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DUKAS_171324927_EYE
The Merry Widow review - De Niese and Olvera are compelling, but camp fun stifles subtlety
Double entendres, extra dialogue and sight gags ensure that Cal McCrystal's new staging entertains, but it's at the expense of emotional power. In the pit, John Wilson is superlative, likewise German Olvera's charismatic Danilo.
Danielle de Niese (Hanna Glawari) and Germ·n Olvera (Count Danilo Danilovitsch) in The Merry Widow by Franz Leh·r at the Glyndebourne. Directed by Cal McCrystal. Conducted by John Wilson. Designer, Gary McCann. Choreographer, Carrie-Anne Ingrouille. Lighting Designer, Ben Cracknell.
(Opening 09-06-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_171324923_EYE
The Merry Widow review - De Niese and Olvera are compelling, but camp fun stifles subtlety
Double entendres, extra dialogue and sight gags ensure that Cal McCrystal's new staging entertains, but it's at the expense of emotional power. In the pit, John Wilson is superlative, likewise German Olvera's charismatic Danilo.
Germ·n Olvera (Count Danilo Danilovitsch) and Thomas Allen (Baron Mirko Zeta), front, in The Merry Widow by Franz Leh·r at the Glyndebourne. Directed by Cal McCrystal. Conducted by John Wilson. Designer, Gary McCann. Choreographer, Carrie-Anne Ingrouille. Lighting Designer, Ben Cracknell.
(Opening 09-06-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_171324887_EYE
The Merry Widow review - De Niese and Olvera are compelling, but camp fun stifles subtlety
Double entendres, extra dialogue and sight gags ensure that Cal McCrystal's new staging entertains, but it's at the expense of emotional power. In the pit, John Wilson is superlative, likewise German Olvera's charismatic Danilo.
Danielle de Niese (Hanna Glawari), centre, in The Merry Widow by Franz Leh·r at the Glyndebourne. Directed by Cal McCrystal. Conducted by John Wilson. Designer, Gary McCann. Choreographer, Carrie-Anne Ingrouille. Lighting Designer, Ben Cracknell.
(Opening 09-06-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_166003719_EYE
The Barber of Seville review - Miller's 1987 staging still sparkles
Rossini's comedy is engaging, warm and witty in this revival of Jonathan MillerÕs staging with Charles Rice's Figaro dominating - as he should.
A scene from The Barber Of Seville by Rossini at the London Coliseum. An English National Opera Production. Conducted by Roderick Cox. Directed by Jonathan Miller.
(Opening 12-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_166217347_EYE
The Barber of Seville review - Miller's 1987 staging still sparkles
RossiniÕs comedy is engaging, warm and witty in this revival of Jonathan MillerÕs staging with Charles RiceÕs Figaro dominating Ð as he should
Charles Rice (Figaro) and Anna Devin (Rosina) in The Barber Of Seville by Rossini at the London Coliseum. An English National Opera Production. Conducted by Roderick Cox. Directed by Jonathan Miller.
(Opening 12-02-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_166003713_EYE
The Barber of Seville review - Miller's 1987 staging still sparkles
Rossini's comedy is engaging, warm and witty in this revival of Jonathan Miller’s staging with Charles Rice's Figaro dominating - as he should.
Innocent Masuku (Count Almaviva) and Charles Rice (Figaro) in The Barber Of Seville by Rossini at the London Coliseum. An English National Opera Production. Conducted by Roderick Cox. Directed by Jonathan Miller.
(Opening 12-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_147242927_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
A scene from The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_146778692_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Anthony Gregory (Colonel Fairfax), right, in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_146778683_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Neal Davies (Sergeant Meryll Of The Yeoman), centre, in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_147242943_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Steven Page (Sir Richard Cholmondeley), Alexandra Oomens (Elsie Maynard) and Richard McCabe (Jack Point) in Yeoman Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_146778690_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Alexandra Oomens (Elsie Maynard), Steven Page (Sir Richard Cholmondeley) and Richard McCabe (Jack Point) in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_147242949_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
A scene from Yeoman Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_146778682_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
Richard McCabe (Jack Point) in The Yeomen Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_147242930_EYE
The Yeomen of the Guard review - tonal uncertainties but G&S update has plenty to enjoy
Jo Davies' 1950-set staging of the late G&S opera may not fully cohere but musically we're in excellent hands and Richard McCabe's is a moving - and sweatily desperate - Jack Point.
Set squarely in the 16th century, this late work by Gilbert and Sullivan uses the conventions of romantic opera of the 19th century. Director Jo Davies, however, updates the action to the 20th century at the time of Elizabeth II's coronation.
A scene from Yeoman Of The Guard by Gilbert & Sullivan at the Coliseum. Directed by Jo Davies. Conductor, Chris Hopkins.
(Opening 03-11-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved.