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  • The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    DUKAS_147242927_EYE
    The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.

    Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.

    A scene from The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
    (Opening 03-11-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    © Guardian / eyevine. All Rights Reserved.

     

  • The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    DUKAS_146778692_EYE
    The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.

    Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.

    Anthony Gregory (Colonel Fairfax), right, in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
    (Opening 03-11-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    DUKAS_146778683_EYE
    The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.

    Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.

    Neal Davies (Sergeant Meryll Of The Yeoman), centre, in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
    (Opening 03-11-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    DUKAS_147242943_EYE
    The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.

    Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.

    Steven Page (Sir Richard Cholmondeley), Alexandra Oomens (Elsie Maynard) and Richard McCabe (Jack Point) in Yeoman Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
    (Opening 03-11-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    DUKAS_146778690_EYE
    The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.

    Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.

    Alexandra Oomens (Elsie Maynard), Steven Page (Sir Richard Cholmondeley) and Richard McCabe (Jack Point) in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
    (Opening 03-11-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    DUKAS_147242949_EYE
    The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.

    Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.

    A scene from Yeoman Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
    (Opening 03-11-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    DUKAS_146778682_EYE
    The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.

    Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.

    Richard McCabe (Jack Point) in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
    (Opening 03-11-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    DUKAS_147242930_EYE
    The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
    Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.

    Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.

    A scene from Yeoman Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
    (Opening 03-11-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Cunning Little Vixen by Janacek at the London Coliseum.
    DUKAS_135432514_EYE
    The Cunning Little Vixen by Janacek at the London Coliseum.
    Lester Lynch (Forester) in The Cunning Little Vixen by Janacek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
    (Opening 18-02-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Cunning Little Vixen by Janacek at the London Coliseum.
    DUKAS_135432544_EYE
    The Cunning Little Vixen by Janacek at the London Coliseum.
    Pumeza Matshikiza (Fox) and Sally Matthews (Vixen) in The Cunning Little Vixen by Jana?c?ek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
    (Opening 18-02-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Cunning Little Vixen by Janacek at the London Coliseum.
    DUKAS_135432543_EYE
    The Cunning Little Vixen by Janacek at the London Coliseum.
    Sally Matthews (Vixen) and Pumeza Matshikiza (Fox) in The Cunning Little Vixen by Jana?c?ek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
    (Opening 18-02-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Cunning Little Vixen by Janacek at the London Coliseum.
    DUKAS_135432523_EYE
    The Cunning Little Vixen by Janacek at the London Coliseum.
    Sally Matthews (Vixen), Lauren Morris and Clive Bayley (Badger) in The Cunning Little Vixen by Jana?c?ek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
    (Opening 18-02-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • The Cunning Little Vixen by Janacek at the London Coliseum.
    DUKAS_135432564_EYE
    The Cunning Little Vixen by Janacek at the London Coliseum.
    Claire Barnett-Jones (Dog) and Sally Matthews (Vixen) in The Cunning Little Vixen by Jana?c?ek at the London Coliseum. An English National Opera production, directed by Jamie Manton and conducted by Martyn Brabbins.
    (Opening 18-02-2022)

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • HMS Pinafore by Gilbert and Sullivan
    DUKAS_131180232_EYE
    HMS Pinafore by Gilbert and Sullivan
    Les Dennis (Sir Joseph), centre, in HMS Pinafore by Gilbert and Sullivan at the London Coliseum. An English National Opera production directed by Cal McCrystal. Conductor, Chris Hopkins.
    (Opening 29-10-2021)
    10-21

    © Tristram Kenton / Guardian / eyevine

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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • HMS Pinafore
    DUKAS_131778502_EYE
    HMS Pinafore
    Les Dennis (Sir Joseph) in HMS Pinafore by Gilbert and Sullivan @ London Coliseum. An English National Opera production directed by Cal McCrystal. Conductor, Chris Hopkins.
    (Opening 29-10-2021)
    10-21


    © Tristram Kenton / Guardian / eyevine

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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • HMS Pinafore by Gilbert and Sullivan
    DUKAS_131180223_EYE
    HMS Pinafore by Gilbert and Sullivan
    John Savournin (Captain Corcoran), centre, in HMS Pinafore by Gilbert and Sullivan at the London Coliseum. An English National Opera production directed by Cal McCrystal. Conductor, Chris Hopkins.
    (Opening 29-10-2021)
    10-21

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    © Guardian / eyevine. All Rights Reserved.

     

  • HMS Pinafore by Gilbert and Sullivan
    DUKAS_131407030_EYE
    HMS Pinafore by Gilbert and Sullivan
    Rufus Bateman (Cabin Boy) and John Savournin (Captain Corcoran) in HMS Pinafore by Gilbert and Sullivan @ London Coliseum. An English National Opera production directed by Cal McCrystal. Conductor, Chris Hopkins.
    (Opening 29-10-2021)
    10-21

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    © Guardian / eyevine. All Rights Reserved.

     

  • HMS Pinafore review – ENO’s shipshape satire ramps up the camp
    DUKAS_146387448_EYE
    HMS Pinafore review – ENO’s shipshape satire ramps up the camp
    This is Gilbert and Sullivan played for laughs and the whole cast, including a creditable Les Dennis as Sir Joseph, are clearly having a whale of a time.

    Rufus (Cabin Boy) and John Savournin (Captain Corcoran) in HMS Pinafore by Gilbert and Sullivan at the London Coliseum. An English National Opera production directed by Cal McCrystal. Conductor, Chris Hopkins.
    (Opening 29-10-2021)
    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.