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DUKAS_162032571_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032572_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032569_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032573_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032534_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032535_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032568_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032567_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032533_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032564_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032531_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032532_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032570_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032565_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032566_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032563_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032561_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032530_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032562_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032559_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032554_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as a
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032558_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032560_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032557_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032529_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032556_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032528_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032553_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162032555_EYE
'They call me lucky Jim': pioneering Ghanaian photographer James Barnor
James Barnor's historic images documented his country as it freed itself from colonial rule. In his 80s, he finally received recognition. In his 90s, his drive is stronger than ever.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan.
James Barnor, the famous Ghanian photographer, photographed at his home in Brentford, West London. James Barnor is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolitan. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."
Barnor has spoken of how his work was rediscovered in 2007 during the "Ghana at 50" jubilee season by curator Nana Oforiatta-Ayim, who organised the first exhibition of his photographs at Black Cultural Archives (BCA). Appreciation of his work as
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367292_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367285_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367293_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367295_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367287_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367297_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367290_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367289_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367282_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367294_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102367284_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
Contact eyevine for more information about using this image:
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Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
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Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
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DUKAS_102367291_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
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DUKAS_102367280_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
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DUKAS_102367286_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
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DUKAS_102367288_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
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DUKAS_102367281_EYE
Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
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Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
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Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
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Jeffrey Boakye
Jeffrey Boakye, photographed at home near Hull, England. Boakye has written his second book, "Black Listed"Jeffrey Boakye is a writer and teacher originally from Brixton in south London, now living in Yorkshire with his wife and two sons. He has a particular interest in issues surrounding education, race and popular culture. Jeffrey has taught English in secondary schools and sixth form colleges since 2007. His first book, Hold Tight: Black Masculinity, Millennials, and the Meaning of Grime was published in 2017.
© Antonio Olmos / Guardian / eyevine
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