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DUKAS_153487096_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
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DUKAS_153487095_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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DUKAS_153487214_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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DUKAS_153487321_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487318_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153486995_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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DUKAS_153486994_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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DUKAS_153487210_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
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DUKAS_153487319_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153486991_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487094_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487093_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487317_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487420_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153486992_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487091_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487209_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487316_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487092_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487313_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487315_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487419_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487090_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487089_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487312_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487418_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487088_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487417_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487311_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487308_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_153487310_EYE
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London
Tam Joseph, artist. Photographed at his studio near Black Horse Lane, Walthamstow, London. 25/10/22
© David Levene / Guardian / eyevine
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© David Levene / Guardian / eyevine. All Rights Reserved. -
DUKAS_152799585_EYE
The Cofiwch Dryweryn mural
Cofiwch Dryweryn is a graffitied stone wall near Llanrhystud, Ceredigion. Author and journalist Meic Stephens originally painted the words onto the wall of a ruined farm cottage in the early 1960s following the decision by the Liverpool City Council to flood the Tryweryn Valley, including the community of Capel Celyn, to create the Llyn Celyn reservoir. It has been vandalised on numerous occasions but every time it has been rebuilt or repainted immediately. The phrase "Cofiwch Dryweryn" has itself become a prominent political slogan for Welsh nationalism, appearing on T-shirts and banners, as well as replica murals all over Wales. Picture taken on October 23rd 2022 in West Wales
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DUKAS_144047970_EYE
House painted in honour of The Queen's death
The front of the house belonging to Alex and Vivienne Tate which they have had painted in a black, white and grey Union Jack as a mark of respect to the Queen following her death. They originally painted the house in a Union Jack with traditional colours to mark her Diamond Jubilee in 2012. Nine neighbours helped paint the new colours last weekend. Picture taken on September 15th 2022 in Teddington, Middlesex.
© Tom Jenkins / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_144047968_EYE
House painted in honour of The Queen's death
The front of the house belonging to Alex and Vivienne Tate which they have had painted in a black, white and grey Union Jack as a mark of respect to the Queen following her death. They originally painted the house in a Union Jack with traditional colours to mark her Diamond Jubilee in 2012. Nine neighbours helped paint the new colours last weekend. Picture taken on September 15th 2022 in Teddington, Middlesex.
© Tom Jenkins / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_144047963_EYE
House painted in honour of The Queen's death
The front of the house belonging to Alex and Vivienne Tate which they have had painted in a black, white and grey Union Jack as a mark of respect to the Queen following her death. They originally painted the house in a Union Jack with traditional colours to mark her Diamond Jubilee in 2012. Nine neighbours helped paint the new colours last weekend. Picture taken on September 15th 2022 in Teddington, Middlesex.
© Tom Jenkins / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_144047982_EYE
House painted in honour of The Queen's death
The front of the house belonging to Alex and Vivienne Tate which they have had painted in a black, white and grey Union Jack as a mark of respect to the Queen following her death. They originally painted the house in a Union Jack with traditional colours to mark her Diamond Jubilee in 2012. Nine neighbours helped paint the new colours last weekend. Picture taken on September 15th 2022 in Teddington, Middlesex.
© Tom Jenkins / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_144047967_EYE
House painted in honour of The Queen's death
The front of the house belonging to Alex and Vivienne Tate which they have had painted in a black, white and grey Union Jack as a mark of respect to the Queen following her death. They originally painted the house in a Union Jack with traditional colours to mark her Diamond Jubilee in 2012. Nine neighbours helped paint the new colours last weekend. Picture taken on September 15th 2022 in Teddington, Middlesex.
© Tom Jenkins / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_144052996_EYE
Capturing Britain's week of mourning for the Queen - a photo essay.
Memories and reflections from the GuardianÕs team of photographers on recording a historic week.
The public have turned out in their thousands to pay their respects to the Queen, some perhaps motivated by wanting to be part of the historic moment, and many by a personal sense of loss and grief.
Here, Guardian photographers discuss how they have found shooting the ceremonial and informal aspects of mourning for the Queen over the last week.
The house belonging to Alex and Vivienne Tate, which they have had painted in a black, white and grey union jack as a mark of respect to the Queen following her death.
© Tom Jenkins / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_144047966_EYE
House painted in honour of The Queen's death
The front of the house belonging to Alex and Vivienne Tate which they have had painted in a black, white and grey Union Jack as a mark of respect to the Queen following her death. They originally painted the house in a Union Jack with traditional colours to mark her Diamond Jubilee in 2012. Nine neighbours helped paint the new colours last weekend. Picture taken on September 15th 2022 in Teddington, Middlesex.
