Your search:
135 result(s) in 0.36 s
-
DUKAS_182521020_NUR
Student Life In Budapest
The campus map of Moholy-Nagy University of Art and Design in Budapest, Hungary, on May 19, 2023, shows that the university offers programs in art, architecture, design, and visual communication. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_182520757_NUR
Student Life In Budapest
Students relax on a grassy rooftop at the Moholy-Nagy University of Art and Design in Budapest, Hungary, on May 19, 2023. The reflective windows of the building capture scenes of other students sitting on nearby steps, creating a layered visual effect. The university offers programs in art, architecture, design, and visual communication. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_182521250_NUR
Student Life In Budapest
Moholy-Nagy University of Art and Design in Budapest, Hungary, on May 19, 2023, offers programs in art, architecture, design, and visual communication. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_182521249_NUR
Student Life In Budapest
The entrance of Moholy-Nagy University of Art and Design is in Budapest, Hungary, on May 19, 2023. The university offers programs in art, architecture, design, and visual communication. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_182521239_NUR
Student Life In Budapest
The logo of Moholy-Nagy University of Art and Design is in Budapest, Hungary, on May 19, 2023. The university offers programs in art, architecture, design, and visual communication. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_182521207_NUR
Student Life In Budapest
Students relax on a grassy rooftop at the Moholy-Nagy University of Art and Design in Budapest, Hungary, on May 19, 2023. The reflective windows of the building capture scenes of other students sitting on nearby steps, creating a layered visual effect. The university offers programs in art, architecture, design, and visual communication. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_182521206_NUR
Student Life In Budapest
A student is at Moholy-Nagy University of Art and Design in Budapest, Hungary, on May 19, 2023. The university offers programs in art, architecture, design, and visual communication. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_182521026_NUR
Student Life In Budapest
Moholy-Nagy University of Art and Design in Budapest, Hungary, on May 19, 2023, offers programs in art, architecture, design, and visual communication. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_132541827_EYE
Turner prize winners Array Collective
Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541811_EYE
Turner prize winners Array Collective
Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541828_EYE
Turner prize winners Array Collective
Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541820_EYE
Turner prize winners Array Collective
Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541822_EYE
Turner prize winners Array Collective
Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541812_EYE
Turner prize winners Array Collective
Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541825_EYE
Turner prize winners Array Collective
Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541826_EYE
Turner prize winners Array Collective
Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541829_EYE
Turner prize winners Array Collective
Detail- Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541818_EYE
Turner prize winners Array Collective
Detail- Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541819_EYE
Turner prize winners Array Collective
Detail- Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541815_EYE
Turner prize winners Array Collective
Detail- Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541816_EYE
Turner prize winners Array Collective
A well earned rest for one of the Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541821_EYE
Turner prize winners Array Collective
Detail-Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_132541817_EYE
Turner prize winners Array Collective
Detail-Turner prize winners Array Collective, a group of activist artists from Belfast, at Herbert Gallery, Coventry, 2nd December 2021.
© John Robertson / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738789_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Gentle/Radical. The Turner Prize 2021 Exhibition. The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Gentle/Radical was established in 2017 as a collaborative cultural project based in Cardiff’s Riverside neighbourhood. It comprises community activists, conflict resolution trainers, faith ministers, equalities practitioners, youth workers, land workers, writers and artists. They organise community film screenings, grassroots symposia, performative works, talks and gatherings that bring people together. Their aim to rethink how we live with each other in more equitable ways.
In this exhibition they explore how networks of care and comradeship – often overlooked in working cultures that privilege outputs and results – enable us to face the turbulent present, whilst imagining other futures.
A series of filmed works share slices of their ongoing conversations exploring personal and collective agency in the face of external forces: How do we raise children beyond the nuclear family? How do we hold spaces for grief and loss amidst constant demands to remain productive? How do the multiplicities of diaspora show up amongst us?
A second work shows them coming together to sing Welsh Gorsedd bardic prayers, written in the 18th century as a reimagining of a Welsh culture lost to colonialism. Gentle/Radical are less interested in the polished outcomes of performance than in the act of learning together, giving collective voice to a spiritual knowledge grounded in the pursuit of justice.
