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DUKAS_186854481_NUR
Animals Wild Birds Orlando Wetlands
A common gallinule feeds its chick in the shallow waters at Orlando Wetlands Park in Christmas, Florida. These marsh-dwelling birds are known for their strong parental care, often seen feeding and protecting their downy black chicks in dense aquatic vegetation. (Photo by Ronen Tivony/NurPhoto) -
DUKAS_185555412_ZUM
Alligators And Birds At Gatorland
June 2, 2025, Orlando, Florida, USA: A great egret eats a fish at Gatorland in Orlando, Florida. The park's Breeding Marsh serves as a vital rookery, attracting many species of wading birds who nest safely above the alligator inhabited waters. (Credit Image: © Ronen Tivony/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_173750069_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A famille verse lady at her toilette dish Changsha six character mark, Kanji
Estimate HK$300,000 - 400,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750057_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A famille verse lady at her toilette dish Changsha six character mark, Kanji
Estimate HK$300,000 - 400,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750070_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A famille verse lady at her toilette dish Changsha six character mark, Kanji
Estimate HK$300,000 - 400,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750098_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare bronze double chilong brush set
Yuan/Ming Dynasty
HK 50,000 to HK 80,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750068_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare bronze double chilong brush set
Yuan/Ming Dynasty
HK 50,000 to HK 80,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750097_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750087_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750086_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750085_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750067_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750084_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750076_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750078_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750055_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750056_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750077_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_162483384_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: collects of women cocklepickers crossing a bridge on the marsh in 1901.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483389_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign on the marsh notifying the public of the bridge removal.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483398_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: views over the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483392_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: anglers traversing the ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483401_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign outside the viallage appealing for the return of the bridge. The Shoebottom family traversing the ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483383_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign outside the viallage appealing for the return of the bridge. The Shoebottom family traversing the ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483400_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign outside the viallage appealing for the return of the bridge. The Shoebottom family traversing the ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483385_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: The ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483404_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Ian Curtis, villager and campaigner for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483390_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Ian Curtis, villager and campaigner for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483397_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Ian Curtis, villager and campaigner for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483396_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: geese rising on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483399_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Ian Curtis, villager and campaigner for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483391_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Ian Curtis, villager and campaigner for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483387_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: views over the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483403_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: The ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483402_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: The ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483406_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign on the marsh notifying the public of the bridge removal.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483405_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign outside the viallage appealing for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483388_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign outside the viallage appealing for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUK10156162_009
NEWS - Dürre in Spanien: Der Darnius-Boadella-Stausee bei Girona ist nur zu 20% gefüllt
July 30, 2023, Girona, Catalonia, Spain: Recreational boats in the Darnius-Boadella reservoir on July 30, 2023, in Darnius, Girona, Catalonia (Spain). The Darnius-Boadella reservoir is only at 20% of its capacity due to this month's drought. A dry and hot July has caused the reserves in the reservoirs of Catalonia to fall below 28%. For this reason the parish of Darnius and the adult faith group have organized mass next to the reservoir to reflect ''on the drought and the value of water''. The archpriesthood of the Alt Empordàregion, the town councils of Boadella, Escaules, Darnius and Maçanet de Cabrenys (Girona) have also collaborated...30 JULY 2023;MASS;DROUGHT;SHORE;CANOE;MARSH;RESERVOIR;HEAT;CATALUNYA..Lorena Sopêna / Europa Press..07/30/2023 (Credit Image: © Lorena SopêNa/Contacto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUK10156162_008
NEWS - Dürre in Spanien: Der Darnius-Boadella-Stausee bei Girona ist nur zu 20% gefüllt
July 30, 2023, Girona, Catalonia, Spain: Aerial view of the Darnius-Boadella reservoir, on July 30, 2023, in Darnius, Girona, Catalonia (Spain). The Darnius-Boadella reservoir is only at 20% of its capacity due to this month's drought. A dry and hot July has caused the reserves in the reservoirs of Catalonia to fall below 28%. For this reason the parish of Darnius and the adult faith group have organized mass next to the reservoir to reflect ''on the drought and the value of water''. The archpriesthood of the Alt Empordàregion, the town councils of Boadella, Escaules, Darnius and Maçanet de Cabrenys (Girona) have also collaborated...30 JULY 2023;MASS;DROUGHT;SHORE;MARSH;RESERVOIR;HEAT;CATALONIA..Lorena Sopêna / Europa Press..07/30/2023 (Credit Image: © Lorena SopêNa/Contacto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUK10156162_007
NEWS - Dürre in Spanien: Der Darnius-Boadella-Stausee bei Girona ist nur zu 20% gefüllt
July 30, 2023, Girona, Catalonia, Spain: Aerial view of the Darnius-Boadella reservoir, on July 30, 2023, in Darnius, Girona, Catalonia (Spain). The Darnius-Boadella reservoir is only at 20% of its capacity due to this month's drought. A dry and hot July has caused the reserves in the reservoirs of Catalonia to fall below 28%. For this reason the parish of Darnius and the adult faith group have organized mass next to the reservoir to reflect ''on the drought and the value of water''. The archpriesthood of the Alt Empordàregion, the town councils of Boadella, Escaules, Darnius and Maçanet de Cabrenys (Girona) have also collaborated...30 JULY 2023;MASS;DROUGHT;SHORE;MARSH;RESERVOIR;HEAT;CATALONIA..Lorena Sopêna / Europa Press..07/30/2023 (Credit Image: © Lorena SopêNa/Contacto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUK10156162_006
NEWS - Dürre in Spanien: Der Darnius-Boadella-Stausee bei Girona ist nur zu 20% gefüllt
July 30, 2023, Girona, Catalonia, Spain: Aerial view of the Darnius-Boadella reservoir, on July 30, 2023, in Darnius, Girona, Catalonia (Spain). The Darnius-Boadella reservoir is only at 20% of its capacity due to this month's drought. A dry and hot July has caused the reserves in the reservoirs of Catalonia to fall below 28%. For this reason the parish of Darnius and the adult faith group have organized mass next to the reservoir to reflect ''on the drought and the value of water''. The archpriesthood of the Alt Empordàregion, the town councils of Boadella, Escaules, Darnius and Maçanet de Cabrenys (Girona) have also collaborated...30 JULY 2023;MASS;DROUGHT;SHORE;MARSH;RESERVOIR;HEAT;CATALONIA..Lorena Sopêna / Europa Press..07/30/2023 (Credit Image: © Lorena SopêNa/Contacto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUK10156162_005
NEWS - Dürre in Spanien: Der Darnius-Boadella-Stausee bei Girona ist nur zu 20% gefüllt
July 30, 2023, Girona, Catalonia, Spain: Aerial view of the Darnius-Boadella reservoir, on July 30, 2023, in Darnius, Girona, Catalonia (Spain). The Darnius-Boadella reservoir is only at 20% of its capacity due to this month's drought. A dry and hot July has caused the reserves in the reservoirs of Catalonia to fall below 28%. For this reason the parish of Darnius and the adult faith group have organized mass next to the reservoir to reflect ''on the drought and the value of water''. The archpriesthood of the Alt Empordàregion, the town councils of Boadella, Escaules, Darnius and Maçanet de Cabrenys (Girona) have also collaborated...30 JULY 2023;MASS;DROUGHT;SHORE;MARSH;RESERVOIR;HEAT;CATALONIA..Lorena Sopêna / Europa Press..07/30/2023 (Credit Image: © Lorena SopêNa/Contacto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUK10156162_004
NEWS - Dürre in Spanien: Der Darnius-Boadella-Stausee bei Girona ist nur zu 20% gefüllt
July 30, 2023, Girona, Catalonia, Spain: Aerial view of the Darnius-Boadella reservoir, on July 30, 2023, in Darnius, Girona, Catalonia (Spain). The Darnius-Boadella reservoir is only at 20% of its capacity due to this month's drought. A dry and hot July has caused the reserves in the reservoirs of Catalonia to fall below 28%. For this reason the parish of Darnius and the adult faith group have organized mass next to the reservoir to reflect ''on the drought and the value of water''. The archpriesthood of the Alt Empordàregion, the town councils of Boadella, Escaules, Darnius and Maçanet de Cabrenys (Girona) have also collaborated...30 JULY 2023;MASS;DROUGHT;SHORE;MARSH;RESERVOIR;HEAT;CATALONIA..Lorena Sopêna / Europa Press..07/30/2023 (Credit Image: © Lorena SopêNa/Contacto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUK10156162_003
NEWS - Dürre in Spanien: Der Darnius-Boadella-Stausee bei Girona ist nur zu 20% gefüllt
July 30, 2023, Girona, Catalonia, Spain: Aerial view of the Darnius-Boadella reservoir, on July 30, 2023, in Darnius, Girona, Catalonia (Spain). The Darnius-Boadella reservoir is only at 20% of its capacity due to this month's drought. A dry and hot July has caused the reserves in the reservoirs of Catalonia to fall below 28%. For this reason the parish of Darnius and the adult faith group have organized mass next to the reservoir to reflect ''on the drought and the value of water''. The archpriesthood of the Alt Empordàregion, the town councils of Boadella, Escaules, Darnius and Maçanet de Cabrenys (Girona) have also collaborated...30 JULY 2023;MASS;DROUGHT;SHORE;MARSH;RESERVOIR;HEAT;CATALONIA..Lorena Sopêna / Europa Press..07/30/2023 (Credit Image: © Lorena SopêNa/Contacto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUK10156162_002
NEWS - Dürre in Spanien: Der Darnius-Boadella-Stausee bei Girona ist nur zu 20% gefüllt
July 30, 2023, Girona, Catalonia, Spain: Aerial view of the Darnius-Boadella reservoir, on July 30, 2023, in Darnius, Girona, Catalonia (Spain). The Darnius-Boadella reservoir is only at 20% of its capacity due to this month's drought. A dry and hot July has caused the reserves in the reservoirs of Catalonia to fall below 28%. For this reason the parish of Darnius and the adult faith group have organized mass next to the reservoir to reflect ''on the drought and the value of water''. The archpriesthood of the Alt Empordàregion, the town councils of Boadella, Escaules, Darnius and Maçanet de Cabrenys (Girona) have also collaborated...30 JULY 2023;MASS;DROUGHT;SHORE;MARSH;RESERVOIR;HEAT;CATALONIA..Lorena Sopêna / Europa Press..07/30/2023 (Credit Image: © Lorena SopêNa/Contacto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUK10156162_001
NEWS - Dürre in Spanien: Der Darnius-Boadella-Stausee bei Girona ist nur zu 20% gefüllt
July 30, 2023, Girona, Catalonia, Spain: Aerial view of the Darnius-Boadella reservoir, on July 30, 2023, in Darnius, Girona, Catalonia (Spain). The Darnius-Boadella reservoir is only at 20% of its capacity due to this month's drought. A dry and hot July has caused the reserves in the reservoirs of Catalonia to fall below 28%. For this reason the parish of Darnius and the adult faith group have organized mass next to the reservoir to reflect ''on the drought and the value of water''. The archpriesthood of the Alt Empordàregion, the town councils of Boadella, Escaules, Darnius and Maçanet de Cabrenys (Girona) have also collaborated...30 JULY 2023;MASS;DROUGHT;SHORE;MARSH;RESERVOIR;HEAT;CATALONIA..Lorena Sopêna / Europa Press..07/30/2023 (Credit Image: © Lorena SopêNa/Contacto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUKAS_133845612_EYE
Fatal Attraction by James Dearden at Theatre Royal Brighton.
A scene from Fatal Attraction by James Dearden at Theatre Royal Brighton. Directed by Loveday Ingram.
(Opening 14-02-2022)
© Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_133845611_EYE
Fatal Attraction at Theatre Royal Brighton
Oliver Farnworth (Dan Gallagher) and Kym Marsh (Alex Forrest) in Fatal Attraction by James Dearden at Theatre Royal Brighton. Directed by Loveday Ingram.
(Opening 14-02-2022)
© Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUK10145631_024
NEWS - Riesiger Ölteppich verschmutzt Küste von Huntington Beach
Mandatory Credit: Photo by Allen J Schaben/Los Angeles Times/Shutterstock (12524353dj)
An aerial view of the patterns of oil pollution at Huntington State Beach in Huntington Beach Monday, Oct. 4, 2021. Cleanup crews began cleaning up the damage from a major oil spill off the Orange County coast that left crude spoiling beaches, killing fish and birds and threatening local wetlands. The oil slick is believed to have originated from a pipeline leak, pouring 126,000 gallons into the coastal waters and seeping into the Talbert Marsh as lifeguards deployed floating barriers known as booms to try to stop further incursion, said Jennifer Carey, Huntington Beach city spokesperson. At sunrise Sunday, oil was on the sand in some parts of Huntington Beach with slicks visible in the ocean as well. "We classify this as a major spill, and it is a high priority to us to mitigate any environmental concerns," Carey said. "It's all hands on deck." (Allen J. Schaben / Los Angeles Times)
Major oil spill in Huntington Beach, Huntington Beach, California, United States - 04 Oct 2021
(c) Dukas -