© Tom Jenkins / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_144047969_EYE
House painted in honour of The Queen's death
The front of the house belonging to Alex and Vivienne Tate which they have had painted in a black, white and grey Union Jack as a mark of respect to the Queen following her death. They originally painted the house in a Union Jack with traditional colours to mark her Diamond Jubilee in 2012. Nine neighbours helped paint the new colours last weekend. Picture taken on September 15th 2022 in Teddington, Middlesex.
© Tom Jenkins / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_144047965_EYE
House painted in honour of The Queen's death
The front of the house belonging to Alex and Vivienne Tate which they have had painted in a black, white and grey Union Jack as a mark of respect to the Queen following her death. They originally painted the house in a Union Jack with traditional colours to mark her Diamond Jubilee in 2012. Nine neighbours helped paint the new colours last weekend. Picture taken on September 15th 2022 in Teddington, Middlesex.
© Tom Jenkins / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_142806932_EYE
Rembrandt's Night Watch paint recipe offers clues to the perfect wall filler.
Analysis of 17th-century masterpiece by Dulux scientists revealed several ways of creating the perfect impasto.
The secrets of Rembrandt's painting technique on The Night Watch remain lost to time for now. But researchers tasked with solving the mystery believe they may at least have gleaned some clues as to the perfect recipe for wall filler.
Scientists at AkzoNobel, the Dutch owners of Dulux paints, have been working since 2019 with conservators at AmsterdamÕs Rijksmuseum on the restoration of Rembrandt's masterpiece, building a better picture of how the 17th-century painter worked.
A key objective for Gerard van Ewijk, AkzoNobel's research and development manager, has been to uncover the recipe used by Rembrandt in his impasto technique, where paint is layered thickly enough to stand out from the canvas.
machine to check the consistency of the paint.
© Judith Jockel / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_142806933_EYE
Rembrandt's Night Watch paint recipe offers clues to the perfect wall filler.
Analysis of 17th-century masterpiece by Dulux scientists revealed several ways of creating the perfect impasto.
The secrets of Rembrandt's painting technique on The Night Watch remain lost to time for now. But researchers tasked with solving the mystery believe they may at least have gleaned some clues as to the perfect recipe for wall filler.
Scientists at AkzoNobel, the Dutch owners of Dulux paints, have been working since 2019 with conservators at Amsterdam’s Rijksmuseum on the restoration of Rembrandt's masterpiece, building a better picture of how the 17th-century painter worked.
A key objective for Gerard van Ewijk, AkzoNobel's research and development manager, has been to uncover the recipe used by Rembrandt in his impasto technique, where paint is layered thickly enough to stand out from the canvas.
Gerard van Ewijk of AkzoNobel mixing white pigment with raw oil, makes the paint more stiff.
© Judith Jockel / Guardian / eyevine
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DUKAS_142806874_EYE
Rembrandt's Night Watch paint recipe offers clues to the perfect wall filler.
Analysis of 17th-century masterpiece by Dulux scientists revealed several ways of creating the perfect impasto.
The secrets of Rembrandt's painting technique on The Night Watch remain lost to time for now. But researchers tasked with solving the mystery believe they may at least have gleaned some clues as to the perfect recipe for wall filler.
Scientists at AkzoNobel, the Dutch owners of Dulux paints, have been working since 2019 with conservators at Amsterdam’s Rijksmuseum on the restoration of Rembrandt's masterpiece, building a better picture of how the 17th-century painter worked.
A key objective for Gerard van Ewijk, AkzoNobel's research and development manager, has been to uncover the recipe used by Rembrandt in his impasto technique, where paint is layered thickly enough to stand out from the canvas.
Gerard van Ewijk of AkzoNobel mixing white pigment with raw oil, makes the paint more stiff.
© Judith Jockel / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
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DUKAS_142806885_EYE
Rembrandt's Night Watch paint recipe offers clues to the perfect wall filler.
Analysis of 17th-century masterpiece by Dulux scientists revealed several ways of creating the perfect impasto.
The secrets of Rembrandt's painting technique on The Night Watch remain lost to time for now. But researchers tasked with solving the mystery believe they may at least have gleaned some clues as to the perfect recipe for wall filler.
Scientists at AkzoNobel, the Dutch owners of Dulux paints, have been working since 2019 with conservators at Amsterdam’s Rijksmuseum on the restoration of Rembrandt's masterpiece, building a better picture of how the 17th-century painter worked.
A key objective for Gerard van Ewijk, AkzoNobel's research and development manager, has been to uncover the recipe used by Rembrandt in his impasto technique, where paint is layered thickly enough to stand out from the canvas.
Gerard van Ewijk of AkzoNobel in the lab.
