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DUKAS_187953883_NUR
Panchadan Festival In Bhaktapur
Nepali devotees carry the statues of Dipankar Buddha through the ancient city of Bhaktapur in Bhaktapur, Nepal, on August 21, 2025, during the Panchadan festival. On this day, Buddhist artifacts are displayed in monasteries and households, and giant idols of Dipankara Buddhas are paraded around town. (Photo by Sanjit Pariyar/NurPhoto) -
DUKAS_187953881_NUR
Panchadan Festival In Bhaktapur
Nepali devotees carry the statues of Dipankar Buddha through the ancient city of Bhaktapur in Bhaktapur, Nepal, on August 21, 2025, during the Panchadan festival. On this day, Buddhist artifacts are displayed in monasteries and households, and giant idols of Dipankara Buddhas are paraded around town. (Photo by Sanjit Pariyar/NurPhoto) -
DUKAS_187451517_NUR
Daily Life In Old Quebec City
A statue and picture of Lord Buddha are above bowls and cups on a wooden shelf at a shop in Old Quebec City, Quebec, Canada, on June 27, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_165416995_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
The repatriated stone head of Saraswati that was repatriated from the USA in 1999. The statue is in the temporary exhibition section of repatriated heritage in the National Museum.
Nabin Baral / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416991_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
The repatriated wooden statue Nritya Devi of the 15th century from the USA. The statue was stolen from Ibahabahi, Patan, Lalitpur District of Nepal.The statue is in the temporary exhibition section of repatriated heritage in the National Museum.
Nabin Baral / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416997_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
Saubhagya Pradhananga, Director General, Department of Archaeology , Ramshah Path, Kathmandu Nepal.
Nabin Baral / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416989_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
Historical stone statue of god and goddesses is protected inside the iron bars from possible theft in the background and on the lower right corner there lies a left stone Jalhari after the main statue of Vishnu was stolen and now the statue is in the Guimet Museum in France. Chyasa Hiti in Patan, Lalitpur District Nepal.
Nabin Baral / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416992_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
Sanjaya Adhikari shows a Metallic statue of Laxminarayan with the Hiti at Sundari Chock of Patan Durbar Square in Lalitpur District of nepal. The statue with Hiti is a replica and the main statue with Hiti was stolen and found . Now it's in the National Museum in Chauni , Kathmandu. . Advocate Sanjay Adhikari is a Public Interest Litigator for issues pertaining to Natural and Cultural Heritage across Nepal. He is the primary coordinator for the Social Responsive Litigation Clinic and is an associated with Kathmandu School of Law where he teaches Conservation Law.
Nabin Baral / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416990_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
Art on the wooden pillar at Patan Museum at the Patan Durbar Square in lalitpur, Nepal.
Nabin Baral / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416996_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
Protection measures with iron bars are used to protect a two century old bell from possible theft in front of a Ganesh temple by the side of the temple of Laxmi Narayan in Lalitpur District of Nepal.
Nabin Baral / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416998_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
Bhairaja Shrestha,81 years old, a local heritage conservationist and the caretaker of the temple of Laxmi Narayan in Lalitpur District of Nepal. He says that he is really happy that the statue came back home.
Nabin Baral / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416993_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
Bal Kumari Shrestha from Lalitpur Metropolitan City ward no 16 from Patan, worships the returned statue of Laxmi-Narayan early morning at the temple of Laxmi Narayan in Lalitpur District of Nepal.
Nabin Baral / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416999_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
Bal Kumari Shrestha from Lalitpur Metropolitan City ward no 16 from Patan, worships the returned statue of Laxmi-Narayan early morning at the temple of Laxmi Narayan in Lalitpur District of Nepal.
Nabin Baral / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_165416994_EYE
'Our god was locked in a US museum': the heritage hunters bringing home Nepal's lost treasures
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
Thousands of ancient artefacts have been taken out of the country. These Nepalese citizens are determined to get them back.
The past few years has seen a concerted effort by Nepali heritage hunters to get these objects back where they belong, helped by the changing attitudes of western governments and institutions, which have become more willing to return disputed artefacts.
Sanjaya Adhikari poses for a portrait in front of Laxmi Narayan Temple in Lalitpur District of nepal.
