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DUKAS_185916427_FER
Sensitive skin to give robots the human touch
Ferrari Press Agency
Robot skin 1
Ref 16900
12/06/2024
See Ferrari text
Pictures must credit: University of Cambridge
Scientists have developed a low-cost, durable, highly-sensitive robotic ‘skin’ that can be added to robotic hands enabling robots to detect information about their surroundings in a way that’s similar to humans.
The UK researchers, from the University of Cambridge and University College London say the conductive skin is easy to fabricate and can be melted down and formed into a wide range of complex shapes.
The artificial skin is packed with ultra-sensitive sensors that detect pressure, texture, temperature and even “pain-like signals.”
The skin is made from an electrolysed hydrogel with electrodes embedded around the wrist.
Electrical fields generated across the skin detect different types of stimulation.
These sensors monitor thousands of bits of information which detect
where the stimulation is and the type.
Although the robotic skin is not as sensitive as human skin, it can detect signals from over 860,000 tiny pathways in the material.
It can recognise different types of touch and pressure – like the tap of a finger, a hot or cold surface, damage caused by cutting or stabbing, or multiple points being touched at once – in a single material.
OPS: The electrolysed hydrogel used for the skin moulded into the shape of a hand.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_185916426_FER
Sensitive skin to give robots the human touch
Ferrari Press Agency
Robot skin 1
Ref 16900
12/06/2024
See Ferrari text
Pictures must credit: University of Cambridge
Scientists have developed a low-cost, durable, highly-sensitive robotic ‘skin’ that can be added to robotic hands enabling robots to detect information about their surroundings in a way that’s similar to humans.
The UK researchers, from the University of Cambridge and University College London say the conductive skin is easy to fabricate and can be melted down and formed into a wide range of complex shapes.
The artificial skin is packed with ultra-sensitive sensors that detect pressure, texture, temperature and even “pain-like signals.”
The skin is made from an electrolysed hydrogel with electrodes embedded around the wrist.
Electrical fields generated across the skin detect different types of stimulation.
These sensors monitor thousands of bits of information which detect
where the stimulation is and the type.
Although the robotic skin is not as sensitive as human skin, it can detect signals from over 860,000 tiny pathways in the material.
It can recognise different types of touch and pressure – like the tap of a finger, a hot or cold surface, damage caused by cutting or stabbing, or multiple points being touched at once – in a single material.
OPS: A robotic hand with the sensitive new skin
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_185916425_FER
Sensitive skin to give robots the human touch
Ferrari Press Agency
Robot skin 1
Ref 16900
12/06/2024
See Ferrari text
Pictures must credit: University of Cambridge
Scientists have developed a low-cost, durable, highly-sensitive robotic ‘skin’ that can be added to robotic hands enabling robots to detect information about their surroundings in a way that’s similar to humans.
The UK researchers, from the University of Cambridge and University College London say the conductive skin is easy to fabricate and can be melted down and formed into a wide range of complex shapes.
The artificial skin is packed with ultra-sensitive sensors that detect pressure, texture, temperature and even “pain-like signals.”
The skin is made from an electrolysed hydrogel with electrodes embedded around the wrist.
Electrical fields generated across the skin detect different types of stimulation.
These sensors monitor thousands of bits of information which detect
where the stimulation is and the type.
Although the robotic skin is not as sensitive as human skin, it can detect signals from over 860,000 tiny pathways in the material.
It can recognise different types of touch and pressure – like the tap of a finger, a hot or cold surface, damage caused by cutting or stabbing, or multiple points being touched at once – in a single material.
OPS: Illustration of some of the things the skin can sense.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_185916424_FER
Sensitive skin to give robots the human touch
Ferrari Press Agency
Robot skin 1
Ref 16900
12/06/2024
See Ferrari text
Pictures must credit: University of Cambridge
Scientists have developed a low-cost, durable, highly-sensitive robotic ‘skin’ that can be added to robotic hands enabling robots to detect information about their surroundings in a way that’s similar to humans.
The UK researchers, from the University of Cambridge and University College London say the conductive skin is easy to fabricate and can be melted down and formed into a wide range of complex shapes.
The artificial skin is packed with ultra-sensitive sensors that detect pressure, texture, temperature and even “pain-like signals.”
The skin is made from an electrolysed hydrogel with electrodes embedded around the wrist.
Electrical fields generated across the skin detect different types of stimulation.
These sensors monitor thousands of bits of information which detect
where the stimulation is and the type.
Although the robotic skin is not as sensitive as human skin, it can detect signals from over 860,000 tiny pathways in the material.
It can recognise different types of touch and pressure – like the tap of a finger, a hot or cold surface, damage caused by cutting or stabbing, or multiple points being touched at once – in a single material.
OPS: A robotic hand with the sensitive new skin under testing
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_185916423_FER
Sensitive skin to give robots the human touch
Ferrari Press Agency
Robot skin 1
Ref 16900
12/06/2024
See Ferrari text
Pictures must credit: University of Cambridge
Scientists have developed a low-cost, durable, highly-sensitive robotic ‘skin’ that can be added to robotic hands enabling robots to detect information about their surroundings in a way that’s similar to humans.
The UK researchers, from the University of Cambridge and University College London say the conductive skin is easy to fabricate and can be melted down and formed into a wide range of complex shapes.
The artificial skin is packed with ultra-sensitive sensors that detect pressure, texture, temperature and even “pain-like signals.”
The skin is made from an electrolysed hydrogel with electrodes embedded around the wrist.
Electrical fields generated across the skin detect different types of stimulation.
These sensors monitor thousands of bits of information which detect
where the stimulation is and the type.
Although the robotic skin is not as sensitive as human skin, it can detect signals from over 860,000 tiny pathways in the material.
It can recognise different types of touch and pressure – like the tap of a finger, a hot or cold surface, damage caused by cutting or stabbing, or multiple points being touched at once – in a single material.
OPS: A robotic hand with the sensitive new skin feels the touch of a human
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_185916422_FER
Sensitive skin to give robots the human touch
Ferrari Press Agency
Robot skin 1
Ref 16900
12/06/2024
See Ferrari text
Pictures must credit: University of Cambridge
Scientists have developed a low-cost, durable, highly-sensitive robotic ‘skin’ that can be added to robotic hands enabling robots to detect information about their surroundings in a way that’s similar to humans.
The UK researchers, from the University of Cambridge and University College London say the conductive skin is easy to fabricate and can be melted down and formed into a wide range of complex shapes.
The artificial skin is packed with ultra-sensitive sensors that detect pressure, texture, temperature and even “pain-like signals.”
The skin is made from an electrolysed hydrogel with electrodes embedded around the wrist.
Electrical fields generated across the skin detect different types of stimulation.
These sensors monitor thousands of bits of information which detect
where the stimulation is and the type.
Although the robotic skin is not as sensitive as human skin, it can detect signals from over 860,000 tiny pathways in the material.
It can recognise different types of touch and pressure – like the tap of a finger, a hot or cold surface, damage caused by cutting or stabbing, or multiple points being touched at once – in a single material.
OPS: A robotic hand with the sensitive new skin, shakes hands with a human.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_185657680_NUR
Two Young People Walk Hand In Hand In A Group In A Park
Four young people walk along a tree-lined path in a green park, with two of them holding hands, in Straubing, Lower Bavaria, Bavaria, Germany, on April 26, 2025. The group strolls past the old town wall under spring foliage, with a church tower visible in the background. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_185639632_NUR
Couple In Tense Moment On Park Bench
A young couple sits on a curved bench in a park, with the man leaning forward and holding his head while the woman sits upright beside him, in Prague, Czech Republic, on May 11, 2025. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_185569778_NUR
Man Alone By The River
A man stands by the railing near Hohenzollern Bridge, gazing at the Cologne Cathedral in Cologne, North Rhine-Westphalia, Germany, on May 21, 2025. The bridge is known for its thousands of love locks and offers a popular viewpoint of the historic Gothic landmark across the Rhine River. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_184797710_NUR
Young Boy Alone
A young boy walks along a polished stone corridor, touching the marble wall as light filters through decorative patterned glass in Prague, Czech Republic, on May 10, 2025. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_135214905_EYE
Experience: I’m a musician who became allergic to music.
Experience - Chris Singleton is a musician who suffered from hyperacusis - a condition where he find sound painful.
The term hyperacusis is generally applied to people who experience the sounds of everyday life as intrusively loud, uncomfortable, and sometimes painful.
Chirs: Everyday noises also caused me pain: the toilet flushing, plates clinking.
14 January 2022.
© Amit Lennon / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_135214875_EYE
Experience: I’m a musician who became allergic to music.
Experience - Chris Singleton is a musician who suffered from hyperacusis - a condition where he find sound painful.
The term hyperacusis is generally applied to people who experience the sounds of everyday life as intrusively loud, uncomfortable, and sometimes painful.
Chirs: Everyday noises also caused me pain: the toilet flushing, plates clinking.
14 January 2022.
© Amit Lennon / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_135214878_EYE
Experience: I’m a musician who became allergic to music.
Experience - Chris Singleton is a musician who suffered from hyperacusis - a condition where he find sound painful.
The term hyperacusis is generally applied to people who experience the sounds of everyday life as intrusively loud, uncomfortable, and sometimes painful.
Chirs: Everyday noises also caused me pain: the toilet flushing, plates clinking.
14 January 2022.
© Amit Lennon / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_135214879_EYE
Experience: I’m a musician who became allergic to music.
Experience - Chris Singleton is a musician who suffered from hyperacusis - a condition where he find sound painful.
The term hyperacusis is generally applied to people who experience the sounds of everyday life as intrusively loud, uncomfortable, and sometimes painful.
Chirs: Everyday noises also caused me pain: the toilet flushing, plates clinking.
14 January 2022.
© Amit Lennon / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_135214877_EYE
Experience: I’m a musician who became allergic to music.
Experience - Chris Singleton is a musician who suffered from hyperacusis - a condition where he find sound painful.
The term hyperacusis is generally applied to people who experience the sounds of everyday life as intrusively loud, uncomfortable, and sometimes painful.
Chirs: Everyday noises also caused me pain: the toilet flushing, plates clinking.
14 January 2022.
© Amit Lennon / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_135214876_EYE
Experience: I’m a musician who became allergic to music.
Experience - Chris Singleton is a musician who suffered from hyperacusis - a condition where he find sound painful.
The term hyperacusis is generally applied to people who experience the sounds of everyday life as intrusively loud, uncomfortable, and sometimes painful.
Chirs: Everyday noises also caused me pain: the toilet flushing, plates clinking.
14 January 2022.
© Amit Lennon / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUK10145630_018
NEWS - Ölverschmutzung am Strand in Huntington Beach, Kalifornien
Mandatory Credit: Photo by Allen J Schaben/Los Angeles Times/Shutterstock (12524353bw)
Egrets feed at dawn in the oil-polluted waters of the ecologically sensitive Talbert Marsh after a major oil spill flowed into the wetlands after a major oil spill in Huntington Beach Monday, Oct. 4, 2021. Cleanup crews began cleaning up the the damage from a major oil spill off the Orange County coast that left crude spoiling beaches, killing fish and birds and threatening local wetlands. The oil slick is believed to have originated from a pipeline leak, pouring 126,000 gallons into the coastal waters and seeping into the Talbert Marsh as lifeguards deployed floating barriers known as booms to try to stop further incursion, said Jennifer Carey, Huntington Beach city spokesperson. At sunrise Sunday, oil was on the sand in some parts of Huntington Beach with slicks visible in the ocean as well. "We classify this as a major spill, and it is a high priority to us to mitigate any environmental concerns," Carey said. "It's all hands on deck." (Allen J. Schaben / Los Angeles Times)
Major oil spill in Huntington Beach, Huntington Beach, California, United States - 04 Oct 2021
(c) Dukas -
DUK10097728_018
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169553
Sonderkonditionen! -
DUK10097728_017
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169552
Sonderkonditionen! -
DUK10097728_016
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169551
Sonderkonditionen! -
DUK10097728_015
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169550
Sonderkonditionen! -
DUK10097728_020
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169549
Sonderkonditionen! -
DUK10097728_005
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169566
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DUK10097728_001
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169567
Sonderkonditionen! -
DUK10097728_004
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
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T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169565
Sonderkonditionen! -
DUK10097728_019
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169548
Sonderkonditionen! -
DUK10097728_003
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest. ***ever so slightly soft on his face but the one in mirror is sharp***
© David Levene / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169564
Sonderkonditionen! -
DUK10097728_002
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169563
Sonderkonditionen! -
DUK10097728_008
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169562
Sonderkonditionen! -
DUK10097728_006
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169561
Sonderkonditionen! -
DUK10097728_014
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169559
Sonderkonditionen! -
DUK10097728_007
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169560
Sonderkonditionen! -
DUK10097728_013
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169558
Sonderkonditionen! -
DUK10097728_012
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169557
Sonderkonditionen! -
DUK10097728_011
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169556
Sonderkonditionen! -
DUK10097728_010
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169555
Sonderkonditionen! -
DUK10097728_009
STUDIO - John Ford
John Ford, who was named in the Leveson inquiry into press ethics, and has mentioned in books on blagging. He has been talking about how he used his talent for the art of deception to acquire personal financial details of hundreds of targets, from cabinet ministers to publishers, businessmen and celebrities. He worked for private investigators but his principal client, accounting for the bulk of his work, he says, was the Sunday Times. At the time, he did not question the morality of what he was doing. He believed he was exposing stories in the public interest.
© David Levene / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE) *** Local Caption *** 02169554
Sonderkonditionen! -
DUKAS_18784272_REP
Little girl enjoying spring flowers
Little girl enjoying spring flowers
Visions / Reporters
Orig. filename : visi40957.jpg
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DUKAS_14073130_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Oil containment booms stretch out through the ecologically sensitive wetlands and marshes of Plaquemines parish in an effort to prevent oil from killing the marshes. Photo Credit: Charlie Varley/Sipa Press/1005061529 (FOTO: DUKAS/SIPA)
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DUKAS_14073070_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Friends of fishing guide William Bradford glide through a mix of oil and dispersant, 10 miles south of Venice Marina and approximately 34 miles from the site of the Deepwater Horizon's sunken oil platform. The sludge is a gelatinous mix with the consistency of diarrhea, sometimes clumped together in large masses so thick you can not see the ocean through it. The water, for miles and miles is filled with small pea shaped clumps, most the size of every kind of fish food available from small fish shape to shrimp to plankton. It is everywhere. The sheen on the surface is everywhere. It stretches for miles and miles and miles and miles and miles. Dead Jellyfish shrivel in the mix, the main seafood of turtles passing through at this time of year. Photo Credit: Charlie Varley/Sipa Press/1005061529 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14073036_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Gluiding through a mix of oil and dispersant, 10 miles south of Venice Marina and approximately 34 miles from the site of the Deepwater Horizon's sunken oil platform. The sludge is a gelatinous mix with the consistency of diarrhea, sometimes clumped together in large masses so thick you can not see the ocean through it. The water, for miles and miles is filled with small pea shaped clumps, most the size of every kind of fish food available from small fish shape to shrimp to plankton. It is everywhere. The sheen on the surface is everywhere. It stretches for miles and miles and miles and miles and miles. Dead Jellyfish shrivel in the mix, the main seafood of turtles passing through at this time of year. Photo Credit: Charlie Varley/Sipa Press/1005061529 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14073018_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Gliding through a mix of oil and dispersant, 10 miles south of Venice Marina and approximately 34 miles from the site of the Deepwater Horizon's sunken oil platform. The sludge is a gelatinous mix with the consistency of diarrhea, sometimes clumped together in large masses so thick you can not see the ocean through it. The water, for miles and miles is filled with small pea shaped clumps, most the size of every kind of fish food available from small fish shape to shrimp to plankton. It is everywhere. The sheen on the surface is everywhere. It stretches for miles and miles and miles and miles and miles. Dead Jellyfish shrivel in the mix, the main seafood of turtles passing through at this time of year. Photo Credit: Charlie Varley/Sipa Press/1005061531 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14073014_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Oil containment booms stretch out through the ecologically sensitive wetlands and marshes of Plaquemines parish in an effort to prevent oil from killing the marshes. Photo Credit: Charlie Varley/Sipa Press/1005061529 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14073010_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Friends of fishing guide William Bradford glide through a mix of oil and dispersant, 10 miles south of Venice Marina and approximately 34 miles from the site of the Deepwater Horizon's sunken oil platform. The sludge is a gelatinous mix with the consistency of diarrhea, sometimes clumped together in large masses so thick you can not see the ocean through it. The water, for miles and miles is filled with small pea shaped clumps, most the size of every kind of fish food available from small fish shape to shrimp to plankton. It is everywhere. The sheen on the surface is everywhere. It stretches for miles and miles and miles and miles and miles. Dead Jellyfish shrivel in the mix, the main seafood of turtles passing through at this time of year. Photo Credit: Charlie Varley/Sipa Press/1005061529 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14073007_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Oil containment booms stretch out through the ecologically sensitive wetlands and marshes of Plaquemines parish in an effort to prevent oil from killing the marshes. Photo Credit: Charlie Varley/Sipa Press/1005061529 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14072998_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Gliding through a mix of oil and dispersant, 10 miles south of Venice Marina and approximately 34 miles from the site of the Deepwater Horizon's sunken oil platform. The sludge is a gelatinous mix with the consistency of diarrhea, sometimes clumped together in large masses so thick you can not see the ocean through it. The water, for miles and miles is filled with small pea shaped clumps, most the size of every kind of fish food available from small fish shape to shrimp to plankton. It is everywhere. The sheen on the surface is everywhere. It stretches for miles and miles and miles and miles and miles. Dead Jellyfish shrivel in the mix, the main seafood of turtles passing through at this time of year. Photo Credit: Charlie Varley/Sipa Press/1005061531 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14072971_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Friends of fishing guide William Bradford glide through a mix of oil and dispersant, 10 miles south of Venice Marina and approximately 34 miles from the site of the Deepwater Horizon's sunken oil platform. The sludge is a gelatinous mix with the consistency of diarrhea, sometimes clumped together in large masses so thick you can not see the ocean through it. The water, for miles and miles is filled with small pea shaped clumps, most the size of every kind of fish food available from small fish shape to shrimp to plankton. It is everywhere. The sheen on the surface is everywhere. It stretches for miles and miles and miles and miles and miles. Dead Jellyfish shrivel in the mix, the main seafood of turtles passing through at this time of year. Photo Credit: Charlie Varley/Sipa Press/1005061529 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14072964_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Oil containment booms stretch out through the ecologically sensitive wetlands and marshes of Plaquemines parish in an effort to prevent oil from killing the marshes. Photo Credit: Charlie Varley/Sipa Press/1005061529 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14072954_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Fishing guide William Bradford picks up sludge as he glides through a mix of oil and dispersant, 10 miles south of Venice Marina and approximately 34 miles from the site of the Deepwater Horizon's sunken oil platform. The sludge is a gelatinous mix with the consistency of diarrhea, sometimes clumped together in large masses so thick you can not see the ocean through it. The water, for miles and miles is filled with small pea shaped clumps, most the size of every kind of fish food available from small fish shape to shrimp to plankton. It is everywhere. The sheen on the surface is everywhere. It stretches for miles and miles and miles and miles and miles. Dead Jellyfish shrivel in the mix, the main seafood of turtles passing through at this time of year. Photo Credit: Charlie Varley/Sipa Press/1005061531 (FOTO: DUKAS/SIPA)
DUKAS/SIPA -
DUKAS_14072889_SIP
NEW ORLEANS: GULF OF MEXICO BP OIL SPILL DISASTER
05 May 2010. Venice, Louisiana. Deepwater Horizon, British Petroleum environmental oil spill disaster.
Fishing guide William Bradford picks up sludge as he glides through a mix of oil and dispersant, 10 miles south of Venice Marina and approximately 34 miles from the site of the Deepwater Horizon's sunken oil platform. The sludge is a gelatinous mix with the consistency of diarrhea, sometimes clumped together in large masses so thick you can not see the ocean through it. The water, for miles and miles is filled with small pea shaped clumps, most the size of every kind of fish food available from small fish shape to shrimp to plankton. It is everywhere. The sheen on the surface is everywhere. It stretches for miles and miles and miles and miles and miles. Dead Jellyfish shrivel in the mix, the main seafood of turtles passing through at this time of year. Photo Credit: Charlie Varley/Sipa Press/1005061521 (FOTO: DUKAS/SIPA)
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