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DUKAS_190268685_FER
World's smallest bottle of alcohol free beer
Ferrari Press Agency
Bottle 1
Ref 17236
22/10/2025
See Ferrari text
Picture MUST credit: Carlsberg
Danish brewer Carlsberg has created a non-alcoholic beer served in the world’s tiniest beer bottle.
The bottle is as small as a grain of rice but still comes complete with a Carlsberg label and a sealed cap.
It is just 12mm tall and contains only 0.005 CL equal to a single drop of liquid.
The company based in Copenhagen says it is the world’s smallest non-alcoholic beer – and a symbol of moderate and responsible drinking.
The project brought together Swedish state-owned research and innovation institute. RISE which made it possible to fill the bottle using precision capillaries designed for fibre optics.
a company specialising in glassblowing for laboratory equipment called Glaskomponent developed the bottle.
Miniature artist Åsa Strand crafted and applied the cap, label, and colouring.
Meanwhile, the non-alcoholic beer itself was specially brewed at Carlsberg’s experimental brewery in Falkenberg, Sweden to deliver an intense taste experience despite the tiny volume.
Carlsberg commissioned it to promote responsible drinking.
OPS: The tiny bottle alongside a regular sized one.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS) -
DUKAS_190268683_FER
World's smallest bottle of alcohol free beer
Ferrari Press Agency
Bottle 1
Ref 17236
22/10/2025
See Ferrari text
Picture MUST credit: Carlsberg
Danish brewer Carlsberg has created a non-alcoholic beer served in the world’s tiniest beer bottle.
The bottle is as small as a grain of rice but still comes complete with a Carlsberg label and a sealed cap.
It is just 12mm tall and contains only 0.005 CL equal to a single drop of liquid.
The company based in Copenhagen says it is the world’s smallest non-alcoholic beer – and a symbol of moderate and responsible drinking.
The project brought together Swedish state-owned research and innovation institute. RISE which made it possible to fill the bottle using precision capillaries designed for fibre optics.
a company specialising in glassblowing for laboratory equipment called Glaskomponent developed the bottle.
Miniature artist Åsa Strand crafted and applied the cap, label, and colouring.
Meanwhile, the non-alcoholic beer itself was specially brewed at Carlsberg’s experimental brewery in Falkenberg, Sweden to deliver an intense taste experience despite the tiny volume.
Carlsberg commissioned it to promote responsible drinking.
OPS: The tiny bottle alongside a regular sized one.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS) -
DUKAS_190268681_FER
World's smallest bottle of alcohol free beer
Ferrari Press Agency
Bottle 1
Ref 17236
22/10/2025
See Ferrari text
Picture MUST credit: Carlsberg
Danish brewer Carlsberg has created a non-alcoholic beer served in the world’s tiniest beer bottle.
The bottle is as small as a grain of rice but still comes complete with a Carlsberg label and a sealed cap.
It is just 12mm tall and contains only 0.005 CL equal to a single drop of liquid.
The company based in Copenhagen says it is the world’s smallest non-alcoholic beer – and a symbol of moderate and responsible drinking.
The project brought together Swedish state-owned research and innovation institute. RISE which made it possible to fill the bottle using precision capillaries designed for fibre optics.
a company specialising in glassblowing for laboratory equipment called Glaskomponent developed the bottle.
Miniature artist Åsa Strand crafted and applied the cap, label, and colouring.
Meanwhile, the non-alcoholic beer itself was specially brewed at Carlsberg’s experimental brewery in Falkenberg, Sweden to deliver an intense taste experience despite the tiny volume.
Carlsberg commissioned it to promote responsible drinking.
