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DUKAS_137794732_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794731_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794737_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794733_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794727_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794728_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794734_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794730_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794735_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794729_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794736_EYE
Venice Biennale: women outnumber male artists in main halls for first time
Cecilia Alemani, artistic director of the Venice Biennale 2022.
Of the more than 200 artists the curator Cecilia Alemani is showing in her huge main exhibition, the vast majority are women. One of her venues, the international pavilion of the Giardini, contains no male artists at all, only women and a small number of non-binary and transgender artists.
The Italian, US-based curator said: I have always worked with many women artists – and I think some of the most talented artists working today are women.
Cecilia Alemani, Artistic Director of Venice Biennale 2022, The Milk of Dreams. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794170_EYE
Deep dive (pause) uncoiling memory, by Alberta Whittle
Barbadian-Scottish artist Alberta Whittles exhibition in the Scottish pavilion spans film, sculpture, and tapestry, and is an opportunity for all who enter to confront the tough realities of police brutality, colonisation, gender and race politics and climate change. In presenting us with these uncomfortable truths, deep dive (pause) uncoiling memory seeks to enable restorative justice and self-healing.
Artist Alberta Whittle, representing Scotland with project 'deep dive (pause) uncoiling memory' at Venice Biennale 2022. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794169_EYE
Deep dive (pause) uncoiling memory, by Alberta Whittle
Barbadian-Scottish artist Alberta Whittles exhibition in the Scottish pavilion spans film, sculpture, and tapestry, and is an opportunity for all who enter to confront the tough realities of police brutality, colonisation, gender and race politics and climate change. In presenting us with these uncomfortable truths, deep dive (pause) uncoiling memory seeks to enable restorative justice and self-healing.
Artist Alberta Whittle, representing Scotland with project 'deep dive (pause) uncoiling memory' at Venice Biennale 2022. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794172_EYE
Deep dive (pause) uncoiling memory, by Alberta Whittle
Barbadian-Scottish artist Alberta Whittles exhibition in the Scottish pavilion spans film, sculpture, and tapestry, and is an opportunity for all who enter to confront the tough realities of police brutality, colonisation, gender and race politics and climate change. In presenting us with these uncomfortable truths, deep dive (pause) uncoiling memory seeks to enable restorative justice and self-healing.
Artist Alberta Whittle, representing Scotland with project 'deep dive (pause) uncoiling memory' at Venice Biennale 2022. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794173_EYE
Deep dive (pause) uncoiling memory, by Alberta Whittle
Barbadian-Scottish artist Alberta Whittles exhibition in the Scottish pavilion spans film, sculpture, and tapestry, and is an opportunity for all who enter to confront the tough realities of police brutality, colonisation, gender and race politics and climate change. In presenting us with these uncomfortable truths, deep dive (pause) uncoiling memory seeks to enable restorative justice and self-healing.
Artist Alberta Whittle, representing Scotland with project 'deep dive (pause) uncoiling memory' at Venice Biennale 2022. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794174_EYE
Deep dive (pause) uncoiling memory, by Alberta Whittle
Barbadian-Scottish artist Alberta Whittles exhibition in the Scottish pavilion spans film, sculpture, and tapestry, and is an opportunity for all who enter to confront the tough realities of police brutality, colonisation, gender and race politics and climate change. In presenting us with these uncomfortable truths, deep dive (pause) uncoiling memory seeks to enable restorative justice and self-healing.
Artist Alberta Whittle, representing Scotland with project 'deep dive (pause) uncoiling memory' at Venice Biennale 2022. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137794171_EYE
Deep dive (pause) uncoiling memory, by Alberta Whittle
Barbadian-Scottish artist Alberta Whittles exhibition in the Scottish pavilion spans film, sculpture, and tapestry, and is an opportunity for all who enter to confront the tough realities of police brutality, colonisation, gender and race politics and climate change. In presenting us with these uncomfortable truths, deep dive (pause) uncoiling memory seeks to enable restorative justice and self-healing.
