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DUKAS_183371809_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371866_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371808_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371864_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371845_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371862_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371807_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Vamp, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371844_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Washing, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371843_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Stack, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371860_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Stack, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371805_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Green Vest, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371806_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Green Vest, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371815_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Green Vest, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371814_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
N.P.Intrigue, 2025
And
The Red Suit, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371813_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
N.P.Intrigue, 2025
And
The Red Suit, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371812_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Red Suit, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371811_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
The Red Suit, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371810_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
N.P.Intrigue, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371804_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Big Strike, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371842_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Big Strike, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371841_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Blue Dish with Lemons, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371840_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Blue Dish with Lemons, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_183371803_EYE
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
David Salle: Some Versions of Pastoral exhibition at Thaddaeus Ropac gallery, London, UK.
9th April 2025
Press Preview & Photo Call
Opens on 10th April 2025
Suspenders, 2025
A significant series of new paintings by the American artist David Salle are unveiled at Thaddaeus Ropac London.
David Salle: Some Versions of Pastoral is the first UK exhibition of the acclaimed American artist's latest body of work. These paintings are the result of a striking recent innovation in Salle’s art: his use of artificial intelligence as a tool to create more dynamic and conceptually rich compositions than ever before.
Salle uses artificial intelligence as a tool to create dynamic remixes of his earlier Pastoral paintings (1999-2000), which become the backdrop onto which he paints. In these distorted, illogical, sometimes hilarious compositions, a cast of mostly headless models, upside-down torsos and precariously stacked teacups float in kaleidoscopic effects, and plaid skirts are like threadbare nets, cast wide over a sea of swarming images. Salle renders some motifs with a masterful degree of virtuosity, while others are left unfinished and tapering, in reciprocity with the printed image.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_168808995_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Caryatid Cavalcade I / ROCI
Chile, 1985
Silkscreen ink, acrylic and graphite on canvas
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808994_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Caryatid Cavalcade I / ROCI
Chile, 1985
Silkscreen ink, acrylic and graphite on canvas
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808963_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Caryatid Cavalcade I / ROCI
Chile, 1985
Silkscreen ink, acrylic and graphite on canvas
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808974_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Caryatid Cavalcade I / ROCI
Chile, 1985
Silkscreen ink, acrylic and graphite on canvas
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808973_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Caryatid Cavalcade I / ROCI
Chile, 1985
Silkscreen ink, acrylic and graphite on canvas
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808984_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Caryatid Cavalcade I / ROCI
Chile, 1985
Silkscreen ink, acrylic and graphite on canvas
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808983_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Level Revel / ROCI USA (Wax Fire Works), 1990
Silkscreen ink and fire wax on mirrored aluminium
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808982_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Level Revel / ROCI USA (Wax Fire Works), 1990
Silkscreen ink and fire wax on mirrored aluminium
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808972_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Level Revel / ROCI USA (Wax Fire Works), 1990
Silkscreen ink and fire wax on mirrored aluminium
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808981_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Level Revel / ROCI USA (Wax Fire Works), 1990
Silkscreen ink and fire wax on mirrored aluminium
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808980_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Level Revel / ROCI USA (Wax Fire Works), 1990
Silkscreen ink and fire wax on mirrored aluminium
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808979_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Level Revel / ROCI USA (Wax Fire Works), 1990
Silkscreen ink and fire wax on mirrored aluminium
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808978_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Level Revel / ROCI USA (Wax Fire Works), 1990
Silkscreen ink and fire wax on mirrored aluminium
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808976_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Iban Pak Tanah (Iban Landmark) ROCI Malaysia 1990
Silkscreen ink and acrylic on tin plated steel
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808971_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Red Sunday (Domingo Rojo ROCI Cuba, 1988
silkscreen ink & enamel on galvanised steel
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808991_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Rudy’s House ROCI Venezuela, 1985
Acrylic, silkscreen ink, plexiglas mirror and metal on plywood
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808970_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Narcissus’ Father / ROCI TIBET , 1985
Assembled metal objects
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808993_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Narcissus’ Father / ROCI TIBET , 1985
Assembled metal objects
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808969_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Narcissus’ Father / ROCI TIBET , 1985
Assembled metal objects
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808977_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Onoto Snare / ROCI Venezuela, 1985
Silkscreen ink acrylic and graphite on canvas with object
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808992_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808989_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Night Post /ROCI Mexico, 1985
Acrylic, fabric, and tape on galvanised steel.
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808990_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Night Post /ROCI Mexico, 1985
Acrylic, fabric, and tape on galvanised steel.
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808962_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Night Post /ROCI Mexico, 1985
Acrylic, fabric, and tape on galvanised steel.
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808968_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Night Post /ROCI Mexico, 1985
Acrylic, fabric, and tape on galvanised steel.
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_168808975_EYE
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
Robert Rauschenberg ROCI exhibition at Thaddaeus Ropac gallery, London, UK.
23rd April 2024.
Press Preview & Photo Call
Night Post /ROCI Mexico, 1985
Acrylic, fabric, and tape on galvanised steel.
The exhibition encompasses canvases, sculptures, cardboard works, neon light, photogravures and textiles, as well as an example of Rauschenberg’s earliest metal paintings.
Between 1984 and 1991 Robert Rauschenberg undertook a monumental cultural exchange programme to foster mutual understanding between different cultures through artistic expression. The Rauschenberg Overseas Culture Interchange (ROCI) foregrounds his conviction in art as a force for positive social change, along with the role of travel as a key catalyst for his characteristically experimental approach to materials and techniques.
Presenting works directly from the Robert Rauschenberg Foundation, this is the first gallery survey to span the entirety of the project since its conclusion in 1991. The ROCI works, many of which are also shown publicly for the first time since the project ended, are contextualised with archival materials. A selection of the artist’s black-and-white photographs, taken as source material during his travels and used for the silkscreen images in the ROCI works, are also included. Together, these elements offer an unprecedented overview of one of the most ambitious and wide-reaching artistic interchanges of the late-20th century.
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_166191031_EYE
Erwin Wurm, Surrogates sculpture exhibition opens at Thaddaeus Ropac gallery, London, UK.
Press Preview of Erwin Wurm, Surrogates sculpture exhibition opens at Thaddaeus Ropac gallery, London, UK.
15th February 2024.
Orange Step Small, (Substitutes), 2024
Aluminium, acrylic paint
An exhibition of new sculptures by Erwin Wurm, Surrogates presents three series of work for the first time: Paradise, Mind Bubbles and Dreamers, alongside key developments in his iconic One Minute Sculptures.
Across the exhibition, the familiar is rendered unfamiliar through Wurm's signature playful treatment of sculpture, reconfiguring the relationship between subject and object. A woman's high-heeled shoe distorted almost beyond recognition and hollow aluminum garments curiously absent of a body highlight the particular social values ascribed to what an individual chooses to wear, becoming 'substitutes' or 'surrogates' for the human body itself.
On view concurrently with the artist’s major institutional survey at Yorkshire Sculpture Park, Wakefield.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