OPS: The tiny bottle alongside a regular sized one.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS) -
DUKAS_188464231_NUR
Tiny Wild Apples For Achar Making
Tiny wild apples are ready for harvest for use in making Indian achar (South Asian pickle) in Toronto, Ontario, Canada, on August 21, 2025. South Asian pickles are a pickled food made from a variety of vegetables, meats, and fruits preserved in brine, vinegar, edible oils, and various South Asian spices. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_188464227_NUR
Tiny Wild Apples For Achar Making
Tiny wild apples are ready for harvest for use in making Indian achar (South Asian pickle) in Toronto, Ontario, Canada, on August 21, 2025. South Asian pickles are a pickled food made from a variety of vegetables, meats, and fruits preserved in brine, vinegar, edible oils, and various South Asian spices. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_188464255_NUR
Tiny Wild Apples For Achar Making
Tiny wild apples are ready for harvest for use in making Indian achar (South Asian pickle) in Toronto, Ontario, Canada, on August 21, 2025. South Asian pickles are a pickled food made from a variety of vegetables, meats, and fruits preserved in brine, vinegar, edible oils, and various South Asian spices. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_188464253_NUR
Tiny Wild Apples For Achar Making
Tiny wild apples are ready for harvest for use in making Indian achar (South Asian pickle) in Toronto, Ontario, Canada, on August 21, 2025. South Asian pickles are a pickled food made from a variety of vegetables, meats, and fruits preserved in brine, vinegar, edible oils, and various South Asian spices. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_188464233_NUR
Tiny Wild Apples For Achar Making
Tiny wild apples are ready for harvest for use in making Indian achar (South Asian pickle) in Toronto, Ontario, Canada, on August 21, 2025. South Asian pickles are a pickled food made from a variety of vegetables, meats, and fruits preserved in brine, vinegar, edible oils, and various South Asian spices. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_188464229_NUR
Tiny Wild Apples For Achar Making
Tiny wild apples are ready for harvest for use in making Indian achar (South Asian pickle) in Toronto, Ontario, Canada, on August 21, 2025. South Asian pickles are a pickled food made from a variety of vegetables, meats, and fruits preserved in brine, vinegar, edible oils, and various South Asian spices. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_188430283_FER
Smartphone size of a playing card
Ferrari Press Agency
Bluefox1
Ref 17119
03/09/2025
See Ferrari text
Picture MUST credit: Aiphor
A tiny new smartphone is squeezing all the benefits of today’s devices into a handset that fits easily in a pocket or handbag.
Chinese company Aiphor’s new Bluefox NX 1 is about the size of a playing card.
The Android phone stands 12 cm tall, is 5.8 cm wide and 1 cm thick, weighing just 110 grams..
Despite that it has a 1168 x 540 pixel display, has room for apps, and comes in a choice of blue, white or black.
Inside is 8GB of RAM, 128GB of storage with microSD expansion plus a USB-C to 3.5mm headphone jack adapter.
The camera features a Sony IMX230 rear sensor and there is facial recognition and a battery promising all day use.
It can still be used to play games or watch videos.
OPS: The Aiphor Bluefox NX1
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_188430282_FER
Smartphone size of a playing card
Ferrari Press Agency
Bluefox1
Ref 17119
03/09/2025
See Ferrari text
Picture MUST credit: Aiphor
A tiny new smartphone is squeezing all the benefits of today’s devices into a handset that fits easily in a pocket or handbag.
Chinese company Aiphor’s new Bluefox NX 1 is about the size of a playing card.
The Android phone stands 12 cm tall, is 5.8 cm wide and 1 cm thick, weighing just 110 grams..
Despite that it has a 1168 x 540 pixel display, has room for apps, and comes in a choice of blue, white or black.
Inside is 8GB of RAM, 128GB of storage with microSD expansion plus a USB-C to 3.5mm headphone jack adapter.
The camera features a Sony IMX230 rear sensor and there is facial recognition and a battery promising all day use.
It can still be used to play games or watch videos.
OPS: The Aiphor Bluefox NX1
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_188430281_FER
Smartphone size of a playing card
Ferrari Press Agency
Bluefox1
Ref 17119
03/09/2025
See Ferrari text
Picture MUST credit: Aiphor
A tiny new smartphone is squeezing all the benefits of today’s devices into a handset that fits easily in a pocket or handbag.
Chinese company Aiphor’s new Bluefox NX 1 is about the size of a playing card.
The Android phone stands 12 cm tall, is 5.8 cm wide and 1 cm thick, weighing just 110 grams..