Artist Alberta Whittle, representing Scotland with project 'deep dive (pause) uncoiling memory' at Venice Biennale 2022. Venice, Italy.
Photographed on 21st April22.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884764_EYE
Adina Pintilie at Venice Biennale 2022.
Actors Hannah Hofmann, Laura Benson, Hermann Mu?ller, and artist and director Adina Pintilie, representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884761_EYE
Adina Pintilie at Venice Biennale 2022.
Actors Hannah Hofmann, Laura Benson, Hermann Mu?ller, and artist and director Adina Pintilie, representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884768_EYE
Adina Pintilie at Venice Biennale 2022.
Actors Hannah Hofmann, Laura Benson, Hermann Mu?ller, and artist and director Adina Pintilie, representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884757_EYE
Adina Pintilie at Venice Biennale 2022.
Adina Pintilie, Artist and Filmmaker representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884758_EYE
Adina Pintilie at Venice Biennale 2022.
Adina Pintilie, Artist and Filmmaker representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884765_EYE
Adina Pintilie at Venice Biennale 2022.
Adina Pintilie, Artist and Filmmaker representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884767_EYE
Adina Pintilie at Venice Biennale 2022.
Adina Pintilie, Artist and Filmmaker representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884766_EYE
Adina Pintilie at Venice Biennale 2022.
Adina Pintilie, Artist and Filmmaker representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884763_EYE
Adina Pintilie at Venice Biennale 2022.
Adina Pintilie, Artist and Filmmaker representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137884760_EYE
Adina Pintilie at Venice Biennale 2022.
Adina Pintilie, Artist and Filmmaker representing Romania with project 'You Are Another Me - A Cathedral of the Body, at the Venice Biennale 2022. Venice, Italy.Photographed on 20th April 2022.
Adina Pintilie is a Romanian film director and screenwriter.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUK10149191_014
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427i)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_013
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427f)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist (devised in Oxford by Aidan Meller, pictured with her) - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_012
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427d)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_011
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427b)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_010
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427r)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_009
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427q)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_008
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427k)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_007
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427j)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_006
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427u)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_005
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427x)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_004
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427n)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_003
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427v)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_002
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427m)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUK10149191_001
FEATURE - Biennale Venedig: Ai-Da Robot, ultrarealistischer humanoider Roboterkünstler
Mandatory Credit: Photo by Guy Bell/Shutterstock (12900427o)
Leaping into the Metaverse by Ai-Da Robot, the world's first ultra-realistic humanoid robot artist - a contemporary art exhibition in Venice's Giardini area during the 59th International Art Exhibition - La Biennale di Venezia. Robot artworks have been exhibited during La Biennale di Venezia in previous years, but this marks the first time humanoid robot artist presents a solo exhibition of their artworks. The exhibition is at the Concilio Europeo Dell'Arte venue, InParadiso Gallery. Presented over five spaces, the exhibition explores 'the interface between human experience and AI technology, from Alan Turing to the Metaverse, and will draw on Dante's concepts of Purgatory and Hell to explore the future of humanity.'
Leaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
(c) Dukas -
DUKAS_137798270_EYE
Venice in Vantablack: Anish Kapoor’s disappearing act
Anish Kapoor at the Accademia in Venice, which is hosting a major exhibition of his works.
The artist learned of the technology that absorbs nearly all visible light in the Guardian. As two shows featuring it open, he talks of a stupid spat, his new foundation and dismay with England.
White Sand, Red Millet, Many Flowers (1982) by Anish Kapoor - housed at the historic Palazzo Manfrin in the Cannaregio district. Venice, Italy.
Photographed on 18th April 2022.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137798263_EYE
Venice in Vantablack: Anish Kapoor’s disappearing act
Anish Kapoor at the Accademia in Venice, which is hosting a major exhibition of his works.
The artist learned of the technology that absorbs nearly all visible light in the Guardian. As two shows featuring it open, he talks of a stupid spat, his new foundation and dismay with England.
Vertigo (2006) by Anish Kapoor - housed in the historic Palazzo Manfrin in the Cannaregio district, houses a presentation of major large-scale works by Anish Kapoor. Venice, Italy.
Photographed on 18th April 2022.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137798334_EYE
Venice in Vantablack: Anish Kapoor’s disappearing act
Anish Kapoor at the Accademia in Venice, which is hosting a major exhibition of his works.
The artist learned of the technology that absorbs nearly all visible light in the Guardian. As two shows featuring it open, he talks of a stupid spat, his new foundation and dismay with England.
Untitled (2021) by Anish Kapoor - housed in the historic Palazzo Manfrin in the Cannaregio district, Venice, Italy.
Photographed on 18th April 2022.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137798330_EYE
Venice in Vantablack: Anish Kapoor’s disappearing act
Anish Kapoor at the Accademia in Venice, which is hosting a major exhibition of his works.
The artist learned of the technology that absorbs nearly all visible light in the Guardian. As two shows featuring it open, he talks of a stupid spat, his new foundation and dismay with England.
Mirror Mirror (2017) by Anish Kapoor - housed in the historic Palazzo Manfrin in the Cannaregio district, Venice, Italy.
Photographed on 18th April 2022.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137798261_EYE
Venice in Vantablack: Anish Kapoor’s disappearing act
Anish Kapoor at the Accademia in Venice, which is hosting a major exhibition of his works.
The artist learned of the technology that absorbs nearly all visible light in the Guardian. As two shows featuring it open, he talks of a stupid spat, his new foundation and dismay with England.
Painting Painting (2021) by Anish Kapoor - housed in the historic Palazzo Manfrin in the Cannaregio district, Venice, Italy.
Photographed on 18th April 2022.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137798310_EYE
Venice in Vantablack: Anish Kapoor’s disappearing act
Anish Kapoor at the Accademia in Venice, which is hosting a major exhibition of his works.
The artist learned of the technology that absorbs nearly all visible light in the Guardian. As two shows featuring it open, he talks of a stupid spat, his new foundation and dismay with England.
Sky Below (2022) and Mirror Mirror (2017), by Anish Kapoor - housed in the historic Palazzo Manfrin in the Cannaregio district, Venice, Italy.
Photographed on 18th April 2022.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137798315_EYE
Venice in Vantablack: Anish Kapoor’s disappearing act
Anish Kapoor at the Accademia in Venice, which is hosting a major exhibition of his works.
The artist learned of the technology that absorbs nearly all visible light in the Guardian. As two shows featuring it open, he talks of a stupid spat, his new foundation and dismay with England.
Sacrifice (2019) by Anish Kapoor - housed in the historic Palazzo Manfrin in the Cannaregio district, Venice, Italy.
Photographed on 18th April 2022.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137798262_EYE
Venice in Vantablack: Anish Kapoor’s disappearing act
Anish Kapoor at the Accademia in Venice, which is hosting a major exhibition of his works.
The artist learned of the technology that absorbs nearly all visible light in the Guardian. As two shows featuring it open, he talks of a stupid spat, his new foundation and dismay with England.
Three (1990), by Anish Kapoor - housed in the historic Palazzo Manfrin in the Cannaregio district, Venice, Italy.
Photographed on 18th April 2022.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_137798350_EYE
Venice in Vantablack: Anish Kapoor’s disappearing act
Anish Kapoor at the Accademia in Venice, which is hosting a major exhibition of his works.
The artist learned of the technology that absorbs nearly all visible light in the Guardian. As two shows featuring it open, he talks of a stupid spat, his new foundation and dismay with England.
Split in Two Like a Fish for Drying (2022) by Anish Kapoor - housed in the historic Palazzo Manfrin in the Cannaregio district, Venice, Italy.
Photographed on 18th April 2022.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
