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DUKAS_147242927_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
A scene from The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_146778692_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Anthony Gregory (Colonel Fairfax), right, in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_146778683_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Neal Davies (Sergeant Meryll Of The Yeoman), centre, in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_147242943_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Steven Page (Sir Richard Cholmondeley), Alexandra Oomens (Elsie Maynard) and Richard McCabe (Jack Point) in Yeoman Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_146778690_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Alexandra Oomens (Elsie Maynard), Steven Page (Sir Richard Cholmondeley) and Richard McCabe (Jack Point) in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_147242949_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
A scene from Yeoman Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_146778682_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Richard McCabe (Jack Point) in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_147242930_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
A scene from Yeoman Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_22190532_TOP
Mono Print
8 February 1952
Surrounded by Yeoman Warders, The Royal Proclamation is read by Resident Governor of the Tower of London, Col. Carkeet James in a ceremony announcing that the crown has solely and rightfully come to Princess Elizabeth Alexandra Mary who has become Queen Elizabeth II
St. Katharine's Way, Tower of London, London, England.
©TopFoto (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . Believed to be the Ceremony of the Keys
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . Playing games and socialising in the club
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . Yeoman of the Guard families waving their children off to school.
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . Cleaning the windows of home.
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . The wife of a Yeoman Warder bringing home the shopping - domestic life for those living in The Tower.
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London, domestic life for those living in the Tower.
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . Children of the Yeoman Warder families going off to school. Daily life for those who live in The Tower
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London, residents bringing in the milk
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . Your door is a little unusual if you are one of the families living in the Tower of London
1951 (FOTO:DUKAS/TOPFOTO)
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DUKAS_105943060_TOP
Mono Neg
Tower Of London . Tower Bridge in the background, the Thames, and one of the families living and working in the Tower of London does some housework.
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . Domestic life for those living and working in The Tower.
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . A resident playing the organ.
1951 (FOTO:DUKAS/TOPFOTO)
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Mono Neg
Tower Of London . Domestic life for residents of The Tower, in the little kitchen.
1951 (FOTO:DUKAS/TOPFOTO)
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DUKAS_105943033_TOP
Mono Neg
Tower Of London . Children of Yeoman Warders resident in the Tower playing at soliders - only these lucky children have their own castle and sentry box, no need to pretend.
1951 (FOTO:DUKAS/TOPFOTO)
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DUKAS_105943039_TOP
Mono Neg
Tower Of London . Families of the Yeoman Warders living and working in the Tower hanging out their washing to dry at the foot of the great walls.
1951 (FOTO:DUKAS/TOPFOTO)
DUKAS/TOPFOTO