Despite that it has a 1168 x 540 pixel display, has room for apps, and comes in a choice of blue, white or black.
Inside is 8GB of RAM, 128GB of storage with microSD expansion plus a USB-C to 3.5mm headphone jack adapter.
The camera features a Sony IMX230 rear sensor and there is facial recognition and a battery promising all day use.
It can still be used to play games or watch videos.
OPS: The Aiphor Bluefox NX1
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_188430280_FER
Smartphone size of a playing card
Ferrari Press Agency
Bluefox1
Ref 17119
03/09/2025
See Ferrari text
Picture MUST credit: Aiphor
A tiny new smartphone is squeezing all the benefits of today’s devices into a handset that fits easily in a pocket or handbag.
Chinese company Aiphor’s new Bluefox NX 1 is about the size of a playing card.
The Android phone stands 12 cm tall, is 5.8 cm wide and 1 cm thick, weighing just 110 grams..
Despite that it has a 1168 x 540 pixel display, has room for apps, and comes in a choice of blue, white or black.
Inside is 8GB of RAM, 128GB of storage with microSD expansion plus a USB-C to 3.5mm headphone jack adapter.
The camera features a Sony IMX230 rear sensor and there is facial recognition and a battery promising all day use.
It can still be used to play games or watch videos.
OPS: The Aiphor Bluefox NX1
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_188430279_FER
Smartphone size of a playing card
Ferrari Press Agency
Bluefox1
Ref 17119
03/09/2025
See Ferrari text
Picture MUST credit: Aiphor
A tiny new smartphone is squeezing all the benefits of today’s devices into a handset that fits easily in a pocket or handbag.
Chinese company Aiphor’s new Bluefox NX 1 is about the size of a playing card.
The Android phone stands 12 cm tall, is 5.8 cm wide and 1 cm thick, weighing just 110 grams..
Despite that it has a 1168 x 540 pixel display, has room for apps, and comes in a choice of blue, white or black.
Inside is 8GB of RAM, 128GB of storage with microSD expansion plus a USB-C to 3.5mm headphone jack adapter.
The camera features a Sony IMX230 rear sensor and there is facial recognition and a battery promising all day use.
It can still be used to play games or watch videos.
OPS: The Aiphor Bluefox NX1
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_188430278_FER
Smartphone size of a playing card
Ferrari Press Agency
Bluefox1
Ref 17119
03/09/2025
See Ferrari text
Picture MUST credit: Aiphor
A tiny new smartphone is squeezing all the benefits of today’s devices into a handset that fits easily in a pocket or handbag.
Chinese company Aiphor’s new Bluefox NX 1 is about the size of a playing card.
The Android phone stands 12 cm tall, is 5.8 cm wide and 1 cm thick, weighing just 110 grams..
Despite that it has a 1168 x 540 pixel display, has room for apps, and comes in a choice of blue, white or black.
Inside is 8GB of RAM, 128GB of storage with microSD expansion plus a USB-C to 3.5mm headphone jack adapter.
The camera features a Sony IMX230 rear sensor and there is facial recognition and a battery promising all day use.
It can still be used to play games or watch videos.
OPS: The Aiphor Bluefox NX1
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_188430277_FER
Smartphone size of a playing card
Ferrari Press Agency
Bluefox1
Ref 17119
03/09/2025
See Ferrari text
Picture MUST credit: Aiphor
A tiny new smartphone is squeezing all the benefits of today’s devices into a handset that fits easily in a pocket or handbag.
Chinese company Aiphor’s new Bluefox NX 1 is about the size of a playing card.
The Android phone stands 12 cm tall, is 5.8 cm wide and 1 cm thick, weighing just 110 grams..
Despite that it has a 1168 x 540 pixel display, has room for apps, and comes in a choice of blue, white or black.
Inside is 8GB of RAM, 128GB of storage with microSD expansion plus a USB-C to 3.5mm headphone jack adapter.
The camera features a Sony IMX230 rear sensor and there is facial recognition and a battery promising all day use.
It can still be used to play games or watch videos.
OPS: The Aiphor Bluefox NX1
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_188161766_NUR
Red Mite
A red mite is on a leaf in Toronto, Ontario, Canada, on July 10, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_186390446_FER
Surveillance drone the size of an insect
Ferrari Press Agency
Drone 1
Ref 16941
26/06/2025
See Ferrari text
Picture MUST credit: CCTV7
A tiny insect-like drone suitable for surveillance and reconnaissance missions is being developed by Chinese military scientists.
The tiny device has flapping wings and wire-like legs.
Their size would allow them to access virtually any space and blend into all sorts of environments undetected.
The drone showcased on the Chinese government’s CCTV7 network during a feature about the work of the country’s National University of Defence Technology
It measures just 1.3 cm from tip to tail and can be controlled with a smartphone.
The leaf-like wings mean it is quiet.
A prototype was shown taking off from a leaf.
A spokesman said the drone is nearly impossible to detect and can perform a variety of functions, from accessing hard-to-reach spaces in case of disasters, to monitoring the air quality with attached sensors.
Their reduced size means that currently battery life is severely limited, as is the weight of sensors and other accessories it could carry on missions.
OPS: The insect-like drone being developed by China’s National University of Defence Technology is controlled from a smart phone
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_186390442_FER
Surveillance drone the size of an insect
Ferrari Press Agency
Drone 1
Ref 16941
26/06/2025
See Ferrari text
Picture MUST credit: CCTV7
A tiny insect-like drone suitable for surveillance and reconnaissance missions is being developed by Chinese military scientists.
The tiny device has flapping wings and wire-like legs.
Their size would allow them to access virtually any space and blend into all sorts of environments undetected.
The drone showcased on the Chinese government’s CCTV7 network during a feature about the work of the country’s National University of Defence Technology
It measures just 1.3 cm from tip to tail and can be controlled with a smartphone.
The leaf-like wings mean it is quiet.
A prototype was shown taking off from a leaf.
A spokesman said the drone is nearly impossible to detect and can perform a variety of functions, from accessing hard-to-reach spaces in case of disasters, to monitoring the air quality with attached sensors.
Their reduced size means that currently battery life is severely limited, as is the weight of sensors and other accessories it could carry on missions.
OPS: Insect-like drone being developed by China’s National University of Defence Technology. launches from a leaf.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_186390439_FER
Surveillance drone the size of an insect
Ferrari Press Agency
Drone 1
Ref 16941
26/06/2025
See Ferrari text
Picture MUST credit: CCTV7
A tiny insect-like drone suitable for surveillance and reconnaissance missions is being developed by Chinese military scientists.
The tiny device has flapping wings and wire-like legs.
Their size would allow them to access virtually any space and blend into all sorts of environments undetected.
The drone showcased on the Chinese government’s CCTV7 network during a feature about the work of the country’s National University of Defence Technology
It measures just 1.3 cm from tip to tail and can be controlled with a smartphone.
The leaf-like wings mean it is quiet.
A prototype was shown taking off from a leaf.
A spokesman said the drone is nearly impossible to detect and can perform a variety of functions, from accessing hard-to-reach spaces in case of disasters, to monitoring the air quality with attached sensors.
Their reduced size means that currently battery life is severely limited, as is the weight of sensors and other accessories it could carry on missions.
OPS: Close-up of the insect-like drone being developed by China’s National University of Defence Technology.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_186390436_FER
Surveillance drone the size of an insect
Ferrari Press Agency
Drone 1
Ref 16941
26/06/2025
See Ferrari text
Picture MUST credit: CCTV7
A tiny insect-like drone suitable for surveillance and reconnaissance missions is being developed by Chinese military scientists.
The tiny device has flapping wings and wire-like legs.
Their size would allow them to access virtually any space and blend into all sorts of environments undetected.
The drone showcased on the Chinese government’s CCTV7 network during a feature about the work of the country’s National University of Defence Technology
It measures just 1.3 cm from tip to tail and can be controlled with a smartphone.
The leaf-like wings mean it is quiet.
A prototype was shown taking off from a leaf.
A spokesman said the drone is nearly impossible to detect and can perform a variety of functions, from accessing hard-to-reach spaces in case of disasters, to monitoring the air quality with attached sensors.
Their reduced size means that currently battery life is severely limited, as is the weight of sensors and other accessories it could carry on missions.
OPS: The insect-like drone being developed by China’s National University of Defence Technology.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_186390434_FER
Surveillance drone the size of an insect
Ferrari Press Agency
Drone 1
Ref 16941
26/06/2025
See Ferrari text
Picture MUST credit: CCTV7
A tiny insect-like drone suitable for surveillance and reconnaissance missions is being developed by Chinese military scientists.
The tiny device has flapping wings and wire-like legs.
Their size would allow them to access virtually any space and blend into all sorts of environments undetected.
The drone showcased on the Chinese government’s CCTV7 network during a feature about the work of the country’s National University of Defence Technology
It measures just 1.3 cm from tip to tail and can be controlled with a smartphone.
The leaf-like wings mean it is quiet.
A prototype was shown taking off from a leaf.
A spokesman said the drone is nearly impossible to detect and can perform a variety of functions, from accessing hard-to-reach spaces in case of disasters, to monitoring the air quality with attached sensors.
Their reduced size means that currently battery life is severely limited, as is the weight of sensors and other accessories it could carry on missions.
OPS: The insect-like drone being developed by China’s National University of Defence Technology.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_167736607_COY
Rapper T.I. and his wife Tiny Harris are pictured for the first time since they were sued for alleged sexual assault
EXCLUSIVE. Coleman-Rayner
Los Angeles, CA, USA. March 19, 2024
Rapper T.I. and his wife Tiny Harris are pictured for the first time since they were sued for alleged sexual assault. The pair, who married in 2010 and co-raise a blended family of seven children, have been keeping a low profile since a woman filed a lawsuit against them in January, alleging they drugged and sexually assaulted her at a nightclub back in 2005. The couple deny the charges and released a strongly worded statement at the time the news broke. But they broke cover on the evening of March 19, 2024 to enjoy dinner and drinks at Crustacean, an Asian-Fusion restaurant in Beverly Hills. Tiny, 48, whose real name is Tameka Dianne Cottle-Harris, went makeup free and wore a green tracksuit and a Luis Vuitton purse while T.I, whose real name is Clifford Joseph Harris, Jr., donned a designer bucket hat, green pants, white T-shirt and sporty blue jacket. The pair seemed in high spirits and T.I. took a big bag of to-go food home following their two hour date.
CREDIT MUST READ: Coleman-Rayner
Tel US (001) 310-474-4343 ? office
www.coleman-rayner.com
(c) Dukas -
DUKAS_167736601_COY
Rapper T.I. and his wife Tiny Harris are pictured for the first time since they were sued for alleged sexual assault
EXCLUSIVE. Coleman-Rayner
Los Angeles, CA, USA. March 19, 2024
Rapper T.I. and his wife Tiny Harris are pictured for the first time since they were sued for alleged sexual assault. The pair, who married in 2010 and co-raise a blended family of seven children, have been keeping a low profile since a woman filed a lawsuit against them in January, alleging they drugged and sexually assaulted her at a nightclub back in 2005. The couple deny the charges and released a strongly worded statement at the time the news broke. But they broke cover on the evening of March 19, 2024 to enjoy dinner and drinks at Crustacean, an Asian-Fusion restaurant in Beverly Hills. Tiny, 48, whose real name is Tameka Dianne Cottle-Harris, went makeup free and wore a green tracksuit and a Luis Vuitton purse while T.I, whose real name is Clifford Joseph Harris, Jr., donned a designer bucket hat, green pants, white T-shirt and sporty blue jacket. The pair seemed in high spirits and T.I. took a big bag of to-go food home following their two hour date.
CREDIT MUST READ: Coleman-Rayner
Tel US (001) 310-474-4343 ? office
www.coleman-rayner.com
(c) Dukas -
DUK10148162_015
FEATURE - Parade der Haustiere in St. Louis
Mandatory Credit: Photo by Bill Greenblatt/UPI/Shutterstock (12816343j)
A woman wearing a mask, gives her tiny dog a hug at the start of the Purina Pet Parade through the Soulard neighborhood in St. Louis on Sunday, February 20, 2022. The pet parade is one of the events celebrating St. Louis's annual Mardi Gras week.