Finally, a third element of the presentation takes the form of notes from an emergent curriculum comprising their ideas and those of others. Exploratory, messy and evolving, these offer points of departure into different ways of working and living.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKA
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738887_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Gentle/Radical. The Turner Prize 2021 Exhibition. The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Gentle/Radical was established in 2017 as a collaborative cultural project based in Cardiff’s Riverside neighbourhood. It comprises community activists, conflict resolution trainers, faith ministers, equalities practitioners, youth workers, land workers, writers and artists. They organise community film screenings, grassroots symposia, performative works, talks and gatherings that bring people together. Their aim to rethink how we live with each other in more equitable ways.
In this exhibition they explore how networks of care and comradeship – often overlooked in working cultures that privilege outputs and results – enable us to face the turbulent present, whilst imagining other futures.
A series of filmed works share slices of their ongoing conversations exploring personal and collective agency in the face of external forces: How do we raise children beyond the nuclear family? How do we hold spaces for grief and loss amidst constant demands to remain productive? How do the multiplicities of diaspora show up amongst us?
A second work shows them coming together to sing Welsh Gorsedd bardic prayers, written in the 18th century as a reimagining of a Welsh culture lost to colonialism. Gentle/Radical are less interested in the polished outcomes of performance than in the act of learning together, giving collective voice to a spiritual knowledge grounded in the pursuit of justice.
Finally, a third element of the presentation takes the form of notes from an emergent curriculum comprising their ideas and those of others. Exploratory, messy and evolving, these offer points of departure into different ways of working and living.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKA
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738522_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Gentle/Radical. The Turner Prize 2021 Exhibition. The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Gentle/Radical was established in 2017 as a collaborative cultural project based in Cardiff’s Riverside neighbourhood. It comprises community activists, conflict resolution trainers, faith ministers, equalities practitioners, youth workers, land workers, writers and artists. They organise community film screenings, grassroots symposia, performative works, talks and gatherings that bring people together. Their aim to rethink how we live with each other in more equitable ways.
In this exhibition they explore how networks of care and comradeship – often overlooked in working cultures that privilege outputs and results – enable us to face the turbulent present, whilst imagining other futures.
A series of filmed works share slices of their ongoing conversations exploring personal and collective agency in the face of external forces: How do we raise children beyond the nuclear family? How do we hold spaces for grief and loss amidst constant demands to remain productive? How do the multiplicities of diaspora show up amongst us?
A second work shows them coming together to sing Welsh Gorsedd bardic prayers, written in the 18th century as a reimagining of a Welsh culture lost to colonialism. Gentle/Radical are less interested in the polished outcomes of performance than in the act of learning together, giving collective voice to a spiritual knowledge grounded in the pursuit of justice.
Finally, a third element of the presentation takes the form of notes from an emergent curriculum comprising their ideas and those of others. Exploratory, messy and evolving, these offer points of departure into different ways of working and living.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKA
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738696_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Gentle/Radical. The Turner Prize 2021 Exhibition. The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Gentle/Radical was established in 2017 as a collaborative cultural project based in Cardiff’s Riverside neighbourhood. It comprises community activists, conflict resolution trainers, faith ministers, equalities practitioners, youth workers, land workers, writers and artists. They organise community film screenings, grassroots symposia, performative works, talks and gatherings that bring people together. Their aim to rethink how we live with each other in more equitable ways.
In this exhibition they explore how networks of care and comradeship – often overlooked in working cultures that privilege outputs and results – enable us to face the turbulent present, whilst imagining other futures.
A series of filmed works share slices of their ongoing conversations exploring personal and collective agency in the face of external forces: How do we raise children beyond the nuclear family? How do we hold spaces for grief and loss amidst constant demands to remain productive? How do the multiplicities of diaspora show up amongst us?
A second work shows them coming together to sing Welsh Gorsedd bardic prayers, written in the 18th century as a reimagining of a Welsh culture lost to colonialism. Gentle/Radical are less interested in the polished outcomes of performance than in the act of learning together, giving collective voice to a spiritual knowledge grounded in the pursuit of justice.
