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DUKAS_182402995_EYE
Romeo and Juliet - review
Matthew Ball and Yasmine Naghdi enchant as the Royal Ballet celebrates 60 years of Kenneth MacMillan’s classic. And into the void with Wayne McGregor.
Matthew Ball (Romeo) and Yasmine Naghdi (Juliet) in Romeo and Juliet by Royal Ballet and Opera at the ROH.
(Opening 04-03-25)
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DUKAS_182402996_EYE
Romeo and Juliet - review
Matthew Ball and Yasmine Naghdi enchant as the Royal Ballet celebrates 60 years of Kenneth MacMillan’s classic. And into the void with Wayne McGregor.
Matthew Ball (Romeo) and Yasmine Naghdi (Juliet) in Romeo and Juliet by Royal Ballet and Opera at the ROH.
(Opening 04-03-25)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_182402994_EYE
Romeo and Juliet - review
Matthew Ball and Yasmine Naghdi enchant as the Royal Ballet celebrates 60 years of Kenneth MacMillan’s classic. And into the void with Wayne McGregor.
Matthew Ball (Romeo) and Yasmine Naghdi (Juliet) in Romeo and Juliet by Royal Ballet and Opera at the ROH.
(Opening 04-03-25)
Tristram Kenton / Guardian / eyevine
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Il Trovatore review - let's face it: these Verdi characters are very dull
Il Trovatore review - let's face it: these Verdi characters are very dull.
With demons ripped from Where the Wild Things Are and costumes culled from Paddington, this is a rum reworking - just a shame some of the singing and conducting lack zip.
A scene from Il Trovatore by Verdi. A Royal Ballet and Opera production at the ROH. Directed by Adele Thomas. Conducted by Giacomo Sagripanti.
(Opening 26-02-25)
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DUKAS_182402857_EYE
Il Trovatore review - let's face it: these Verdi characters are very dull
Il Trovatore review - let's face it: these Verdi characters are very dull.
With demons ripped from Where the Wild Things Are and costumes culled from Paddington, this is a rum reworking - just a shame some of the singing and conducting lack zip.
Michael Fabiano (Manrico) in Il Trovatore by Verdi. A Royal Ballet and Opera production at the ROH. Directed by Adele Thomas. Conducted by Giacomo Sagripanti.
(Opening 26-02-25)
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DUKAS_182402859_EYE
Il Trovatore review - let's face it: these Verdi characters are very dull
Il Trovatore review - let's face it: these Verdi characters are very dull.
With demons ripped from Where the Wild Things Are and costumes culled from Paddington, this is a rum reworking - just a shame some of the singing and conducting lack zip.
Agnieszka Rehlis (Azucena) in Il Trovatore by Verdi. A Royal Ballet and Opera production at the ROH. Directed by Adele Thomas. Conducted by Giacomo Sagripanti.
(Opening 26-02-25)
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DUKAS_182402858_EYE
Il Trovatore review - let's face it: these Verdi characters are very dull
Il Trovatore review - let's face it: these Verdi characters are very dull.
With demons ripped from Where the Wild Things Are and costumes culled from Paddington, this is a rum reworking - just a shame some of the singing and conducting lack zip.
Michael Fabiano (Manrico) and Rachel Willis-SØrensen (Leonora) in Il Trovatore by Verdi. A Royal Ballet and Opera production at the ROH. Directed by Adele Thomas. Conducted by Giacomo Sagripanti.
(Opening 26-02-25)
Tristram Kenton / Guardian / eyevine
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Festen review - Turnage's taut new opera grips, appals and moves
Mark-Anthony Turnage's varied musical palette, Lee Hall's unfussy libretto and Richard Jones's focused staging of the tragedy of a family deeply scarred by abuse drives the drama inexorably in a remarkable production.
Allan Clayton (Christian) in Festen by Mark-Anthony Turnage. A Royal Ballet and Opera World Premiere at the ROH. Conducted by Edward Gardner. Directed by Richard Jones. Libretto by Lee Hall.
