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DUKAS_162333845_EYE
From streets to stage: Colombia's magical dance school in a forest
At its idyllic campus near Cartagena, a school for young dancers aims to break the cycle of violence and poverty suffered by so many in the South American country. The verdict of one pupil? 'It saved me'
In a forest clearing in the verdant outskirts of Cartagena, dancers move slowly to instrumental music, their movements mirroring the swaying of the trees. The performers are members of the Cuerpo de Indias, a professional dance company affiliated with the Colegio del Cuerpo dance school, which earlier this year celebrated the opening of its first permanent home, an outdoor campus 15 minutes north-east of the city.
Occupying four hectares (nine acres) of land donated by the mayor's office of Cartagena, the campus is dotted with striking slatted wooden buildings made from recycled or repurposed materials, including a 12m-high domed performance space shaped like a termite mound, called the Athanor. Around the buildings are sculptures made of wood, shells and scrap metal by the dancer and choreographer Álvaro Restrepo, co-founder of the school.
It is often the first time the dance students, most of whom come from underprivileged and sometimes dangerous urban districts, have spent time in nature.
In 1997, Restrepo and the French-Colombian choreographer Marie-France Delieuvin established the school in response to the civil war - as "an act of resilience" to heal "the wounds of the collective body of Colombia". The pair began by visiting neighbourhoods in Cartagena that were occupied by people displaced by the war, and working with the children there. Now they travel to schools around the country, where they perform, hold workshops and invite children to audition.
Colombia's magical dance school in a forest. A 'topsy-turvy' cabin on the campus used for visiting artists and dancers. Leopoldo J Combariza, the structure's architect, says: 'Not one bush has been moved in the development of this campus. The master plan is nature's plan, not mine'.
© Carlos Sa
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DUKAS_162333855_EYE
From streets to stage: Colombia's magical dance school in a forest
At its idyllic campus near Cartagena, a school for young dancers aims to break the cycle of violence and poverty suffered by so many in the South American country. The verdict of one pupil? 'It saved me'
In a forest clearing in the verdant outskirts of Cartagena, dancers move slowly to instrumental music, their movements mirroring the swaying of the trees. The performers are members of the Cuerpo de Indias, a professional dance company affiliated with the Colegio del Cuerpo dance school, which earlier this year celebrated the opening of its first permanent home, an outdoor campus 15 minutes north-east of the city.
Occupying four hectares (nine acres) of land donated by the mayor's office of Cartagena, the campus is dotted with striking slatted wooden buildings made from recycled or repurposed materials, including a 12m-high domed performance space shaped like a termite mound, called the Athanor. Around the buildings are sculptures made of wood, shells and scrap metal by the dancer and choreographer Álvaro Restrepo, co-founder of the school.
It is often the first time the dance students, most of whom come from underprivileged and sometimes dangerous urban districts, have spent time in nature.
In 1997, Restrepo and the French-Colombian choreographer Marie-France Delieuvin established the school in response to the civil war - as "an act of resilience" to heal "the wounds of the collective body of Colombia". The pair began by visiting neighbourhoods in Cartagena that were occupied by people displaced by the war, and working with the children there. Now they travel to schools around the country, where they perform, hold workshops and invite children to audition.
Colombia's magical dance school in a forest. A striking structure known as the Athanor serves as the main dance studio on campus. Inspired by termite mounds, it houses the main performance stage for the dancers and visiting guests. Here, the architect and his team take a break during construction.
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DUKAS_162333849_EYE
From streets to stage: Colombia's magical dance school in a forest
At its idyllic campus near Cartagena, a school for young dancers aims to break the cycle of violence and poverty suffered by so many in the South American country. The verdict of one pupil? 'It saved me'
In a forest clearing in the verdant outskirts of Cartagena, dancers move slowly to instrumental music, their movements mirroring the swaying of the trees. The performers are members of the Cuerpo de Indias, a professional dance company affiliated with the Colegio del Cuerpo dance school, which earlier this year celebrated the opening of its first permanent home, an outdoor campus 15 minutes north-east of the city.
Occupying four hectares (nine acres) of land donated by the mayor's office of Cartagena, the campus is dotted with striking slatted wooden buildings made from recycled or repurposed materials, including a 12m-high domed performance space shaped like a termite mound, called the Athanor. Around the buildings are sculptures made of wood, shells and scrap metal by the dancer and choreographer Álvaro Restrepo, co-founder of the school.
It is often the first time the dance students, most of whom come from underprivileged and sometimes dangerous urban districts, have spent time in nature.
In 1997, Restrepo and the French-Colombian choreographer Marie-France Delieuvin established the school in response to the civil war - as "an act of resilience" to heal "the wounds of the collective body of Colombia". The pair began by visiting neighbourhoods in Cartagena that were occupied by people displaced by the war, and working with the children there. Now they travel to schools around the country, where they perform, hold workshops and invite children to audition.
Colombia's magical dance school in a forest. Dancers take a break from rehearsals for Espíritu de Pájaro.
© Carlos Saavedra / Guardian / eyevine
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DUKAS_162333857_EYE
From streets to stage: Colombia's magical dance school in a forest
At its idyllic campus near Cartagena, a school for young dancers aims to break the cycle of violence and poverty suffered by so many in the South American country. The verdict of one pupil? 'It saved me'
In a forest clearing in the verdant outskirts of Cartagena, dancers move slowly to instrumental music, their movements mirroring the swaying of the trees. The performers are members of the Cuerpo de Indias, a professional dance company affiliated with the Colegio del Cuerpo dance school, which earlier this year celebrated the opening of its first permanent home, an outdoor campus 15 minutes north-east of the city.
Occupying four hectares (nine acres) of land donated by the mayor's office of Cartagena, the campus is dotted with striking slatted wooden buildings made from recycled or repurposed materials, including a 12m-high domed performance space shaped like a termite mound, called the Athanor. Around the buildings are sculptures made of wood, shells and scrap metal by the dancer and choreographer Álvaro Restrepo, co-founder of the school.
It is often the first time the dance students, most of whom come from underprivileged and sometimes dangerous urban districts, have spent time in nature.
In 1997, Restrepo and the French-Colombian choreographer Marie-France Delieuvin established the school in response to the civil war - as "an act of resilience" to heal "the wounds of the collective body of Colombia". The pair began by visiting neighbourhoods in Cartagena that were occupied by people displaced by the war, and working with the children there. Now they travel to schools around the country, where they perform, hold workshops and invite children to audition.
Colombia's magical dance school in a forest. Dancer's enjoy a freestyle section during a performance at the campus. Here, the newest recruit, Maria de los Angeles Prens, 17, performs her own movements.
© Carlos Saavedra / Guardian / eyevine
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DUKAS_162333853_EYE
From streets to stage: Colombia's magical dance school in a forest
At its idyllic campus near Cartagena, a school for young dancers aims to break the cycle of violence and poverty suffered by so many in the South American country. The verdict of one pupil? 'It saved me'
In a forest clearing in the verdant outskirts of Cartagena, dancers move slowly to instrumental music, their movements mirroring the swaying of the trees. The performers are members of the Cuerpo de Indias, a professional dance company affiliated with the Colegio del Cuerpo dance school, which earlier this year celebrated the opening of its first permanent home, an outdoor campus 15 minutes north-east of the city.
Occupying four hectares (nine acres) of land donated by the mayor's office of Cartagena, the campus is dotted with striking slatted wooden buildings made from recycled or repurposed materials, including a 12m-high domed performance space shaped like a termite mound, called the Athanor. Around the buildings are sculptures made of wood, shells and scrap metal by the dancer and choreographer Álvaro Restrepo, co-founder of the school.
It is often the first time the dance students, most of whom come from underprivileged and sometimes dangerous urban districts, have spent time in nature.
In 1997, Restrepo and the French-Colombian choreographer Marie-France Delieuvin established the school in response to the civil war - as "an act of resilience" to heal "the wounds of the collective body of Colombia". The pair began by visiting neighbourhoods in Cartagena that were occupied by people displaced by the war, and working with the children there. Now they travel to schools around the country, where they perform, hold workshops and invite children to audition.
Colombia's magical dance school in a forest.During performance days on campus, the students incorporate the sculptures into their dances. Top: Lesideth Ortega, 18, rests briefly on a wooden sculpture; bottom: Sharith Puello, 19, and Marcela Pineda, 20, during a recital 'in dialogue with nature'.
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162333847_EYE
From streets to stage: Colombia's magical dance school in a forest
At its idyllic campus near Cartagena, a school for young dancers aims to break the cycle of violence and poverty suffered by so many in the South American country. The verdict of one pupil? 'It saved me'
In a forest clearing in the verdant outskirts of Cartagena, dancers move slowly to instrumental music, their movements mirroring the swaying of the trees. The performers are members of the Cuerpo de Indias, a professional dance company affiliated with the Colegio del Cuerpo dance school, which earlier this year celebrated the opening of its first permanent home, an outdoor campus 15 minutes north-east of the city.
Occupying four hectares (nine acres) of land donated by the mayor's office of Cartagena, the campus is dotted with striking slatted wooden buildings made from recycled or repurposed materials, including a 12m-high domed performance space shaped like a termite mound, called the Athanor. Around the buildings are sculptures made of wood, shells and scrap metal by the dancer and choreographer Álvaro Restrepo, co-founder of the school.
It is often the first time the dance students, most of whom come from underprivileged and sometimes dangerous urban districts, have spent time in nature.
In 1997, Restrepo and the French-Colombian choreographer Marie-France Delieuvin established the school in response to the civil war - as "an act of resilience" to heal "the wounds of the collective body of Colombia". The pair began by visiting neighbourhoods in Cartagena that were occupied by people displaced by the war, and working with the children there. Now they travel to schools around the country, where they perform, hold workshops and invite children to audition.
Colombia's magical dance school in a forest. During performance days on campus, the students incorporate the sculptures into their dances. Top: Lesideth Ortega, 18, rests briefly on a wooden sculpture; bottom: Sharith Puello, 19, and Marcela Pineda, 20, during a recital 'in dialogue with nature'.
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162333846_EYE
From streets to stage: Colombia's magical dance school in a forest
At its idyllic campus near Cartagena, a school for young dancers aims to break the cycle of violence and poverty suffered by so many in the South American country. The verdict of one pupil? 'It saved me'
In a forest clearing in the verdant outskirts of Cartagena, dancers move slowly to instrumental music, their movements mirroring the swaying of the trees. The performers are members of the Cuerpo de Indias, a professional dance company affiliated with the Colegio del Cuerpo dance school, which earlier this year celebrated the opening of its first permanent home, an outdoor campus 15 minutes north-east of the city.
Occupying four hectares (nine acres) of land donated by the mayor's office of Cartagena, the campus is dotted with striking slatted wooden buildings made from recycled or repurposed materials, including a 12m-high domed performance space shaped like a termite mound, called the Athanor. Around the buildings are sculptures made of wood, shells and scrap metal by the dancer and choreographer Álvaro Restrepo, co-founder of the school.
It is often the first time the dance students, most of whom come from underprivileged and sometimes dangerous urban districts, have spent time in nature.
In 1997, Restrepo and the French-Colombian choreographer Marie-France Delieuvin established the school in response to the civil war - as "an act of resilience" to heal "the wounds of the collective body of Colombia". The pair began by visiting neighbourhoods in Cartagena that were occupied by people displaced by the war, and working with the children there. Now they travel to schools around the country, where they perform, hold workshops and invite children to audition.
Colombia's magical dance school in a forest. During performance days on campus, the students incorporate the sculptures into their dances. Top: Lesideth Ortega, 18, rests briefly on a wooden sculpture; bottom: Sharith Puello, 19, and Marcela Pineda, 20, during a recital 'in dialogue with nature'.
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162333858_EYE
From streets to stage: Colombia's magical dance school in a forest
At its idyllic campus near Cartagena, a school for young dancers aims to break the cycle of violence and poverty suffered by so many in the South American country. The verdict of one pupil? 'It saved me'
In a forest clearing in the verdant outskirts of Cartagena, dancers move slowly to instrumental music, their movements mirroring the swaying of the trees. The performers are members of the Cuerpo de Indias, a professional dance company affiliated with the Colegio del Cuerpo dance school, which earlier this year celebrated the opening of its first permanent home, an outdoor campus 15 minutes north-east of the city.
Occupying four hectares (nine acres) of land donated by the mayor's office of Cartagena, the campus is dotted with striking slatted wooden buildings made from recycled or repurposed materials, including a 12m-high domed performance space shaped like a termite mound, called the Athanor. Around the buildings are sculptures made of wood, shells and scrap metal by the dancer and choreographer Álvaro Restrepo, co-founder of the school.
It is often the first time the dance students, most of whom come from underprivileged and sometimes dangerous urban districts, have spent time in nature.
In 1997, Restrepo and the French-Colombian choreographer Marie-France Delieuvin established the school in response to the civil war - as "an act of resilience" to heal "the wounds of the collective body of Colombia". The pair began by visiting neighbourhoods in Cartagena that were occupied by people displaced by the war, and working with the children there. Now they travel to schools around the country, where they perform, hold workshops and invite children to audition.
Colombia's magical dance school in a forest.During performance days on campus, the students incorporate the sculptures into their dances. Top: Lesideth Ortega, 18, rests briefly on a wooden sculpture; bottom: Sharith Puello, 19, and Marcela Pineda, 20, during a recital 'in dialogue with nature'.
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DUKAS_133172317_EYE
The Nutcracker by The Royal Ballet
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DUKAS_130556847_EYE
Comany B by American Ballet Theatre
A scene from Comany B by American Ballet Theatre at Sadler's Wells.
(Opening 2-02-11)
01/11
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DUKAS_130556849_EYE
The Snow Queen by English National Ballet
Daria Klimentova (The Snow Queen) in The Snow Queen by English National Ballet at London Coliseum
(Opening 08-01-10)
01/10
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DUKAS_130556845_EYE
Tales Of Beatrix Potter from The Triple Bill by The Royal Ballet
A scene from Tales Of Beatrix Potter from The Triple Bill by The Royal Ballet at Royal Opera House
(Opening 16-12-10)
12/10
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DUKAS_130556852_EYE
Carmen from the Triple Bill by The Royal Ballet
Tamara Rojo (Carmen) in Carmen from the Triple Bill by The Royal Ballet at Royal Opera House
(opening 31-01-09)
(01-09)
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DUKAS_130849840_EYE
"West Side Story Suite" from Programme Four by New York City Ballet
Georgina Pazcoguin (Anita), centre, in "West Side Story Suite" from Programme Four by New York City Ballet
(Opening 19-03-08)
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DUKAS_130556843_EYE
"The Rite Of Spring" from the "Triple Bill" by The Royal Ballet
Mara Galeazzi in "The Rite Of Spring" from the "Triple Bill" by The Royal Ballet at Royal Opera House
(opening 2-02-08)
(02-08)
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DUKAS_130556844_EYE
"Don Quixote" by Bolshoi Ballet
Natalia Osipova in "Don Quixote" by Bolshoi Ballet at London coliseum
(opening 9-08-07)
(08-07)
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DUKAS_119493069_EYE
The Royal Ballet
Darcey Bussell, Jonathan Cope, Deborah Bull in Apollo part of the Mixed Programme by The Royal Ballet @ ROH.
(Opened 23-11-1995)
11/95
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DUKAS_177492864_EYE
‘You very rarely see men moving together like this’: Matthew Bourne on 30 years of his radical Swan Lake
Three decades after he first adapted TchaikovskyÕs classic, the choreographerÕs reimagining of Swan Lake with an all-male corps is back for an anniversary tour. At rehearsals with the new cast, he and his original team tell the story of a show that stunned audiences
Adam Cooper (The Swan), centre and Scott Ambler (The Prince), front, in Swan Lake by Matthew Bourne at the Sadler's Wells, London. An Adventures In Motion Pictures production.
(Opening 14-11-1995)
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DUKAS_177492839_EYE
‘You very rarely see men moving together like this’: Matthew Bourne on 30 years of his radical Swan Lake
Three decades after he first adapted TchaikovskyÕs classic, the choreographerÕs reimagining of Swan Lake with an all-male corps is back for an anniversary tour. At rehearsals with the new cast, he and his original team tell the story of a show that stunned audiences
Adam Cooper (The Swan), centre, in Swan Lake by Matthew Bourne at the Sadler's Wells, London. An Adventures In Motion Pictures production.
