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  • Woman Walking Dog In Autumn Street
    DUKAS_189990209_NUR
    Woman Walking Dog In Autumn Street
    A woman walks her dog along a quiet, tree-lined street with autumn leaves and ivy-covered buildings in Munich, Bavaria, Germany, on October 14, 2025. (Photo by Michael Nguyen/NurPhoto)

     

  • Some of the beautiful architecture in Temple Inn, in Holborn, in London, England, United Kingdom, Europe.
    DUKAS_123960825_RHA
    Some of the beautiful architecture in Temple Inn, in Holborn, in London, England, United Kingdom, Europe.
    Some of the beautiful architecture in Temple Inn, in Holborn, London, England, United Kingdom, Europe
    Chris Mouyiaris

     

  • Temple Inn in Holborn, in London, England, United Kingdom, Europe.
    DUKAS_123960821_RHA
    Temple Inn in Holborn, in London, England, United Kingdom, Europe.
    Temple Inn in Holborn, London, England, United Kingdom, Europe
    Chris Mouyiaris

     

  • Temple Inn in Holborn, in London, England, United Kingdom, Europe.
    DUKAS_123960816_RHA
    Temple Inn in Holborn, in London, England, United Kingdom, Europe.
    Temple Inn in Holborn, London, England, United Kingdom, Europe
    Chris Mouyiaris

     

  • UK, England, Cambridgeshire, Cambridge, River Cam, Clare College, Clare Bridge, Punting
    DUKAS_123918647_RHA
    UK, England, Cambridgeshire, Cambridge, River Cam, Clare College, Clare Bridge, Punting
    Punting on the River Cam, Clare College, Clare Bridge, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • UK, England, Cambridgeshire, Cambridge, St. John's College and punting on River Cam, Punting
    DUKAS_123918640_RHA
    UK, England, Cambridgeshire, Cambridge, St. John's College and punting on River Cam, Punting
    St. John's College and punting on River Cam, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • First leaves on these fine Beech trees at Woodbury Castle, near Exmouth, Devon, UK.
    DUKAS_123960198_RHA
    First leaves on these fine Beech trees at Woodbury Castle, near Exmouth, Devon, UK.
    First leaves on these fine Beech trees at Woodbury Castle, near Exmouth, Devon, England, United Kingdom, Europe
    Baxter Bradford

     

  • UK, England, Cambridgeshire, Cambridge, River Cam and Mill Pond, Punting
    DUKAS_123918639_RHA
    UK, England, Cambridgeshire, Cambridge, River Cam and Mill Pond, Punting
    Punting on the River Cam and Mill Pond, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_018
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525c)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_017
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525e)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_016
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525b)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_015
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525d)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_014
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525j)
    Tributes to Herman Wallace, one of the 'Angola Three' who spent 41 years in solitary confinement in prison convicted of the murder of a prison guard in Louisiana. He maintained his innocence
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_013
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525o)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_012
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525s)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_011
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525q)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_010
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525x)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_009
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525p)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_008
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525v)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_007
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525z)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_006
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525aa)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_005
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525ae)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_004
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525ac)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_003
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525ag)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_002
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525ad)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • FEATURE - Das Leben ist ein Mosaik
    DUK10076403_001
    FEATURE - Das Leben ist ein Mosaik
    Mandatory Credit: Photo by Mark Thomas/REX/Shutterstock (9178525af)
    Artist Carrie Reichardt has covered her house in a leafy street in Chiswick, West London, in mosaics.She has been working on the house for 20 years.Scaffolding on the front was up for 4 years and 3 months and came down on Tuesday 24th October.Artists from Chile, Spain, the Netherlands, Spain and France came to help her finish the work.
    She had 23 mosaic eyeballs sent from other International artists.
    Her house is known as 'The Treatment Rooms'. She created the 'Mad in England' brand and she donates part of her profits to the Single Homeless Project.
    Carrie has just become the first visual artist in residence for The Shakespeare Birthplace Trust.
    Carrie Reichardt's Mosiac House, Chiswick, London, UK-28 Oct 2017

    (c) Dukas

     

  • UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College
    DUKAS_123918652_RHA
    UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College
    River Cam, St. John's College, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College, Bridge of Sighs
    DUKAS_123918648_RHA
    UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College, Bridge of Sighs
    River Cam, St. John's College, Bridge of Sighs, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College, Bridge of Sighs, Punting
    DUKAS_123918646_RHA
    UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College, Bridge of Sighs, Punting
    Punting on River Cam, St. John's College, Bridge of Sighs, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College, Bridge of Sighs, Punting
    DUKAS_123918644_RHA
    UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College, Bridge of Sighs, Punting
    Punting on River Cam, St. John's College, Bridge of Sighs, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College, Bridge of Sighs, Punting
    DUKAS_123918638_RHA
    UK, England, Cambridgeshire, Cambridge, River Cam, St. John's College, Bridge of Sighs, Punting
    Punting on River Cam, St. John's College, Bridge of Sighs, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • Autumn colours in Sanzen-in temple moss garden, Ohara valley, Kyoto
    DUKAS_123873017_RHA
    Autumn colours in Sanzen-in temple moss garden, Ohara valley, Kyoto
    Autumn colours in Sanzen-in Temple moss garden, Ohara valley, Kyoto, Japan, Asia
    Damien Douxchamps

     

  • Brdige with autumn colours, Ohara valley, Kyoto
    DUKAS_123873010_RHA
    Brdige with autumn colours, Ohara valley, Kyoto
    Bridge with autumn colours, Ohara valley, Kyoto, Japan, Asia
    Damien Douxchamps

     

  • Urban Canal in Friedrichstadt, Eider, Schleswig-Holstein, Germany
    DUKAS_123875849_RHA
    Urban Canal in Friedrichstadt, Eider, Schleswig-Holstein, Germany
    Urban Canal in Friedrichstadt, Eider, Schleswig-Holstein, Germany, Europe
    Hans-Peter Merten

     

  • Urban Canal in Friedrichstadt, Eider, Schleswig-Holstein, Germany
    DUKAS_123875848_RHA
    Urban Canal in Friedrichstadt, Eider, Schleswig-Holstein, Germany
    Urban Canal in Friedrichstadt, Eider, Schleswig-Holstein, Germany, Europe
    Hans-Peter Merten

     

  • Punting on The Backs, River Cam, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    DUKAS_123868718_RHA
    Punting on The Backs, River Cam, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Punting on The Backs, River Cam, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • NEWS - London: Boris Johnson heut morgen unterwegs
    DUK10030022_007
    NEWS - London: Boris Johnson heut morgen unterwegs
    Rex Features Ltd. do not claim any Copyright or License of the attached image
    Mandatory Credit: Photo by REX/Shutterstock (5738276c)
    Boris Johnson leaves his home in leafy Islington hounded by TV reporter desperate for a quote.
    Boris Johnson out and about, London, UK - 29 Jun 2016

    (FOTO:DUKAS/REX)

    (c) Dukas

     

  • Monsal Trail, crowded with cyclists, former rail line viaduct over Monsal Dale at Monsal Head, Peak District, Derbyshire, England, United Kingdom, Europe
    DUKAS_123857977_RHA
    Monsal Trail, crowded with cyclists, former rail line viaduct over Monsal Dale at Monsal Head, Peak District, Derbyshire, England, United Kingdom, Europe
    Monsal Trail, crowded with cyclists, former rail line viaduct over Monsal Dale at Monsal Head, Peak District, Derbyshire, England, United Kingdom, Europe
    Eleanor Scriven

     