(Opening 11-02-2025)
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Festen review - Turnage's taut new opera grips, appals and moves.
Mark-Anthony Turnage's varied musical palette, Lee Hall's unfussy libretto and Richard Jones's focused staging of the tragedy of a family deeply scarred by abuse drives the drama inexorably in a remarkable production.
Rosie Aldridge (Else), Stephane Degout (Michael) and Gerald Finley (Helge) in Festen by Mark-Anthony Turnage. A Royal Ballet and Opera World Premiere at the ROH. Conducted by Edward Gardner. Directed by Richard Jones. Libretto by Lee Hall.
(Opening 11-02-2025)
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Festen review - Turnage's taut new opera grips, appals and moves.
Mark-Anthony Turnage's varied musical palette, Lee Hall's unfussy libretto and Richard Jones's focused staging of the tragedy of a family deeply scarred by abuse drives the drama inexorably in a remarkable production.
A scene from Festen by Mark-Anthony Turnage. A Royal Ballet and Opera World Premiere at the ROH. Conducted by Edward Gardner. Directed by Richard Jones. Libretto by Lee Hall.
(Opening 11-02-2025)
Tristram Kenton / Guardian / eyevine
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DUKAS_181368807_EYE
Festen review - Turnage's taut new opera grips, appals and moves
Mark-Anthony Turnage's varied musical palette, Lee Hall's unfussy libretto and Richard Jones's focused staging of the tragedy of a family deeply scarred by abuse drives the drama inexorably in a remarkable production.
Gerald Finley (Helge) and Rosie Aldridge (Else) in Festen by Mark-Anthony Turnage. A Royal Ballet and Opera World Premiere at the ROH. Conducted by Edward Gardner. Directed by Richard Jones. Libretto by Lee Hall.
(Opening 11-02-2025)
Tristram Kenton / Guardian / eyevine
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DUKAS_181368804_EYE
Festen review - Turnage's taut new opera grips, appals and moves
Mark-Anthony Turnage's varied musical palette, Lee Hall's unfussy libretto and Richard Jones's focused staging of the tragedy of a family deeply scarred by abuse drives the drama inexorably in a remarkable production.
Allan Clayton (Christian), left and Gerald Finley (Helge), right, in white, in Festen by Mark-Anthony Turnage. A Royal Ballet and Opera World Premiere at the ROH. Conducted by Edward Gardner. Directed by Richard Jones. Libretto by Lee Hall.
(Opening 11-02-2025)
Tristram Kenton / Guardian / eyevine
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DUKAS_181100893_EYE
Festen review - Turnage's taut new opera grips, appals and moves.
Mark-Anthony Turnage's varied musical palette, Lee Hall's unfussy libretto and Richard Jones's focused staging of the tragedy of a family deeply scarred by abuse drives the drama inexorably in a remarkable production.
Allan Clayton (Christian), left and Gerald Finley (Helge), right, in Festen by Mark-Anthony Turnage. A Royal Ballet and Opera World Premiere at the ROH. Conducted by Edward Gardner. Directed by Richard Jones. Libretto by Lee Hall.
(Opening 11-02-2025)
Tristram Kenton / Guardian / eyevine
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DUKAS_181368794_EYE
Festen review - Turnage's taut new opera grips, appals and moves
Mark-Anthony Turnage's varied musical palette, Lee Hall's unfussy libretto and Richard Jones's focused staging of the tragedy of a family deeply scarred by abuse drives the drama inexorably in a remarkable production.
Allan Clayton (Christian) and Gerald Finley (Helge) in Festen by Mark-Anthony Turnage. A Royal Ballet and Opera World Premiere at the ROH. Conducted by Edward Gardner. Directed by Richard Jones. Libretto by Lee Hall.
(Opening 11-02-2025)
Tristram Kenton / Guardian / eyevine
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DUKAS_181368791_EYE
Festen review - Turnage's taut new opera grips, appals and moves
Mark-Anthony Turnage's varied musical palette, Lee Hall's unfussy libretto and Richard Jones's focused staging of the tragedy of a family deeply scarred by abuse drives the drama inexorably in a remarkable production.
Gerald Finley (Helge), left end of table, John Tomlinson (Grandpa), centre and Allan Clayton (Christian), right end of table, in Festen by Mark-Anthony Turnage. A Royal Ballet and Opera World Premiere at the ROH. Conducted by Edward Gardner. Directed by Richard Jones. Libretto by Lee Hall.
(Opening 11-02-2025)
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Aida review - parades and totalitarianism rather than pyramids and triumphal marches
Robert Carsen's abstract 2022 production of Verdi's controversial opera has no trace of its Egyptian setting which brings a schism between staging and score.
A scene from Aida by Giuseppe Verdi at the ROH. A Royal Ballet and Opera Production. Directed by Robert Carsen. Conducted by Daniel Oren.
(Opening 28-01-2025)
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DUKAS_180452195_EYE
Aida review - parades and totalitarianism rather than pyramids and triumphal marches
Robert Carsen's abstract 2022 production of Verdi's controversial opera has no trace of its Egyptian setting which brings a schism between staging and score.
Anna Pirozzi (Aida) and Raehann Bryce-Davis (Amneris) in Aida by Giuseppe Verdi at the ROH. A Royal Ballet and Opera Production. Directed by Robert Carsen. Conducted by Daniel Oren.
(Opening 28-01-2025)
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Tosca review - Bryn Terfel's lustful Scarpia returns to intimidate and compel
Natalya Romaniw brings vulnerability and depth to Tosca and, in the pit, Eun Sun Kim conducts with subtlety and delicacy in this revival of Jonathan Kent's staging.
Natalya Romaniw (Tosca) and Bryn Terfel (Baron Scarpia) in Tosca by Giacomo Puccini at the ROH. A Royal Ballet and Opera Production. Conductor, Eun Sun Kim. Directed by Jonathan Kent.
(Opening 26-11-2024)
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Tosca review - Bryn Terfel's lustful Scarpia returns to intimidate and compel
Natalya Romaniw brings vulnerability and depth to Tosca and, in the pit, Eun Sun Kim conducts with subtlety and delicacy in this revival of Jonathan Kent's staging.
Natalya Romaniw (Tosca) and Bryn Terfel (Baron Scarpia) in Tosca by Giacomo Puccini at the ROH. A Royal Ballet and Opera Production. Conductor, Eun Sun Kim. Directed by Jonathan Kent.
(Opening 26-11-2024)
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DUKAS_178303201_EYE
Tosca review - Bryn Terfel's lustful Scarpia returns to intimidate and compel
Natalya Romaniw brings vulnerability and depth to Tosca and, in the pit, Eun Sun Kim conducts with subtlety and delicacy in this revival of Jonathan Kent's staging.
Bryn Terfel (Baron Scarpia) in Tosca by Giacomo Puccini at the ROH. A Royal Ballet and Opera Production. Conductor, Eun Sun Kim. Directed by Jonathan Kent.
(Opening 26-11-2024)
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Trouble in Tahiti/A Quiet Place review - strong performances but Bernstein’s uneven pairing makes for a long evening
Henry Neill and Wallis Giunta captivate as the miserable married couple of Bernstein’s unsettling 1952 opera, but even clear orchestration, sumptuous vocals and compelling acting can’t make the later A Quiet Place a convincing work.
