Your search:
22 result(s) in 0.04 s
-
DUKAS_181677926_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
Heidi Stober (Queen Mary) in Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_181368809_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
Heidi Stober (Queen Mary) in Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_181677936_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
Rupert Charlesworth (Henry Stuart, Lord Darnley) and Heidi Stober (Queen Mary) in Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_181677940_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
A scene from Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_181368796_EYE
Mary, Queen of Scots review - trouser suits and relentless tension in Musgrave's bleak opera
Thea Musgrave's 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing's production. It is sung and acted with blazing conviction by English National Opera.
Alex Otterburn (James Stewart, Earl of Moray) and Darren Jeffery (Cardinal Beaton) in Mary Queen Of Scots by Thea Musgrave at the London Coliseum. An English National Opera Production directed by Stewart Laing. Conducted by Joana Carneiro.
(Opening 15-02-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_171324927_EYE
The Merry Widow review - De Niese and Olvera are compelling, but camp fun stifles subtlety
Double entendres, extra dialogue and sight gags ensure that Cal McCrystal's new staging entertains, but it's at the expense of emotional power. In the pit, John Wilson is superlative, likewise German Olvera's charismatic Danilo.
Danielle de Niese (Hanna Glawari) and Germ·n Olvera (Count Danilo Danilovitsch) in The Merry Widow by Franz Leh·r at the Glyndebourne. Directed by Cal McCrystal. Conducted by John Wilson. Designer, Gary McCann. Choreographer, Carrie-Anne Ingrouille. Lighting Designer, Ben Cracknell.
(Opening 09-06-2024)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_171324923_EYE
The Merry Widow review - De Niese and Olvera are compelling, but camp fun stifles subtlety
Double entendres, extra dialogue and sight gags ensure that Cal McCrystal's new staging entertains, but it's at the expense of emotional power. In the pit, John Wilson is superlative, likewise German Olvera's charismatic Danilo.
Germ·n Olvera (Count Danilo Danilovitsch) and Thomas Allen (Baron Mirko Zeta), front, in The Merry Widow by Franz Leh·r at the Glyndebourne. Directed by Cal McCrystal. Conducted by John Wilson. Designer, Gary McCann. Choreographer, Carrie-Anne Ingrouille. Lighting Designer, Ben Cracknell.
(Opening 09-06-2024)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_171324887_EYE
The Merry Widow review - De Niese and Olvera are compelling, but camp fun stifles subtlety
Double entendres, extra dialogue and sight gags ensure that Cal McCrystal's new staging entertains, but it's at the expense of emotional power. In the pit, John Wilson is superlative, likewise German Olvera's charismatic Danilo.
Danielle de Niese (Hanna Glawari), centre, in The Merry Widow by Franz Leh·r at the Glyndebourne. Directed by Cal McCrystal. Conducted by John Wilson. Designer, Gary McCann. Choreographer, Carrie-Anne Ingrouille. Lighting Designer, Ben Cracknell.
(Opening 09-06-2024)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_113392794_EYE
Performing arts UK
Sean Panikkar (Don Jose) and Justina Gringyte (Carmen) in Carmen by Bizet at London Coliseum. An English National Opera production. Directed by Calixto Bieito. Conductor, Valentina Peleggi.
(Opening 29-01-20)
©Tristram Kenton 01/20
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036030_EYE
UK performing arts
Mary Bevan (Eurydice) in Orpheus In The Underworld by English National Opera @ London Coliseum. Directed by Emma Rice. Conductor by Sian Edwards.
(Opening 05-10-19)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_108699156_EYE
Orpheus In The Underworld by English National Opera
Willard White (Jupiter), Mary Bevan (Eurydice) and Alex Otterburn (Pluto) in Orpheus In The Underworld by English National Opera @ London Coliseum. Directed by Emma Rice. Conductor by Sian Edwards.
(Opening 05-10-19)
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_108699098_EYE
Orpheus In The Underworld by English National Opera
Mary Bevan (Eurydice) in Orpheus In The Underworld by English National Opera @ London Coliseum. Directed by Emma Rice. Conductor by Sian Edwards.
(Opening 05-10-19)
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_119885356_EYE
Performing arts archive
Willard White (Jupiter) and Mary Bevan (Eurydice) in Orpheus In The Underworld by English National Opera @ London Coliseum. Directed by Emma Rice. Conductor by Sian Edwards.
(Opening 05-10-19)
10/19
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_108699097_EYE
Orpheus In The Underworld by English National Opera
A scene from Orpheus In The Underworld by English National Opera @ London Coliseum. Directed by Emma Rice. Conductor by Sian Edwards.
(Opening 05-10-19)
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_108699154_EYE
Orpheus In The Underworld by English National Opera
A scene from Orpheus In The Underworld by English National Opera @ London Coliseum. Directed by Emma Rice. Conductor by Sian Edwards.
(Opening 05-10-19)
© Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123240468_EYE
Performing arts archive
A scene from Orpheus In The Underworld by English National Opera @ London Coliseum. Directed by Emma Rice. Conductor by Sian Edwards.
(Opening 05-10-19)
10/19
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_109036037_EYE
UK performing arts
A scene from Orpheus In The Underworld by English National Opera @ London Coliseum. Directed by Emma Rice. Conductor by Sian Edwards.
(Opening 05-10-19)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102175791_EYE
Jack The Ripper: The Women of Whitechapel
Susan Bullock (Elizabeth Stride), Marie McLaughlin (Annie Chapman), Lesley Garrett (Catherine Eddowes) and Janis Kelly (Polly Nichols) in the World Premiere, Jack The Ripper: The Women of Whitechapel by Iain Bell and Emma Jenkins @ London Coliseum. An English National Opera production.
(Opening 30-03-19)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101929212_EYE
Jack The Ripper: The Women of Whitechapel
Janis Kelly (Polly Nichols) in the World Premiere, Jack The Ripper: The Women of Whitechapel by Iain Bell and Emma Jenkins @ London Coliseum. An English National Opera production.
(Opening 30-03-19)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101929304_EYE
Jack The Ripper: The Women of Whitechapel
Janis Kelly (Polly Nichols), Marie McLaughlin (Annie Chapman), Natalya Romaniw (Mary Kelly), Susan Bullock (Elizabeth Stride) and Lesley Garrett (Catherine Eddowes) in the World Premiere, Jack The Ripper: The Women of Whitechapel by Iain Bell and Emma Jenkins @ London Coliseum. An English National Opera production.
(Opening 30-03-19)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_102175789_EYE
Jack The Ripper: The Women of Whitechapel
Susan Bullock (Elizabeth Stride), Marie McLaughlin (Annie Chapman), Lesley Garrett (Catherine Eddowes) and Janis Kelly (Polly Nichols) in the World Premiere, Jack The Ripper: The Women of Whitechapel by Iain Bell and Emma Jenkins @ London Coliseum. An English National Opera production.
(Opening 30-03-19)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_101929386_EYE
Jack The Ripper: The Women of Whitechapel
Susan Bullock (Elizabeth Stride) and Lesley Garrett (Catherine Eddowes) in the World Premiere, Jack The Ripper: The Women of Whitechapel by Iain Bell and Emma Jenkins @ London Coliseum. An English National Opera production.
(Opening 30-03-19)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved.