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DUKAS_190842781_NUR
Squash Bees
Squash bees (Peponapis pruinosa) pollinate an acorn squash flower in Toronto, Ontario, Canada, on July 23, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_190789016_NUR
Single Yellow Maple Leaf Clings To Bare Branches Against Blue Sky
A single yellow leaf clings to the bare, outstretched branches of a tree, contrasting sharply with the bright blue sky in Munich, Bavaria, Germany, on November 5, 2025. This scene symbolizes the end of the autumn season. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190302330_NUR
Daylight Savings Time Illustration
An oven clock is seen in Warsaw, Poland on 23 October, 2025. On the night from Saturday to Sunday, October 26th most European countries will move time forward by one hour because of Daylight Savings Time (DST) chaing from summer to winter time. (Photo by Jaap Arriens/NurPhoto) -
DUKAS_190267555_NUR
Japanese Beetle On A Queen Anne's Lace Flower
A Japanese beetle (Popillia japonica) is on a Queen Anne's Lace (Daucus carota) flower in Markham, Ontario, Canada, on July 20, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_190267458_NUR
Two-striped Grasshopper Nymph
A two-striped grasshopper nymph (Melanoplus bivittatus) is in Markham, Ontario, Canada, on July 20, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_189787544_NUR
Cluster Of Stink Bug Eggs On A Leaf
A cluster of stink bug eggs is on a leaf in Toronto, Ontario, Canada, on July 23, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_189787543_NUR
Cluster Of Stink Bug Eggs On A Leaf
A cluster of stink bug eggs is on a leaf in Toronto, Ontario, Canada, on July 23, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_189787542_NUR
Cluster Of Stink Bug Eggs On A Leaf
A cluster of stink bug eggs is on a leaf in Toronto, Ontario, Canada, on July 23, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_189784108_NUR
Signal Fly
A Signal Fly (Rivellia sp.) is in Toronto, Ontario, Canada, on July 20, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_189663958_NUR
Eastern Boxelder Bugs
Eastern boxelder bugs (Boisea trivittata) are in Markham, Ontario, Canada, on October 4, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_189663957_NUR
Eastern Boxelder Bugs
Eastern boxelder bugs (Boisea trivittata) are in Markham, Ontario, Canada, on October 4, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_189615446_NUR
Incessant Rainfall In Nepal
Misty weather appears after incessant rainfall in Kirtipur, Kathmandu, Nepal, on October 5, 2025. (Photo by Narayan Maharjan/NurPhoto) -
DUKAS_189615439_NUR
Incessant Rainfall In Nepal
Misty weather appears after incessant rainfall in Kirtipur, Kathmandu, Nepal, on October 5, 2025. (Photo by Narayan Maharjan/NurPhoto) -
DUKAS_189615438_NUR
Incessant Rainfall In Nepal
Water droplets appear on a rose leaf after incessant rainfall in Kirtipur, Kathmandu, Nepal, on October 5, 2025. (Photo by Narayan Maharjan/NurPhoto) -
DUKAS_189615432_NUR
Incessant Rainfall In Nepal
Pedestrians travel in incessant rainfall with an umbrella in Kirtipur, Kathmandu, Nepal, on October 4, 2025. (Photo by Narayan Maharjan/NurPhoto) -
DUKAS_189615431_NUR
Incessant Rainfall In Nepal
Pedestrians travel in incessant rainfall in Kirtipur, Kathmandu, Nepal, on October 4, 2025. (Photo by Narayan Maharjan/NurPhoto) -
DUKAS_189615430_NUR
Incessant Rainfall In Nepal
Pedestrians travel in incessant rainfall with an umbrella in Kirtipur, Kathmandu, Nepal, on October 4, 2025. (Photo by Narayan Maharjan/NurPhoto) -
DUKAS_189292077_NUR
Blue Dasher Dragonfly
The Blue Dasher dragonfly (Pachydiplax longipennis) is in Markham, Ontario, Canada, on July 20, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_189253081_NUR
Picture-winged Fly
A picture-winged fly (Chaetopsis massyla) is on the leaf of a reed plant in Markham, Ontario, Canada, on July 20, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_189240232_NUR
European Earwig
A European earwig (Forficula auricularia) is on a leaf in Toronto, Ontario, Canada, on July 20, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUK10146174_020
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_019
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_018
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_017
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_016
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_015
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_014
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_013
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_012
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_011
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_010
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_009
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_008
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_007
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_006
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_005
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_004
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_003
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_002
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10146174_001
FEATURE - Künstler schnitzt winzige, komplizierte Vogelskulpturen unter einem Mikroskop
A French artist creates incredible tiny sculptures of birds under a microscope.
Marie Cohdon spends hundreds of hours sculpting the intricate designs on ordinary pencil leads or on hardened glue using scalpels.
They are then painted using watercolours.
Marie reveals that sometimes it can take her up to one week to work on one single detail because it is so small.
"There are several delicate steps in my work,' Marie explains.
"For example, painting the beak of a bird, I can start it again 10 or 20 times."
The microsculptures are all carved under a microscope and measure between 0.5 mm and 3 mm high.
The details are imperceptible to the naked eye and can only be seen using a magnifying glass eye loupe often used by watchmakers and jewellers.
"Carving under a microscope means that every little tool like a needle becomes huge and a danger for the sculpture in progress.' explains Marie.
A self-taught artist, Marie finds peace in her work as it allows her to switch off from the outside world.
"Through my microscope, I can’t see my hands or my fingers, I disappear, I have the feeling that only my mind and my heart remain to work.'
"I become something of a ghost for a while, active in an area insignificant even to an ant.'
"This job gives me the opportunity to surpass myself and I am always sure that when I start a new sculpture, I will not be disappointed."
When: 03 Nov 2021
Credit: Marie Cohydon/Cover Images
**EDITORIAL USE ONLY. MATERIALS ONLY TO BE USED IN CONJUNCTION WITH EDITORIAL STORY. THE USE OF THESE MATERIALS FOR ADVERTISING, MARKETING OR ANY OTHER COMMERCIAL PURPOSE IS STRICTLY PROHIBITED. MATERIAL COPYRIGHT REMAINS WITH MARIE COHYDON.** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
DUK10125911_071
REPORTAGE - Costa Rica
Red eyed tree frog, Agalychnis callidrias curious treefrog in rainforest Costa Rica, Central America. (Photo by Sergi Reboredo/Sipa USA) *** Local Caption *** 28239169
(c) Dukas -
DUK10125911_061
REPORTAGE - Costa Rica
Red eyed tree frog, Agalychnis callidrias curious treefrog in rainforest Costa Rica, Central America. (Photo by Sergi Reboredo/Sipa USA) *** Local Caption *** 28239166
(c) Dukas -
DUK10125911_019
REPORTAGE - Costa Rica
Strawberry poison-arrrow frog, red-and-blue poison-arrow frog, flaming poison-arrow frog, Blue Jeans Poison Dart Frog (Dendrobates pumilio), sitting on a leaf, Costa Rica (Photo by Sergi Reboredo/Sipa USA) *** Local Caption *** 28239196
(c) Dukas -
DUK10125911_005
REPORTAGE - Costa Rica
Red eyed tree frog, Agalychnis callidrias curious treefrog in rainforest Costa Rica, Central America. (Photo by Sergi Reboredo/Sipa USA) *** Local Caption *** 28239199
(c) Dukas -
DUK10115979_001
FEATURE - Biene sammelt Pollen
Bees collect pollen on a field full of crocus flowers in Marktoberdorf, Allgäu, Bavaria, Germany, March 06, 2019.
*** Local Caption *** 29538223
(c) Dukas -
DUK10115979_004
FEATURE - Biene sammelt Pollen
Bees collect pollen on a field full of crocus flowers in Marktoberdorf, Allgäu, Bavaria, Germany, March 06, 2019.
*** Local Caption *** 29538220
(c) Dukas -
DUK10115979_002
FEATURE - Biene sammelt Pollen
Bees collect pollen on a field full of crocus flowers in Marktoberdorf, Allgäu, Bavaria, Germany, March 06, 2019.
*** Local Caption *** 29538222
(c) Dukas -
DUK10115979_006
FEATURE - Biene sammelt Pollen
Bees collect pollen on a field full of crocus flowers in Marktoberdorf, Allgäu, Bavaria, Germany, March 06, 2019.
*** Local Caption *** 29538217
(c) Dukas -
DUK10115979_005
FEATURE - Biene sammelt Pollen
Bees collect pollen on a field full of crocus flowers in Marktoberdorf, Allgäu, Bavaria, Germany, March 06, 2019.
*** Local Caption *** 29538218
(c) Dukas -
DUK10115979_003
FEATURE - Biene sammelt Pollen
Bees collect pollen on a field full of crocus flowers in Marktoberdorf, Allgäu, Bavaria, Germany, March 06, 2019.
*** Local Caption *** 29538219
(c) Dukas -