Rowan Pierce (Dede), top and Henry Neill (Junior) in A Quiet Place from Trouble in Tahiti + A Quiet Place by Leonard Bernstein at the Linbury Theatre, ROH. Directed by Oliver Mears. Conducted by Nicholas Chalmers
(Press Night 10-10-2024)
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DUKAS_176547360_EYE
Trouble in Tahiti/A Quiet Place review - strong performances but Bernstein’s uneven pairing makes for a long evening
Henry Neill and Wallis Giunta captivate as the miserable married couple of Bernstein’s unsettling 1952 opera, but even clear orchestration, sumptuous vocals and compelling acting can’t make the later A Quiet Place a convincing work.
Rowan Pierce (Dede) and Henry Neill (Junior) in A Quiet Place from Trouble in Tahiti + A Quiet Place by Leonard Bernstein at the Linbury Theatre, ROH. Directed by Oliver Mears. Conducted by Nicholas Chalmers
(Press Night 10-10-2024)
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Fidelio review - Kratzer's iconoclastic take turns Beethoven into something it's not
Directorial tweaks weaken the opera's fervour and idealism, but Jennifer Davis's Leonore and Chrstina Gansch's Marzelline both impressed and in the pit, Alexander Soddy keeps things brisk.
Jochen Schmeckenbecher (Don Pizarro), Jennifer Davis (Leonore/Fidelio) and Eric Cutler (Florestan) in Fidelio by Ludwig van Beethoven at the Royal Ballet And Opera, ROH. Directed by Tobias Kratzer. Conductor, Alexander Soddy.
(Press Night 09-10-2024)
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DUKAS_176144968_EYE
Fidelio review - Kratzer's iconoclastic take turns Beethoven into something it's not
Directorial tweaks weaken the opera's fervour and idealism, but Jennifer Davis's Leonore and Chrstina Gansch's Marzelline both impressed and in the pit, Alexander Soddy keeps things brisk.
Peter Rose (Rocco) and Christina Gansch (Marzelline) in Fidelio by Ludwig van Beethoven at the Royal Ballet And Opera, ROH. Directed by Tobias Kratzer. Conductor, Alexander Soddy.
(Press Night 09-10-2024)
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Eugene Onegin : Tchaikovsky, unrequited love and me
Tormented by a sexuality he could never openly express, the composer poured his anguish into his opera Eugene Onegin. As a new production hits the stage, its director reveals why it speaks to his own impossible romance
Kristina Mkhitaryan (Tatyana), Gordon Bintner (Eugene Onegin),
Liparit Avetisyan (Lensky) in Eugene Onegin by Tchaikovsky. A Royal Ballet & Opera production at the ROH. Directed by Ted Huffman. Conducted by Henrik N‡n‡si.
(Press night 24-09-2024)
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The Winter's Tale - Royal Ballet’s powerful war of the worlds
Christopher Wheeldon strips Shakespeare's play of distractions in this boldly choreographed, nuanced masterpiece.
Joseph Sissens (Florizel) and Viola Pantuso (Perdita) in The Winter's Tale by Christopher Wheeldon and The Royal Ballet at the ROH.
(Opening 03-05-2024)
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The Winter's Tale - Royal Ballet’s powerful war of the worlds
Christopher Wheeldon strips Shakespeare's play of distractions in this boldly choreographed, nuanced masterpiece.
Joseph Sissens (Florizel) and Viola Pantuso (Perdita) in The Winter's Tale by Christopher Wheeldon and The Royal Ballet at the ROH.
(Opening 03-05-2024)
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Swan Lake; Danses Concertantes/Different Drummer/Requiem - review
The Royal Ballet's long-running and rather cumbersome Swan Lake is elevated by the dancers' artistry, while a fine Kenneth MacMillan triple bill deserves more performances.
Marianela Nunez (Odette/Odile) and Vadim Muntagirov (Prince Siegfried) in Swan Lake by The Royal Ballet at the Royal Opera House.
(Opening 06-03-2024)
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Manon review - the Royal Ballet brings beauty to sordid snake pits of Paris.
Kenneth MacMillan's journey into a world of darkness is performed with consummate craft by a superb company.