Finally, a third element of the presentation takes the form of notes from an emergent curriculum comprising their ideas and those of others. Exploratory, messy and evolving, these offer points of departure into different ways of working and living.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKA
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738552_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Gentle/Radical. The Turner Prize 2021 Exhibition. The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Gentle/Radical was established in 2017 as a collaborative cultural project based in Cardiff’s Riverside neighbourhood. It comprises community activists, conflict resolution trainers, faith ministers, equalities practitioners, youth workers, land workers, writers and artists. They organise community film screenings, grassroots symposia, performative works, talks and gatherings that bring people together. Their aim to rethink how we live with each other in more equitable ways.
In this exhibition they explore how networks of care and comradeship – often overlooked in working cultures that privilege outputs and results – enable us to face the turbulent present, whilst imagining other futures.
A series of filmed works share slices of their ongoing conversations exploring personal and collective agency in the face of external forces: How do we raise children beyond the nuclear family? How do we hold spaces for grief and loss amidst constant demands to remain productive? How do the multiplicities of diaspora show up amongst us?
A second work shows them coming together to sing Welsh Gorsedd bardic prayers, written in the 18th century as a reimagining of a Welsh culture lost to colonialism. Gentle/Radical are less interested in the polished outcomes of performance than in the act of learning together, giving collective voice to a spiritual knowledge grounded in the pursuit of justice.
Finally, a third element of the presentation takes the form of notes from an emergent curriculum comprising their ideas and those of others. Exploratory, messy and evolving, these offer points of departure into different ways of working and living.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKA
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738842_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Gentle/Radical. The Turner Prize 2021 Exhibition. The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Gentle/Radical was established in 2017 as a collaborative cultural project based in Cardiff’s Riverside neighbourhood. It comprises community activists, conflict resolution trainers, faith ministers, equalities practitioners, youth workers, land workers, writers and artists. They organise community film screenings, grassroots symposia, performative works, talks and gatherings that bring people together. Their aim to rethink how we live with each other in more equitable ways.
In this exhibition they explore how networks of care and comradeship – often overlooked in working cultures that privilege outputs and results – enable us to face the turbulent present, whilst imagining other futures.
A series of filmed works share slices of their ongoing conversations exploring personal and collective agency in the face of external forces: How do we raise children beyond the nuclear family? How do we hold spaces for grief and loss amidst constant demands to remain productive? How do the multiplicities of diaspora show up amongst us?
A second work shows them coming together to sing Welsh Gorsedd bardic prayers, written in the 18th century as a reimagining of a Welsh culture lost to colonialism. Gentle/Radical are less interested in the polished outcomes of performance than in the act of learning together, giving collective voice to a spiritual knowledge grounded in the pursuit of justice.
Finally, a third element of the presentation takes the form of notes from an emergent curriculum comprising their ideas and those of others. Exploratory, messy and evolving, these offer points of departure into different ways of working and living.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKA
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738606_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Gentle/Radical. The Turner Prize 2021 Exhibition. The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Gentle/Radical was established in 2017 as a collaborative cultural project based in Cardiff’s Riverside neighbourhood. It comprises community activists, conflict resolution trainers, faith ministers, equalities practitioners, youth workers, land workers, writers and artists. They organise community film screenings, grassroots symposia, performative works, talks and gatherings that bring people together. Their aim to rethink how we live with each other in more equitable ways.
In this exhibition they explore how networks of care and comradeship – often overlooked in working cultures that privilege outputs and results – enable us to face the turbulent present, whilst imagining other futures.
A series of filmed works share slices of their ongoing conversations exploring personal and collective agency in the face of external forces: How do we raise children beyond the nuclear family? How do we hold spaces for grief and loss amidst constant demands to remain productive? How do the multiplicities of diaspora show up amongst us?
A second work shows them coming together to sing Welsh Gorsedd bardic prayers, written in the 18th century as a reimagining of a Welsh culture lost to colonialism. Gentle/Radical are less interested in the polished outcomes of performance than in the act of learning together, giving collective voice to a spiritual knowledge grounded in the pursuit of justice.
Finally, a third element of the presentation takes the form of notes from an emergent curriculum comprising their ideas and those of others. Exploratory, messy and evolving, these offer points of departure into different ways of working and living.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKA
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738790_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this imag (FO
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738554_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this imag (FO
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738828_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738670_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738671_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738658_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738561_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738572_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738799_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738639_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738621_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize.
Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21. Array are a collective of artists and activists rooted in Belfast. They create collaborative actions in response to social issues – for example, around language, gender and reproductive rights – affecting themselves, their communities and allies. Array reclaim and question traditional identities associated with Northern Ireland in playful ways that merge performance, protest, ancient mythology, photography, installation and video.
The Druithaib’s Ball, a new work for Turner Prize 2021, has been realised twice over. In Belfast it was a wake for the centenary of Ireland’s partition in the Black Box (grassroots venue), and was attended by semi-mythological druids along with a community of artists and activists wearing hand-made costumes.
At the Herbert, the event has been transformed into an immersive installation. An imagined si?bi?n (a ‘pub without permission’) hosts a film created from the Belfast event, and a TV showing Northern Ireland Screen’s Digital Film Archive. A large canopy styled from banners provides a floating roof. The si?bi?n is approached through a circle of flag poles, that references ancient Irish ceremonial sites and contemporary structures, and is illuminated by a dusk-to-dawn light.
Array invite us into a place of contradictions where trauma, dark humour, frustration and release coexist. It is a place to gather outside the sectarian divides that have dominated the collective memory of the North of Ireland for the last hundred years.
Array have also intervened in the Herbert’s collections, inserting an etching of The Druithaib’s Ball, into Gallery 2.
http://www.arraystudiosbelfast.com/array-collective.html
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738888_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738727_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Salmon: Traces of Escapees by Cooking Sections. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Cooking Sections address the environmental impact of intensive food production. Established in London in 2013 by Daniel Ferna?ndez Pascual and Alon Schwabe, their work uses food as a lens to observe landscapes in transformation, and as a tool for intervention in those very systems of food production and supply. Using site-responsive installation, performance and film, they explore the overlapping boundaries between art, architecture, ecology and geopolitics.
Salmon: Traces of Escapees is an audio and film installation that explores the environmental impact of salmon farms in Scotland. It reveals the gap between common perceptions of farmed salmon as an affordable luxury, and the reality of its mounting environmental costs – with excrement, drugs, synthetic colour and parasites polluting the surrounding waters.
The installation continues Cooking Sections’ questioning of the impact of food habits on climate change, and proposes CLIMAVORE (rather than herbivore or carnivore) as a form of eating that adapts to the climate. Originated and based in the Isle of Skye since 2016, the project works with communities towards ocean regeneration, promoting alternative ingredients which improve water quality and cultivate marine habitats.
Becoming CLIMAVORE is a UK-wide collective action in which museums are replacing farmed salmon with CLIMAVORE alternatives on the menus in their cafe?s and restaurants. A twelve-postcard mosaic has been distributed across participating institutions, where visitors can taste and, in the form of postcards, collect part of the project.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738657_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Salmon: Traces of Escapees by Cooking Sections. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Cooking Sections address the environmental impact of intensive food production. Established in London in 2013 by Daniel Ferna?ndez Pascual and Alon Schwabe, their work uses food as a lens to observe landscapes in transformation, and as a tool for intervention in those very systems of food production and supply. Using site-responsive installation, performance and film, they explore the overlapping boundaries between art, architecture, ecology and geopolitics.
Salmon: Traces of Escapees is an audio and film installation that explores the environmental impact of salmon farms in Scotland. It reveals the gap between common perceptions of farmed salmon as an affordable luxury, and the reality of its mounting environmental costs – with excrement, drugs, synthetic colour and parasites polluting the surrounding waters.
The installation continues Cooking Sections’ questioning of the impact of food habits on climate change, and proposes CLIMAVORE (rather than herbivore or carnivore) as a form of eating that adapts to the climate. Originated and based in the Isle of Skye since 2016, the project works with communities towards ocean regeneration, promoting alternative ingredients which improve water quality and cultivate marine habitats.
Becoming CLIMAVORE is a UK-wide collective action in which museums are replacing farmed salmon with CLIMAVORE alternatives on the menus in their cafe?s and restaurants. A twelve-postcard mosaic has been distributed across participating institutions, where visitors can taste and, in the form of postcards, collect part of the project.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738796_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Salmon: Traces of Escapees by Cooking Sections. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Cooking Sections address the environmental impact of intensive food production. Established in London in 2013 by Daniel Ferna?ndez Pascual and Alon Schwabe, their work uses food as a lens to observe landscapes in transformation, and as a tool for intervention in those very systems of food production and supply. Using site-responsive installation, performance and film, they explore the overlapping boundaries between art, architecture, ecology and geopolitics.
