102240_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • Daily Life In Gaza
    DUKAS_186102226_NUR
    Daily Life In Gaza
    Palestinians rehabilitate and restore damaged and worn-out banknotes due to the halt in currency transfers from Israeli banks to Palestinian banks. The process involves four steps: removing impurities and adhesives, washing the banknotes, heating them, and then applying a special currency adhesive to restore the bills to their original condition in Gaza City, on June 17, 2025. (Photo by Majdi Fathi/NurPhoto)

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148587_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. Melbourne. Australia

    Ellen Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148575_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. The different coloured stonework and fresh pointing shows the areas where the stone restoration was done under the front entrance area. Melbourne. Australia

    Ellen Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148585_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. The big acorns on the roof showing the different coloured stone where they were restored. Melbourne. Australia

    Ellen Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148574_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. Parliament Victoria's Senior Project Manager Ari Indra on the roof with the restored stonework Melbourne. Australia

    Ellen Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148586_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. Library Manager Caroline Macvean in the Parliament library. Melbourne. Australia

    Ellen Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    The Guardian

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368331_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eye

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156311931_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. . The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    http://www.eyevine.com
    (FOTO: DUKAS/EYE

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368338_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vauxhall 30/98
    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [ registration CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98[ reg DS8294], made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368295_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    http://www.eye

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368333_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    http://www.eye

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368306_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Edwardian era steering wheel
    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: in

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156311923_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Edwardian era steering wheel
    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.ey

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368284_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    1920s petrol pump
    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [ registration CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98[ reg DS8294], made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 870

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368298_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eye

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156311949_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVI

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368358_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eye

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368299_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.ey

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368297_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    parts for Bugatti gearbox
    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@

    © Guardian / eyevine. All Rights Reserved.

     

  • Vintage repair garage and workshop in Derbyshire.
    DUKAS_156368301_EYE
    Vintage repair garage and workshop in Derbyshire.
    Roger Thorpe, 80, a mechanic and vintage car enthusiast, has run the workshop in Castleton since 1967. The building was constructed in 1895 for the Hope Valley railway and converted to a garage in the 1930s.

    Vintage vehicles at Castleton Garage in Derbyshire, which mechanic and enthusiast Roger Thorpe, 80, has run since 1967. The building was originally constructed in 1895 for the Hope Valley Railway and converted to a garage in the 1930s.
    Roger started work as an apprentice mechanic at Rover in Solihull and has beautifully restored a grey Rover 12 Sports Saloon [CEW 103] - “which is like a gentleman’s club inside”. Alongside the Rover is a silver 1920s Bugatti Type 23 [reg SV-7851] which he still races in Vintage Sports Car Club muddy trials across the country. The vehicle - which “has no doors, no hood, no speedo and not even paint to keep the weight down” - is currently being repaired after the gearbox failed while he was competing in Derbyshire in the depths of last winter.
    Roger also treasures a blue Vauxhall 30/98,[ DS8294] made in 1924. He is only its fourth owner and has toured the car around Australia, Tasmania and New Zealand. However, it sports a powerful 4.25 litre engine which makes it ideal for classic and vintage hill climb events be racing at Harewood Hillclimb, West Yorkshire, on 3 June.
    Tucked away in the corner, under a protective cover, is a 1929 Austin 7 [RX 5591] which he used to teach both his daughters to drive.
    Other collectors’ items include a variety of oil cans from 1903 onwards, an Edwardian steering wheel, a rare 1920s petrol pump, a 1960s spark plug machine, manufacturers’ bespoke car repair tool sets, a US army crane for lifting Jeeps, early studded tyres, rare car bonnet mascots, touring car posters and racing event badges.
    Castleton, UK. 26 May 2023.

    © Christopher Thomond / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eye

    © Guardian / eyevine. All Rights Reserved.

     

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