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DUK10146174_020
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_019
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_018
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_017
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_016
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_015
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_014
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_013
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_012
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_011
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_010
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_009
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_008
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_007
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_006
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_005
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_004
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_003
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_002
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_001
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10129990_008
NEWS - Coronavirus: Mikroskopische Bilder des Coronavirus, das für den Ausbruch von COVID-19 verantwortlich ist
Ferrari Press Agency
Virus images 1
17/3/20
Ref 11526
See Ferrari text
Picture credit: NIAID-RML
These stunning microscopic images show the coronavirus responsible for the COVID-19 outbreak.The shapes and colours look more like abstract art works than deadly infection.They were made by the USA government’s National Institute of Allergy and Infectious Diseases on its scanning and transmission electron microscopes at its Rocky Mountain Laboratories in Montana.Rocky Mountain Lab investigator Emmie de Wit provided the virus samples as part of her studies.Microscopist Elizabeth Fischer produced the images, and the Rocky Mountain Lab visual medical arts office digitally colourised the images.SARS-CoV-2 causes COVID-19 disease, which has grown to be a global public health emergency since cases were first detected in Wuhan, China, in December 2019.
OPS:his transmission electron microscope image shows SARS-CoV-2—also known as 2019-nCoV, the virus that causes COVID-19—isolated from a patient in the U.S. Virus particles are shown emerging from the surface of cells cultured in the lab. The spikes on the outer edge of the virus particles give coronaviruses their name, crown-like.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10129990_007
NEWS - Coronavirus: Mikroskopische Bilder des Coronavirus, das für den Ausbruch von COVID-19 verantwortlich ist
Ferrari Press Agency
Virus images 1
17/3/20
Ref 11526
See Ferrari text
Picture credit: NIAID-RML
These stunning microscopic images show the coronavirus responsible for the COVID-19 outbreak.The shapes and colours look more like abstract art works than deadly infection.They were made by the USA government’s National Institute of Allergy and Infectious Diseases on its scanning and transmission electron microscopes at its Rocky Mountain Laboratories in Montana.Rocky Mountain Lab investigator Emmie de Wit provided the virus samples as part of her studies.Microscopist Elizabeth Fischer produced the images, and the Rocky Mountain Lab visual medical arts office digitally colourised the images.SARS-CoV-2 causes COVID-19 disease, which has grown to be a global public health emergency since cases were first detected in Wuhan, China, in December 2019.
OPS:his scanning electron microscope image shows SARS-CoV-2 (yellow)—also known as 2019-nCoV, the virus that causes COVID-19—isolated from a patient in the U.S., emerging from the surface of cells (blue/pink) cultured in the lab.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10129990_006
NEWS - Coronavirus: Mikroskopische Bilder des Coronavirus, das für den Ausbruch von COVID-19 verantwortlich ist
Ferrari Press Agency
Virus images 1
17/3/20
Ref 11526
See Ferrari text
Picture credit: NIAID-RML
These stunning microscopic images show the coronavirus responsible for the COVID-19 outbreak.The shapes and colours look more like abstract art works than deadly infection.They were made by the USA government’s National Institute of Allergy and Infectious Diseases on its scanning and transmission electron microscopes at its Rocky Mountain Laboratories in Montana.Rocky Mountain Lab investigator Emmie de Wit provided the virus samples as part of her studies.Microscopist Elizabeth Fischer produced the images, and the Rocky Mountain Lab visual medical arts office digitally colourised the images.SARS-CoV-2 causes COVID-19 disease, which has grown to be a global public health emergency since cases were first detected in Wuhan, China, in December 2019.
OPS:his transmission electron microscope image shows SARS-CoV-2—also known as 2019-nCoV, the virus that causes COVID-19—isolated from a patient in the U.S. Virus particles are shown emerging from the surface of cells cultured in the lab. The spikes on the outer edge of the virus particles give coronaviruses their name, crown-like.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10129990_005
NEWS - Coronavirus: Mikroskopische Bilder des Coronavirus, das für den Ausbruch von COVID-19 verantwortlich ist
Ferrari Press Agency
Virus images 1
17/3/20
Ref 11526
See Ferrari text
Picture credit: NIAID-RML
These stunning microscopic images show the coronavirus responsible for the COVID-19 outbreak.The shapes and colours look more like abstract art works than deadly infection.They were made by the USA government’s National Institute of Allergy and Infectious Diseases on its scanning and transmission electron microscopes at its Rocky Mountain Laboratories in Montana.Rocky Mountain Lab investigator Emmie de Wit provided the virus samples as part of her studies.Microscopist Elizabeth Fischer produced the images, and the Rocky Mountain Lab visual medical arts office digitally colourised the images.SARS-CoV-2 causes COVID-19 disease, which has grown to be a global public health emergency since cases were first detected in Wuhan, China, in December 2019.
OPS:This scanning electron microscope image shows SARS-CoV-2 (yellow)—also known as 2019-nCoV, the virus that causes COVID-19—isolated from a patient in the U.S., emerging from the surface of cells (pink) cultured in the lab.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10129990_004
NEWS - Coronavirus: Mikroskopische Bilder des Coronavirus, das für den Ausbruch von COVID-19 verantwortlich ist
Ferrari Press Agency
Virus images 1
17/3/20
Ref 11526
See Ferrari text
Picture credit: NIAID-RML
These stunning microscopic images show the coronavirus responsible for the COVID-19 outbreak.The shapes and colours look more like abstract art works than deadly infection.They were made by the USA government’s National Institute of Allergy and Infectious Diseases on its scanning and transmission electron microscopes at its Rocky Mountain Laboratories in Montana.Rocky Mountain Lab investigator Emmie de Wit provided the virus samples as part of her studies.Microscopist Elizabeth Fischer produced the images, and the Rocky Mountain Lab visual medical arts office digitally colourised the images.SARS-CoV-2 causes COVID-19 disease, which has grown to be a global public health emergency since cases were first detected in Wuhan, China, in December 2019.
OPS:This scanning electron microscope image shows SARS-CoV-2 (round magenta objects) emerging from the surface of cells cultured in the lab. SARS-CoV-2, also known as 2019-nCoV, is the virus that causes COVID-19. The virus shown was isolated from a patient in the U.S.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10129990_003
NEWS - Coronavirus: Mikroskopische Bilder des Coronavirus, das für den Ausbruch von COVID-19 verantwortlich ist
Ferrari Press Agency
Virus images 1
17/3/20
Ref 11526
See Ferrari text
Picture credit: NIAID-RML
These stunning microscopic images show the coronavirus responsible for the COVID-19 outbreak.The shapes and colours look more like abstract art works than deadly infection.They were made by the USA government’s National Institute of Allergy and Infectious Diseases on its scanning and transmission electron microscopes at its Rocky Mountain Laboratories in Montana.Rocky Mountain Lab investigator Emmie de Wit provided the virus samples as part of her studies.Microscopist Elizabeth Fischer produced the images, and the Rocky Mountain Lab visual medical arts office digitally colourised the images.SARS-CoV-2 causes COVID-19 disease, which has grown to be a global public health emergency since cases were first detected in Wuhan, China, in December 2019.
OPS:This scanning electron microscope image shows SARS-CoV-2 (orange)—also known as 2019-nCoV, the virus that causes COVID-19—isolated from a patient in the U.S., emerging from the surface of cells (green) cultured in the lab.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10129990_002
NEWS - Coronavirus: Mikroskopische Bilder des Coronavirus, das für den Ausbruch von COVID-19 verantwortlich ist
Ferrari Press Agency
Virus images 1
17/3/20
Ref 11526
See Ferrari text
Picture credit: NIAID-RML
These stunning microscopic images show the coronavirus responsible for the COVID-19 outbreak.The shapes and colours look more like abstract art works than deadly infection.They were made by the USA government’s National Institute of Allergy and Infectious Diseases on its scanning and transmission electron microscopes at its Rocky Mountain Laboratories in Montana.Rocky Mountain Lab investigator Emmie de Wit provided the virus samples as part of her studies.Microscopist Elizabeth Fischer produced the images, and the Rocky Mountain Lab visual medical arts office digitally colourised the images.SARS-CoV-2 causes COVID-19 disease, which has grown to be a global public health emergency since cases were first detected in Wuhan, China, in December 2019.
OPS:This scanning electron microscope image shows SARS-CoV-2 (round gold objects) emerging from the surface of cells cultured in the lab. SARS-CoV-2, also known as 2019-nCoV, is the virus that causes COVID-19. The virus shown was isolated from a patient in the U.S.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUK10129990_001
NEWS - Coronavirus: Mikroskopische Bilder des Coronavirus, das für den Ausbruch von COVID-19 verantwortlich ist
Ferrari Press Agency
Virus images 1
17/3/20
Ref 11526
See Ferrari text
Picture credit: NIAID-RML
These stunning microscopic images show the coronavirus responsible for the COVID-19 outbreak.The shapes and colours look more like abstract art works than deadly infection.They were made by the USA government’s National Institute of Allergy and Infectious Diseases on its scanning and transmission electron microscopes at its Rocky Mountain Laboratories in Montana.Rocky Mountain Lab investigator Emmie de Wit provided the virus samples as part of her studies.Microscopist Elizabeth Fischer produced the images, and the Rocky Mountain Lab visual medical arts office digitally colourised the images.SARS-CoV-2 causes COVID-19 disease, which has grown to be a global public health emergency since cases were first detected in Wuhan, China, in December 2019.
OPS:This transmission electron microscope image shows SARS-CoV-2—also known as 2019-nCoV, the virus that causes COVID-19. isolated from a patient in the U.S., emerging from the surface of cells cultured in the lab.
Picture supplied by Ferrari (FOTO: DUKAS/FERRARI PRESS)
(c) Dukas -
DUKAS_33376530_BNP
dukas 33376530 bnp
BNPS.co.uk (01202) 558833
Picture: RPS/David Scharf
**please use full byline/single use only**
Human Lymphocyte Cell 8,650X by David Scharf. These natural killer Lymphocyte cells are a part of the immune system and play a major role in defending the host from both tumors and virally-infected cells.
Stunning photographs from the prestigious Royal Photographic Society's latest exhibition prove that science and beauty can co-exist. There 100 sensational images come from various disciplines of science and highlight how important photography is for academics. Photography plays a crucial role in medicine, forensic science, engineering, archaeology, oceanography, natural history and many more areas. The International Images for Science exhibition launches at the Great North Museum in Hancock, Newcastle, tomorrow (Sat), and showcases works from 54 scientists from around the world.
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Shinya Yamanaka research work at the Univeristy of California, San Francisco, America - 2012
Mandatory Credit: Photo by Rex Features (1900318a)
Work of Shinya Yamanaka. In this microscopic image, human skin cells are being reprogrammed into brain cells. The red cells are just becoming neurons, while the green cells are further along in the same process.
Shinya Yamanaka research work at the Univeristy of California, San Francisco, America - 2012
Shinya Yamanaka, of the Gladstone Institute, Univeristy of California, San Franciso, has won the 2012 Nobel Prize for Physiology or Medicine.
(FOTO:DUKAS/REX)
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DUKAS_18334519_REX
Microscopic sculpture of Prince William and Kate Middleton by Willard Wigan, Birmingham, Britain - 27 Apr 2011
Mandatory Credit: Photo by NTI Media Ltd / Rex Features ( 1310288a )
Tiny Tribute To Royal Wedding
An artist has paid microscopic tribute to the royal wedding.
Willard Wigan has created a sculpture of Prince William and Catherine Middleton so small it can fit in the eye of a needle.
In the tiny artwork the couple can be seen arm-in-arm, with Kate wearing her famous blue Issa engagement dress.
Birmingham artist Willard said his aim was to create "the smallest, biggest tribute" to the couple on their wedding day.
Willard is famous for his micro-sculptures, which can only be seen clearly through a microscope.
For his Wills and Kate tribute he sculpted a tiny piece of synthetic fibre which he then painted using a single eyelash.
Previously he has immortalised the likes of Barack Obama in miniature as well as inscribing the Lord's Prayer on a pin-head.
MUST CREDIT PHOTOS BY: NTI Media Ltd / Rex Features
For more information visit http://www.rexfeatures.com/stacklink/QUMNNJRVF (FOTO:DUKAS/REX) -
DUKAS_18334518_REX
Microscopic sculpture of Prince William and Kate Middleton by Willard Wigan, Birmingham, Britain - 27 Apr 2011
Mandatory Credit: Photo by NTI Media Ltd / Rex Features ( 1310288b )
Tiny Tribute To Royal Wedding
An artist has paid microscopic tribute to the royal wedding.
Willard Wigan has created a sculpture of Prince William and Catherine Middleton so small it can fit in the eye of a needle.
In the tiny artwork the couple can be seen arm-in-arm, with Kate wearing her famous blue Issa engagement dress.
Birmingham artist Willard said his aim was to create "the smallest, biggest tribute" to the couple on their wedding day.
Willard is famous for his micro-sculptures, which can only be seen clearly through a microscope.
For his Wills and Kate tribute he sculpted a tiny piece of synthetic fibre which he then painted using a single eyelash.
Previously he has immortalised the likes of Barack Obama in miniature as well as inscribing the Lord's Prayer on a pin-head.
MUST CREDIT PHOTOS BY: NTI Media Ltd / Rex Features
For more information visit http://www.rexfeatures.com/stacklink/QUMNNJRVF (FOTO:DUKAS/REX)