People

Celebrities and Royals from around the world. Right on schedule.

News

Daily news and events, covered by our international photographers.

Features

Odd, funny and touchy images. Be amazed.

Styling

Fashion and design trends.

Portrait

Premium Portraiture.

Reportage

In-depth Coverage.

Creative

Selected stock imagery.

Dukas Bildagentur
request@dukas.ch
+41 44 298 50 00

Your search:

257 result(s) in 0.04 s

  • Bangladesh: Colorful Fabrics Drying
    DUKAS_190493815_ZUM
    Bangladesh: Colorful Fabrics Drying
    October 28, 2025, Narayanganj, Dhaka, Bangladesh: Hundreds of colour-dyed sheets of cloth are spread across a field for drying in Narayanganj, Bangladesh. The colorful cloths which sell for less than 3 USD are arranged on patches of grass to dry out completely as it is cheaper and more sustainable to dry them out in sunlight. Once the fabrics are dried, they are made into garments like t-shirts and dresses before being sold across the world. (Credit Image: © Joy Saha/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
    Represented by ZUMA Press, Inc.

     

  • Civilians Make Autumn Camouflage Nets For The Ukrainian Army
    DUKAS_189363548_NUR
    Civilians Make Autumn Camouflage Nets For The Ukrainian Army
    A woman sews a piece of autumn military camouflage clothing for the army. (Photo by Francisco Richart Barbeira/NurPhoto)

     

  • Civilians Make Autumn Camouflage Nets For The Ukrainian Army
    DUKAS_189363539_NUR
    Civilians Make Autumn Camouflage Nets For The Ukrainian Army
    Sumy residents work on camouflage fabric to make camouflage clothing for Ukrainian soldiers. (Photo by Francisco Richart Barbeira/NurPhoto)

     

  • Civilians Make Autumn Camouflage Nets For The Ukrainian Army
    DUKAS_189363588_NUR
    Civilians Make Autumn Camouflage Nets For The Ukrainian Army
    A Sumy resident shreds green fabric to make camouflage gear for the Ukrainian army. (Photo by Francisco Richart Barbeira/NurPhoto)

     

  • Daily Life In Krakow
    DUKAS_188937857_NUR
    Daily Life In Krakow
    KRAKOW, POLAND – SEPTEMBER 16:
    Tables made from old sewing machines are seen outside a pub in Krakow’s Kazimierz district, Lesser Poland Voivodeship, Poland, on September 16, 2025. (Photo by Artur Widak/NurPhoto)

     

  • Daily Life In Krakow
    DUKAS_188937837_NUR
    Daily Life In Krakow
    KRAKOW, POLAND – SEPTEMBER 16:
    Tables made from old sewing machines are seen outside a pub in Krakow’s Kazimierz district, Lesser Poland Voivodeship, Poland, on September 16, 2025. (Photo by Artur Widak/NurPhoto)

     

  • Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    DUKAS_162999901_EYE
    Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    Frocktails started as a dinner for 30 friends. Ten years on this party of homemade dresses has inspired events around the world.

    Now in its 10th year, Melbourne Frocktails was started by a group of 30 sewers who decided to go out for dinner wearing outfits they'd made. When photos of the evening were shared on social media, others wanted to join in.

    The event grew so quickly that organisers had to start issuing tickets. Despite turning to bigger and bigger venues, they always sell out in minutes.

    Frocktails' popularity has spread well beyond Melbourne. Not only are similar events held all over Australia, from Darwin to Adelaide, but there are now Frocktails in New York, Seattle, Montreal, Cape Town, Wellington and Edinburgh.

    The Frocktails event at The Bank on Collins in Melbourne’s CBD. A celebration of all things sewing where all attendees made their own outfits. Melbourne, Australia.
    Saturday 11th November 2023.

    © Penny Stephens / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    DUKAS_162999900_EYE
    Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    Frocktails started as a dinner for 30 friends. Ten years on this party of homemade dresses has inspired events around the world.

    Now in its 10th year, Melbourne Frocktails was started by a group of 30 sewers who decided to go out for dinner wearing outfits they'd made. When photos of the evening were shared on social media, others wanted to join in.

    The event grew so quickly that organisers had to start issuing tickets. Despite turning to bigger and bigger venues, they always sell out in minutes.

    Frocktails' popularity has spread well beyond Melbourne. Not only are similar events held all over Australia, from Darwin to Adelaide, but there are now Frocktails in New York, Seattle, Montreal, Cape Town, Wellington and Edinburgh.

    Libby Hughes, Lara Finlayson, Lizzy Brennan, Helen Lamb ( sitting) Nicole Waters and Carita Kazakoff at the Frocktails event at The Bank on Collins in Melbourne’s CBD. A celebration of all things sewing where all attendees made their own outfits. Melbourne, Australia.
    Saturday 11th November 2023.

    © Penny Stephens / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    DUKAS_163002427_EYE
    Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    Frocktails started as a dinner for 30 friends. Ten years on this party of homemade dresses has inspired events around the world.

    Now in its 10th year, Melbourne Frocktails was started by a group of 30 sewers who decided to go out for dinner wearing outfits they'd made. When photos of the evening were shared on social media, others wanted to join in.

    The event grew so quickly that organisers had to start issuing tickets. Despite turning to bigger and bigger venues, they always sell out in minutes.

    Frocktails' popularity has spread well beyond Melbourne. Not only are similar events held all over Australia, from Darwin to Adelaide, but there are now Frocktails in New York, Seattle, Montreal, Cape Town, Wellington and Edinburgh.

    Libby Hughes, Lara Finlayson, Lizzy Brennan, Helen Lamb ( sitting) Nicole Waters and Carita Kazakoff at the Frocktails event at The Bank on Collins in Melbourne’s CBD. A celebration of all things sewing where all attendees made their own outfits. Melbourne, Australia. Picture : Penny Stephens. The Guardian Australia. Saturday 11th November 2023

    © Penny Stephens / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    DUKAS_162999902_EYE
    Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    Frocktails started as a dinner for 30 friends. Ten years on this party of homemade dresses has inspired events around the world.

    Now in its 10th year, Melbourne Frocktails was started by a group of 30 sewers who decided to go out for dinner wearing outfits they'd made. When photos of the evening were shared on social media, others wanted to join in.

    The event grew so quickly that organisers had to start issuing tickets. Despite turning to bigger and bigger venues, they always sell out in minutes.

    Frocktails' popularity has spread well beyond Melbourne. Not only are similar events held all over Australia, from Darwin to Adelaide, but there are now Frocktails in New York, Seattle, Montreal, Cape Town, Wellington and Edinburgh.

    Ebony Marcha and Amber Dagher at the Frocktails event at The Bank on Collins in Melbourne’s CBD. A celebration of all things sewing where all attendees made their own outfits. Melbourne, Australia.
    Saturday 11th November 2023.

    © Penny Stephens / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    DUKAS_162999906_EYE
    Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    Frocktails started as a dinner for 30 friends. Ten years on this party of homemade dresses has inspired events around the world.

    Now in its 10th year, Melbourne Frocktails was started by a group of 30 sewers who decided to go out for dinner wearing outfits they'd made. When photos of the evening were shared on social media, others wanted to join in.

    The event grew so quickly that organisers had to start issuing tickets. Despite turning to bigger and bigger venues, they always sell out in minutes.

    Frocktails' popularity has spread well beyond Melbourne. Not only are similar events held all over Australia, from Darwin to Adelaide, but there are now Frocktails in New York, Seattle, Montreal, Cape Town, Wellington and Edinburgh.

    Organiser Lisa at the Frocktails event at The Bank on Collins in Melbourne’s CBD. A celebration of all things sewing where all attendees made their own outfits. Melbourne, Australia.
    Saturday 11th November 2023.

    © Penny Stephens / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    DUKAS_162999905_EYE
    Sew sisters: the Melbourne gala where 'it's not weird to touch each other's clothes'
    Frocktails started as a dinner for 30 friends. Ten years on this party of homemade dresses has inspired events around the world.

    Now in its 10th year, Melbourne Frocktails was started by a group of 30 sewers who decided to go out for dinner wearing outfits they'd made. When photos of the evening were shared on social media, others wanted to join in.

    The event grew so quickly that organisers had to start issuing tickets. Despite turning to bigger and bigger venues, they always sell out in minutes.

    Frocktails' popularity has spread well beyond Melbourne. Not only are similar events held all over Australia, from Darwin to Adelaide, but there are now Frocktails in New York, Seattle, Montreal, Cape Town, Wellington and Edinburgh.

    Stephanie Rabusa, Marina Paul and Nathaniel Irving at the Frocktails event at The Bank on Collins in Melbourne’s CBD. A celebration of all things sewing where all attendees made their own outfits. Melbourne, Australia.
    Saturday 11th November 2023.

    © Penny Stephens / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_026
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_025
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_024
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_023
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_022
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_021
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_020
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_019
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_018
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_017
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_016
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_015
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_014
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_013
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_012
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_011
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_010
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_009
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_008
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_007
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_006
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_005
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_004
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_003
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_002
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz
    DUK10144738_001
    FEATURE - Polnische Künstlerin erschafft Verblüffendes aus Filz


    Polish artist Alicja Kozlowska creates unusual art about everyday objects - by creating near-perfect embroidered sculptures of them using felt and sewing skills.

    Inspired by conceptual artist Marcel Duchamp and Pop Art pioneer Andy Warhol, she uses a needle “like a brush”, felt, and materials from labels, newspapers, and packaging to create sculptures that look exactly like the real-life products.

    These include a banana skin that would fool any pedestrian, realistic soft drink cans and bottles, crisp packets, chocolate bars and sweets, a pourable bottle of Heinz ketchup and a Kellogg’s box, as well as Doc Martens and Crocs shoes. In a nod to Warhol, she’s even created her own embroidered felt version of a Campbell’s Soup can.

    Explaining what drives her, she says: “I'm inspired by daily life, everyday objects, mass culture, things to which we do not pay special attention, which are an indispensable part of our everyday life. It all intertwines with Pop Art. It's kind of infected in a positive sense.”

    Although the objects look like flawlessly simple recreations, Alicja explains that making her sculptures is a painstaking and selective process.

    “I am looking for mass production products that on the one hand have an interesting shape and recognizable logo and on the other hand can be a tool for articulating ideas,” she adds.

    “Felt pattern is my base. This is probably the most difficult, a bit technical stage. Depending on the intended purpose, I use different fillings and fixing techniques. When the skeleton of the construction is ready, my favorite, most creative stage, thread painting begins. I embroider by hand and use a sewing machine with open toe embroidery foot with lots of interesting stitches.”

    For her latest project, i.d., which is ongoing as of August 2021, Alicja is asking fans of her work from around the world to send in pictures of a drawer full of meaningful old items she can recreate in sculpture form. More details

    (c) Dukas

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121924015_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923950_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923955_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923915_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923945_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923956_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923943_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923982_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121924010_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923941_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923975_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    DUKAS_121923954_EYE
    Bayeux Tapestry being recreated by primary school teacher - who will even weave in original errors. Mia Hansson is recreating a full-scale replica tapestry, which will have taken ten years to stitch by the time it is completed
    Bayeux Tapestry being recreated by primary school teacher. It is one of the most famous depictions of a key chapter in British history - telling the story of how the Normans came to vanquish King Harold and his men at the battle of Hastings. Now an artist and primary school teacher is recreating a full-scale replica of the Bayeux Tapestry stitch by painstaking stitch - including all its original flaws and mistakes.
    Whereas the original 70-metre long tapestry was produced by teams of skilled embroiderers Mia Hansson has only herself to rely on. Which explains why she has not only been working on the project for the past five years, but expects to be at it for another five. “I was searching for something that I can’t finish in a hurry”. Ms Hansson, originally from Sweden and now living in Wisbech, Cambridgeshire, is drawing all the shapes and figures by freehand, using a measuring tape and calculator to scale up from photographs of the tapestry.© Jason Bye / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Jason Bye / eyevine.

     

  • Next page