© Judith Jockel / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_142806937_EYE
Rembrandt's Night Watch paint recipe offers clues to the perfect wall filler.
Analysis of 17th-century masterpiece by Dulux scientists revealed several ways of creating the perfect impasto.
The secrets of Rembrandt's painting technique on The Night Watch remain lost to time for now. But researchers tasked with solving the mystery believe they may at least have gleaned some clues as to the perfect recipe for wall filler.
Scientists at AkzoNobel, the Dutch owners of Dulux paints, have been working since 2019 with conservators at Amsterdam’s Rijksmuseum on the restoration of Rembrandt's masterpiece, building a better picture of how the 17th-century painter worked.
A key objective for Gerard van Ewijk, AkzoNobel's research and development manager, has been to uncover the recipe used by Rembrandt in his impasto technique, where paint is layered thickly enough to stand out from the canvas.
Gerard van Ewijk of AkzoNobel, r&d manager at AkzoNobel.
© Judith Jockel / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_142806965_EYE
Rembrandt's Night Watch paint recipe offers clues to the perfect wall filler.
Analysis of 17th-century masterpiece by Dulux scientists revealed several ways of creating the perfect impasto.
The secrets of Rembrandt's painting technique on The Night Watch remain lost to time for now. But researchers tasked with solving the mystery believe they may at least have gleaned some clues as to the perfect recipe for wall filler.
Scientists at AkzoNobel, the Dutch owners of Dulux paints, have been working since 2019 with conservators at Amsterdam’s Rijksmuseum on the restoration of Rembrandt's masterpiece, building a better picture of how the 17th-century painter worked.
A key objective for Gerard van Ewijk, AkzoNobel's research and development manager, has been to uncover the recipe used by Rembrandt in his impasto technique, where paint is layered thickly enough to stand out from the canvas.
portrait of Petria Noble, head of paintings conservation at Rijksmsueum.
© Judith Jockel / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_142806975_EYE
Rembrandt's Night Watch paint recipe offers clues to the perfect wall filler.
Analysis of 17th-century masterpiece by Dulux scientists revealed several ways of creating the perfect impasto.
The secrets of Rembrandt's painting technique on The Night Watch remain lost to time for now. But researchers tasked with solving the mystery believe they may at least have gleaned some clues as to the perfect recipe for wall filler.
Scientists at AkzoNobel, the Dutch owners of Dulux paints, have been working since 2019 with conservators at Amsterdam’s Rijksmuseum on the restoration of Rembrandt's masterpiece, building a better picture of how the 17th-century painter worked.
A key objective for Gerard van Ewijk, AkzoNobel's research and development manager, has been to uncover the recipe used by Rembrandt in his impasto technique, where paint is layered thickly enough to stand out from the canvas.
Gerard van Ewijk of AkzoNobel in the lab.
© Judith Jockel / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_142806974_EYE
Rembrandt's Night Watch paint recipe offers clues to the perfect wall filler.
Analysis of 17th-century masterpiece by Dulux scientists revealed several ways of creating the perfect impasto.
The secrets of Rembrandt's painting technique on The Night Watch remain lost to time for now. But researchers tasked with solving the mystery believe they may at least have gleaned some clues as to the perfect recipe for wall filler.
Scientists at AkzoNobel, the Dutch owners of Dulux paints, have been working since 2019 with conservators at Amsterdam’s Rijksmuseum on the restoration of Rembrandt's masterpiece, building a better picture of how the 17th-century painter worked.
A key objective for Gerard van Ewijk, AkzoNobel's research and development manager, has been to uncover the recipe used by Rembrandt in his impasto technique, where paint is layered thickly enough to stand out from the canvas.
Gerard van Ewijk of AkzoNobel mixing white pigment with raw oil, makes the paint more stiff.
© Judith Jockel / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_142806970_EYE
Rembrandt's Night Watch paint recipe offers clues to the perfect wall filler.
Analysis of 17th-century masterpiece by Dulux scientists revealed several ways of creating the perfect impasto.
The secrets of Rembrandt's painting technique on The Night Watch remain lost to time for now. But researchers tasked with solving the mystery believe they may at least have gleaned some clues as to the perfect recipe for wall filler.
Scientists at AkzoNobel, the Dutch owners of Dulux paints, have been working since 2019 with conservators at Amsterdam’s Rijksmuseum on the restoration of Rembrandt's masterpiece, building a better picture of how the 17th-century painter worked.
A key objective for Gerard van Ewijk, AkzoNobel's research and development manager, has been to uncover the recipe used by Rembrandt in his impasto technique, where paint is layered thickly enough to stand out from the canvas.
Gerard van Ewijk of AkzoNobel mixing white pigment with raw oil, makes the paint more stiff.
© Judith Jockel / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