Purina Pet Parade, St. Louis, Missouri, United States - 20 Feb 2022
(c) Dukas -
DUK10148162_002
FEATURE - Parade der Haustiere in St. Louis
Mandatory Credit: Photo by Bill Greenblatt/UPI/Shutterstock (12816343o)
A tiny dog with a wig, waits in a wagon for the start of the Purina Pet Parade through the Soulard neighborhood in St. Louis on Sunday, February 20, 2022. The pet parade is one of the events celebrating St. Louis's annual Mardi Gras week.
Purina Pet Parade, St. Louis, Missouri, United States - 20 Feb 2022
(c) Dukas -
DUK10146652_003
FEATURE - Winzige Kamera von der Größe eines Salzkorns liefert gestochen scharfe Bilder
Ferrari Press Agency
Camera 1
Ref 13526
30/11/2021
See Ferrari text
Pictures must credit: Princeton University
An ultra-compact camera the size of a grain of salt has been developed by scientists,It can produce crisp, full-colour images on par with a conventional compound camera lens 500,000 times larger in volume.Micro-sized cameras have great potential to spot problems in the human body and enable sensing for super-small robots.Past approaches captured fuzzy, distorted images with limited fields of view.But US researchers at Princeton University and the University of Washington have overcome these obstacles.The system could enable minimally invasive endoscopy with medical robots to diagnose and treat diseases, and improve imaging for other robots with size and weight constraints. Arrays of thousands of such cameras could be used for full-scene sensing, turning surfaces into cameras.A traditional camera uses a series of curved glass or plastic lenses to bend light rays into focus.The new optical system for the tiny camera relies on a technology called a metasurface, which can be produced much like a computer chip.
OPS:The ultracompact camera the size of a coarse grain of salt. The system relies on a technology called a metasurface, which is studded with 1.6 million cylindrical posts and can be produced much like a computer chip.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10146652_002
FEATURE - Winzige Kamera von der Größe eines Salzkorns liefert gestochen scharfe Bilder
Ferrari Press Agency
Camera 1
Ref 13526
30/11/2021
See Ferrari text
Pictures must credit: Princeton University
An ultra-compact camera the size of a grain of salt has been developed by scientists,It can produce crisp, full-colour images on par with a conventional compound camera lens 500,000 times larger in volume.Micro-sized cameras have great potential to spot problems in the human body and enable sensing for super-small robots.Past approaches captured fuzzy, distorted images with limited fields of view.But US researchers at Princeton University and the University of Washington have overcome these obstacles.The system could enable minimally invasive endoscopy with medical robots to diagnose and treat diseases, and improve imaging for other robots with size and weight constraints. Arrays of thousands of such cameras could be used for full-scene sensing, turning surfaces into cameras.A traditional camera uses a series of curved glass or plastic lenses to bend light rays into focus.The new optical system for the tiny camera relies on a technology called a metasurface, which can be produced much like a computer chip.
OPS:Previous micro-sized cameras (left) captured fuzzy, distorted images with limited fields of view. The new system called neural nano-optics (right) can produce crisp, full-color images on par with a conventional compound camera lens.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10146652_001
FEATURE - Winzige Kamera von der Größe eines Salzkorns liefert gestochen scharfe Bilder
Ferrari Press Agency
Camera 1
Ref 13526
30/11/2021
See Ferrari text
Pictures must credit: Princeton University
An ultra-compact camera the size of a grain of salt has been developed by scientists,It can produce crisp, full-colour images on par with a conventional compound camera lens 500,000 times larger in volume.Micro-sized cameras have great potential to spot problems in the human body and enable sensing for super-small robots.Past approaches captured fuzzy, distorted images with limited fields of view.But US researchers at Princeton University and the University of Washington have overcome these obstacles.The system could enable minimally invasive endoscopy with medical robots to diagnose and treat diseases, and improve imaging for other robots with size and weight constraints. Arrays of thousands of such cameras could be used for full-scene sensing, turning surfaces into cameras.A traditional camera uses a series of curved glass or plastic lenses to bend light rays into focus.The new optical system for the tiny camera relies on a technology called a metasurface, which can be produced much like a computer chip.