Salmon: Traces of Escapees is an audio and film installation that explores the environmental impact of salmon farms in Scotland. It reveals the gap between common perceptions of farmed salmon as an affordable luxury, and the reality of its mounting environmental costs – with excrement, drugs, synthetic colour and parasites polluting the surrounding waters.
The installation continues Cooking Sections’ questioning of the impact of food habits on climate change, and proposes CLIMAVORE (rather than herbivore or carnivore) as a form of eating that adapts to the climate. Originated and based in the Isle of Skye since 2016, the project works with communities towards ocean regeneration, promoting alternative ingredients which improve water quality and cultivate marine habitats.
Becoming CLIMAVORE is a UK-wide collective action in which museums are replacing farmed salmon with CLIMAVORE alternatives on the menus in their cafe?s and restaurants. A twelve-postcard mosaic has been distributed across participating institutions, where visitors can taste and, in the form of postcards, collect part of the project.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738814_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Salmon: Traces of Escapees by Cooking Sections. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Cooking Sections address the environmental impact of intensive food production. Established in London in 2013 by Daniel Ferna?ndez Pascual and Alon Schwabe, their work uses food as a lens to observe landscapes in transformation, and as a tool for intervention in those very systems of food production and supply. Using site-responsive installation, performance and film, they explore the overlapping boundaries between art, architecture, ecology and geopolitics.
Salmon: Traces of Escapees is an audio and film installation that explores the environmental impact of salmon farms in Scotland. It reveals the gap between common perceptions of farmed salmon as an affordable luxury, and the reality of its mounting environmental costs – with excrement, drugs, synthetic colour and parasites polluting the surrounding waters.
The installation continues Cooking Sections’ questioning of the impact of food habits on climate change, and proposes CLIMAVORE (rather than herbivore or carnivore) as a form of eating that adapts to the climate. Originated and based in the Isle of Skye since 2016, the project works with communities towards ocean regeneration, promoting alternative ingredients which improve water quality and cultivate marine habitats.
Becoming CLIMAVORE is a UK-wide collective action in which museums are replacing farmed salmon with CLIMAVORE alternatives on the menus in their cafe?s and restaurants. A twelve-postcard mosaic has been distributed across participating institutions, where visitors can taste and, in the form of postcards, collect part of the project.
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738607_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738654_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738604_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
DUKAS_129738551_EYE
Turner prize 2021 review – lashings of creativity in a collectivist clash. Herbert Art Gallery and Museum, Coventry The decision to have only artists collectives nominated has resulted in a show that ranges from a recreation of a 1980s Northern Irish ga
2021 Turner Prize. Project Art Works. The Turner Prize 2021 Exhibition at The Herbert Art Museum and Gallery, Coventry. Photograph by David Levene 24/9/21. Project Art Works collaborates with people who have complex support needs. Their work is at the intersection of art and care, and takes multiple forms. Their studios provide the conditions for a broad range of independent and collaborative practices with neurodivergent artists, who take part on their own terms to produce paintings, drawings, sculptural objects and film. Alongside the studios, the Support Collective brings together those who care for people with complex support needs to share experience and protect rights through training, resources and advocacy. Project Art Works organise events and projects that work towards greater visibility and understanding of neurodiversity in culture.
At the heart of their presentation for Turner Prize 2021 is a constructed space that holds a physical and digital archive of over 4,000 works produced by neurodivergent artists and makers over two decades. The archive embodies a visible trace of people who are otherwise hidden in the world. A newly edited film of the whole archive sits within the central structure and a small number of works have been selected for exhibition in collaboration with the Herbert’s curatorial team.
There is a studio set up for making work at the far end of the gallery. This is a place for conversation as well as collaborative and independent practice by artists who benefit from supported environments, so that they can represent themselves within the exhibition.
Ideas of interdependence and structures of support provide the context for a range of workshops, creative events and dialogues facilitated by the Project Art Works’ artistic team over the course of the exhibition.
ith individuals, families and commu
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
© Guardian / eyevine. All Rights Reserved. -
