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DUKAS_123240438_EYE
Performing arts archive
A scene from For Four Walls by Ballet de Lorraine @ Linbury Theatre. Dance Umbrella: The Future Bursts In: Ballet de Lorraine.
(Opening 24-10-19)
10/19
© Tristram Kenton / Guardian / eyevine
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DUK10042295_015
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: Dancer Aase With. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_014
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: dancers Aase With and Nicholas Minns. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_013
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: dancers Aase With and Nicholas Minns. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_012
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: dancers Aase With and Nicholas Minns. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_011
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: dancers Aase With and Nicholas Minns. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_010
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: dancers Aase With and Nicholas Minns. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_009
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: dancers Aase With and Nicholas Minns. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_008
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: dancers Aase With and Nicholas Minns. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_007
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: dancers Aase With and Nicholas Minns. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_006
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: Swedish dancer Siv Ander performing. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_005
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: Swedish dancer Siv Ander performing. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_004
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: Swedish dancer Siv Ander performing. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_003
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: Swedish dancer Siv Ander performing. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_002
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: Swedish dancer Siv Ander performing. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas -
DUK10042295_001
PORTRAIT - Hege Haagenrud
London, UK. 19 October 2016. Pictured: Swedish dancer Siv Ander performing. In an age obsessed with the worship of youth, and beauty defined through youth, where does that leave those who are no longer young? It is this issue that award-winning Norwegian choreographer Hege Haagenrud explores in her extraordinarily insightful Use My Body While It’s Still Young. Danced by four performers aged 65 to 79, all of whom have had long and successful careers as dancers, it confronts our pre-conceptions with the reality and sensuality of ageing. The piece is part of the Dance Umbrella festival. (FOTO: DUKAS/PHOTOSHOT)
(c) Dukas