(Opening 14-11-1995)
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DUKAS_119493064_EYE
The Royal Ballet
Deborah Bull (Odette/Odile) and William Trevitt (Prince Siegfried) in Swan Lake by The Royal Ballet @ ROH.
(Opened 21-10-1995)
10/95
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DUKAS_119493070_EYE
The Royal Ballet
Irek Mukhamedov (Romeo) and Viviana Durante (Juliet) in Romeo and Juliet by The Royal Ballet @ ROH
(Opened 21-07-1992)
07/92
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DUKAS_119493063_EYE
The Royal Ballet
Stephen Wicks (Monsieur G M), Darcey Bussell (Manon) and Adam Cooper (Lescaut) in Manon (choreographed by Kenneth MacMillan) by The Royal Ballet @ ROH
(Opened 26-02-1992)
02/92
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DUKAS_119493065_EYE
The Royal Ballet
Sylvie Guillem and Laurent Hilaire in In The Middle Somewhat Elevated part of TheTriple Bill, Scenes De Ballet, Monotones and In The Middle Somewhat Elevated, by The Royal Ballet @ ROH.
(Opened 13-02-1992)
02/92
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DUKAS_119493085_EYE
The Royal Ballet
Karen Paisey, Ashley Page and Fiona Chadwick in Monotones I part of The Triple Bill, Scenes De Ballet, Monotones and In The Middle Somewhat Elevated, by The Royal Ballet @ ROH.
(Opened 13-02-1992)
02/92
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DUKAS_119493088_EYE
The Royal Ballet
Eddie J Shellman and Darcey Bussell in the pas de deux from Agon, part of the Mixed Programme by The Royal Ballet @ ROH.
(Opened 20-11-1991)
11/91
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DUKAS_119493071_EYE
The Royal Ballet
Viviana Durante and Stuart Cassidy in Thais Pas De Deux part of the Triple Bill by The Royal Ballet @ ROH.
(Opened 30-10-1991)
10/91
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DUKAS_119493083_EYE
The Royal Ballet
Belinda Hatley in Danses Concertantes part of the Double Bill by The Royal Ballet @ ROH.
(Opened 08-02-1991)
02/91
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DUKAS_119493081_EYE
The Royal Ballet
Nicola Roberts, Darcey Bussell and Adam Cooper in Bloodlines by Ashley Page, part of the Triple Bill by The Royal Ballet @ ROH.
(Opened 29-11-1990)
11/90
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DUKAS_119493086_EYE
The Royal Ballet
Jonathan Cope in Pursuit part of the Triple Bill by The Royal Ballet @ ROH.
(Opened 28-04-1990)
04/90
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DUKAS_119493073_EYE
The Royal Ballet
Jonathan Cope in Frankenstein, The Modern Prometheus part of the Triple Bill by The Royal Ballet @ ROH.
(Opened 09-11-1989)
11/89
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DUKAS_119493084_EYE
The Royal Ballet
Darcey Bussell in Capriccio For The Piano And Orchestra from the Triple Bill by The Royal Ballet @ Royal Opera House.
(Opening 14-03-1989)
03-89
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DUKAS_119493082_EYE
The Royal Ballet
Darcey Bussell, centre, in Capriccio For The Piano And Orchestra from the Triple Bill by The Royal Ballet @ Royal Opera House.
(Opening 14-03-1989)
03-89
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DUKAS_119493072_EYE
The Royal Ballet
Monica Mason (Carabosse), kneeling, and Genesia Rosato (The Lilac Fairy) in The Sleeping Beauty by The Royal Ballet @ ROH.
(Opened 04-11-1988)
11/88
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DUKAS_119493074_EYE
The Royal Ballet
Stephen Jefferies (Prometheus) in The Trial Of Prometheus (choreographed by David Bintley) from the Triple Bill by The Royal Ballet @ Royal Opera House.
(Opening 20-10-1988)
10-88
© Tristram Kenton / Guardian / eyevine
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