He played a major role in the return of the main statue of Laxmi-Narayan.
Advocate Sanjay Adhikari is a Public Interest Litigator for issues pertaining to Natural and Cultural Heritage across Nepal. He is the primary coordinator for the Social Responsive Litigation Clinic and is an associated with Kathmandu School of Law where he teaches Conservation Law.
Nabin Baral / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
Nabin Baral -
DUKAS_160071337_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Senior elder Noeleen Lalara |centre) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071321_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Deborah Worsley with senior elder Noeleen Lalara and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection - which was originally brought to the UK by Worsley’s father Peter Worsley - is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071323_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Senior elder Noeleen Lalara |centre) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071332_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Senior elder Noeleen Lalara |centre) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071333_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Senior elder Noeleen Lalara |centre) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071330_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Senior elder Noeleen Lalara |centre) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071329_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Deborah Worsley with senior elder Noeleen Lalara (right) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection - which was originally brought to the UK by Worsley’s father Peter Worsley - is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071331_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Deborah Worsley with senior elder Noeleen Lalara (right) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection - which was originally brought to the UK by Worsley’s father Peter Worsley - is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071335_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Deborah Worsley with senior elder Noeleen Lalara (right) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection - which was originally brought to the UK by Worsley’s father Peter Worsley - is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071324_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Deborah Worsley with senior elder Noeleen Lalara (right) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection - which was originally brought to the UK by Worsley’s father Peter Worsley - is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071327_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Deborah Worsley with senior elder Noeleen Lalara (right) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection - which was originally brought to the UK by Worsley’s father Peter Worsley - is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071336_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Deborah Worsley with senior elder Noeleen Lalara and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection - which was originally brought to the UK by Worsley’s father Peter Worsley - is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
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DUKAS_160071328_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Deborah Worsley with senior elder Noeleen Lalara and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection - which was originally brought to the UK by Worsley’s father Peter Worsley - is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071326_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Deborah Worsley with senior elder Noeleen Lalara and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection - which was originally brought to the UK by Worsley’s father Peter Worsley - is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071325_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Senior elder Noeleen Lalara |centre) and emerging elders Maicie Lalara (black t-shirt) and Amethea Mamarika from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_160071334_EYE
Manchester Museum hands back 174 objects to Indigenous Australian islanders.
Return of items to Anindilyakwa community hailed as landmark example of cultural repatriation.
A UK museum is returning more than 174 objects to an Indigenous Australian community in what is a being hailed as a landmark example of cultural repatriation.
Manchester Museum's return of the objects is significant because repatriation projects normally revolve around sacred or ceremonial items. Often the objects are considered stolen or were taken in shocking circumstances.
In this case, Manchester is returning everyday objects with a more mundane backstory. They include dolls made from shells, baskets, fishing spears, boomerangs, armbands and a map made from turtle shells, all being sent back to the Anindilyakwa community, who live on an archipelago in the Gulf of Carpentaria, off the northern coast of Australia.
Senior elder Noeleen Lalara |right) and emerging elder Maicie Lalara (black t-shirt) from the Australian Aboriginal Anindilyakwa Community as they celebrate the return of 174 cultural heritage items which were held by the Manchester Museum.
The Worsley collection is being returned to its rightful owners as part of a landmark repatriation project organised by the museum.
Manchester, UK. 5th September 2023.
© Christopher Thomond / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602451_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602449_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602448_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602460_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602457_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602456_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602454_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602453_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602452_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602450_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602528_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602461_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
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DUKAS_130602459_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
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DUKAS_130602532_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602529_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
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DUKAS_130602467_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602465_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602464_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602463_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_130602462_EYE
Welcome to my micro museum. Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
Andrea Ludden - Museum of Salt and Pepper Shakers - Tennessee.
‘This all started because Mom was trying to find a good pepper mill’: Andrea Ludden of the Museum of Salt and Pepper Shakers.
My mother passed away in 2015; that’s when my brother and I took over the museum. This was never in question. It had always been a family endeavour, and, practically speaking, what else was I going to do with 20,000 salt and pepper shakers?
© Erin Adams / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