  • Monsal Trail viaduct, Monsal Head, Monsal Dale, former rail line, trees in full leaf in summer, Peak District, Derbyshire, England, United Kingdom, Europe
    DUKAS_123857974_RHA
    Monsal Trail viaduct, Monsal Head, Monsal Dale, former rail line, trees in full leaf in summer, Peak District, Derbyshire, England, United Kingdom, Europe
    Monsal Trail viaduct, Monsal Head, Monsal Dale, former rail line, trees in full leaf in summer, Peak District, Derbyshire, England, United Kingdom, Europe
    Eleanor Scriven

     

  • REPORTAGE -  Südafrika: Urbane Gebiete aus der Vogelschau
    DUK10031096_009
    REPORTAGE - Südafrika: Urbane Gebiete aus der Vogelschau
    MANDATORY CREDIT: Johnny Miller/Millefoto/Rex Shutterstock. Editorial use only. Only for use in context of 'Unequal Scenes' photo project. Please link to website if possible: www.unequalscenes.com. Strictly no stock, books, advertising or merchandising without photographer's permission
    Mandatory Credit: Photo by Johnny Miller/Millefoto/REX/Shutterstock (5733931l)
    Kya Sands / Bloubosrand. Among leafy trees, shady street corners and swimming pools, you find the middle-class suburb of Bloubosrand. A quick search on Property24 shows that many houses are worth over 1 million rand. Across the street, tin shacks with car tires on their roof extend into the distance. If you look even closer, the main thoroughfares in Kya Sands are actually drainages for the black, filthy water emanating from the nearby creek
    Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    FULL COPY: http://www.rexfeatures.com/nanolink/sgkr


    A photographer has captured a stark view of the urban economic segregation in South Africa.

    Johnny Miller has used drone technology to take an aerial view of the divide in standards of living between the poor and the wealthy.

    His work highlights how the manicured suburbs of the middle classes sit only several hundred metres away from the ramshackle shanty towns of the poorest members of society.

    An example include a God's-eye view of the picturesque suburbs looking out onto the glistening waters of Lake Michelle, 20km from Cape Town?s city centre. Separated by wetlands, a guard house and an electrified fence, the 38,000 inhabitants of the neighbouring tin shacks of Masiphumelele are a world away.


    (FOTO:DUKAS/REX)

    (c) Dukas

     

  • Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    DUKAS_66962852_REX
    Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    MANDATORY CREDIT: Johnny Miller/Millefoto/Rex Shutterstock. Editorial use only. Only for use in context of 'Unequal Scenes' photo project. Please link to website if possible: www.unequalscenes.com. Strictly no stock, books, advertising or merchandising without photographer's permission
    Mandatory Credit: Photo by Johnny Miller/Millefoto/REX/Shutterstock (5733931l)
    Kya Sands / Bloubosrand. Among leafy trees, shady street corners and swimming pools, you find the middle-class suburb of Bloubosrand. A quick search on Property24 shows that many houses are worth over 1 million rand. Across the street, tin shacks with car tires on their roof extend into the distance. If you look even closer, the main thoroughfares in Kya Sands are actually drainages for the black, filthy water emanating from the nearby creek
    Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    FULL COPY: http://www.rexfeatures.com/nanolink/sgkr


    A photographer has captured a stark view of the urban economic segregation in South Africa.

    Johnny Miller has used drone technology to take an aerial view of the divide in standards of living between the poor and the wealthy.

    His work highlights how the manicured suburbs of the middle classes sit only several hundred metres away from the ramshackle shanty towns of the poorest members of society.

    An example include a God's-eye view of the picturesque suburbs looking out onto the glistening waters of Lake Michelle, 20km from Cape Town?s city centre. Separated by wetlands, a guard house and an electrified fence, the 38,000 inhabitants of the neighbouring tin shacks of Masiphumelele are a world away.


    (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • REPORTAGE -  Südafrika: Urbane Gebiete aus der Vogelschau
    DUK10031096_003
    REPORTAGE - Südafrika: Urbane Gebiete aus der Vogelschau
    MANDATORY CREDIT: Johnny Miller/Millefoto/Rex Shutterstock. Editorial use only. Only for use in context of 'Unequal Scenes' photo project. Please link to website if possible: www.unequalscenes.com. Strictly no stock, books, advertising or merchandising without photographer's permission
    Mandatory Credit: Photo by Johnny Miller/Millefoto/REX/Shutterstock (5733931n)
    Kya Sands / Bloubosrand. Among leafy trees, shady street corners and swimming pools, you find the middle-class suburb of Bloubosrand. A quick search on Property24 shows that many houses are worth over 1 million rand. Across the street, tin shacks with car tires on their roof extend into the distance. If you look even closer, the main thoroughfares in Kya Sands are actually drainages for the black, filthy water emanating from the nearby creek
    Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    FULL COPY: http://www.rexfeatures.com/nanolink/sgkr


    A photographer has captured a stark view of the urban economic segregation in South Africa.

    Johnny Miller has used drone technology to take an aerial view of the divide in standards of living between the poor and the wealthy.

    His work highlights how the manicured suburbs of the middle classes sit only several hundred metres away from the ramshackle shanty towns of the poorest members of society.

    An example include a God's-eye view of the picturesque suburbs looking out onto the glistening waters of Lake Michelle, 20km from Cape Town?s city centre. Separated by wetlands, a guard house and an electrified fence, the 38,000 inhabitants of the neighbouring tin shacks of Masiphumelele are a world away.


    (FOTO:DUKAS/REX)

    (c) Dukas

     

  • Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    DUKAS_66962854_REX
    Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    MANDATORY CREDIT: Johnny Miller/Millefoto/Rex Shutterstock. Editorial use only. Only for use in context of 'Unequal Scenes' photo project. Please link to website if possible: www.unequalscenes.com. Strictly no stock, books, advertising or merchandising without photographer's permission
    Mandatory Credit: Photo by Johnny Miller/Millefoto/REX/Shutterstock (5733931n)
    Kya Sands / Bloubosrand. Among leafy trees, shady street corners and swimming pools, you find the middle-class suburb of Bloubosrand. A quick search on Property24 shows that many houses are worth over 1 million rand. Across the street, tin shacks with car tires on their roof extend into the distance. If you look even closer, the main thoroughfares in Kya Sands are actually drainages for the black, filthy water emanating from the nearby creek
    Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    FULL COPY: http://www.rexfeatures.com/nanolink/sgkr


    A photographer has captured a stark view of the urban economic segregation in South Africa.

    Johnny Miller has used drone technology to take an aerial view of the divide in standards of living between the poor and the wealthy.

    His work highlights how the manicured suburbs of the middle classes sit only several hundred metres away from the ramshackle shanty towns of the poorest members of society.

    An example include a God's-eye view of the picturesque suburbs looking out onto the glistening waters of Lake Michelle, 20km from Cape Town?s city centre. Separated by wetlands, a guard house and an electrified fence, the 38,000 inhabitants of the neighbouring tin shacks of Masiphumelele are a world away.


    (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • REPORTAGE -  Südafrika: Urbane Gebiete aus der Vogelschau
    DUK10031096_005
    REPORTAGE - Südafrika: Urbane Gebiete aus der Vogelschau
    MANDATORY CREDIT: Johnny Miller/Millefoto/Rex Shutterstock. Editorial use only. Only for use in context of 'Unequal Scenes' photo project. Please link to website if possible: www.unequalscenes.com. Strictly no stock, books, advertising or merchandising without photographer's permission
    Mandatory Credit: Photo by Johnny Miller/Millefoto/REX/Shutterstock (5733931o)
    Kya Sands / Bloubosrand. Among leafy trees, shady street corners and swimming pools, you find the middle-class suburb of Bloubosrand. A quick search on Property24 shows that many houses are worth over 1 million rand. Across the street, tin shacks with car tires on their roof extend into the distance. If you look even closer, the main thoroughfares in Kya Sands are actually drainages for the black, filthy water emanating from the nearby creek
    Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    FULL COPY: http://www.rexfeatures.com/nanolink/sgkr


    A photographer has captured a stark view of the urban economic segregation in South Africa.

