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  • Daily Life In Paris, France
    DUKAS_191687227_NUR
    Daily Life In Paris, France
    A fragment of the Stravinsky Fountain in the Beaubourg area in Paris, France on November 13, 2025. The fountain, representing the works of composer Igor Stravinsky, was created iin 1983 by sculptors Jean Tinguely and Niki de Saint Phalle. (Photo by Beata Zawrzel/NurPhoto)

     

  • Daily Life In Krakow
    DUKAS_191647251_NUR
    Daily Life In Krakow
    KRAKOW, POLAND – DECEMBER 2:
    View of Krakow's Father Bernatek Footbridge featuring an open-air exhibition of acrobatic sculptures by Polish artist Jerzy Kedziora, seen under foggy conditions, in Krakow, Poland, on December 2, 2025. (Photo by Artur Widak/NurPhoto)

     

  • White House Christmas Design And Decoration Advance Media Tour
    DUKAS_191591865_NUR
    White House Christmas Design And Decoration Advance Media Tour
    A Lego portrait of U.S. President Donald Trump is seen beyond a Christmas tree in the Green Room of the White House in Washington, D.C. on December 1, 2025. (Photo by Bryan Dozier/NurPhoto)

     

  • White House Christmas Design And Decoration Advance Media Tour
    DUKAS_191588688_NUR
    White House Christmas Design And Decoration Advance Media Tour
    A Lego portrait of U.S. President Donald Trump is seen beyond a Christmas tree in the Green Room of the White House in Washington, D.C. on December 1, 2025. (Photo by Bryan Dozier/NurPhoto)

     

  • Daily Life In Krakow
    DUKAS_191449495_NUR
    Daily Life In Krakow
    KRAKOW, POLAND – NOVEMBER 26:
    A view of the sculpture Eros Bendato by Igor Mitoraj, partially covered with snow, is seen in Krakow, Poland, on November 26, 2025. (Photo by Artur Widak/NurPhoto)

     

  • Warsaw Daily Life
    DUKAS_191237464_NUR
    Warsaw Daily Life
    The Palace of Culture and Sciences is seen bathed in red light in Warsaw, Poland on 19 November, 2025. (Photo by Jaap Arriens/NurPhoto)

     

  • Daily Life In Warsaw
    DUKAS_191190807_NUR
    Daily Life In Warsaw
    The Tindaroo sculpture by Igor Mitoria that was recenlty sold on auction is now on display in the city center in Warsaw, Poland on 16 November, 2025. (Photo by Jaap Arriens/NurPhoto)

     

  • Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    DUKAS_190907455_NUR
    Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    An unlicensed pro-Palestinian visual action takes place during the GLOW Eindhoven light festival in Eindhoven, Netherlands, drawing the attention of large crowds. Activists display symbolic installations referencing Gaza, including a line of empty children's shoes representing young victims, illuminated signs, and imagery evoking the case of six-year-old Hind Rajab. (Photo by Mouneb Taim/NurPhoto)

     

  • Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    DUKAS_190907434_NUR
    Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    An unlicensed pro-Palestinian visual action takes place during the GLOW Eindhoven light festival in Eindhoven, Netherlands, drawing the attention of large crowds. Activists display symbolic installations referencing Gaza, including a line of empty children's shoes representing young victims, illuminated signs, and imagery evoking the case of six-year-old Hind Rajab. (Photo by Mouneb Taim/NurPhoto)

     

  • Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    DUKAS_190907429_NUR
    Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    An unlicensed pro-Palestinian visual action takes place during the GLOW Eindhoven light festival in Eindhoven, Netherlands, drawing the attention of large crowds. Activists display symbolic installations referencing Gaza, including a line of empty children's shoes representing young victims, illuminated signs, and imagery evoking the case of six-year-old Hind Rajab. (Photo by Mouneb Taim/NurPhoto)

     

  • Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    DUKAS_190907425_NUR
    Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    An unlicensed pro-Palestinian visual action takes place during the GLOW Eindhoven light festival in Eindhoven, Netherlands, drawing the attention of large crowds. Activists display symbolic installations referencing Gaza, including a line of empty children's shoes representing young victims, illuminated signs, and imagery evoking the case of six-year-old Hind Rajab. (Photo by Mouneb Taim/NurPhoto)

     

  • Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    DUKAS_190907417_NUR
    Unlicensed Gaza-Themed Light Action Draws Crowds At GLOW Eindhoven
    An unlicensed pro-Palestinian visual action takes place during the GLOW Eindhoven light festival in Eindhoven, Netherlands, drawing the attention of large crowds. Activists display symbolic installations referencing Gaza, including a line of empty children's shoes representing young victims, illuminated signs, and imagery evoking the case of six-year-old Hind Rajab. (Photo by Mouneb Taim/NurPhoto)

     

  • Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    DUKAS_190603696_EYE
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich, London, Great Britain
    Press photocall
    31st October 2025
    Runs till January 2026

    The majesty of the Painted Hall welcomes Walker’s Connection and Identity, offering two visual moments; gargantuan outstretched hands reminiscent of Michelangelo’s Creation of Adam, and pulsing DNA-like suspended columns of light. Adorning the hall with streams of glowing colour and heavenly sculpture


    Photograph by Elliott Franks / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    2025 © Elliott Franks

     

  • Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    DUKAS_190603694_EYE
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich, London, Great Britain
    Press photocall
    31st October 2025
    Runs till January 2026

    The majesty of the Painted Hall welcomes Walker’s Connection and Identity, offering two visual moments; gargantuan outstretched hands reminiscent of Michelangelo’s Creation of Adam, and pulsing DNA-like suspended columns of light. Adorning the hall with streams of glowing colour and heavenly sculpture


    Photograph by Elliott Franks / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    2025 © Elliott Franks

     

  • Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    DUKAS_190603656_EYE
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich, London, Great Britain
    Press photocall
    31st October 2025
    Runs till January 2026

    The majesty of the Painted Hall welcomes Walker’s Connection and Identity, offering two visual moments; gargantuan outstretched hands reminiscent of Michelangelo’s Creation of Adam, and pulsing DNA-like suspended columns of light. Adorning the hall with streams of glowing colour and heavenly sculpture


    Photograph by Elliott Franks / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    2025 © Elliott Franks

     

  • Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    DUKAS_190603655_EYE
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich, London, Great Britain
    Press photocall
    31st October 2025
    Runs till January 2026

    The majesty of the Painted Hall welcomes Walker’s Connection and Identity, offering two visual moments; gargantuan outstretched hands reminiscent of Michelangelo’s Creation of Adam, and pulsing DNA-like suspended columns of light. Adorning the hall with streams of glowing colour and heavenly sculpture


    Photograph by Elliott Franks / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    2025 © Elliott Franks

     

  • Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    DUKAS_190603760_EYE
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich, London, Great Britain
    Press photocall
    31st October 2025
    Runs till January 2026

    The majesty of the Painted Hall welcomes Walker’s Connection and Identity, offering two visual moments; gargantuan outstretched hands reminiscent of Michelangelo’s Creation of Adam, and pulsing DNA-like suspended columns of light. Adorning the hall with streams of glowing colour and heavenly sculpture


    Photograph by Elliott Franks / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    2025 © Elliott Franks

     

  • Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    DUKAS_190603646_EYE
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich
    Peter Walker’s installation Connection and Identity at the Old Royal Naval College’s Painted Hall, Greenwich, London, Great Britain
    Press photocall
    31st October 2025
    Runs till January 2026

    The majesty of the Painted Hall welcomes Walker’s Connection and Identity, offering two visual moments; gargantuan outstretched hands reminiscent of Michelangelo’s Creation of Adam, and pulsing DNA-like suspended columns of light. Adorning the hall with streams of glowing colour and heavenly sculpture


    Photograph by Elliott Franks / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    2025 © Elliott Franks

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802703_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802553_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802705_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802571_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802702_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802552_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802734_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802549_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802679_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802568_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802662_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802570_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802733_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802551_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802732_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802550_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802678_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802602_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802729_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802547_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802704_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802566_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802731_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802680_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802569_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802536_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802728_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802544_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802730_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802548_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802727_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    DUKAS_141802535_EYE
    Not a bouncy castle: Hadrian's Wall fort rebuilt in wild colour
    Installation on remains of Roman structure in Northumberland is part of wall's 1,900th anniversary celebrations.

    The installation - The Future Belongs to What Was As Much As What Is - at Housesteads in Northumberland.

    English Heritage, in its first major contemporary art commission for a new creative programme, has asked the artist Morag Myerscough to "rebuild" the north gate of Housesteads Roman fort in Northumberland in her own, wild way.

    Inside the temporary scaffold structure - about 16 metres by 9 metres - visitors will have the same life-enhancing views that Roman guards looked out on nearly 2,000 years ago, minus the Picts.
    26th July2022.

    Artist Morag Myerscough.

    © Mark Pinder / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

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