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DUKAS_145304959_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Ryoichi Hirano (Crown Prince Rudolf) and Natalia Osipova (Baroness Mary Vetsera) in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_145647129_EYE
Mayerling review - sex, drugs and revolution in the Royal Ballet's superb staging
Edward Watson finds sympathy for the doomed prince while Sarah Lamb gives one of the performances of her career in MacMillanÕs unsparingly brutal ballet.
Mayerling is surely the richest, if not the most popular of Kenneth MacMillanÕs story ballets. Created in 1978, it looks and sounds like a conventionally mainstream work, with its swags of period costume and lush Liszt score. Yet as it voyages into an emotional wasteland of sex, psychosis and addiction, its choreography yields an unsparingly brutal account of human nature.
Ryoichi Hirano (Crown Prince Rudolf) and Natalia Osipova (Baroness Mary Vetsera) in Mayerling by Kenneth MacMillan at the Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145304979_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Ryoichi Hirano (Crown Prince Rudolf) and Natalia Osipova (Baroness Mary Vetsera) in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145304981_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Ryoichi Hirano (Crown Prince Rudolf) and Francesca Hayward (Princess Stephanie) in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145304980_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Itziar Mendizabal (Empress Elisabeth), centre, in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145304958_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Ryoichi Hirano (Crown Prince Rudolf), Francesca Hayward (Princess Stephanie), Itziar Mendizabal (Empress Elisabeth) and Christopher Saunders (Emperor Franz Joseph) in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145647126_EYE
Mayerling review - sex, drugs and revolution in the Royal Ballet's superb staging
Edward Watson finds sympathy for the doomed prince while Sarah Lamb gives one of the performances of her career in MacMillanÕs unsparingly brutal ballet.
Mayerling is surely the richest, if not the most popular of Kenneth MacMillanÕs story ballets. Created in 1978, it looks and sounds like a conventionally mainstream work, with its swags of period costume and lush Liszt score. Yet as it voyages into an emotional wasteland of sex, psychosis and addiction, its choreography yields an unsparingly brutal account of human nature.
Ryoichi Hirano (Crown Prince Rudolf), Francesca Hayward (Princess Stephanie), Christopher Saunders (Emperor Franz Joseph) and Itziar Mendizabal (Empress Elisabeth) in Mayerling by Kenneth MacMillan at the Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_112503197_EYE
Thiago Soares
Lauren Cuthbertson (Mary Vetsera) and Thiago Soares (Rudolf) in Mayerling by The Royal Ballet @ Royal Opera House.
(Opening 08-10-18)
©Tristram Kenton 10-18
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_112503207_EYE
Thiago Soares
Itziar Mendizabal (Marie Larisch) and Thiago Soares (Rudolf) in Mayerling by The Royal Ballet @ Royal Opera House.
(Opening 08-10-18)
©Tristram Kenton 10-18
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_112503196_EYE
Thiago Soares
Itziar Mendizabal (Marie Larisch) and Thiago Soares (Rudolf) in Mayerling by The Royal Ballet @ Royal Opera House.
(Opening 08-10-18)
©Tristram Kenton 10-18
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_116934053_EYE
Performing arts archive
Cesar Corrales in Mayerling by The Royal Ballet @ Royal Opera House.
(Opening 08-10-18)
10-18
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_123183451_EYE
Performing arts archive
A scene from Mayerling by The Royal Ballet @ Royal Opera House.
(Opening 08-10-18)
10-18
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_123183382_EYE
Performing arts archive
A scene from Mayerling by The Royal Ballet @ Royal Opera House.
(Opening 08-10-18)
10-18
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123183406_EYE
Performing arts archive
Yuhui Choe (Stephanie), Beatriz Stix-Brunell (Princess Louise) and Thiago Soares (Rudolf) in Mayerling by The Royal Ballet @ Royal Opera House.
(Opening 08-10-18)
10-18
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved.