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DUK10008733_014
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057f)
Inside the 'ABC cave' - which stands for Amazing Blue Cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_013
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057b)
Inside the 'ABC cave' - which stands for Amazing Blue Cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_012
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057a)
Guide Einar Runar Sigurdsson is seen ice climbing inside the 'Waterfall Cave'
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_010
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057h)
Inside the 'ABC cave' - which stands for Amazing Blue Cave. This view shows a snow storm outside the entrance to the cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_009
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057g)
Inside the 'ABC cave' - which stands for Amazing Blue Cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_007
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057j)
Inside the 'ABC cave' - which stands for Amazing Blue Cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_005
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057c)
Guide Einar Runar Sigurdsson is seen ice climbing inside the 'Waterfall Cave'
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_003
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057l)
Looking up from inside the 'ABC cave' - which stands for Amazing Blue Cave. Guide Einar Runar Sigurdsson can be seen ice climbing on the glacier outside
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_001
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057m)
The view on top of the Vatnajökull glacier whilst hiking to access the caves
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_015
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057d)
Guide Helen Maria is pictured inside the waterfall cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_011
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057f)
Inside the 'ABC cave' - which stands for Amazing Blue Cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_008
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057i)
Looking up from inside the 'ABC cave' - which stands for Amazing Blue Cave. Guide Einar Runar Sigurdsson can be seen ice climbing on the glacier outside
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_006
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057k)
Inside the 'ABC cave' - which stands for Amazing Blue Cave. Guide Einar Runar Sigurdsson is seen taking a photo at the entrance to the cave
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_004
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057e)
Guide Einar Runar Sigurdsson is seen ice climbing inside the 'Waterfall Cave'
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10008733_002
FEATURE - Island: Strahlend blaue Grotten des Vatnajökull Gletschers
EMBARGOED FOR USE ONLINE AND PRINT UNTIL 00:01 26/11/15
Mandatory Credit: Photo by Mikael Buck/REX Shutterstock (5431057n)
On top of the Vatnajökull glacier
Photographer explores Vatnajökull glacie using Sony's back-illuminated full-frame sensor, Iceland - 25 Nov 2015
*Full story: http://www.rexfeatures.com/nanolink/rm22
Photographer Mikael Buck with assistance from renowned local Icelandic guide Einar Runar Sigurdsson, explored the frozen world of Vatnajökull glacier in Iceland using Sony's world first back-illuminated full-frame sensor, which features in the 7R II camera. His images were taken without use of a tripod or any image stitching techniques in photoshop. This was made possible through Sony's new sensor technology, allowing incredibly detailed low-light hand held photography. Previously images this detailed would have required carrying bulky equipment to the caves, some of which can require hiking and climbing over a glacier for up to two hours to to access. The images were taken without the use of any external sources - just the natural light that filters through the ice caves.
(FOTO:DUKAS/REX)
(c) Dukas -
DUK10149191_014
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427i)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_013
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427f)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist (devised in Oxford by Aidan Meller, pictured with her) - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_012
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427d)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_011
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427b)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_010
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427r)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_009
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427q)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_008
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427k)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_007
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427j)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_006
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427u)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_005
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427x)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_004
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427n)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_003
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427v)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_002
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427m)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_001
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427o)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10124437_084
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525j)
A staff member views "Mars Habitat series showing the construction sequence", 2018, by Foster+Partners. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
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FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525k)
A staff member views "Mars clothing, SS20 New Horizons collection", by Raeburn. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_082
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525m)
A model wears "Mars clothing, SS20 New Horizons collection", by Raeburn. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_081
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525n)
A model views video screen showing images from the International Space Station. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_080
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525f)
A staff member walks in front of a video projection showing the view on Mars from the Curiosity rover. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_079
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525g)
A staff member views a video projection showing the view on Mars from the Curiosity rover. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_078
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525i)
A staff member views a model of "Marsha's two shell-design", 2019, by AI Spacefactory, a 3D printed habitat. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
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FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525h)
A staff member views (L to R) Liquid Cooled Altitude garment, 1977, and Air Cooled High Altitude garment, 1964. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_076
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525d)
A staff member is seen against a projection of the planet Mars. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_075
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525a)
A model poses next to an exhibit demonstrating Mars farming. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_074
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525c)
A staff member views "Timepieces (Solar System)", 2014, by Katie Paterson, an installation showing the time on the nine planets in the solar system and the moon. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_073
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525l)
A model sits within a design by Hassell, 2019, of a full scale model of a Mars habitat. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_072
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525b)
A model poses next to an exhibit demonstrating Mars farming. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10124437_071
FEATURE - 'Moving to Mars' Ausstellung im Design Museum in London
Mandatory Credit: Photo by Stephen Chung/LNP/REX (10448525e)
A staff member views the ExoMars Rosalind Franklin rover from the European Space Agency. Preview of "Moving to Mars" at the Design Museum. The exhibition explores how sending humans to Mars is a frontier for science as well as design and features over 200 exhibits from NASA, the European Space Agency together with new commissions. The show is open 18 October to 23 February 2020.
'Moving to Mars' exhibition, Design Museum, London, UK - 17 Oct 2019
(c) Dukas -
DUK10106107_025
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263k)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_024
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263b)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_023
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263a)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_022
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263f)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_021
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263e)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_020
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263d)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
DUK10106107_019
FEATURE - V&A Photography Centre in London
Mandatory Credit: Photo by Maisie Marshall/REX/Shutterstock (9921263c)
The V&A opens with the major display Collecting Photography: From Daguerreotype to Digital which explores photography as a way of 'collecting the world', from the medium's invention in the 19th century to the present day
The V&A opens new photography centre, London, UK - 10 Oct 2018
The display features images by early colour photography pioneers, Agnes Warburg, Helen Messinger Murdoch and Nickolas Muray, and recent acquisitions by Hiroshi Sugimoto, Cornelia Parker, Linda McCartney, Marco Breuer, Pierre Cordier and Mark Cohen.
(c) Dukas -