    Johnny Miller has used drone technology to take an aerial view of the divide in standards of living between the poor and the wealthy.

    His work highlights how the manicured suburbs of the middle classes sit only several hundred metres away from the ramshackle shanty towns of the poorest members of society.

    An example include a God's-eye view of the picturesque suburbs looking out onto the glistening waters of Lake Michelle, 20km from Cape Town?s city centre. Separated by wetlands, a guard house and an electrified fence, the 38,000 inhabitants of the neighbouring tin shacks of Masiphumelele are a world away.


    (FOTO:DUKAS/REX)

    (c) Dukas

     

  • Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    DUKAS_66962856_REX
    Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    MANDATORY CREDIT: Johnny Miller/Millefoto/Rex Shutterstock. Editorial use only. Only for use in context of 'Unequal Scenes' photo project. Please link to website if possible: www.unequalscenes.com. Strictly no stock, books, advertising or merchandising without photographer's permission
    Mandatory Credit: Photo by Johnny Miller/Millefoto/REX/Shutterstock (5733931o)
    Kya Sands / Bloubosrand. Among leafy trees, shady street corners and swimming pools, you find the middle-class suburb of Bloubosrand. A quick search on Property24 shows that many houses are worth over 1 million rand. Across the street, tin shacks with car tires on their roof extend into the distance. If you look even closer, the main thoroughfares in Kya Sands are actually drainages for the black, filthy water emanating from the nearby creek
    Unequal Scenes: Segregation of urban spaces in South Africa - 2016
    FULL COPY: http://www.rexfeatures.com/nanolink/sgkr


    A photographer has captured a stark view of the urban economic segregation in South Africa.

    Johnny Miller has used drone technology to take an aerial view of the divide in standards of living between the poor and the wealthy.

    His work highlights how the manicured suburbs of the middle classes sit only several hundred metres away from the ramshackle shanty towns of the poorest members of society.

    An example include a God's-eye view of the picturesque suburbs looking out onto the glistening waters of Lake Michelle, 20km from Cape Town?s city centre. Separated by wetlands, a guard house and an electrified fence, the 38,000 inhabitants of the neighbouring tin shacks of Masiphumelele are a world away.


    (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • Colonial house in Key West, Florida, USA
    DUKAS_123859876_RHA
    Colonial house in Key West, Florida, USA
    Colonial house in Key West, Florida, United States of America, North America
    Michael Runkel

     

  • Colonial house in Key West, Florida, USA
    DUKAS_123859871_RHA
    Colonial house in Key West, Florida, USA
    Colonial house in Key West, Florida, United States of America, North America
    Michael Runkel

     

  • Punting on The Backs, River Cam, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    DUKAS_123868720_RHA
    Punting on The Backs, River Cam, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Punting on The Backs, River Cam, Cambridge, Cambridgeshire, England, United Kingdom, Europe
    Alan Copson

     

  • Floral ornaments.
    DUKAS_123858049_RHA
    Floral ornaments.
    Floral ornaments, Schwetzingen, Baden-Wurttemberg, Germany, Europe
    Andy Brandl

     

  • Colonial wooden buildings in Fort Zeelandia in the Unesco world heritage sight Paramaribo, Suriname
    DUKAS_123859731_RHA
    Colonial wooden buildings in Fort Zeelandia in the Unesco world heritage sight Paramaribo, Suriname
    Colonial wooden buildings in Fort Zeelandia, UNESCO World Heritage Site, Paramaribo, Surinam, South America
    Michael Runkel

     

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