Marcelino Sambe (Des Grieux) and Francesca Hayward (Manon) in Manon by The Royal Ballet at the Royal Opera House.
(Opening 17-01-2024)
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Manon review - the Royal Ballet brings beauty to sordid snake pits of Paris.
Kenneth MacMillan's journey into a world of darkness is performed with consummate craft by a superb company.
Gary Avis (Monsieur G.M.) and Francesca Hayward (Manon) in Manon by The Royal Ballet at the Royal Opera House.
(Opening 17-01-2024)
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The Nutcracker by The Royal Ballet at The Royal Opera House
A scene from The Nutcracker by The Royal Ballet at The Royal Opera House.
(Opening 06-12-2023)
©Tristram Kenton 12-23
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Jephtha review - Clayton is magnificent as a wide-eyed zealot
Oliver Mears's powerful but flawed staging of Handel's biblical oratorio boasts very fine singing and performances, with Jennifer France's Iphis and Allan Clayton's Jephtha standouts.
Allan Clayton (Jephtha) and Jennifer France (Iphis) in Jephtha by Handel at the Royal Opera House. Directed by Oliver Mears. Conducted by Laurence Cummings.
(Opening 08-11-2023)
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Jephtha review - Clayton is magnificent as a wide-eyed zealot
Oliver Mears's powerful but flawed staging of Handel's biblical oratorio boasts very fine singing and performances, with Jennifer France's Iphis and Allan Clayton's Jephtha standouts.
Alice Coote (Storgë), Jennifer France (Iphis) and Cameron Shahbazi (Hamor) in Jephtha by Handel at the Royal Opera House. Directed by Oliver Mears. Conducted by Laurence Cummings.
(Opening 08-11-2023)
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Jephtha review - Clayton is magnificent as a wide-eyed zealot
Oliver Mears's powerful but flawed staging of Handel's biblical oratorio boasts very fine singing and performances, with Jennifer France's Iphis and Allan Clayton's Jephtha standouts.
Allan Clayton (Jephtha) in Jephtha by Handel at the Royal Opera House. Directed by Oliver Mears. Conducted by Laurence Cummings.
(Opening 08-11-2023)
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Jephtha review - Clayton is magnificent as a wide-eyed zealot
Oliver Mears's powerful but flawed staging of Handel's biblical oratorio boasts very fine singing and performances, with Jennifer France's Iphis and Allan Clayton's Jephtha standouts.
A scene from Jephtha by Handel at the Royal Opera House. Directed by Oliver Mears. Conducted by Laurence Cummings.
(Opening 08-11-2023)
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DUKAS_163216190_EYE
Jephtha review - Clayton is magnificent as a wide-eyed zealot
Oliver MearsÕs powerful but flawed staging of HandelÕs biblical oratorio boasts very fine singing and performances, with Jennifer FranceÕs Iphis and Allan ClaytonÕs Jephtha standouts.
A scene from Jephtha by Handel at the Royal Opera House. Directed by Oliver Mears. Conducted by Laurence Cummings.
(Opening 08-11-2023)
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DUKAS_162258924_EYE
The Cellist; The Limit review - a tale of two Royal Ballet dramas
Lauren Cuthbertson and Marcelino Sambe reprise their roles to glorious effect in Cathy Marston’s inspired paean to Jacqueline du Pre, while an adaptation of Sam Steiner’s hit play Lemons... feels squeezed.
Lauren Cuthbertson (Jacqueline du PrÈ), Marcelino SambÈ (The Instrument) in The Cellist by Cathy Marston part of the double bill, Anemoi/The Cellist by The Royal Ballet at the Royal Opera House.
(Opening 20-10-2023)
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The Cellist; The Limit review - a tale of two Royal Ballet dramas
Lauren Cuthbertson and Marcelino Sambe reprise their roles to glorious effect in Cathy Marston’s inspired paean to Jacqueline du Pre, while an adaptation of Sam Steiner’s hit play Lemons... feels squeezed.