OPS:The ultracompact camera the size of a coarse grain of salt. The system relies on a technology called a metasurface, which is studded with 1.6 million cylindrical posts and can be produced much like a computer chip.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUKAS_131702298_EYE
‘I have to move my bike to get to the fridge’ – the UK boom in microflats. From rentals the size of a tiny hotel room to Barratt’s pocket-sized new-builds, the market is expanding
Between 2011 and 2021 as many as one in 15 flats in London fell below the national minimum standard of 37 sq metres.
For Rioch Fitzpatrick, a 39-year-old dubbing mixer for television, home is a tiny studio flat smaller than a standard Premier Inn hotel bedroom. At just 19 sq metres (204 sq ft), his north London “microflat” has a shower and lavatory separated from the main room by a partition, without even a separate wash basin. “It’s probably a bit odd, people coming in and seeing your bed in the kitchen, but I’ve just got used to it,” he says. “My neighbours live in a flat similar to mine – a couple with a two-year-old kid. That must be really tough.”
Fitzpatrick moved into the studio, on the ground floor of an old townhouse converted into 10 flats, in May 2018 because he was fed up with living in a house share, and liked the area.
The flat was refurbished but there are annoying things – I have to keep moving my bike around to get to the fridge,” he says. “I have to sleep with earplugs because the boiler is right above my bed and the fridge is also making noises all night. And my sink is my kitchen sink – that’s where I wash up and shave and do my teeth.”
The rent is relatively affordable at £900 a month, including gas and electricity, while the rate for a standard one-bed flat in the affluent north London area of Crouch End would cost £1,200-plus. He is always on the lookout for a bigger place and would also like to get on the housing ladder, but has been put off by high property prices.
© Linda Nylind / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_131702297_EYE
‘I have to move my bike to get to the fridge’ – the UK boom in microflats. From rentals the size of a tiny hotel room to Barratt’s pocket-sized new-builds, the market is expanding
Between 2011 and 2021 as many as one in 15 flats in London fell below the national minimum standard of 37 sq metres.
For Rioch Fitzpatrick, a 39-year-old dubbing mixer for television, home is a tiny studio flat smaller than a standard Premier Inn hotel bedroom. At just 19 sq metres (204 sq ft), his north London “microflat” has a shower and lavatory separated from the main room by a partition, without even a separate wash basin. “It’s probably a bit odd, people coming in and seeing your bed in the kitchen, but I’ve just got used to it,” he says. “My neighbours live in a flat similar to mine – a couple with a two-year-old kid. That must be really tough.”
Fitzpatrick moved into the studio, on the ground floor of an old townhouse converted into 10 flats, in May 2018 because he was fed up with living in a house share, and liked the area.
The flat was refurbished but there are annoying things – I have to keep moving my bike around to get to the fridge,” he says. “I have to sleep with earplugs because the boiler is right above my bed and the fridge is also making noises all night. And my sink is my kitchen sink – that’s where I wash up and shave and do my teeth.”
The rent is relatively affordable at £900 a month, including gas and electricity, while the rate for a standard one-bed flat in the affluent north London area of Crouch End would cost £1,200-plus. He is always on the lookout for a bigger place and would also like to get on the housing ladder, but has been put off by high property prices.
© Linda Nylind / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_131702286_EYE
‘I have to move my bike to get to the fridge’ – the UK boom in microflats. From rentals the size of a tiny hotel room to Barratt’s pocket-sized new-builds, the market is expanding
Between 2011 and 2021 as many as one in 15 flats in London fell below the national minimum standard of 37 sq metres.
For Rioch Fitzpatrick, a 39-year-old dubbing mixer for television, home is a tiny studio flat smaller than a standard Premier Inn hotel bedroom. At just 19 sq metres (204 sq ft), his north London “microflat” has a shower and lavatory separated from the main room by a partition, without even a separate wash basin. “It’s probably a bit odd, people coming in and seeing your bed in the kitchen, but I’ve just got used to it,” he says. “My neighbours live in a flat similar to mine – a couple with a two-year-old kid. That must be really tough.”
Fitzpatrick moved into the studio, on the ground floor of an old townhouse converted into 10 flats, in May 2018 because he was fed up with living in a house share, and liked the area.
The flat was refurbished but there are annoying things – I have to keep moving my bike around to get to the fridge,” he says. “I have to sleep with earplugs because the boiler is right above my bed and the fridge is also making noises all night. And my sink is my kitchen sink – that’s where I wash up and shave and do my teeth.”
The rent is relatively affordable at £900 a month, including gas and electricity, while the rate for a standard one-bed flat in the affluent north London area of Crouch End would cost £1,200-plus. He is always on the lookout for a bigger place and would also like to get on the housing ladder, but has been put off by high property prices.
© Linda Nylind / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_131702300_EYE
‘I have to move my bike to get to the fridge’ – the UK boom in microflats. From rentals the size of a tiny hotel room to Barratt’s pocket-sized new-builds, the market is expanding
Between 2011 and 2021 as many as one in 15 flats in London fell below the national minimum standard of 37 sq metres.
For Rioch Fitzpatrick, a 39-year-old dubbing mixer for television, home is a tiny studio flat smaller than a standard Premier Inn hotel bedroom. At just 19 sq metres (204 sq ft), his north London “microflat” has a shower and lavatory separated from the main room by a partition, without even a separate wash basin. “It’s probably a bit odd, people coming in and seeing your bed in the kitchen, but I’ve just got used to it,” he says. “My neighbours live in a flat similar to mine – a couple with a two-year-old kid. That must be really tough.”
Fitzpatrick moved into the studio, on the ground floor of an old townhouse converted into 10 flats, in May 2018 because he was fed up with living in a house share, and liked the area.
The flat was refurbished but there are annoying things – I have to keep moving my bike around to get to the fridge,” he says. “I have to sleep with earplugs because the boiler is right above my bed and the fridge is also making noises all night. And my sink is my kitchen sink – that’s where I wash up and shave and do my teeth.”
The rent is relatively affordable at £900 a month, including gas and electricity, while the rate for a standard one-bed flat in the affluent north London area of Crouch End would cost £1,200-plus. He is always on the lookout for a bigger place and would also like to get on the housing ladder, but has been put off by high property prices.
© Linda Nylind / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_131702285_EYE
‘I have to move my bike to get to the fridge’ – the UK boom in microflats. From rentals the size of a tiny hotel room to Barratt’s pocket-sized new-builds, the market is expanding
Between 2011 and 2021 as many as one in 15 flats in London fell below the national minimum standard of 37 sq metres.
For Rioch Fitzpatrick, a 39-year-old dubbing mixer for television, home is a tiny studio flat smaller than a standard Premier Inn hotel bedroom. At just 19 sq metres (204 sq ft), his north London “microflat” has a shower and lavatory separated from the main room by a partition, without even a separate wash basin. “It’s probably a bit odd, people coming in and seeing your bed in the kitchen, but I’ve just got used to it,” he says. “My neighbours live in a flat similar to mine – a couple with a two-year-old kid. That must be really tough.”
Fitzpatrick moved into the studio, on the ground floor of an old townhouse converted into 10 flats, in May 2018 because he was fed up with living in a house share, and liked the area.
The flat was refurbished but there are annoying things – I have to keep moving my bike around to get to the fridge,” he says. “I have to sleep with earplugs because the boiler is right above my bed and the fridge is also making noises all night. And my sink is my kitchen sink – that’s where I wash up and shave and do my teeth.”
The rent is relatively affordable at £900 a month, including gas and electricity, while the rate for a standard one-bed flat in the affluent north London area of Crouch End would cost £1,200-plus. He is always on the lookout for a bigger place and would also like to get on the housing ladder, but has been put off by high property prices.
© Linda Nylind / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUK10146174_020
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_019
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_018
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_017
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_016
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_015
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_014
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_013
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_012
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_011
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_010
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_009
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_008
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_007
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_006
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_005
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
