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DUKAS_191271257_ZUM
Star Trek's George Takei Promotes His Book In Tokyo
November 20, 2025, Tokyo, Japan: GEORGE TAKEI, American actor, author, and social activist, speaks during a press conference at the Foreign Correspondents' Club of Japan in Tokyo. Takei, known for his role as Hikaru Sulu, the helmsman of the USS Enterprise in the Star Trek franchise, came to the Club ahead of the local release of his award-winning children's book ''My Lost Freedom'', which recounts his childhood experience of wartime incarceration as a Japanese-American. (Credit Image: © Rodrigo Reyes Marin/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_191263663_ZUM
Star Trek's George Takei Promotes His Book In Tokyo
November 20, 2025, Tokyo, Japan: GEORGE TAKEI, American actor, author, and social activist, speaks during a press conference at the Foreign Correspondents' Club of Japan in Tokyo. Takei, known for his role as Hikaru Sulu, the helmsman of the USS Enterprise in the Star Trek franchise, came to the Club ahead of the local release of his award-winning children's book ''My Lost Freedom'', which recounts his childhood experience of wartime incarceration as a Japanese-American. (Credit Image: © Rodrigo Reyes Marin/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_190367815_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_190367803_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_190367801_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_190367776_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_190367775_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_190367760_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_190367752_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_190367751_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_190367743_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_190367740_NUR
Graves Of World War Soldiers At The British War Cemetery In Damascus, Syria
In Damascus, Syria, on October 24, 2025, the British Commonwealth War Cemetery in Damascus contains the graves of more than 1,200 soldiers from the United Kingdom and allied nations who die during World War I and World War II. (Photo by Mohammad Daher/NurPhoto) -
DUKAS_189952817_NUR
Former Berlin Tempelhof Airport
The imperial eagle is on the airport building at Berlin Tempelhof Airport, which is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952815_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952813_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952812_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952811_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952810_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952809_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952808_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952797_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952795_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952794_NUR
Former Berlin Tempelhof Airport
The monumental eagle figure from 1940 at Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952793_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952792_NUR
Former Berlin Tempelhof Airport
The monumental eagle figure from 1940 at Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952791_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952789_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952788_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952787_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952786_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189952768_NUR
Former Berlin Tempelhof Airport
Berlin Tempelhof Airport is one of the first airports in Berlin. The airport closes in 2008. The Nazi government begins an enormous reconstruction in the mid-1930s after it is constructed in 1927, in Berlin, Germany, on May 1, 2022. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_187026822_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
At the territory of Sviatohirsk Lavra.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026824_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The objects of the Russian occupation of Izyum and Kharkiv region at the museum of local history.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026825_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The damaged monument to Artyom, the Bolshevik revolutionary Fyodor Sergeyev, on the hill in Sviatohirsk.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026821_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The damaged monument to Artyom, the Bolshevik revolutionary Fyodor Sergeyev, on the hill in Sviatohirsk.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026817_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The view over Sviatohirsk Lavra and Artyom monument.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026820_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The signs of damage caused by shelling at the territory of Sviatohirsk Lavra.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026823_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
Yaroslava Diedova, deputy director of the museum, at the territory of Sviatohirsk Lavra.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026815_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
Oleksandra, the graduate, celebrating her prom party and posing for a portrait in front of her ruined school in Izium.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026818_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
Halyna Ivanova, the director of the museum of local history in Izyum, showing the objects of the Russian occupation of the city and Kharkiv region.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026816_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
Halyna Ivanova, the director of the museum of local history in Izyum, showing modern art works presented at the museum.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUK10163281_014
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_012
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_016
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_015
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_003
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_017
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_024
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_006
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_005
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