Lauren Cuthbertson (Jacqueline du PrÈ), Marcelino SambÈ (The Instrument) in The Cellist by Cathy Marston part of the double bill, Anemoi/The Cellist by The Royal Ballet at the Royal Opera House.
(Opening 20-10-2023)
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Jewels by The Australian Ballet at the Royal Opera House
Joseph Caley and Benedicte Bemet in Diamonds from Jewels by The Australian Ballet @ Royal Opera House.
(Opening Night 02-08-2023)
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Jewels by The Australian Ballet at the Royal Opera House
Brett Chynoweth and Ako Kondo in Rubies from Jewels by The Australian Ballet @ Royal Opera House.
(Opening Night 02-08-2023)
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Jewels by The Australian Ballet at the Royal Opera House
A scene from Emeralds from Jewels by The Australian Ballet @ Royal Opera House.
(Opening Night 02-08-2023)
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Carlos At 50
Carlos Acosta in Tocororo, chroeographed by Carlos Acosta from Carlos At 50 @ Royal Opera House. Carlos Acosta returns to the Royal Opera House this summer to celebrate his 50th Birthday.
(Opening Night 26-07-2023)
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Carlos At 50
Carlos Acosta and Laura Rodriguez in Mermaid, choreographed by Sidi Larbi Cherkaoui from Carlos At 50 @ Royal Opera House. Carlos Acosta returns to the Royal Opera House this summer to celebrate his 50th Birthday.
(Opening Night 26-07-2023)
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Carlos At 50
Carlos Acosta in Manon pas de deux, choreographed by Kenneth MacMillan from Carlos At 50 @ Royal Opera House. Carlos Acosta returns to the Royal Opera House this summer to celebrate his 50th Birthday.
(Opening Night 26-07-2023)
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Carlos At 50
Brandon Lawrence in Liebestod from Carlos At 50 @ Royal Opera House. Carlos Acosta returns to the Royal Opera House this summer to celebrate his 50th Birthday.
(Opening Night 26-07-2023)
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Carlos At 50
Marianela NuÒez, Celine Gittens, Lucy Waine and Carlos Acosta in Apollo from Carlos At 50 @ Royal Opera House. Carlos Acosta returns to the Royal Opera House this summer to celebrate his 50th Birthday.
(Opening Night 26-07-2023)
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Carlos At 50
Carlos Acosta in Apollo from Carlos At 50 @ Royal Opera House. Carlos Acosta returns to the Royal Opera House this summer to celebrate his 50th Birthday.
(Opening Night 26-07-2023)
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Royal Ballet triple bill review - McGregor and Wheeldon at the top of their game
Wayne McGregor's incisive new ballet conjures the very brushstrokes of the late Carmen Herrera; Bernstein meets Les Sylphides in a muscular Christopher Wheeldon revival; and Laura Morera bows out in style.
A scene from Untitled, 2023 by Wayne McGregor and The Royal Ballet at the Royal Opera House.
(Opening 09-06-2023)
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Royal Ballet triple bill review – a fascinatingly icy Wayne McGregor premiere. Untitled.
Laura Morera takes her final bow as Anastasia in a night that also includes Christopher WheeldonÕs winningly athletic Olympian ballet and McGregorÕs Untitled, 2023.
Melissa Hamilton and Harris Bell in Untitled, 2023 by Wayne McGregor and The Royal Ballet at the Royal Opera House.
(Opening 09-06-2023)
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Wozzeck review - Gerhaher's victim shuffles towards disaster in nuanced staging
Deborah Warner's focused and vivid new production avoids caricature, and, with superb singing and Antonio Pappano's conducting, drama and music dovetail perfectly.
Christian Gerhaher (Wozzeck) and Anja Kampe (Marie) in Wozzeck by Alban Berg at the Royal Opera House. Directed by Deborah Warner. Conducted by Antonio Pappano.
(Opening 19-05-2023)
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